Hopwood & Crew
Last updated: 06.07.26
Hopwood & Crew has 465 publications posted in these webpages. They include 4 items of piano sheet music at the Amazons, 26 items of sheet music *.PDF files and 435 items of sheet music in the List of Works (Werkverzeichnisse).
| Title | Author | Supplier |
|---|
| Piano Sheet Music: | |||
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Oh, Honey, My Honey | I. Caryll | 
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The Mocking Bird | E. Kent | 
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Fine and Fresh and Blooming | H.E. Pether |
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Put on De Golden Sword | M.H. Rosenfeld |
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| Title | Attribution | Instruments | Source |
|---|
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England for the English (1888) | J.S. Baker (music) Fred K. Bowyer (words) H. Campbell (perf.) |
Piano, Voice | IMSLP |
|
Shop Girl (n.d.), The | I. Caryll (music) Henry Jackson Wells Dam (words) Ada Reeve (perf.) |
Piano | IMSLP |
|
Coote's Cure Lancers (1865) | C. Coote (music) | Piano | IMSLP |
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Messenger of Love (1860c) | C. Coote (music) Eliza Weathersby (perf.) Harry Beckett (perf.) |
Piano | IMSLP Lester S. Levy Sheet Music Collection |
|
Sammy Stammers (n.d.) | T.V. Davies (music) J.F. McArdle (words) James Francis (perf.) G.W. Anson (perf.) Lionel Brough (perf.) Charles Collette (perf.) |
Piano, Voice | Lester S. Levy Sheet Music Collection |
|
Gold, Gold, Gold! (1876) | G.W. Hunt (w&m) G. Leybourne (perf.) |
Piano, Voice | Sheet Music Singer |
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MacDermott's War Song (1877) | G.W. Hunt (music) G.H. MacDermott (perf.) |
Piano | IMSLP |
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⇑They All Belong to Mary (n.d.) | G.W. Hunt (w&m) J. W. Rowley (perf.) |
Piano, Voice | IMSLP |
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Amorous Goldfish (1896), The | S. Jones (music) Harry Greenbank (words) Marie Tempest (perf.) |
Piano, Voice | Sheet Music Singer |
|
Artist's Model (1895), An | S. Jones (music) Harry Greenbank (words) |
Piano, Voice | IMSLP |
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Gaiety Girl (1893), A | S. Jones (music) Harry Greenbank (words) |
Piano, Voice | IMSLP |
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Geisha (1896), The | S. Jones (music) Harry Greenbank (words) |
Piano, Voice | IMSLP |
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Greek Slave (1892), A | S. Jones (music) Harry Greenbank (words) |
Piano, Voice | IMSLP |
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Interfering Parrot (1896), The | S. Jones (music) Letty Lind (perf.) |
Piano, Voice | Sheet Music Singer |
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Never Mind the Weather (1901) | L. Lehmann (music) Tom Heffernan (words) Alice Hollander (perf.) |
Piano, Voice | IMSLP |
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⇑Sergeant Brue (1904) | L. Lehmann (music) Jay Hickory Wood (words) |
Piano, Voice | IMSLP |
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Italian Guinea Pig Boy (1866) | W.H. Lingard (w&m) H C Maguire (words) W.H. Lingard (perf.) |
Piano, Voice | Indiana |
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Two Obadiahs (1876), The | H.P. Lyste (w&m) J.L. Toole (perf.) |
Piano, Voice | Sheet Music Singer |
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Jewel of Asia (1896), The | J. Philp (music) Harry Greenbank (words) |
Piano, Voice | IMSLP |
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Dandy Dan (1897) | W. Slaughter (music) Basil Hood (words) |
Piano, Voice | IMSLP |
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Marjorie (1890) | W. Slaughter (music) Lewis Clifton (words) Joseph J. Dilley (words) |
Piano, Voice | IMSLP |
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Oh, You Little Darling (1882) | J. Tabrar (w&m) | Piano, Voice | Lester S. Levy Sheet Music Collection |
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There's Nothing in It (1888) | J. Tabrar (w&m) Sam Torr (perf.) Charles Gerard (perf.) |
Piano, Voice | IMSLP |
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⇑They Cop the English Off at Monte Carlo (1894) | J. Tabrar (music) Henry A Duffy (words) L. Dryden (perf.) |
Piano, Voice | IMSLP |
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A La Girl (1901), The | H. Talbot (music) G. Dance (words) Marie Dainton (perf.) |
Piano, Voice | IMSLP |
| Title | Music | Attribution |
|---|
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Sentimental Songs (1887) | Fred Albert | W G Eaton (words) Fred Albert (perf.) |
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L'entente Cordiale (1908) | W. Bowker Andrews | Arthur Branscombe (words) |
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Our Glorious Empire Day (1908) | W. Bowker Andrews | Arthur Branscombe (words) |
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Same Moon Is Shining in the Sky (1903), The | George Arthurs(w&m) | |
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Man Who Wrote Ta-Ra-Ra-Boom-De-Ay! (1892), The | Norton Atkins(w&m) | W. P. Dempsey (perf.) |
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Dream of the Albert Hall (1887), A | Frank P. Aylmer | Wal Pink (words) James Fawn (perf.) |
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Gone For Ever (1888) | Frank P. Aylmer | Wal Pink (words) Angelo A Asher (words) Tom Gannon (perf.) |
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Very Different Place (1888), A | Frank P. Aylmer | Wal Pink (words) G.H. MacDermott (perf.) |
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Still I Am Not Happy (1878) | Samuel J. Bagnall | Henry J Byron (words) John Lawrence Toole (perf.) |
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England for the English (1888) | John S. Baker | Fred K. Bowyer (words) Herbert Campbell (perf.) |
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Three Girls in a Boat (1891) | John S. Baker | Fred Bowyer (words) William F. Denny (perf.) |
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Copy Your Uncle John (1887) | Tom Bass(w&m) | James Fawn (perf.) |
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I Hav'nt Quite Made Up My Mind (1887) | Tom Bass(w&m) | James Fawn (perf.) |
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Perambulator (1865), The | James Batchelder | Alfred G. Vance (perf.) |
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What Cheer 'Ria (1884) | Bessie Bellwood | William Herbert (words) Bessie Bellwood (perf.) |
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Upper Ten (1868), The | George Bicknell | W W Thornton (words) H C Maguire (words) William Horace Lingard (perf.) |
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Have You Noticed It? (1889) | Frederick Bowyer(w&m) | Herbert Campbell (perf.) |
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It's the Seasoning Wot Does It (1892) | Frederick Bowyer | Herbert Campbell (perf.) |
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I Didn't Know What to Say (1900) | Bert Brantford | Harry Boden (words) Harry Ford (perf.) |
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I Never Go East of Temple Bar (1860) | Walter Burnot | Sidney Franks (words) H.C. Maguire (words) Harry Rickards (perf.) |
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Jack's Present (1879) | Henry J. Byron(w&m) | John Lawrence Toole (perf.) |
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I Am So Careful (1897) | F. Osmond Carr | Charles Edmund (words) Claire Romaine (perf.) |
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If Thou Be True (1893) | Ivan Caryll | George R Sims (words) Cecil Raleigh (words) |
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Land of Love (1893), The | Ivan Caryll | George R Sims (words) Cecil Raleigh (words) May Yohé (perf.) |
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Lazily, Drowsily (1893) | Ivan Caryll | George R Sims (words) Cecil Raleigh (words) May Yohé (perf.) |
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Oh, Honey, My Honey (1893) | Ivan Caryll | George R. Sims (words) Cecil Raleigh (words) May Yohé (perf.) |
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I Pay No Attention to That (1894) | Ivan Caryll | George R Sims (words) Cecil Raleigh (words) E. J. Lonnen (perf.) |
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Nummy Num Num (1894) | Ivan Caryll | George R Sims (words) Cecil Raleigh (words) May Yohé (perf.) E. J. Lonnen (perf.) |
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Orange Garden (1894), The | Ivan Caryll | Geo. R. Sims (words) Geraldine Ulmar (perf.) Lily Montagu (perf.) |
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Rumpty Tumpty (1894) | Ivan Caryll | George R Sims (words) Cecil Raleigh (words) E. J. Lonnen (perf.) |
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Daisy With the Dimple on Her Chin (1901) | Ivan Caryll | |
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Shop Girl (n.d.), The | Ivan Caryll | Henry Jackson Wells Dam (words) Ada Reeve (perf.) Cast (perf.) |
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Isabella, the Barber's Daughter (1863) | Harry Clifton(w&m) | Harry Clifton (perf.) |
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Mary-Ann (1864) | Harry Clifton(w&m) | Harry Clifton (perf.) |
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My Old Wife (1864c) | Harry Clifton | M Hobson (words) H C Maguire (words) |
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Jemima Brown (1865) | Harry Clifton | John Candy (words) |
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Weepin' Willer (1865), The | Harry Clifton(w&m) | Harry Clifton (perf.) |
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Faithless Maria (1866) | Harry Clifton(w&m) | Harry Clifton (perf.) |
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Shelling Green Peas (1866) | Harry Clifton | M Hobson (words) T W Lee (words) Harry Clifton (perf.) |
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Agreeable Young Man (1867), The | Harry Clifton | M Hobson (words) H. C. Maguire (words) |
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Up a Tree (1867) | Harry Clifton | M Hobson (words) H C Maguire (words) |
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Work Boys Work and Be Contented (1867) | Harry Clifton | M Hobson (words) H C Maguire (words) Fred French (perf.) Harry Clifton (perf.) |
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Adventures of Robinson Crusoe (1869), The | Harry Clifton | M Hobson (words) |
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Seventy Two and Hard As Steel (1869) | Harry Clifton(w&m) | |
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Ten Minutes Too Late (1869) | Harry Clifton | M Hobson (words) Harry Clifton (perf.) |
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Trifles Light As Air (1870) | Harry Clifton(w&m) | |
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Berceuse (1903) | George H. Clutsam | |
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Telephone Me, Baby (1900) | George. M. Cohan(w&m) | Carlotta Levey (perf.) |
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Tally Ho! (1905) | Charles Collins(w&m) | Tom E. Leamore (perf.) |
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Why Should London Wait? (1884) | John Cooke | W G Eaton (words) James Fawn (perf.) |
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No Fear (1887) | John Cooke(w&m) | Nellie L'Estrange (perf.) |
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No More! (1887) | John Cooke(w&m) | James Fawn (perf.) |
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Not There, But There My Child (1887) | John Cooke(w&m) | W. Bint (perf.) |
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Once or Twice (1887) | John Cooke(w&m) | |
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Ask Me Another (1888) | John Cooke | D U Twigge (words) Frederick Eplett (words) Harry Rickards (perf.) |
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Don't Brethren Don't (1888) | John Cooke | A E Martin (words) George Ison (words) Arthur Corney (perf.) |
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Oh! Let It Be Soon! (1888) | John Cooke | John S. Baker (words) Harry Randall (perf.) |
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Angels Are Hovering Round (1889) | John Cooke | J.S. Evalo (words) Arthur Combes (perf.) |
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Old Old Story (1889), The | John Cooke | T S Wigley (words) Arthur Combes (perf.) |
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Poor Gal Didn't Know, You Know (1891), The | John Cooke | Frederick Bowyer (words) Nellie L'Estrange (perf.) |
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Bridal Wreath (18--?), The | Charles Coote | by Charles Coote Junr1 (co-author) |
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Messenger of Love (1860c) | Charles Coote | |
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Coote's Cure Lancers (1865) | Charles Coote | |
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Covent Garden Quadrille (1876) | Charles Coote | |
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Pretty Souls (1876) | John Crook | C A Maltby (words) William Sim (words) |
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Tears Rolled Down His Cheek (1894), The | John Crook | William Younge (words) Charles Danby (perf.) |
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Wanted a Wife For a Millionaire (1894) | John Crook | George Dance (words) J. C. Piddock (perf.) |
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Afternoon Tea (1895) | John Crook | Frederick Bowyer (words) W. E. Sprange (words) |
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Bicycle Marriage (1895), A | John Crook | Frederick Bowyer (words) |
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Each Bird and Beast (1895) | John Crook | George Dance (words) |
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Gee Up, Gee Whoa (1895) | John Crook | George Dance (words) |
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Gentleman's Gentleman (1895), The | John Crook | Frederick Bowyer (words) W E Sprange (words) |
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It's a Little Bit of Sugar For the Bird (1895) | John Crook | Frederick Bowyer (words) W E Sprange (words) |
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Lady Journalist (1895), The | John Crook | Frederick Bowyer (words) W E Sprange (words) |
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Mother Was the Mother of Us Both (1895) | John Crook | Frederick Bowyer (words) W E Sprange (words) |
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Oh! Mashonaland (1895) | John Crook | Frederick Bowyer (words) W E Sprange (words) J L Shine (words) |
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Oh! the River (1895) | John Crook | Frederick Bowyer (words) W E Sprange (words) Lottie Collins (perf.) |
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I Must Look a Bit Higher Than That (1897) | John Crook | George Dance (words) |
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I'm Doing Very Well Indeed (1897) | John Crook | Harry Nicholls (words) Howard Talbot (words) Robb Harwood (perf.) |
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Whoop-De-Dooden-Doo (1897) | John Crook | George Dance (words) Edith Rosenthal (words) |
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Angels Without Wings (1887) | George Dance(w&m) | |
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May Queen Victoria Reign (1887) | George Dance | J M Harrison (words) Vesta Tilley (perf.) |
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Oh! the Pretty Creature (1887) | George Dance | George Ison (words) G.H. MacDermott (perf.) |
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Uncle Joe (1862) | Charles Davenport | M Hobson (words) Harry Clifton (perf.) |
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Belgravia (1869) | T. Vincent Davies | W Greenaway (words) Alfred G. Vance (perf.) |
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Beautiful Moon (1870) | T. Vincent Davies | H C Maguire (words) Fanny Edwards (perf.) Harry Clifton (perf.) |
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Courting in the Rain (1872) | T. Vincent Davies | Arthur St Vincent (words) Eliza Weathersby (perf.) Harry Beckett (perf.) |
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Quiet Lodgings (1876) | T. Vincent Davies | E V Page (words) Herbert Campbell (perf.) |
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Model Little Boy (1881), The | T. Vincent Davies | John Cooke (words) |
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Baa, Baa, Baa (1882) | T. Vincent Davies | Walter Greenaway (words) John Nash (perf.) |
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Simon Squeers (1887) | T. Vincent Davies | John Cooke (words) |
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Sammy Stammers (n.d.) | T. Vincent Davies | J.F. McArdle (words) James Francis (perf.) G.W. Anson (perf.) Lionel Brough (perf.) Charles Collette (perf.) |
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Vance's Popular Song (1865) | David G. Day | Ralph Harrison (words) |
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I Don't Think I'm Very Far Out (1876) | David G. Day(w&m) | Hilda Hunter (words) Harry Hunter (perf.) |
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Ain't You Glad You Didn't? (1887) | Augustus E. Durandeau | George Horncastle (words) James Fawn (perf.) |
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I Did It! (1887) | Augustus E. Durandeau | George Horncastle (words) James Fawn (perf.) |
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It's Silly to Wait (1887) | Augustus E. Durandeau | George Horncastle (words) James Fawn (perf.) |
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Just in Time (1887) | Augustus E. Durandeau | George Horncastle (words) James Fawn (perf.) |
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Mind the Baby (1887) | Augustus E. Durandeau | George Wall (words) James Fawn (perf.) |
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Right Before the Missis Too! (1887) | Augustus E. Durandeau | George Horncastle (words) James Fawn (perf.) |
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Oh! Take Care of It (1890) | Augustus E. Durandeau | H W Hudson (words) Arthur Corney (perf.) |
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If I Was Only Long Enough (1876) | William George Eaton | T S Lonsdale (words) Arthur Roberts (perf.) |
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Isn't It Lovely (1879) | William George Eaton | T S Lonsdale (words) Arthur Roberts (perf.) |
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I'm Going to Do Without 'em (1882) | William George Eaton | Frederick Bowyer (words) Arthur Roberts (perf.) |
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Invalid Chair (1884), The | William George Eaton | Frederick Bowyer (words) Herbert Campbell (perf.) |
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Is It Likely? Oh Dear No! (1884) | William George Eaton | John Cook Jnr. (words) James Fawn (perf.) |
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Josser's Cricket Club (1884), The | William George Eaton | Frederick Bowyer (words) Herbert Campbell (perf.) |
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Highly Respectable Singer (1887), The | William George Eaton | Wal Pink (words) Arthur Roberts (perf.) |
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House That Jerry Built (1887), The | William George Eaton | T.S. Lonsdale (words) James Fawn (perf.) |
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Musical Wife (1887), The | William George Eaton | Wal Pink (words) James Fawn (perf.) |
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Not Too Much But Just Enough (1887) | William George Eaton | Frederick Bowyer (words) G.H. MacDermott (perf.) |
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This Is the House That Jerry Built (1887) | William George Eaton | T S Lonsdale (words) James Fawn (perf.) |
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Publican (1889), The | William George Eaton | George Wall (words) James Fawn (perf.) |
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In Darkest London Up to Date (1891) | William George Eaton | T S Lonsdale (words) Harry Freeman (perf.) |
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Then the Music Started (1899) | William George Eaton | T A King (words) Harry Freeman (perf.) |
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I Wish That I Could Fly (1871) | Frank Egerton | M Hobson (words) George Leybourne (perf.) |
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My Pretty Yorkshire Lass (1876) | Frank Egerton | W G Eaton (words) Richard Childs (words) Steve Gardham (perf.) George Leybourne (perf.) |
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Can You Wonder When Trade's So Bad (1878) | Frank Egerton | William Sim (words) G.H. MacDermott (perf.) |
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I Want to Go Home to Mamma (1885) | Frank Egerton(w&m) | Fred Coyne (perf.) |
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My Boy (1901) | Alf Ellerton (The Elder)(w&m) | Harry Maynard (perf.) |
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Enquire Within (1903) | Alf Ellerton (The Elder)(w&m) | T. E. Dunville (perf.) |
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Nine Gallant Highlanders (1903) | Alf Ellerton (The Elder)(w&m) | T. E. Dunville (perf.) |
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He Wanted Me to Have Some (1890) | Frederick Eplett | Nutsey Minton (words) James Fawn (perf.) |
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Zig! Zig! Zig! (1894) | Frederick Eplett | J. P. Harrington (words) Amy Lyster (perf.) |
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She Glories in a Thing Like That (1899) | George Everard(w&m) | Ada Reeve (perf.) |
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Something Else (18991) | George Everard | Herbert Darnley (words) Ada Reeve (perf.) |
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Old Man's Darling (1903), An | George Everard | Fred Murray (words) Vesta Victoria (perf.) |
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Another Glass Round (1888) | Harriet Fawn | George Horncastle (words) |
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Wrong Way (1888), The | Harriet Fawn | George Horncastle (words) James Fawn (perf.) |
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She Wasn't Far Off It (1889) | Harriet Fawn | George Horncastle (words) Frederick Eplett (words) James Fawn (perf.) |
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Deception (1891) | Harriet Fawn | Percy Ashdown (words) James Fawn (perf.) |
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Thick (1891) | Harriet Fawn | Joseph S Long (words) E Jonghmans (words) James Fawn (perf.) |
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Good Old London (1892) | Harriet Fawn | Norton Atkins (words) James Fawn (perf.) |
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There Ain't a Word (1892) | Harriet Fawn | George Horncastle (words) James Fawn (perf.) |
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It Makes a Fellow Think a Bit (1894) | Harriet Fawn | George Horncastle (words) James Fawn (perf.) |
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It Must Have Been the [Lobster] (1894) | Harriet Fawn | A R Marshall (words) James Fawn (perf.) |
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Single Gentleman (1894), The | Harriet Fawn | George Horncastle (words) James Fawn (perf.) |
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They're All Going Off (1894) | Harriet Fawn | W M Lewis (words) James Fawn (perf.) |
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What Do They Care About That (1884) | James Fawn | James Fawn (perf.) |
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There's a Little Green Cabin (1920) | Dorothy Forster | G Hubi-Newcombe (words) |
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Wonderful Wonderland (1922) | Dorothy Forster | Harold Simpson (words) |
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Through You (1924) | Dorothy Forster(w&m) | |
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My Garden Sanctuary (1937) | Dorothy Forster | Jennie Bleasdale (words) |
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They All Have a Mate But Me (1870) | J.B. Geoghegan(w&m) | Sam Torr (perf.) |
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I'll Place It in the Hands of My Solicitors (1887) | Fred Gilbert(w&m) | Arthur Lloyd (perf.) |
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At the Ball (1895) | Will Godwin(w&m) | Fannie Leslie (perf.) |
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Breach of Promise Case (1895), The | Will Godwin | Steve Leggett (words) Richard George Knowles (perf.) Henri Clark (perf.) |
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Broken Vow (1895), The | Will Godwin | Steve Leggett (words) |
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Farmer's Farewell (1895), The | Will Godwin(w&m) | Tom Costello (perf.) |
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Open Your Mouth and Shut Your Eyes (1895) | Will Godwin | Will Mayne (words) Ada Reeve (perf.) |
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Yankee Dude (1895), The | Will Godwin | Will Mayne (words) Bessie Wentworth (perf.) |
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I've Got Something to Do Among Four and Twenty Girls (1899) | Will Godwin | John S. Baker (words) Charles Deane (perf.) |
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That's Why I Enlisted For a Soldier (1899) | Will Godwin(w&m) | Arthur Albert (perf.) |
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Muddle Puddle Porter (1884), The | George Grossmith(w&m) | Lionel Brough (perf.) |
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Speaker's Eye (1884), The | George Grossmith | Arthur Law (words) John Lawrence Toole (perf.) |
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Sailor Sinbad (1870), The | Frank Hall(w&m) | Harry Clifton (perf.) |
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Now and Then (1889) | J.M. Harrison | Harry Adams (words) J.J. Dallas (perf.) |
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He Hasn't a Feather to Fly With (1887) | T. Haynes(w&m) | W. Bint (perf.) |
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Motto For Every Man (1865), A | M. Hobson | M Hobson (words) H C Maguire (words) Harry Clifton (perf.) |
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It's Not the Miles We Travel (1868) | J. Holbrook | Harry Clifton (words) Harry Clifton (perf.) |
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Briton (1894), The | Fred Holliday | Brian Daly (words) James Fawn (perf.) |
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Sarah From the Bone-Yard (1899) | Carl Howard | George Everard (words) Tom E. Leamore (perf.) |
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I Like A Little Toddle Down Regent Street (1882) | G.W. Hunter(w&m) | G.H. MacDermott (perf.) |
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Give What You Can to Those in Distress (1884) | G.W. Hunter(w&m) | G.W. Hunter (perf.) |
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Because She Ain't Built That Way (1887) | G.W. Hunter | E J Symons (words) |
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Funny Things They Do Upon the Sly (1887) | G.W. Hunter | John Cooke (words) G.W. Hunter (perf.) |
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Hungry Man From Clapham (1887), The | G.W. Hunter(w&m) | |
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Government Printing Office (182?), The | G.W. Hunt(w&m) | Fred Coyne (perf.) |
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Away Down Holborn Hill (1862) | G.W. Hunt(w&m) | Kate Harley (perf.) Fred French (perf.) |
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Nice Looking Girl (1865), The | G.W. Hunt | R J Hamerton (words) Harriet Bowmer (perf.) Ruth Stanley (perf.) Julia Burns (perf.) |
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Sweet Jenny (1865) | G.W. Hunt | M Hobson (words) Alfred G. Vance (perf.) |
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Up in a Balloon (1868) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Blighted Gardener (1869), The | G.W. Hunt(w&m) | Harry Liston (perf.) |
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Here Stands a Young Man Who Wants a Sweetheart (1869) | G.W. Hunt(w&m) | Alfred G. Vance (perf.) |
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I Wish I Was a Fish (1869) | G.W. Hunt | Richard Childs (words) Harry Rickards (perf.) |
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New Jerusalam (1869) | G.W. Hunt | Fred Coyne (perf.) |
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Awfully Clever (1870) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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Dear Old Pals (1870) | G.W. Hunt(w&m) | G.H. MacDermott (perf.) |
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He Is the Man For Me My Boys (1870) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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It's Nice to Be a Father (1870) | G.W. Hunt | Harry Rickards (perf.) |
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Where's My Dolly Gone To? (1870) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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It Don't Suit Charlie Baker (1871) | G.W. Hunt | George Leybourne (perf.) |
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Sour Kraut's Farewell (1871) | G.W. Hunt | James Hillier (perf.) |
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That's Where You Make the Mistake (1871) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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Where's Rosanna Gone (1871) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Bom! Bom! Bom! (1873) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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Father Says I May (1873) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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First She Would and Then She Wouldn't (1873) | G.W. Hunt | M Hobson (words) Henri Clark (perf.) |
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Fairy Queen (1875), The | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Parisian 'arry (1875) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Custom of the Country (1876), The | G.W. Hunt(w&m) | Henri Clark (perf.) |
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Don't Make a Noise or Else You'll Wake the Baby! (1876) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Gold, Gold, Gold! (1876) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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I Don't Know You (1876) | G.W. Hunt(w&m) | Fred Coyne (perf.) |
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Mother Says I Musn't (1876) | G.W. Hunt | M Hobson (words) George Leybourne (perf.) |
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She Suits Me Down to the Ground (1876) | G.W. Hunt(w&m) | Fred Coyne (perf.) |
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Afternoon Crawl (1877), The | G.W. Hunt(w&m) | Alfred G. Vance (perf.) |
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MacDermott's War Song (1877) | G.W. Hunt | G.H. MacDermott (perf.) |
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Bloomsbury Square (1878) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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I Should Like to Be an Alligator (1878) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Jacob Schmidt (1878) | G.W. Hunt | M Hobson (words) Fred Coyne (perf.) |
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Life Is Like a Game of See Saw (1878) | G.W. Hunt(w&m) | J. W. Rowley (perf.) Florrie Forde (perf.) |
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Old Brown's Daughter (1878) | G.W. Hunt(w&m) | Alfred G. Vance (perf.) |
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Real Jam (1878) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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Run For the Doctor (1878) | G.W. Hunt | William Sim (words) |
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Rustic Young Beauty (1878), The | G.W. Hunt | M Hobson (words) Fred French (perf.) |
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Waiting For the Signal (1878) | G.W. Hunt | William Sim (words) G.H. MacDermott (perf.) |
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Horse Guards Baloo! (1879), The | G.W. Hunt | Ralph Pringle (words) James Hillier (perf.) |
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I'm Not Such a Saint As I Look (1879) | G.W. Hunt(w&m) | Henri Clark (perf.) |
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On the Sly (1879) | G.W. Hunt | William Sim (words) Herbert Campbell (perf.) |
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Piano Girl (1879), The | G.W. Hunt | William Sim (words) Fred Coyne (perf.) |
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That's When You Feel It (1879) | G.W. Hunt | William Sim (words) Harry Rickards (perf.) |
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True Blue For Ever! (1879) | G.W. Hunt | G H Macdermott (words) William Sim (words) |
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What Are You Up to Jane? (1879) | G.W. Hunt | William Sim (words) George Leybourne (perf.) |
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Down by the Old Water-Mill (1882) | G.W. Hunt | |
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I Like a Little Toddle Down Regent Street (1882) | G.W. Hunt | |
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In Memoriam (1882) | G.W. Hunt | |
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Jemima Wants to Know (1882) | G.W. Hunt | |
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Nautical Swell (1882), The | G.W. Hunt | William Sim (words) Henri Clark (perf.) |
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Remember Me to Mary Ann (1882) | G.W. Hunt | |
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She Does the Fandango All Over the Place (1883) | G.W. Hunt | Ernest J. Symons (words) Henri Clark (perf.) Hedli Anderson (perf.) |
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Awistoquatic Actaw (1884), The | G.W. Hunt(w&m) | Henri Clark (perf.) |
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We're Not Dead Yet (1884) | G.W. Hunt(w&m) | Harry Rickards (perf.) |
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It's Very Aggravating (1885) | G.W. Hunt(w&m) | |
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Leybourne's Love Song (1885) | G.W. Hunt(w&m) | George Leybourne (perf.) |
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She's As Sweet As a Lump of Obadiah Rock (1887) | G.W. Hunt(w&m) | J. W. Rowley (perf.) |
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Ditto Repeato (1888) | G.W. Hunt | George Ison (words) G.H. MacDermott (perf.) |
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This Is the Stuff to Give the Troops (1939) | G.W. Hunt(w&m) | Walter Munroe (perf.) |
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Major K.N Pepper (?) | G.W. Hunt(w&m) | G.H. MacDermott (perf.) |
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They All Belong to Mary (n.d.) | G.W. Hunt(w&m) | J. W. Rowley (perf.) |
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Greek Slave (1892), A | Sidney Jones | Harry Greenbank (words) |
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Gaiety Girl (1893), A | Sidney Jones | Harry Greenbank (words) |
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Artist's Model (1895), An | Sidney Jones | Harry Greenbank (words) |
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Geisha (1896), The | Sidney Jones | Harry Greenbank (words) |
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Interfering Parrot (1896), The | Sidney Jones | Letty Lind (perf.) |
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Amorous Goldfish (1896), The | Sidney Jones | Harry Greenbank (words) Marie Tempest (perf.) |
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I Love Him Only (1895) | Sidney Jones | Harry Greenbank (words) Marie Tempest (perf.) |
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Love! Love! (1896) | Sidney Jones | Harry Greenbank (words) Marie Tempest (perf.) |
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Masher King (1884) | E. Jonghmans | Harry Adams (words) Charles Godfrey (perf.) |
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Broken Down Masher (1887), The | E. Jonghmans | George Byford (words) George Byford (perf.) |
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Minnie the Manicurist (1902) | Edward Kent | |
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Mocking Bird (1902), The | Edward Kent(w&m) | |
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Society Lion (1902), A | Edward Kent | Herbert Clark (words) |
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Rage of Rag Time (1903), The | Edward Kent(w&m) | |
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Recipe For a Love Song (1903), A | Edward Kent(w&m) | |
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Ruby, Do Be Mine (1903) | Edward Kent | Albert Durand (words) |
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Purity Brigade (1897), The | Gustave Kerker | Hugh Morton (words) Edna May (perf.) |
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Mr. Ragtime Rubinstein (1904) | Alfred J. Lawrance(w&m) | |
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I'll Never Leave Home Any More (1902) | Tom E. Leamore(w&m) | |
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Dear Old Chums (1882) | George Le Brunn | Alfred J. Morris (words) Nellie L'Estrange (perf.) |
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Angels Without Wings (1887) | George Le Brunn | George Dance (words) Vesta Tilley (perf.) |
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In England (1888) | George Le Brunn | John P. Harrington (words) Nellie Richards (perf.) Harry Rickards (perf.) |
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So He Did (1888) | George Le Brunn | T F Robson (words) Slade Murry (perf.) |
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So Her Sister Says (1894) | George Le Brunn | J.P. Harrington (words) Jenny Valmore (perf.) |
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Naughty! Naughty! Naughty! (1904) | George Le Brunn | J. P. Harrington (words) Marie Lloyd (perf.) |
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Baby Show (1860?), The | Alfred Lee | Frank W. Green (words) G W Moore (words) Christy Minstrels (perf.) |
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Boarding School (1860?), The | Alfred Lee | Frank W. Green (words) G W Moore (words) Christy Minstrels (perf.) |
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Mixed Up Family (1863?), The | Alfred Lee | Frank W. Green (words) G W Moore (words) Christy Minstrels (perf.) |
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As Good As Gold (1867) | Alfred Lee | Frank W. Green (words) J H Milburn (words) |
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Idol of the Day (1869), The | Alfred Lee(w&m) | Alfred G. Vance (perf.) |
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Late Lamented ''Jones'' The (1869) | Alfred Lee | Frank W. Green (words) H C Maguire (words) Alfred G. Vance (perf.) |
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Thoroughbred (1869) | Alfred Lee | William Bayle Bernard (words) Alfred G. Vance (perf.) |
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Always Make the Best of It (1870) | Alfred Lee | Hugh Willoughby Sweny (words) Alfred G. Vance (perf.) |
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Up in the Monument (1870) | Alfred Lee | Frank W. Green (words) George Leybourne (perf.) |
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Vance's Act on the Square (1870) | Alfred Lee | Anthony (words) H C Maguire (words) Alfred G. Vance (perf.) Harry Sydney (perf.) Eunice Vance (perf.) |
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Girl in Advance of the Times (1871), The | Alfred Lee | H W Sweeny (words) Milly Howard (perf.) |
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I Wish My Sally Could See Me Now (1872) | Alfred Lee | James Hillier (words) Walter Burnot (words) |
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Quite Au Fait (1876) | Alfred Lee | Strake Shenton (words) Alfred G. Vance (perf.) |
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Down in a Diving Bell (1877) | Alfred Lee | Packer & (words) Griffin. (words) George Leybourne (perf.) |
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London Society (1878) | Alfred Lee(w&m) | Alfred G. Vance (perf.) |
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Yellow Coin (1880), The | Alfred Lee(w&m) | Hilda Hunter (words) Fred Coyne (perf.) |
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And So Say All of Us (1882) | Alfred Lee | Harry Adams (words) Joseph Eldred (words) Arthur Roberts (perf.) Lionel Brough (perf.) |
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Said the Pot to the Kettle (1882) | Alfred Lee | Frank W. Green (words) T L Clay (words) |
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Never Mind the Weather (1901) | Liza Lehmann | Tom Heffernan (words) Alice Hollander (perf.) |
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Sergeant Brue (1904) | Liza Lehmann | Jay Hickory Wood (words) |
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Medical Man (1902), The | Fred W. Leigh | T F Benson (words) T.F. Benson (perf.) Will Dalton (perf.) |
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Matilda D- (1870) | H.J. Leigh | Watts Phillips (words) M Hobson (words) John Lawrence Toole (perf.) |
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I Have (1899) | Harry Leighton | Harry Wincott (words) Joe Archer (perf.) |
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Don't Say It Like That, Please (1900) | Harry Leighton | George Everard (words) Harry Ford (perf.) |
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I Think We Shall Have Some Rain (1899) | Frank Leo(w&m) | Wilkie Bard (perf.) |
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Fish 'e 'asn't Caught (1900), The | Frank Leo | Leonard Barry (perf.) |
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Mister Watson (1905) | Frank Leo(w&m) | |
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Jack's the Lad (1892) | Nellie L'Estrange | George Horncastle (words) Nellie L'Estrange (perf.) |
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Pretty Little Sarah (1860c) | George Leybourne | Frederic MacCabe (words) H C Maguire (words) George Leybourne (perf.) |
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Moet and Shandon (1870) | George Leybourne | H. Hurrille (words) George Leybourne (perf.) |
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Villiam Timothy Baggs (1870) | George Leybourne(w&m) | George Leybourne (perf.) |
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Italian Guinea Pig Boy (1866) | William Horace Lingard | H C Maguire (words) William Horace Lingard (perf.) |
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You May Look But You Mustn't Touch (1878) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Captain La-Di-Da-Di-Doo (1879) | Arthur Lloyd | William Sim (words) |
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Cow and Three Acres (1880), A | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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All Through Obliging a Lady (1882) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Arthur Lloyd's Celebrated Comic Medley (1882) | Arthur Lloyd | William Sim (words) Christy Minstrels (perf.) |
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Diddle Diddle Dumpling (1882) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Envy of the World Down at Westminster (1882), The | Arthur Lloyd(w&m) | G.H. MacDermott (perf.) |
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For Sophia-Phia-Phia (1882) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Gallant 93rd (1882), The | Arthur Lloyd | W. Spalding (words) Arthur Lloyd (perf.) |
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Mr. Liddle and Miss Riddle (1882) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Oh, You Little Ducky (1882) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Pretty Lips (1882) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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She'd Kept Them All For Me (1882) | Arthur Lloyd | A Rasmussen (words) Arthur Lloyd (perf.) |
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Sophia-Phia-Phia (1882) | Arthur Lloyd(w&m) | |
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When I Prove False to Thee (1882) | Arthur Lloyd | Arthur Lloyd (perf.) |
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Johnny Go Into the Garden (1884) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Pardonnez Moi (1884) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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You Are You Know You Know You Are (1884) | Arthur Lloyd | J Sturroch (words) Arthur Lloyd (perf.) |
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One More Polka (1887) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Piano Organ Man (1887), The | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Takes the Cake (1887) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Three Acres and a Cow (1887) | Arthur Lloyd(w&m) | |
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Where Are You? There You Are! (1887) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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You Know! (1887) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Do Ra Mi Fa (1889) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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I Couldn't (1890c) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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And That's Why I've Not Got 'em On (1891) | Arthur Lloyd(w&m) | |
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Drink, and Lets Have Another (1891) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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Take Your Time, Don't Hurry (1891) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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That's Why I've Not Got 'em On (1891) | Arthur Lloyd(w&m) | Arthur Lloyd (perf.) |
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On the Day King Edward Gets His Crown On (1902) | Mark Lorne | Harry Pleon (words) Ben Albert (perf.) Harry Pleon (perf.) |
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Trip to Margate (1876), A | Meyer Lutz | Robert Reece (words) John Lawrence Toole (perf.) |
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Parlez vous Français (1884) | Meyer Lutz | F C Burnand (words) Kate Vaughan (perf.) |
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Two Obadiahs (1876), The | H.P. Lyste | John Lawrence Toole (perf.) |
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Scamp (1875), The | H. Lance Major | Henry Pettitt (words) G.H. MacDermott (perf.) Will Riley (perf.) |
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Putney Bus (1884), The | Augustus Martini | Florian Doré (words) Arthur Lloyd (perf.) |
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It Doesn't Improve Your Appearance (1891) | J. C. Martin | Arthur Corney (words) Arthur Corney (perf.) |
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He's Gone to Where They Don't Play Billiards (1903) | Sam Mayo | J. P. Harrington (words) Sam Mayo (perf.) |
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I Borrowed It (1887) | Felix McGlennon | James Fawn (perf.) |
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Missis (1892), The | Felix McGlennon | Norton Atkins (words) James Fawn (perf.) |
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Are We to Have Conscription? (1904) | Tom Mellor | J F Lambe (words) Vesta Tilley (perf.) |
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What Funny Things You See When You Haven't Got a Gun (1902.) | A.J. Mills | Bennett Scott (words) George Robey (perf.) |
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That Accounts For It (1903) | A.J. Mills | Bennett Scott (words) Marie Lloyd (perf.) |
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Oliver Cromwell (1912) | A.J. Mills | Bennett Scott (words) George Robey (perf.) |
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Song of the Shop (1895), The | Lionel Monckton | Adrian Ross (words) H J W Dam (words) Ivan Caryll (words) Ellaline Terriss (perf.) |
|
I'm a Naughty Girl (1898) | Lionel Monckton | Harry Greenbank (words) Adrian Ross (words) Sidney Jones (words) |
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Contented Coster (1904), The | Harold Montague | L Sandys (words) |
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Smile That Won't Come Off (1904), The | Harold Montague(w&m) | |
|
Testimonials (1904) | Harold Montague | Duncan Tovey (words) |
|
Cigarette Reverie (1905), A | Harold Montague(w&m) | |
|
Oh! Girls, if He Wants to Kiss You (1901) | Fred Murray | Fred Leigh (words) Charles Foster (perf.) Will Dalton (perf.) |
|
Opportuny-Opperty (1897), The | Albert Perry | Fred J Barnes (words) Herbert Campbell (perf.) |
|
Fine and Fresh and Blooming (1894) | Henry E. Pether | J S Evalo (words) James Fawn (perf.) |
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I Naturally Resented the Intrusion (1903) | Henry E. Pether | C G Cotes (words) George Robey (perf.) |
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Girl With a Flea in Her Stocking (1893), The | Albert Petit | Frederick Bowyer (words) Phil May (words) Kate James (perf.) |
|
You Are Always Sure to Fetch Them with Wst, Wst, Wst (?) | Henry Pettitt(w&m) | G.H. MacDermott (perf.) |
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Jewel of Asia (1896), The | James Philp | Harry Greenbank (words) Marie Tempest (perf.) |
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But Oh! She Said She Was a Country Girl (1902) | Eldred Powel(w&m) | Harry Freeman (perf.) |
|
Down by the Old Mill Stream (1885) | John Read(w&m) | Fred Coyne (perf.) |
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All For the Sake of Sarah (1887) | John Read(w&m) | Harry Rickards (perf.) |
|
Did You Ever Catch a Weasel Asleep? (?) | Walter Redmond | Geoffrey Thorn (words) G.H. MacDermott (perf.) |
|
All That I Can Think About Is Coronation (1904) | Charles Ridgewell | George A. Stevens (words) |
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I'm All Right (1904) | Charles Ridgewell(w&m) | W.H. Wallis (words) |
|
You Can't Blame Me For That (1904) | Charles Ridgewell(w&m) | W.H. Wallis (words) George D'Albert (perf.) |
|
Fancy That! (1900) | George Robey | C.G. Cotes (words) George Robey (perf.) |
|
I Couldn't Exert Myself (1902) | George Robey | C.G. Cotes (words) George Robey (perf.) |
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Auctioneer (1903), The | George Robey | C.G Cotes (words) George Robey (perf.) |
|
My Own Sweet Nell (1899) | T.F. Robson(w&m) | Reddick Anderson (perf.) |
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On My Own (1891) | E.W. Rogers | Frederick Eplet (words) James Fawn (perf.) |
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Have Another (1892) | E.W. Rogers(w&m) | James Fawn (perf.) |
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Handy Man (1893), The | E.W. Rogers(w&m) | James Fawn (perf.) |
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Ju-Jah! (1893) | E.W. Rogers(w&m) | James Fawn (perf.) |
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Man's Not Required (1894) | E.W. Rogers(w&m) | James Fawn (perf.) |
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Put on De Golden Sword (1887) | Monroe H. Rosenfeld(w&m) | |
|
Down Went the Captain (1887) | Kate Royle | Fred Bowyer (words) G.H. MacDermott (perf.) Kate Royle (perf.) |
|
Masonry (1887) | Kate Royle | Joseph S Long (words) E Jonghmans (words) James Fawn (perf.) |
|
Not Much (1887) | Kate Royle | Joeseph H. Long (words) G.H. MacDermott (perf.) |
|
Oh, the Miller (1887) | Kate Royle | Frederick Bowyer (words) G.H. MacDermott (perf.) |
|
You Couldn't Tell T'other From Which (1887) | Kate Royle | James Fawn (perf.) |
|
Trixie of Upper Tooting (1901) | Paul Alfred Rubens(w&m) | Ada Reeve (perf.) |
|
Have Me on a Three Months' Lease (1898) | Bennett Scott | C G Cotes (words) Tom Costello (perf.) |
|
In the Days of Elizabeth (1898) | Bennett Scott | C G Cotes (words) John S. Baker (words) George Robey (perf.) |
|
Driver of an All Night Tram (1899), The | Bennett Scott | C G Cotes (words) Harry Freeman (perf.) |
|
Oh! How Rude (1899) | Bennett Scott | C G Cotes (words) George Robey (perf.) |
|
Oh, How Rude (1899) | Bennett Scott | C.G. Cotes (words) George Robey (perf.) |
|
Poor Thing! (1899) | Bennett Scott | C G Cotes (words) George Robey (perf.) |
|
Boys of the Emerald Island (1900) | Bennett Scott | C G Cotes (words) Walter Munroe (perf.) |
|
Girls and Boys (1900) | Bennett Scott | C G Cotes (words) Florrie Forde (perf.) |
|
Idea (1902), The | Bennett Scott | George Arthurs (words) George Robey (perf.) |
|
Somebody's Sailor Boy (1903) | Bennett Scott | George Arthurs (words) Tom Costello (perf.) |
|
On the Rock of Gibralter (1906) | Bennett Scott | A J Mills (words) |
|
Consequences (1900) | Ernest Shand | Roland Carse (words) Ernest Shand (perf.) |
|
Marjorie (1890) | Walter Slaughter | Lewis Clifton (words) Joseph J. Dilley (words) |
|
Dandy Dan (1897) | Walter Slaughter | Basil Hood (words) |
|
Golf-omania! (1891) | Edward Solomon | Rutland Barrington (perf.) |
|
Off! Very Much Off! (1988) | Edward Solomon | Arthur Roberts (perf.) |
|
He Must Have a Thousand a Year (1870) | F. A. Springthorpe | Harry Clifton (words) Fanny Edwards (perf.) |
|
Up With the Lark in the Morning (1870) | F. A. Springthorpe | Harry Clifton (words) Harry Clifton (perf.) Fred French (perf.) |
|
Little Miss Muffet Sat on a Tuffet (1882) | Ernest J. Symons | J.S. Long (words) G.H. MacDermott (perf.) |
|
Dear Me, Is That Possible! (1882) | Joseph Tabrar | H P Matthews (words) Robert Reece (words) George Leybourne (perf.) J.J. Dallas (perf.) |
|
Oh, You Little Darling (1882) | Joseph Tabrar(w&m) | Nellie L'Estrange (perf.) Kate Vaughan (perf.) |
|
She Was Fat, Fair and Forty (1884) | Joseph Tabrar(w&m) | George English (perf.) |
|
Ship Went Down to the Bottom of the Sea (1884), The | Joseph Tabrar | A B (words) Harry Rickards (perf.) |
|
Have You Seen Her! (1887) | Joseph Tabrar(w&m) | Alfred G. Vance (perf.) |
|
Hundreds and Thousands (1887) | Joseph Tabrar(w&m) | Harry Braham (perf.) |
|
It's All Over Now With the Ladies (1887) | Joseph Tabrar(w&m) | Charles Godfrey (perf.) |
|
Hard Times Come Again No More (1888) | Joseph Tabrar(w&m) | Harry Rickards (perf.) Nellie Richards (perf.) |
|
There's Nothing in It (1888) | Joseph Tabrar(w&m) | Sam Torr (perf.) Charles Gerard (perf.) |
|
Ti Hi Tiddelly Hi (1888) | Joseph Tabrar(w&m) | Harry Rickards (perf.) |
|
Simple Maiden Tell Me Why (1892) | Joseph Tabrar(w&m) | Kate James (perf.) |
|
Whistling Yaller Girl (1892), The | Joseph Tabrar(w&m) | Eugene Stratton (perf.) |
|
My Daddy's Bought Me a Bow-Wow (1893) | Joseph Tabrar(w&m) | Joseph Tabrar (perf.) |
|
Buy Me Some Almond Rock (1894) | Joseph Tabrar(w&m) | Marie Lloyd (perf.) |
|
Charley's Aunt (1894) | Joseph Tabrar(w&m) | Amy Lyster (perf.) |
|
Lose 'im, Liza, Lose 'im (1894) | Joseph Tabrar | A R Marshall (words) Alice Leamar (perf.) |
|
Oh! I Say (1894) | Joseph Tabrar(w&m) | Marie Le Blanc (perf.) |
|
On the Nod (1894) | Joseph Tabrar(w&m) | |
|
She Tells You the Tale So Nicely (1894) | Joseph Tabrar(w&m) | Katie Lawrence (perf.) |
|
They Cop the English Off at Monte Carlo (1894) | Joseph Tabrar | Henry A Duffy (words) Leo Dryden (perf.) |
|
Hi, Boys! Ho, Boys! 'ave You Seen Jemima? (1896) | Howard Talbot | Harry Greenbank (words) Lalor Shiel (perf.) |
|
À La Girl (1901), The | Howard Talbot | George Dance (words) Marie Dainton (perf.) |
|
I Want to Be a Lidy (1901) | Howard Talbot | George Dance (words) |
|
Roly Poly (1901) | Howard Talbot(w&m) | |
|
That Happy Land (1901) | Howard Talbot | George Dance (words) Lionel Rignold (perf.) |
|
Mr. Manhattan (1916) | Howard Talbot | Bertram Lestrange (words) |
|
Boy of Your Heart (1921) | Howard Talbot | Herman Finck (words) |
|
That's Another Little Thing Wants Seeing To (1899) | Fred E. Terry(w&m) | Joe Archer (perf.) |
|
Hi Hi Hoopla (1870) | Geoffrey Thorn(w&m) | G.H. MacDermott (perf.) |
|
Parson and the Clerk (1882), The | Geoffrey Thorn | E J Symons (words) G.H. MacDermott (perf.) |
|
Tommy, Don't You Worry (1899) | Walter Tilbury | Alfred J. Morris (words) Ida René (perf.) |
|
Rook and the Crow (1900), The | Walter Tilbury | Alfred J. Morris (words) Ida René (perf.) |
|
Uncle Dick's Darling (1865) | John Lawrence Toole | Clement Scott (words) Charles Dickens (words) John Lawrence Toole (perf.) |
|
Parcels Post Van (1870) | N.G. Travers(w&m) | G.H. MacDermott (perf.) |
|
So You Want to Be a Soldier, Little Man? (1913) | Henry Trotère | Leonard Cooke (words) David Brazell (perf.) |
|
Whole Hog or None (1871), The | Unknown(w&m) | Edmund William Mackney (perf.) |
|
Blighted Husband (1868), The | Alfred G. Vance(w&m) | |
|
Beautiful Girls (1870) | Alfred G. Vance(w&m) | |
|
Vance's Naughty Young Man (1876) | Alfred G. Vance | Frank W Green (words) |
|
Not Really (1887) | Ferdinand Wallerstein | Harry Nicholls (words) Sisters Cuthbert (perf.) Harry Nicholls (perf.) Herbert Campbell (perf.) |
|
Paddy's Dream (1868) | George Ware | A T Birtchnell (words) Sam Collins (words) P Aikin (words) Harry Clifton (perf.) |
|
Up Went the Price (1882) | George Ware | E J Symons (words) G.H. MacDermott (perf.) |
|
Boy in the Gallery (1887), The | George Ware(w&m) | Nelly Power (perf.) Marie Lloyd (perf.) |
|
One Little Kiss (1887) | George Ware(w&m) | Nelly Power (perf.) |
|
Nobody Knows It But Me (1888) | George Ware | Arthur Corney (words) Arthur Corney (perf.) |
|
What's a Poor Girl to Do? (1894) | Mary Watson | Joseph Watson (words) May Yohé (perf.) |
|
One We Loved So Well (1888), The | Charles Williams(w&m) | Walter Munroe (perf.) Slade Murray (perf.) |
|
I Have (1899) | Harry Wincott | Harry Wincott (words) Joe Archer (perf.) |
|
While You're Sleeping (1899) | Harry Wincott | Harry Leighton (words) John S. Baker (words) Joe Archer (perf.) |