Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Wax Cylinders | ||||
Life Is Like a Game of See Saw (1910) | Florrie Forde | Edison Amberol: 12069 |
Title | Attribution | Remarks |
---|
Awfully Clever | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Beautiful Columbine, The | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Beautiful Dora | G.W. Hunt (words & music) Alf Rivers (perf.) |
||
Billy Johnson's Ball | G.W. Hunt (words & music) Fred Coyne (perf.) |
||
Bloomsbury Square | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Bold Fisherman, The | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Bom! Bom! Bom! | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Brown the Tragedian | G.W. Hunt (words & music) Arthur Lloyd (perf.) |
||
Captain Cuff | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Dear Old Pals | G.W. Hunt (words & music) G.H. MacDermott (perf.) |
||
Don't Make a Noise or Else You'll Wake the Baby! | G.W. Hunt (words & music) George Leybourne (perf.) |
||
⇑Dustman's Wife, The | G.W. Hunt (words & music) Fred French (perf.) |
||
Father Says I May | G.W. Hunt (music) M Hobson (words) George Leybourne (perf.) |
||
Funny Mrs. Jones | G.W. Hunt (words & music) Arthur Lloyd (perf.) |
||
Gay Masquerade, The | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Gold, Gold, Gold! | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Good-Bye John | G.W. Hunt (words & music) Arthur Lloyd (perf.) |
||
Gymnastic Wife, The | G.W. Hunt (words & music) George Leybourne (perf.) |
||
It Don't Suit Charlie Baker | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Johnny the Engine Driver | G.W. Hunt (words & music) Annie Adams (perf.) |
||
London, Chatham and Dover | G.W. Hunt (words & music) John Nash (perf.) |
||
Old Brown's Daughter | G.W. Hunt (words & music) Alfred G. Vance (perf.) |
||
Organ Grinder, The | G.W. Hunt (words & music) Arthur Lloyd (perf.) |
||
⇑Parisian 'arry | G.W. Hunt (words & music) George Leybourne (perf.) |
||
She Does the Fandango All Over the Place | G.W. Hunt (words & music) Henri Clark (perf.) |
||
Up in a Balloon | G.W. Hunt (words & music) George Leybourne (perf.) |
||
We Didn't Want to Fight But by Jingo Now We Do | G.W. Hunt (words & music) G.H. MacDermott (perf.) |
||
Where's My Dolly Gone To? | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Where's Rosanna Gone | G.W. Hunt (words & music) George Leybourne (perf.) |
||
Wreck Off London Bridge, The | G.W. Hunt (words & music) Charles Godfrey (perf.) |
Title | Attribution | Instruments | Source | Remarks |
---|
It's Funny When You Feel That Way | G.W. Hunt (w&m) | Indiana | |||
MacDermott's War Song (1877) | G.W. Hunt (music) G.H. MacDermott (perf.) |
Piano | IMSLP | ||
They All Belong to Mary (n.d.) | G.W. Hunt (w&m) J. W. Rowley (perf.) |
Piano, Voice | IMSLP | Pub. |
Title | Year | Attribution | Remarks |
---|
Government Printing Office, The (w&m) | 182? | Fred Coyne (perf.) | |
Drunk Again! | 1860? | E Hopkins (words) H Fitchett (words) |
|
Away Down Holborn Hill (w&m) | 1862 | Fred French (perf.) Kate Harley (perf.) |
Pub. |
How's Your Poor Feet | 1862 | Herbert Santley (words) Robert Jacob Hamerton (words) Fred French (perf.) G. Harding (perf.) Tom MacLagan (perf.) J. Taylor (perf.) |
|
Jeames | 1862 | Tom MacLagan (perf.) | Pub. |
Oh! She Had Such Taking Ways | 1862 | George Bicknell (words) A B Hollingsworth (words) J Copson (words) Butler Knaggs (words) Robert Jacob Hamerton (words) Harry Clifton (perf.) Fred French (perf.) |
Pub. |
Or Any Other Gal | 1862 | Robert Jacob Hamerton (words) Fred French (perf.) |
Pub. |
Tragedy in Tenth Avenue | 1864 | William Sim (words) G.H. MacDermott (perf.) |
|
Dustman's Wife, The | 1865 | Fred French (perf.) | |
German Band, The | 1865 | H C Maguire (words) Arthur Lloyd (perf.) |
|
London, Chatham and Dover (w&m) | 1865 | John Nash (perf.) | |
⇑ Nice Looking Girl, The | 1865 | R J Hamerton (words) Harriet Bowmer (perf.) Julia Burns (perf.) Ruth Stanley (perf.) |
Pub. |
Organ Grinder, The | 1865 | Arthur Lloyd (perf.) | |
Sarah's Young Man | 1865 | arr.: J H Ross | |
Sweet Jenny | 1865 | M Hobson (words) Alfred G. Vance (perf.) |
Pub. |
Beautiful Columbine, The (w&m) | 1867 | George Leybourne (perf.) | |
Johnny the Engine Driver (w&m) | 1867 | Annie Adams (perf.) | |
Good-Bye John | 1868 | Richard Childs (words) Arthur Lloyd (perf.) |
|
Up in a Balloon (w&m) | 1868 | George Leybourne (perf.) | Pub. |
Blighted Gardener, The (w&m) | 1869 | Harry Liston (perf.) | Pub. |
Here Stands a Young Man Who Wants a Sweetheart (w&m) | 1869 | Alfred G. Vance (perf.) | Pub. |
I Always Take It Easy | 1869 | John Nash (perf.) | |
I Wish I Was a Fish | 1869 | Richard Childs (words) Harry Rickards (perf.) |
Pub. |
⇑ New Jerusalam | 1869 | Fred Coyne (perf.) | Pub. |
Alpine Hat, The | 1870 | Richard Childs (words) Harry Rickards (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Awfully Clever | 1870 | M Hobson (words) George Leybourne (perf.) |
|
Billy Johnson's Ball (w&m) | 1870 | Fred Coyne (perf.) | |
Brown the Tragedian | 1870 | Richard Childs (words) Arthur Lloyd (perf.) |
|
Dear Old Pals (w&m) | 1870 | G.H. MacDermott (perf.) | Pub. |
He Is the Man For Me My Boys | 1870 | M Hobson (words) George Leybourne (perf.) |
Pub. |
It's Nice to Be a Father | 1870 | Harry Rickards (perf.) | Pub. |
Jemmy Riddle | 1870 | G Bicknell (words) Fred French (perf.) |
Pub. |
Old Sarah Walker | 1870 | James Taylor (words) Fred Buckingham (words) Kate Harley (perf.) Willem Vandervell (perf.) |
|
Where's My Dolly Gone To? | 1870 | M Hobson (words) George Leybourne (perf.) |
Pub. |
Abyssinian Gold | 1871 | H C Maguire (words) Fred French (perf.) |
|
It Don't Suit Charlie Baker | 1871 | George Leybourne (perf.) | Pub. |
⇑ Rolling on the Grass (w&m) | 1871 | ||
Sour Kraut's Farewell | 1871 | James Hillier (perf.) | Pub. |
That's Where You Make the Mistake | 1871 | M Hobson (words) George Leybourne (perf.) |
Pub. |
When the Band Begins to Play | 1871 | Vincent Davies (words) Annie Adams (perf.) |
|
Where's Rosanna Gone (w&m) | 1871 | George Leybourne (perf.) | Pub. |
Wonderful Scholar, The | 1871 | H P Maguire (words) | Pub. |
Good Bye Charlie | 1872 | Geo T Evans (words) | |
Bell Goes a Ringing For Sa-I-Rah, The | 1873 | H C Maguire (words) Kate Santley (perf.) |
Pub. |
Bom! Bom! Bom! | 1873 | M Hobson (words) George Leybourne (perf.) |
Pub. |
Cook's Excursion (w&m) | 1873 | Pub. | |
Dolly Dot | 1873 | Richard Childs (words) Henri Clark (perf.) Harry Hunter (perf.) |
Pub. |
Dutch Clock Man | 1873 | Arthur Lloyd (perf.) | Pub. |
⇑ Father Says I May | 1873 | M Hobson (words) George Leybourne (perf.) |
Pub. |
First She Would and Then She Wouldn't | 1873 | M Hobson (words) Henri Clark (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Frenchman, The (w&m) | 1873 | Henri Clark (perf.) | |
Funny Mrs. Jones (w&m) | 1873 | Arthur Lloyd (perf.) | |
Gay Masquerade, The (w&m) | 1874 | George Leybourne (perf.) Eliza Weathersby (perf.) |
|
Beautiful Dora | 1875 | Alf Rivers (perf.) | |
Fairy Queen, The (w&m) | 1875 | George Leybourne (perf.) | |
Music Hath Charms | 1875 | Charles Coote (words) | |
Parisian 'arry (w&m) | 1875 | George Leybourne (perf.) | Pub. |
Bold Fisherman, The | 1876 | R W Sherwood (words) George Leybourne (perf.) |
|
Custom of the Country, The (w&m) | 1876 | Henri Clark (perf.) | Pub. |
Don't Make a Noise or Else You'll Wake the Baby! (w&m) | 1876 | George Leybourne (perf.) | Pub. |
Gold, Gold, Gold! (w&m) | 1876 | George Leybourne (perf.) | Pub. |
⇑ I Don't Know You (w&m) | 1876 | Fred Coyne (perf.) | Pub. |
Mother Says I Musn't | 1876 | M Hobson (words) George Leybourne (perf.) |
Pub. |
She Suits Me Down to the Ground (w&m) | 1876 | Fred Coyne (perf.) | Pub. |
Afternoon Crawl, The (w&m) | 1877 | Alfred G. Vance (perf.) | Pub. |
Captain Cuff (w&m) | 1877 | George Leybourne (perf.) | |
MacDermott's War Song | 1877 | G.H. MacDermott (perf.) | Pub. |
Serve Him Right! (w&m) | 1877 | Herbert Campbell (perf.) | |
When She Says She Will, She Does! | 1877 | H P Matthews (words) Henri Clark (perf.) |
Pub. |
Awfully Awful | 1878 | T Robinson (words) Kate Santley (perf.) |
|
Bloomsbury Square (w&m) | 1878 | George Leybourne (perf.) | Pub. |
I Should Like to Be an Alligator (w&m) | 1878 | George Leybourne (perf.) | Pub. |
I'm a Dad Dad Dad! (w&m) | 1878 | J. W. Rowley (perf.) | |
⇑ Jacob Schmidt | 1878 | M Hobson (words) Fred Coyne (perf.) |
Pub. |
Life Is Like a Game of See Saw (w&m) | 1878 | Florrie Forde (perf.) J. W. Rowley (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Old Brown's Daughter (w&m) | 1878 | Alfred G. Vance (perf.) | |
Real Jam (w&m) | 1878 | George Leybourne (perf.) | Pub. |
Run For the Doctor | 1878 | William Sim (words) | Pub. |
Rustic Young Beauty, The | 1878 | M Hobson (words) Fred French (perf.) |
Pub. |
To All in Want of Money! (w&m) | 1878 | ||
Waiting For the Signal | 1878 | William Sim (words) G.H. MacDermott (perf.) |
Pub. |
Here I Am, Lucinda! | 1879 | Harry Yorke (words) | |
Horse Guards Baloo!, The | 1879 | Ralph Pringle (words) James Hillier (perf.) |
Pub. |
I'm Not Such a Saint As I Look (w&m) | 1879 | Henri Clark (perf.) | Pub. |
It's All the Same to Sam | 1879 | H P Maguire (words) | |
It's Only the Major (w&m) | 1879 | George Leybourne (perf.) | |
⇑ Nobody's Darling But Mine | 1879 | John Knell (words) Edwin Harley (words) |
|
On the Sly | 1879 | William Sim (words) Herbert Campbell (perf.) |
Pub. |
Piano Girl, The | 1879 | William Sim (words) Fred Coyne (perf.) |
Pub. |
That's When You Feel It | 1879 | William Sim (words) Harry Rickards (perf.) |
Pub. |
True Blue For Ever! | 1879 | G H Macdermott (words) William Sim (words) |
Pub. |
What Are You Up to Jane? | 1879 | William Sim (words) George Leybourne (perf.) |
Pub. |
Wreck Off London Bridge, The (w&m) | 1879 | Charles Godfrey (perf.) | Pub. |
Fie For Shame! (w&m) | 1880 | James Hillier (perf.) | |
There's Nothing New Under the Sun (w&m) | 1880 | George Leybourne (perf.) | |
When You've Got the Money You're a Brick, Brick, Brick | 1881 | J Fell (words) George Leybourne (perf.) |
Pub. |
Brandy and Water | 1881c | T W Lee (words) Willem Vandervell (perf.) |
|
Down by the Old Water-Mill | 1882 | arr.: William Sim | Pub. |
⇑ I Like a Little Toddle Down Regent Street | 1882 | arr.: William Sim | Pub. |
In Memoriam | 1882 | arr.: William Sim | Pub. |
Title | Year | Attribution | Remarks |
---|
Jemima Wants to Know | 1882 | arr.: William Sim | |
Nautical Swell, The | 1882 | William Sim (words) Henri Clark (perf.) |
Pub. |
Remember Me to Mary Ann | 1882 | arr.: William Sim | Pub. |
She Does the Fandango All Over the Place | 1883 | Ernest J. Symons (words) Hedli Anderson (perf.) Henri Clark (perf.) |
Pub. |
Why Did She Leave Her Jeremiah (w&m) | 1883 | ||
Will You, Won't You (w&m) | 1883 | Pub. | |
Awistoquatic Actaw, The (w&m) | 1884 | Henri Clark (perf.) | Pub. |
We're Not Dead Yet (w&m) | 1884 | Harry Rickards (perf.) | Pub. |
It's Very Aggravating (w&m) | 1885 | Pub. | |
Leybourne's Love Song (w&m) | 1885 | George Leybourne (perf.) | Pub. |
Pretty Carolina (w&m) | 1885 | Willem Vandervell (perf.) | |
⇑ Time Is Coming, The | 1885 | Private Gent. (words) | |
She's As Sweet As a Lump of Obadiah Rock (w&m) | 1887 | J. W. Rowley (perf.) | Pub. |
Ditto Repeato | 1888 | George Ison (words) G.H. MacDermott (perf.) |
Pub. |
Over the Hills and Far Away (w&m) | 1890 | Joe Colverd (perf.) | |
Australia's Marching on | 1900c | T W Rhodes (words) | |
We Didn't Want to Fight But by Jingo Now We Do | 1914c- | Charles Knight (words) G.H. MacDermott (perf.) |
|
Belle of the Ball , The (w&m) | 1920 | ||
This Is the Stuff to Give the Troops (w&m) | 1939 | Walter Munroe (perf.) | Pub. |
Gymnastic Wife, The | ? | George Leybourne (perf.) | |
Major K.N Pepper (w&m) | ? | G.H. MacDermott (perf.) | Pub. |
It's Funny When You Feel That Way (w&m) | n.d. | ||
They All Belong to Mary (w&m) | n.d. | J. W. Rowley (perf.) | Pub. |