Title (Release Year) | Co-Author(s) | Performers | Issue |
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Fol-The-Rol-Lol (1905) | F. Murray | Edward M. Favor | Edison Gold Moulded Record: 9142 |
Title (Release Year) | Composer | Performers | Issue |
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Duty of a Wife, The (1900) | F.W. Leigh | Edward M. Favor | Victor: [Pre- A-]182 |
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How Was I to Know (1899) | F.W. Leigh | Edward M. Favor | Berliner: 0714 |
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Oh, What an Exhibition! (1908) | F.W. Leigh | B. Albert | Columbia: 26478 |
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Send For a P'liceman! (1910) | F.W. Leigh | G. Lashwood | Columbia: 30330 |
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There's Another Fellow Looks Like Me (1909) | F.W. Leigh | G. Lashwood | Columbia: 30328 |
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Three Women to Every Man (1902) | F.W. Leigh | Burt Shepard | Victor: [Pre- B-]1509 |
Title | Attribution | Remarks |
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All the Dogs Went Bow-Wow-Wow | Fred W. Leigh (words & music) Harry Champion (perf.) |
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Belinda the Barber-Ous | Fred W. Leigh (words & music) Harry Champion (perf.) |
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Bridget | Fred W. Leigh (words & music) |
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Bull Fighter, The | Fred W. Leigh (music) Harry Castling (words) Harry Weldon (perf.) |
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Captain Ginjah, O.T. | Fred W. Leigh (music) George Bastow (words) George Bastow (perf.) |
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Dear Mr. Admiral! | Fred W. Leigh (music) George Lashwood (words) George Lashwood (perf.) |
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Does It Hurt You Very Much? | Fred W. Leigh (music) Tom Costello (words) Tom Costello (perf.) |
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E's Takin' a Mean Advantage | Fred W. Leigh (words & music) Alec Hurley (perf.) |
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Father, Mother and an Apple | Fred W. Leigh (music) Fred Murray (words) Vesta Victoria (perf.) |
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Fifteen of 'em on the Parlour Floor | Fred W. Leigh (music) John S. Baker (words) W. P. Dempsey (perf.) |
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Fol-The-Rol-Lol | Fred W. Leigh (music) Murry (words) George Lashwood (perf.) |
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⇑Good- For Nothing! | Fred W. Leigh (words & music) Johnny Worman (perf.) |
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Horse the Missis Dries the Clothes on, The | Fred W. Leigh (words & music) Frank Coyne (perf.) |
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How-De-Do-De? | Fred W. Leigh (music) Fred Murray (words) George Beauchamp (perf.) |
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I Ain't Nobody in Perticular | Fred W. Leigh (music) Scott Mackenzie (words) Alec Hurley (perf.) |
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I Don't Know What I'm to Do | Fred W. Leigh (music) Edgar Bateman (words) Frank Coyne (perf.) |
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I Don't Want to Go Any Farther | Fred W. Leigh (words & music) Frank Seeley (perf.) |
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I Want to Go Home Again | Fred W. Leigh (words & music) Will Dalton (perf.) |
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I Was the Only Gentleman There | Fred W. Leigh (words & music) George Lashwood (perf.) |
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I'm a Little Bit Deaf To-Day | Fred W. Leigh (music) Edgar Batema (words) Edgar Curtis (perf.) |
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Jack of All Trades | Fred W. Leigh (music) Edgar Bateman (words) George Brooks (perf.) |
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Jilted Shoeblack, The | Fred W. Leigh (music) Hal Wright (words) Don Bateman (words) Gus Elen (perf.) |
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Jocular Judge, The | Fred W. Leigh (words & music) George Bastow (perf.) |
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⇑Johnny Macintyre | Fred W. Leigh (words & music) |
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Let Go, Eliza! | Fred W. Leigh (music) Charles Collins (words) Frank Seeley (perf.) |
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Little Bit Off the Top, A | Fred W. Leigh (music) Fred Murray (words) Harry Bedford (perf.) |
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Mary Ann She's After Me! | Fred W. Leigh (words & music) George Bastow (perf.) |
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Medical Man, The | Fred W. Leigh (words & music) Will Dalton (perf.) |
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Molly, the Jolly Little Lady | Fred W. Leigh (words & music) |
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More Work For the Undertaker | Fred W. Leigh (words & music) Charles Bignell (perf.) |
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Obadiah Binks | Fred W. Leigh (words & music) Harry McCormack (perf.) |
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Oh, What an Exhibition! | Fred W. Leigh (words & music) Ben Albert (perf.) |
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On Top! | Fred W. Leigh (words & music) Harry Champion (perf.) |
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Put on Your Tat-Ta, Little Girlie! | Fred W. Leigh (words & music) Clarice Mayne (perf.) |
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R.G, Knowles' Philosophy | Fred W. Leigh (words & music) Richard George Knowles (perf.) |
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⇑Send For a P'liceman! | Fred W. Leigh (words & music) George Lashwood (perf.) |
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She's Proud and She's Beau-Tie-Ful | Fred W. Leigh (music) George Bastow (words) George Bastow (perf.) |
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There Ain't a Bit O' Pride About Me | Fred W. Leigh (words & music) W. P. Dempsey (perf.) |
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There's Another Fellow Looks Like Me | Fred W. Leigh (words & music) George Lashwood (perf.) |
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They're Beginning to Notice Me | Fred W. Leigh (music) Fred Murray (words) George Robey (perf.) |
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Wedding Bells | Fred W. Leigh (music) Fred Murray (words) Vesta Victoria (perf.) |
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What I Say I Do Do, I Do Do! | Fred W. Leigh (music) Tom Costello (words) Tom Costello (perf.) |
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Why Do the Girls Love Charlie? | Fred W. Leigh (words & music) Winifred Hare (perf.) |
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Wire In, My Lads! | Fred W. Leigh (music) Will J. Godwin (words) George Bastow (perf.) |
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You Can't Do This, and You Can't Do That | Fred W. Leigh (music) Edgar Bateman (words) Alec Hurley (perf.) |
Title | Year | Attribution | Remarks |
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All the Dogs Went Bow-Wow-Wow (w&m) | 1895 | Harry Champion (perf.) | ![]() |
Belinda the Barber-Ous (w&m) | 1895 | Harry Champion (perf.) | ![]() |
More Work For the Undertaker (w&m) | 1895 | Charles Bignell (perf.) Burton & Brookes (perf.) |
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Obadiah Binks | 1896 | Will Mayne (words) Harry McCormack (perf.) |
Pub. |
Rosie Gray (w&m) | 1896 | Nellie Lingard (perf.) | Pub. |
All Through the Rain | 1897 | Walter P Keen (words) James Merrylees (words) |
Pub. |
Fifteen of 'em on the Parlour Floor | 1897 | John S. Baker (words) W. P. Dempsey (perf.) |
Pub. |
Ringing the Changes | 1897 | Henry E. Pether (words) Harry McCormack (perf.) |
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Too, Too, Too, Too Strong | 1897 | Frank W Carter (words) Charles Bignell (perf.) |
Pub. |
All He Left Was a Pair of Trousers | 1898 | Fred Murray (words) Ada Cerito (perf.) |
Pub. |
Dotty-Otty | 1898 | Malcolm Arnold (words) Charles Bignell (perf.) |
Pub. |
⇑ His Little Wife Was With Him All the Time | 1898 | Walter P Keene (words) | ![]() |
Little Tommy Tit-Bit | 1898 | Henry E. Pether (words) Harry McCormack (perf.) |
Pub. |
What The- What The- What The- Shall We Do? (w&m) | 1898 | Ben Nevis (perf.) | Pub. |
How Was I to Know | 1899 | Fred Murray (words) Edward M. Favor (perf.) |
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How-De-Do-De? (w&m) | 1899 | Fred Murray (words) George Beauchamp (perf.) |
Pub. |
On Top! (w&m) | 1899 | Harry Champion (perf.) | Pub. |
They're Beginning to Notice Me | 1899 | Fred Murray (words) George Robey (perf.) |
|
Duty of a Wife, The | 1900 | Fred Murray (words) Edward M. Favor (perf.) |
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Little Bit Off the Top, A | 1900 | Fred Murray (words) Harry Bedford (perf.) |
Pub. |
R.G, Knowles' Philosophy | 1900 | Charles Wilmott (words) Richard George Knowles (perf.) |
Pub. |
There Ain't a Bit O' Pride About Me (w&m) | 1900 | W. P. Dempsey (perf.) | Pub. |
Does It Hurt You Very Much? (w&m) | 1901 | Tom Costello (perf.) | Pub. |
⇑ E's Takin' a Mean Advantage (w&m) | 1901 | Alec Hurley (perf.) | Pub. |
Father, Mother and an Apple | 1901 | Fred Murray (words) Vesta Victoria (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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Go 'way, Good Massa Bee (w&m) | 1901 | ![]() |
|
Horse the Missis Dries the Clothes on, The (w&m) | 1901 | Frank Coyne (perf.) | Pub. |
I Don't Want to Go Any Farther (w&m) | 1901 | Frank Seeley (perf.) | Pub. |
Like a Good Little Wife Should Do! | 1901 | Walter P Keen (words) Florrie Forde (perf.) |
Pub. |
Oo Could Be 'appier Than Me | 1901 | Wal Phillips (words) Gus Elen (perf.) George Robey (perf.) |
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Well Caught! (w&m) | 1901 | T. E. Dunville (perf.) | Pub. |
Jack of All Trades | 1901c | Edgar Bateman (words) George Brooks (perf.) |
Pub. |
I Don't Know What I'm to Do | 1902 | Edgar Bateman (words) Frank Coyne (perf.) |
Pub. |
I Want to Go Home Again (w&m) | 1902 | Will Dalton (perf.) | Pub. |
Let Go, Eliza! (w&m) | 1902 | Frank Seeley (perf.) | Pub. |
Medical Man, The | 1902 | T F Benson (words) Will Dalton (perf.) |
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⇑ Three Women to Every Man | 1902 | Fred Murray (words) Burt Shepard (perf.) |
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W-O-M-A-N, or, Whoa, Man, Whoa! (w&m) | 1902 | George Lashwood (perf.) | Pub. |
You Can't Do This, and You Can't Do That | 1902 | Edgar Bateman (words) Alec Hurley (perf.) |
Pub. |
Father's Phonograph (w&m) | 1903 | Tom Carney (perf.) | Pub. |
I'm a Little Bit Deaf To-Day | 1903 | Edgar Bateman (words) Edgar Curtis (perf.) |
Pub. |
Jilted Shoeblack, The | 1903 | Hal Wright. (words) Edgar Bateman (words) Gus Elen (perf.) |
Pub. |
Wedding Bells | 1903 | Fred Murray (words) Vesta Victoria (perf.) |
|
When Juggins Was Twenty-One | 1903 | Edgar Bateman (words) Ernest Shand (perf.) |
Pub. |
What I Say I Do Do, I Do Do! (w&m) | 1904 | Tom Costello (perf.) | Pub. |
Molly, the Jolly Little Lady (w&m) | 1905 | Pub. | |
Bridget (w&m) | 1906 | Pub. | |
I Never Work Upon a Monday | 1906 | George Arthurs (words) Alec Hurley (perf.) |
Pub. |
⇑ She's Proud and She's Beau-Tie-Ful (w&m) | 1906 | George Bastow (perf.) | Pub. |
Why Do the Girls Love Charlie? (w&m) | 1906 | Winifred Hare (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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Wire In, My Lads! (w&m) | 1906 | George Bastow (perf.) Will Godwin (perf.) |
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Good- For Nothing! (w&m) | 1907 | Johnny Worman (perf.) | Pub. |
I Ain't Nobody in Perticular | 1907 | Scott Mackenzie (words) Alec Hurley (perf.) |
Pub. |
Dear Mr. Admiral! (w&m) | 1908 | George Lashwood (perf.) | Pub. |
Fol-The-Rol-Lol (w&m) | 1908 | Fred Murray (co-author) Edward M. Favor (perf.) George Lashwood (perf.) |
Pub. ![]() |
I Was the Only Gentleman There (w&m) | 1908 | George Lashwood (perf.) | Pub. |
Johnny Macintyre (w&m) | 1908 | Pub. | |
Oh, What an Exhibition! (w&m) | 1908 | Ben Albert (perf.) Albert Ben (perf.) |
Pub. ![]() |
Rum-Tiddley-Um-Tum-Tay! | 1908 | Orlando Powell (words) A Mas (words) J Taillefer (words) Georges Ondet (words) Marie Lloyd (perf.) |
Pub. |
Look at the Kiltie-Boys, Hooch Aye! (w&m) | 1909 | Ruth Lytton (perf.) | Pub. |
Send For a P'liceman! (w&m) | 1909 | George Lashwood (perf.) | Pub. ![]() |
⇑ Snuggle (w&m) | 1909 | Pub. | |
They Won't Know Oi Coom From the Coontry (w&m) | 1909 | George Bastow (perf.) | Pub. |
Captain Ginjah, O.T. (w&m) | 1910 | George Bastow (perf.) | Pub. ![]() |
Come Back to Mallow, Molly. (w&m) | 1910 | Pub. | |
Don't Forget the Chorus | 1910 | Worton David (words) Harry Marlow (perf.) |
Pub. |
Oh! Blow the Scenery on the Railway Line | 1910 | George Arthurs (words) George Lashwood (perf.) |
Pub. ![]() |
Put on Your Tat-Ta, Little Girlie! (w&m) | 1910 | Clarice Mayne (perf.) | Pub. |
Something to Remember You By (w&m) | 1910 | George Lashwood (perf.) | Pub. |
There's Another Fellow Looks Like Me (w&m) | 1910 | George Lashwood (perf.) | Pub. ![]() |
Her Name Is Annie Laurie (w&m) | 1911 | Ruth Lytton (perf.) | Pub. |
Let's Go Shopping (w&m) | 1911 | Pub. | |
Mary Ann She's After Me! (w&m) | 1911 | George Bastow (perf.) | Pub. |
⇑ No, Ebenezer! No! (w&m) | 1911 | Edith Fink (perf.) | Pub. |
I'm Looking For an Ice Man (w&m) | 1912 | Pub. |
Title | Year | Attribution | Remarks |
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Jocular Judge, The (w&m) | 1912 | George Bastow (perf.) | ![]() |
Ragtime Yokel , The (w&m) | 1912 | George Bastow (perf.) | Pub. |
Rory O'More, the Toreador | 1912 | George Arthurs (words) George Lashwood (perf.) |
Pub. |
When We 'as a Row, Oh! It Is a Row (w&m) | 1912 | Alec Hurley (perf.) | Pub. |
Land Me on the Isle of Man! (w&m) | 1913 | Pub. | |
Little Billy Owlet | 1913 | Huntley Trevor (words) | Pub. |
O-O-O-Oh! Massa Bee! | 1913 | Leonard Cooke (words) | Pub. |
Light of the Morning (w&m) | 1914 | Pub. | |
Policeman's Honeymoon, The | 1914 | Alf Ellerton (words) Will Mayne (words) George Lashwood (perf.) |
Pub. |
Wake Yourself Up and Get a Move On (w&m) | 1914 | Pub. | |
Little of What You Fancy, A | 1915 | George Arthurs (words) Marie Lloyd (perf.) |
Pub. |
⇑ Nuts and Fruit (w&m) | 1915 | Albert Ben (perf.) | Pub. |
Silly Ass! | 1915 | Tom G Clare (words) Murray Moore (words) |
Pub. |
They Call Oi Wicked Willie (w&m) | 1915 | Harris Tweed (perf.) | Pub. |
My Little Ammunition Girl. (w&m) | 1916 | Tom Costello (perf.) | ![]() |
Where You Were | 1916 | James Stewart (words) | Pub. |
Bring Your Own Bread and Butter | 1918 | Harry Castling (words) Fred Curran (perf.) |
Pub. |
Ev'ry Day Is One Day Nearer (w&m) | 1918 | Jen Latona (perf.) | Pub. |
Fed Up! (w&m) | 1918 | Tom Costello (perf.) | Pub. |
I Want to See Old Bill Come Back | 1918 | Arthur Stroud (words) | Pub. |
Take My Arm and Take Me Home | 1918 | Charles Collins (words) Lily Morris (perf.) |
Pub. |
Happy Days (w&m) | 1919 | Pub. | |
I've Come Back to Town Once Again (w&m) | 1919 | Tom Costello (perf.) | Pub. |
⇑ Jolly Old Pott (w&m) | 1919 | Wilfred Burnand (perf.) | Pub. |
Them's Wor the Days! (w&m) | 1919 | H. Scott Leslie (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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You Can't Do That With a Woman (w&m) | 1919 | Wilfred Burnand (perf.) | ![]() |
Anvil and the School-Bell, The | 1920 | Arthur Nevill (words) Henry E. Pether (words) |
Pub. |
There's the Wee White Heather Growing | 1920 | Charles Collins (words) Lily Morris (perf.) |
Pub. |
I'm Going to Be Married to Mary (w&m) | 1922 | ||
I Do Like a Little Bit O' Turkey | 1923 | J P Long (words) Ernie Mayne (perf.) |
Pub. |
Put a Bit O'Treacle on My Pudden, Mary Ann! (w&m) | 1923 | Harry Champion (perf.) | |
Uriah! | 1923 | J P Long (words) | Pub. |
I'se Looking For a Job For My Poor Dear Wife (w&m) | 1924 | ||
Galloping Major, The (w&m) | 1951 | George Bastow (perf.) | Pub. |
Bull Fighter, The | ? | Harry Castling (words) Harry Weldon (perf.) |
Composer | Title | Performer |
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F.W. Leigh | Captain Ginjah (3:09) | G. Bastow |
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F.W. Leigh | Mary Ann She's After Me (1912) (3:30) | G. Bastow |
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F.W. Leigh | Oh! Blow the Scenery on the Railway Line (2:50) | G. Lashwood |