Fred W. Leigh
Last updated: 04.03.26
| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
 |
Fol-The-Rol-Lol (1905) | F. Murray | Edward M. Favor | Edison Gold Moulded Record: 9142 |
| Title (Release Year) | Composer | Performers | Issue |
|---|
 |
Duty of a Wife, The (1900) | F.W. Leigh | Edward M. Favor | Victor: [Pre- A-]182 |
|
How Was I to Know (1899) | F.W. Leigh | Edward M. Favor | Berliner: 0714 |
 |
Little Bit Off the Top, A (1901) | F.W. Leigh | Edward M. Favor | Zonophone: [Zo cat I9430] |
|
Oh, What an Exhibition! (1908) | F.W. Leigh | B. Albert | Columbia: 26478 |
|
Send For a P'liceman! (1910) | F.W. Leigh | G. Lashwood | Columbia: 30330 |
|
There's Another Fellow Looks Like Me (1909) | F.W. Leigh | G. Lashwood | Columbia: 30328 |
|
Three Women to Every Man (1902) | F.W. Leigh | B. Shepard | Victor: [Pre- B-]1509 |
This list is derived from information provided by Monologues.co.uk which went down sometime in 2023.
The loss of this valuable resource is very sad and a mystery.
The loss of this valuable resource is very sad and a mystery.
| Title | Attribution | Remarks |
|---|
| All the Dogs Went Bow-Wow-Wow | Fred W. Leigh (words & music) Harry Champion (perf.) |
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| Belinda the Barber-Ous | Fred W. Leigh (words & music) Harry Champion (perf.) |
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| Bridget | Fred W. Leigh (words & music) |
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| Bull Fighter, The | Fred W. Leigh (music) Harry Castling (words) Harry Weldon (perf.) |
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| Captain Ginjah, O.T. | Fred W. Leigh (music) George Bastow (words) George Bastow (perf.) |
||
| Dear Mr. Admiral! | Fred W. Leigh (music) George Lashwood (words) George Lashwood (perf.) |
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| Does It Hurt You Very Much? | Fred W. Leigh (music) Tom Costello (words) Tom Costello (perf.) |
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| E's Takin' a Mean Advantage | Fred W. Leigh (words & music) Alec Hurley (perf.) |
||
| Father, Mother and an Apple | Fred W. Leigh (music) Fred Murray (words) Vesta Victoria (perf.) |
||
| Fifteen of 'em on the Parlour Floor | Fred W. Leigh (music) John S. Baker (words) W. P. Dempsey (perf.) |
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| Fol-The-Rol-Lol | Fred W. Leigh (music) Murry (words) George Lashwood (perf.) |
||
| ⇑Good- For Nothing! | Fred W. Leigh (words & music) Johnny Worman (perf.) |
||
| Horse the Missis Dries the Clothes on, The | Fred W. Leigh (words & music) Frank Coyne (perf.) |
||
| How-De-Do-De? | Fred W. Leigh (music) Fred Murray (words) George Beauchamp (perf.) |
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| I Ain't Nobody in Perticular | Fred W. Leigh (music) Scott Mackenzie (words) Alec Hurley (perf.) |
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| I Don't Know What I'm to Do | Fred W. Leigh (music) Edgar Bateman (words) Frank Coyne (perf.) |
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| I Don't Want to Go Any Farther | Fred W. Leigh (words & music) Frank Seeley (perf.) |
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| I Want to Go Home Again | Fred W. Leigh (words & music) Will Dalton (perf.) |
||
| I Was the Only Gentleman There | Fred W. Leigh (words & music) George Lashwood (perf.) |
||
| I'm a Little Bit Deaf To-Day | Fred W. Leigh (music) Edgar Batema (words) Edgar Curtis (perf.) |
||
| Jack of All Trades | Fred W. Leigh (music) Edgar Bateman (words) George Brooks (perf.) |
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| Jilted Shoeblack, The | Fred W. Leigh (music) Hal Wright (words) Don Bateman (words) Gus Elen (perf.) |
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| Jocular Judge, The | Fred W. Leigh (words & music) George Bastow (perf.) |
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| ⇑Johnny Macintyre | Fred W. Leigh (words & music) |
||
| Let Go, Eliza! | Fred W. Leigh (music) Charles Collins (words) Frank Seeley (perf.) |
||
| Little Bit Off the Top, A | Fred W. Leigh (music) Fred Murray (words) Harry Bedford (perf.) |
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| Mary Ann She's After Me! | Fred W. Leigh (words & music) George Bastow (perf.) |
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| Medical Man, The | Fred W. Leigh (words & music) Will Dalton (perf.) |
||
| Molly, the Jolly Little Lady | Fred W. Leigh (words & music) |
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| More Work For the Undertaker | Fred W. Leigh (words & music) Charles Bignell (perf.) |
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| Obadiah Binks | Fred W. Leigh (words & music) Harry McCormack (perf.) |
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| Oh, What an Exhibition! | Fred W. Leigh (words & music) Ben Albert (perf.) |
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| On Top! | Fred W. Leigh (words & music) Harry Champion (perf.) |
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| Put on Your Tat-Ta, Little Girlie! | Fred W. Leigh (words & music) Clarice Mayne (perf.) |
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| R.G, Knowles' Philosophy | Fred W. Leigh (words & music) Richard George Knowles (perf.) |
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| ⇑Send For a P'liceman! | Fred W. Leigh (words & music) George Lashwood (perf.) |
||
| She's Proud and She's Beau-Tie-Ful | Fred W. Leigh (music) George Bastow (words) George Bastow (perf.) |
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| There Ain't a Bit O' Pride About Me | Fred W. Leigh (words & music) W. P. Dempsey (perf.) |
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| There's Another Fellow Looks Like Me | Fred W. Leigh (words & music) George Lashwood (perf.) |
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| They're Beginning to Notice Me | Fred W. Leigh (music) Fred Murray (words) George Robey (perf.) |
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| Wedding Bells | Fred W. Leigh (music) Fred Murray (words) Vesta Victoria (perf.) |
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| What I Say I Do Do, I Do Do! | Fred W. Leigh (music) Tom Costello (words) Tom Costello (perf.) |
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| Why Do the Girls Love Charlie? | Fred W. Leigh (words & music) Winifred Hare (perf.) |
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| Wire In, My Lads! | Fred W. Leigh (music) Will J. Godwin (words) George Bastow (perf.) |
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| You Can't Do This, and You Can't Do That | Fred W. Leigh (music) Edgar Bateman (words) Alec Hurley (perf.) |
This list is arranged in chronological order and contains 110 works by Fred W. Leigh.
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| All the Dogs Went Bow-Wow-Wow (w&m) | 1895 | Harry Champion (perf.) |  |
| Belinda the Barber-Ous (w&m) | 1895 | Harry Champion (perf.) | |
| More Work For the Undertaker (w&m) | 1895 | Charles Bignell (perf.) Burton & Brookes (perf.) |
|
| Obadiah Binks | 1896 | Will Mayne (words) Harry McCormack (perf.) |
Pub. |
| Rosie Gray (w&m) | 1896 | Nellie Lingard (perf.) | Pub. |
| All Through the Rain | 1897 | Walter P Keen (words) James Merrylees (words) |
Pub. |
| Fifteen of 'em on the Parlour Floor | 1897 | John S. Baker (words) W. P. Dempsey (perf.) |
Pub. |
| Ringing the Changes | 1897 | Henry E. Pether (words) Harry McCormack (perf.) |
|
| Too, Too, Too, Too Strong | 1897 | Frank W Carter (words) Charles Bignell (perf.) |
Pub. |
| All He Left Was a Pair of Trousers | 1898 | Fred Murray (words) Ada Cerito (perf.) |
Pub. |
| Dotty-Otty | 1898 | Malcolm Arnold (words) Charles Bignell (perf.) |
Pub. |
| ⇑ His Little Wife Was With Him All the Time | 1898 | Walter P Keene (words) | |
| Little Tommy Tit-Bit | 1898 | Henry E. Pether (words) Harry McCormack (perf.) |
Pub. |
| What The- What The- What The- Shall We Do? (w&m) | 1898 | Ben Nevis (perf.) | Pub. |
| How Was I to Know | 1899 | Fred Murray (words) Edward M. Favor (perf.) |
|
| How-De-Do-De? (w&m) | 1899 | Fred Murray (words) George Beauchamp (perf.) |
Pub. |
| On Top! (w&m) | 1899 | Harry Champion (perf.) | Pub. |
| They're Beginning to Notice Me | 1899 | Fred Murray (words) George Robey (perf.) |
|
| Duty of a Wife, The | 1900 | Fred Murray (words) Edward M. Favor (perf.) |
|
| Little Bit Off the Top, A | 1900 | Fred Murray (words) Harry Bedford (perf.) Edward M. Favor (perf.) |
Pub. |
| R.G, Knowles' Philosophy | 1900 | Charles Wilmott (words) Richard George Knowles (perf.) |
Pub. |
| There Ain't a Bit O' Pride About Me (w&m) | 1900 | W. P. Dempsey (perf.) | Pub. |
| Does It Hurt You Very Much? (w&m) | 1901 | Tom Costello (perf.) | Pub. |
| ⇑ E's Takin' a Mean Advantage (w&m) | 1901 | Alec Hurley (perf.) | Pub. |
| Father, Mother and an Apple | 1901 | Fred Murray (words) Vesta Victoria (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Go 'way, Good Massa Bee (w&m) | 1901 | |
|
| Horse the Missis Dries the Clothes on, The (w&m) | 1901 | Frank Coyne (perf.) | Pub. |
| I Don't Want to Go Any Farther (w&m) | 1901 | Frank Seeley (perf.) | Pub. |
| Like a Good Little Wife Should Do! | 1901 | Walter P Keen (words) Florrie Forde (perf.) |
Pub. |
| Oo Could Be 'appier Than Me | 1901 | Wal Phillips (words) Gus Elen (perf.) George Robey (perf.) |
|
| Well Caught! (w&m) | 1901 | T. E. Dunville (perf.) | Pub. |
| Jack of All Trades | 1901c | Edgar Bateman (words) George Brooks (perf.) |
Pub. |
| I Don't Know What I'm to Do | 1902 | Edgar Bateman (words) Frank Coyne (perf.) |
Pub. |
| I Want to Go Home Again (w&m) | 1902 | Will Dalton (perf.) | Pub. |
| Let Go, Eliza! (w&m) | 1902 | Frank Seeley (perf.) | Pub. |
| Medical Man, The | 1902 | T F Benson (words) T.F. Benson (perf.) Will Dalton (perf.) |
|
| ⇑ Three Women to Every Man | 1902 | Fred Murray (words) Burt Shepard (perf.) |
|
| W-O-M-A-N, or, Whoa, Man, Whoa! (w&m) | 1902 | George Lashwood (perf.) | Pub. |
| You Can't Do This, and You Can't Do That | 1902 | Edgar Bateman (words) Alec Hurley (perf.) |
Pub. |
| Father's Phonograph (w&m) | 1903 | Tom Carney (perf.) | Pub. |
| I'm a Little Bit Deaf To-Day | 1903 | Edgar Bateman (words) Edgar Curtis (perf.) |
Pub. |
| Jilted Shoeblack, The | 1903 | Hal Wright. (words) Edgar Bateman (words) Gus Elen (perf.) |
Pub. |
| Wedding Bells | 1903 | Fred Murray (words) Vesta Victoria (perf.) |
|
| When Juggins Was Twenty-One | 1903 | Edgar Bateman (words) Ernest Shand (perf.) |
Pub. |
| What I Say I Do Do, I Do Do! (w&m) | 1904 | Tom Costello (perf.) | Pub. |
| Molly, the Jolly Little Lady (w&m) | 1905 | Pub. | |
| Bridget (w&m) | 1906 | Pub. | |
| I Never Work Upon a Monday | 1906 | George Arthurs (words) Alec Hurley (perf.) |
Pub. |
| ⇑ She's Proud and She's Beau-Tie-Ful (w&m) | 1906 | George Bastow (perf.) | Pub. |
| Why Do the Girls Love Charlie? (w&m) | 1906 | Winifred Hare (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Wire In, My Lads! (w&m) | 1906 | George Bastow (perf.) Will Godwin (perf.) |
|
| Good- For Nothing! (w&m) | 1907 | Johnny Worman (perf.) | Pub. |
| I Ain't Nobody in Perticular | 1907 | Scott Mackenzie (words) Alec Hurley (perf.) |
Pub. |
| Dear Mr. Admiral! (w&m) | 1908 | George Lashwood (perf.) | Pub. |
| Fol-The-Rol-Lol (w&m) | 1908 | Fred Murray (co-author) Edward M. Favor (perf.) George Lashwood (perf.) |
Pub. |
| I Was the Only Gentleman There (w&m) | 1908 | George Lashwood (perf.) | Pub. |
| Johnny Macintyre (w&m) | 1908 | Pub. | |
| Oh, What an Exhibition! (w&m) | 1908 | Ben Albert (perf.) Albert Ben (perf.) |
Pub. |
| Rum-Tiddley-Um-Tum-Tay! | 1908 | Orlando Powell (words) A Mas (words) J Taillefer (words) Georges Ondet (words) Marie Lloyd (perf.) |
Pub. |
| Look at the Kiltie-Boys, Hooch Aye! (w&m) | 1909 | Ruth Lytton (perf.) | Pub. |
| Send For a P'liceman! (w&m) | 1909 | George Lashwood (perf.) | Pub. |
| ⇑ Snuggle (w&m) | 1909 | Pub. | |
| They Won't Know Oi Coom From the Coontry (w&m) | 1909 | George Bastow (perf.) | Pub. |
| Captain Ginjah, O.T. (w&m) | 1910 | George Bastow (perf.) | Pub.  |
| Come Back to Mallow, Molly. (w&m) | 1910 | Pub. | |
| Don't Forget the Chorus | 1910 | Worton David (words) Harry Marlow (perf.) |
Pub. |
| Oh! Blow the Scenery on the Railway Line | 1910 | George Arthurs (words) George Lashwood (perf.) |
Pub. |
| Put on Your Tat-Ta, Little Girlie! (w&m) | 1910 | Clarice Mayne (perf.) | Pub. |
| Something to Remember You By (w&m) | 1910 | George Lashwood (perf.) | Pub. |
| There's Another Fellow Looks Like Me (w&m) | 1910 | George Lashwood (perf.) | Pub. |
| Her Name Is Annie Laurie (w&m) | 1911 | Ruth Lytton (perf.) | Pub. |
| Let's Go Shopping (w&m) | 1911 | Pub. | |
| Mary Ann She's After Me! (w&m) | 1911 | George Bastow (perf.) | Pub. |
| ⇑ No, Ebenezer! No! (w&m) | 1911 | Edith Fink (perf.) | Pub. |
| I'm Looking For an Ice Man (w&m) | 1912 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Jocular Judge, The (w&m) | 1912 | George Bastow (perf.) | |
| Ragtime Yokel, The (w&m) | 1912 | George Bastow (perf.) | Pub. |
| Rory O'More, the Toreador | 1912 | George Arthurs (words) George Lashwood (perf.) |
Pub. |
| When We 'as a Row, Oh! It Is a Row (w&m) | 1912 | Alec Hurley (perf.) | Pub. |
| Land Me on the Isle of Man! (w&m) | 1913 | Pub. | |
| Little Billy Owlet | 1913 | Huntley Trevor (words) | Pub. |
| O-O-O-Oh! Massa Bee! | 1913 | Leonard Cooke (words) | Pub. |
| Light of the Morning (w&m) | 1914 | Pub. | |
| Policeman's Honeymoon, The | 1914 | Alf Ellerton (words) Will Mayne (words) George Lashwood (perf.) |
Pub. |
| Wake Yourself Up and Get a Move On (w&m) | 1914 | Pub. | |
| Little of What You Fancy, A | 1915 | George Arthurs (words) Marie Lloyd (perf.) |
Pub. |
| ⇑ Nuts and Fruit (w&m) | 1915 | Albert Ben (perf.) | Pub. |
| Silly Ass! | 1915 | Tom G Clare (words) Murray Moore (words) |
Pub. |
| They Call Oi Wicked Willie (w&m) | 1915 | Harris Tweed (perf.) | Pub. |
| My Little Ammunition Girl. (w&m) | 1916 | Tom Costello (perf.) | |
| Where You Were | 1916 | James Stewart (words) | Pub. |
| Bring Your Own Bread and Butter | 1918 | Harry Castling (words) Fred Curran (perf.) |
Pub. |
| Ev'ry Day Is One Day Nearer (w&m) | 1918 | Jen Latona (perf.) | Pub. |
| Fed Up! (w&m) | 1918 | Tom Costello (perf.) | Pub. |
| I Want to See Old Bill Come Back | 1918 | Arthur Stroud (words) | Pub. |
| Take My Arm and Take Me Home | 1918 | Charles Collins (words) Lily Morris (perf.) |
Pub. |
| Happy Days (w&m) | 1919 | Pub. | |
| I've Come Back to Town Once Again (w&m) | 1919 | Tom Costello (perf.) | Pub. |
| ⇑ Jolly Old Pott (w&m) | 1919 | Wilfred Burnand (perf.) | Pub. |
| Them's Wor the Days! (w&m) | 1919 | H. Scott Leslie (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| You Can't Do That With a Woman (w&m) | 1919 | Wilfred Burnand (perf.) | |
| Anvil and the School-Bell, The | 1920 | Arthur Nevill (words) Henry E. Pether (words) |
Pub. |
| There's the Wee White Heather Growing | 1920 | Charles Collins (words) Lily Morris (perf.) |
Pub. |
| I'm Going to Be Married to Mary (w&m) | 1922 | ||
| I Do Like a Little Bit O' Turkey | 1923 | J P Long (words) Ernie Mayne (perf.) |
Pub. |
| Put a Bit O'Treacle on My Pudden, Mary Ann! (w&m) | 1923 | Harry Champion (perf.) | |
| Uriah! | 1923 | J P Long (words) | Pub. |
| I'se Looking For a Job For My Poor Dear Wife (w&m) | 1924 | ||
| Galloping Major, The (w&m) | 1951 | George Bastow (perf.) | Pub. |
| Bull Fighter, The | ? | Harry Castling (words) Harry Weldon (perf.) |
| Composer | Title | Performer |
|---|
|
F.W. Leigh | Captain Ginjah (3:09) | G. Bastow |
|
F.W. Leigh | Mary Ann She's After Me (1912) (3:30) | G. Bastow |
|
F.W. Leigh | Oh! Blow the Scenery on the Railway Line (2:50) | G. Lashwood |