E.W. Rogers (1864-1913)
Last updated: 31.07.22
For such a prolific composer, I find it amazing that so little can be gleaned from the Internet. In British Music Hall: An Illustrated History by Richard Anthony Baker, he is worth a paragraph.
E.W. [Edward William] Rogers was an English songwriter of popular music for the music hall born in Newington, London. He started his career performing sketches written by Harry Pleon. His first big success as a songwriter was Ask a Policeman (1888), co-authored with Augustus E. Durandeau and sung by James Fawn.
Following in Father's Footsteps (1902), made famous by the great Vesta Tilley, and Skylark! Skylark! (1902), sung by Arthur Lennard can be found in 60 Old-Time Variety Songs.
He died in Wandsworth, London.
E.W. [Edward William] Rogers was an English songwriter of popular music for the music hall born in Newington, London. He started his career performing sketches written by Harry Pleon. His first big success as a songwriter was Ask a Policeman (1888), co-authored with Augustus E. Durandeau and sung by James Fawn.
Following in Father's Footsteps (1902), made famous by the great Vesta Tilley, and Skylark! Skylark! (1902), sung by Arthur Lennard can be found in 60 Old-Time Variety Songs.
He died in Wandsworth, London.
| Title | Instruments/Issue | Performers |
|---|
| MP3 File(s) | |||
 |
Call Around Any Old Time and Make Yourself at Home | Edison Gold Moulded Record: 13720 | Victoria Monks |
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I'm Following in Father's Footsteps | Edison Gold Moulded Record: 13571 | Vesta Tilley |
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I'm the Man They're Looking For | Edison Amberol: 508 | Edward M. Favor |
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I'm the Plumber | Edison Gold Moulded Record: 12936 | Leonard Mackay |
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It's Part of a P'liceman's Duty | Edison Gold Moulded Record: 13593 | Vesta Tilley |
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Pretty Little Girl From ''Nowhere'', The | Edison Standard Record: 14034 | Stanley Kirkby |
| Title | Attribution | Remarks |
|---|
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After the Show | E.W. Rogers (words & music) A. Lennard (perf.) |
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All Doing Something For Baby | E.W. Rogers (words & music) A. Lennard (perf.) |
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All One Price | E.W. Rogers (words & music) T. E. Dunville (perf.) |
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As You Were Before | E.W. Rogers (words & music) Arthur Tinsley (perf.) |
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Baby | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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Barmaid, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
 |
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Best Man, The | E.W. Rogers (words & music) Walter Munroe (perf.) |
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Brighton | E.W. Rogers (words & music) P. Pelham (perf.) |
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Bus Conductor, The | E.W. Rogers (words & music) Fred W. Stephens (perf.) |
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Daily Male, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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Don't It Do Your Eyesight Good! | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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⇑End of the Song, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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Following in Father's Footsteps | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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Four-P'ny-A'p'ny Banquet, The | E.W. Rogers (words & music) H. Freeman (perf.) |
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French Lady's-Maid, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
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Galtimore Banshee, The | E.W. Rogers (words & music) |
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G'arn Away | E.W. Rogers (words & music) Marie Lloyd (perf.) |
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Giddy Little Curate, The | E.W. Rogers (music) Augustus E. Durandeau (words) C. Godfrey (perf.) |
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Good-Bye London Town | E.W. Rogers (music) J Charles Moore (words) |
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Handy Man, The | E.W. Rogers (words & music) J. Fawn (perf.) |
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He'll Get It Where He's Gone to Now | E.W. Rogers (words & music) G. Robey (perf.) |
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Hennessy's Fancy Ball | E.W. Rogers (words & music) Walter Munroe (perf.) |
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Here We Come Gathering Flats and Jays | E.W. Rogers (words & music) |
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⇑He's Going in For This Dance Now | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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His Whiskers! | E.W. Rogers (words & music) B. Albert (perf.) |
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Hurry Up, There! | E.W. Rogers (words & music) Daisy Wood (perf.) |
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I Was Led Like a Lamb to the Slaughter | E.W. Rogers (words & music) A. Rudd (perf.) |
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I'm Throwing Myself Away | E.W. Rogers (words & music) A.W. Rigby (perf.) |
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It Suddenly Dawned Upon Me | E.W. Rogers (words & music) G. Robey (perf.) |
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It's Part of a P'liceman's Duty | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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Lambeth Walk, The | E.W. Rogers (words & music) Alec Hurley (perf.) |
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Language of London Town, The | E.W. Rogers (words & music) A. Lennard (perf.) |
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Latest Chap on Earth, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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Little Golden Hair | E.W. Rogers (words & music) A. Lennard (perf.) |
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Little Thing Like This Is Very Handy, A | E.W. Rogers (words & music) Alf Chester (perf.) |
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⇑Man at the Door, The | E.W. Rogers (words & music) J. Fawn (perf.) |
|
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Mary Anne Maginty | E.W. Rogers (words & music) Walter Munroe (perf.) |
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Midnight Son!, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
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My Hat's a Brown 'un | E.W. Rogers (words & music) G. Robey (perf.) |
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New Policeman, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
|
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Not For Bill! | E.W. Rogers (words & music) Marie Lloyd (perf.) |
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One Man, One Vote | E.W. Rogers (words & music) C. Deane (perf.) |
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Only a Broken Toy | E.W. Rogers (words & music) A. Lennard (perf.) |
|
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Only a Month Ago | E.W. Rogers (words & music) A. Lennard (perf.) |
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Only a Pair of Shoes | E.W. Rogers (words & music) Vesta Tilley (perf.) |
|
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Our Happy, Happy Evenings For the Poor | E.W. Rogers (words & music) A.W. Rigby (perf.) |
|
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Postman, The | E.W. Rogers (words & music) J. Fawn (perf.) |
|
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⇑Red and the White and the Blue, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
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Rivals | E.W. Rogers (words & music) P. Rafferty (perf.) |
|
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Sanitary Inspector, The | E.W. Rogers (words & music) J. Fawn (perf.) |
|
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Scotch and Polly | E.W. Rogers (words & music) Vesta Tilley (perf.) |
|
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She's Beautiful to Me | E.W. Rogers (words & music) A. Lennard (perf.) |
|
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She's My Wife | E.W. Rogers (words & music) A. Lennard (perf.) |
|
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Shillelagh, The | E.W. Rogers (words & music) Walter Munroe (perf.) |
|
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Showing Aunt Matilda Round the Town | E.W. Rogers (words & music) Vesta Tilley (perf.) |
|
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Simple Pimple, The | E.W. Rogers (words & music) G. Robey (perf.) |
|
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Since Bill's Been Crossed in Love | E.W. Rogers (words & music) Alec Hurley (perf.) |
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Skylark! Skylark! | E.W. Rogers (words & music) A. Lennard (perf.) |
|
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Somebody Else's Baby | E.W. Rogers (words & music) Florrie Gallimore (perf.) |
|
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⇑Something I Shall Never See Again | E.W. Rogers (music) George Maurice (words) A.W. Rigby (perf.) |
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Spanish Señora | E.W. Rogers (words & music) Marie Lloyd (perf.) |
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Tatcho | E.W. Rogers (words & music) H. Randall (perf.) |
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That's Work! | E.W. Rogers (words & music) G. Robey (perf.) |
|
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Therein Lurks Unseen Danger | E.W. Rogers (words & music) A.W. Rigby (perf.) |
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There's a Lump in Your Throat and a Tear in Your Eye | E.W. Rogers (words & music) A. Lennard (perf.) |
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They Never Do That to Me! | E.W. Rogers (words & music) A.W. Rigby (perf.) |
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Thick-Ear'd Jim | E.W. Rogers (words & music) Alec Hurley (perf.) |
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Timothy Tubbs and All the Tubbs | E.W. Rogers (words & music) A. Lennard (perf.) |
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We Tossed Up Who Should Kill Him | E.W. Rogers (words & music) Walter Munroe (perf.) |
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What I Have I'll Hold | E.W. Rogers (words & music) G. Robey (perf.) |
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What Is One Amongst So Many? | E.W. Rogers (words & music) G. Robey (perf.) |
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⇑What They Showed Me in Paree | E.W. Rogers (words & music) A.W. Rigby (perf.) |
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You're Still One of the Boys | E.W. Rogers (words & music) T. Costello (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
|
Barmaid, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
Piano, Voice | Monologues |  |
|
Following in Father's Footsteps | E.W. Rogers (music) Vesta Tilley (perf.) |
Piano, Voice | Monologues | Pub. |
|
Red and the White and the Blue, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
Piano, Voice | Monologues | Pub. |
This list is arranged in chronological order and contains 213 works by E.W. Rogers (1864-1913).
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Lady Killer, The | 1885 | Frederick Eplett (words) Walter Munroe (perf.) |
|
| Beautiful Language | 1889 | H.E. Pether (words) Walter Munroe (perf.) |
|
| Bus Conductor, The (w&m) | 1889 | Fred W. Stephens (perf.) | Pub. |
| Electric Railway, The | 1889 | Frederick Eplett (words) Walter Munroe (perf.) |
|
| Good ''On Yer'' Mary Ann | 1889 | A.E. Durandeau (words) Walter Munroe (perf.) |
Pub. |
| Postman, The (w&m) | 1889 | J. Fawn (perf.) | Pub. |
| Talking Waltz, The | 1889 | Frederick Eplett (words) A. Roberts (perf.) |
Pub. |
| Tim Macarthy's Daughter | 1889 | H.E. Pether (words) Walter Munroe (perf.) |
Pub. |
| Whether You Want It or Not (w&m) | 1889 | A. Roberts (perf.) | Pub. |
| As You Were Before | 1890 | Frederick Eplett (words) Arthur Tinsley (perf.) |
Pub. |
| Soldier, The (w&m) | 1890 | J. Fawn (perf.) | |
| ⇑ 18th Royal Irish Brigade, The | 1891 | Walter Munroe (perf.)
arr.: T Richards |
Pub. |
| Ennis (w&m) | 1891 | Walter Munroe (perf.)
arr.:T Richards |
Pub. |
| Giddy Little Curate, The | 1891 | A.E. Durandeau (words) C. Godfrey (perf.) |
Pub. |
| He'll Get It Where He's Gone to Now | 1891 | Alfred Lamont (words) G. Robey (perf.) |
|
| Kitty Malony | 1891 | Alfred Leggett (words) Walter Munroe (perf.) |
Pub. |
| Leave Your Boots on the Mat | 1891 | A.E. Durandeau (words) Walter Munroe (perf.) |
Pub. |
| Lum-Tum-Di-Diddley-Um | 1891 | Frederick Eplett (words) Walter Munroe (perf.) |
|
| My Hat's a Brown 'un | 1891 | Alfred Lamont (words) G. Robey (perf.) |
Pub. |
| On My Own | 1891 | Frederick Eplet (words) J. Fawn (perf.) |
|
| Original Bogie Man, The | 1891 | A.E. Durandeau (words) C. Godfrey (perf.) |
Pub. |
| Since Bill's Been Crossed in Love (w&m) | 1891 | Alec Hurley (perf.) | Pub. |
| Skating at Olympia (w&m) | 1891 | Walter Munroe (perf.)
arr.: T Richards |
Pub. |
| ⇑ Welcome Home | 1891 | Alfred Leggett (words) Walter Munroe (perf.) |
Pub. |
| You, and I, and All of Us | 1891 | A.E. Durandeau (words) Walter Munroe (perf.) |
Pub. |
| Don't Be Sure of It | 1892 | Frederick Eplett (words) Arthur Tinsley (perf.) |
Pub. |
| G'arn Away (w&m) | 1892 | Marie Lloyd (perf.) | Pub. |
| Have Another (w&m) | 1892 | J. Fawn (perf.) | Pub. |
| Louisa's Lovers (w&m) | 1892 | A. Lennard (perf.) | Pub. |
| Master and Man | 1892 | Charles Godfrey (words) | |
| Roberts on Billiards | 1892 | Frederick Eplett (words) A. Roberts (perf.) |
Pub. |
| Storm and Calm | 1892 | A.E. Durandeau (words) A. Lennard (perf.) |
Pub. |
| Timothy Tubbs and All the Tubbs | 1892 | A.E. Durandeau (words) A. Lennard (perf.) |
Pub. |
| Baby | 1893 | John S Baker (words) A. Lennard (perf.) Vesta Tilley (perf.) |
Pub. |
| Brighton (w&m) | 1893 | Paul Pelham (words) P. Pelham (perf.) |
Pub. |
| ⇑ Famous in Love, Famous in War | 1893 | John S Baker (words) Walter Munroe (perf.) |
Pub. |
| Handy Man, The (w&m) | 1893 | J. Fawn (perf.) | Pub. |
| Ju-Jah! (w&m) | 1893 | J. Fawn (perf.) | Pub. |
| Mary Anne Maginty | 1893 | John S Baker (words) Maggie Duggan (perf.) Walter Munroe (perf.) |
Pub. |
| One Man, One Vote | 1893 | Charles Deane (words) F. W. Venton (words) C. Deane (perf.) |
Pub. |
| Overcoats (w&m) | 1893 | A.W. Rigby (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Thick-Headed Danny | 1893 | John S Baker (words) P. Rafferty (perf.) |
|
| After the Show (w&m) | 1894 | A. Lennard (perf.) | |
| Barmaid, The (w&m) | 1894 | Marie Lloyd (perf.) | Pub. |
| Best Man, The (w&m) | 1894 | Walter Munroe (perf.) | Pub. |
| End of the Song, The (w&m) | 1894 | Vesta Tilley (perf.) | |
| Fine Weather | 1894 | Alfred Leggett (words) A. Lennard (perf.) |
|
| Galtimore Banshee, The (w&m) | 1894 | Pub. | |
| His Whiskers! (w&m) | 1894 | Albert Ben (perf.) B. Albert (perf.) |
Pub. |
| I Woo-Oo | 1894 | Frederick Eplett (words) Alf Chester (perf.) |
Pub. |
| Little Thing Like This Is Very Handy, A | 1894 | Frederick Eplett (words) Alf Chester (perf.) |
Pub. |
| Man's Not Required (w&m) | 1894 | J. Fawn (perf.) | |
| ⇑ My Friend the Major (w&m) | 1894 | Vesta Tilley (perf.) | Pub. |
| Nelson, Off His Column | 1894 | H. Pleon (words) | Pub. |
| Now the Young Folks Are Away | 1894 | Walter Munroe (perf.) Olympian Quintette (perf.) |
Pub. |
| Sanitary Inspector, The (w&m) | 1894 | J. Fawn (perf.) | |
| Spanish Señora (w&m) | 1894 | Marie Lloyd (perf.) | Pub. |
| To Your Girl, My Girl | 1894 | Charles Deane (words) F. W. Venton (words) |
Pub. |
| We Tossed Up Who Should Kill Him (w&m) | 1894 | Walter Munroe (perf.) | Pub. |
| Baby's Father (w&m) | 1895 | Alf Chester (perf.) | Pub. |
| Don't It Do Your Eyesight Good! (w&m) | 1895 | Vesta Tilley (perf.) | Pub. |
| Hurry Up, There! (w&m) | 1895 | Daisy Wood (perf.) | Pub. |
| I Went Like This to the Lady (w&m) | 1895 | Alf Chester (perf.) | Pub. |
| Little Golden Hair (w&m) | 1895 | A. Lennard (perf.) | Pub. |
| ⇑ Miss Marie Lloyd's Not For Bill! (w&m) | 1895 | Marie Lloyd (perf.) | Pub. |
| Not For Bill! (w&m) | 1895 | Marie Lloyd (perf.) | Pub. |
| One of the Brave Old Guards | 1895 | John S Baker (words) A. Lennard (perf.) |
Pub. |
| Our Happy, Happy Evenings For the Poor (w&m) | 1895 | A.W. Rigby (perf.) | Pub. |
| Pardners! (w&m) | 1895 | A. Lennard (perf.) | Pub. |
| Rivals (w&m) | 1895 | P. Rafferty (perf.) | Pub. |
| Simple Pimple, The | 1895 | Alfred Lamont (words) G. Robey (perf.) |
Pub. |
| Two Orphans, The | 1895 | John S Baker (words) | Pub. |
| You're at Your Old Game (w&m) | 1895 | A. Lennard (perf.) | Pub. |
| Catchemaliveograph, The (w&m) | 1896 | A. Lennard (perf.) | Pub. |
| Connemara | 1896 | A.E. Durandeau (words) | Pub. |
| Dear Hearts Are Waiting (w&m) | 1896 | A. Lennard (perf.) | Pub. |
| ⇑ He's Going in For This Dance Now (w&m) | 1896 | Vesta Tilley (perf.) | Pub. |
| Hennessy's Fancy Ball | 1896 | Walter Munroe (perf.) | Pub. |
| How He Recieved the News (w&m) | 1896 | A. Lennard (perf.) | Pub. |
| Man at the Door, The (w&m) | 1896 | J. Fawn (perf.) | Pub. |
| Nancy Brown (w&m) | 1896 | Pub. | |
| New Photographee, The | 1896 | John S Baker (words) H. Randall (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| New Policeman, The (w&m) | 1896 | Vesta Tilley (perf.) | |
| Old Harmonium-Yum-Yum, The (w&m) | 1896 | A. Lennard (perf.) | Pub. |
| Only a Pair of Shoes (w&m) | 1896 | Vesta Tilley (perf.) | Pub. |
| All Doing Something For Baby (w&m) | 1897 | A. Lennard (perf.) | Pub. |
| Boys of the Thin Red Line, The | 1897 | Ernest D'Almaine (words) | Pub. |
| French Lady's-Maid, The (w&m) | 1897 | Marie Lloyd (perf.) | Pub. |
| Midnight Son!, The | 1897 | Charles E Pratt (words) Vesta Tilley (perf.) |
|
| Only a Broken Toy (w&m) | 1897 | A. Lennard (perf.) | Pub. |
| Only a Month Ago (w&m) | 1897 | A. Lennard (perf.) | Pub. |
| Only Mother and I (w&m) | 1897 | Tom White's Arabs (perf.) | Pub. |
| Put Away (w&m) | 1897 | J. J. Dallas (perf.) | Pub. |
| ⇑ Showing Aunt Matilda Round the Town (w&m) | 1897 | Vesta Tilley (perf.) | Pub. |
| They Never Do That to Me! (w&m) | 1897 | A.W. Rigby (perf.) | Pub. |
| Gordon Highlanders, The (w&m) | 1898 | A. Lennard (perf.) | Pub. |
| I'm the Plumber (w&m) | 1898 | A.W. Rigby (perf.) Leonard Mackay (perf.) |
Pub. |
| I'm Throwing Myself Away (w&m) | 1898 | A.W. Rigby (perf.) | Pub. |
| It Suddenly Dawned Upon Me (w&m) | 1898 | G. Robey (perf.) | Pub. |
| It's Hard to Say Good-Bye (w&m) | 1898 | A. Lennard (perf.) | Pub. |
| Language of London Town, The (w&m) | 1898 | A. Lennard (perf.) | Pub. |
| My Heart Is Your Heart | 1898 | Ernest D'Almaine (words) Ethel Haydon (perf.) Milner Verren (perf.) |
Pub. |
| Song From the Heart, A (w&m) | 1898 | Walter Munroe (perf.) | Pub. |
| Tatcho (w&m) | 1898 | H. Randall (perf.) | Pub. |
| Vesta Tilley's Great Eton Boy | 1898 | Leander Richardson (words) Andrew Mack (words) George F McCann (words) Joseph E Howard (words) Lew Bloom (words) Fay Templeton (words) Vesta Tilley (perf.) |
|
| ⇑ What Is One Amongst So Many? (w&m) | 1898 | G. Robey (perf.) | Pub. |
| What They Showed Me in Paree (w&m) | 1898 | A.W. Rigby (perf.) | Pub. |
| All One Price | 1899 | T. E. Dunville (words) T. E. Dunville (perf.) |
Pub. |
| Cuckoo, The (w&m) | 1899 | Ethel Haydon (perf.) | Pub. |
| Daily Male, The (w&m) | 1899 | Vesta Tilley (perf.) | Pub. |
| Isn't It Hard to Find? (w&m) | 1899 | A.W. Rigby (perf.) | Pub. |
| Lambeth Walk, The (w&m) | 1899 | Alec Hurley (perf.) | Pub. |
| Latest Chap on Earth, The (w&m) | 1899 | Vesta Tilley (perf.) | Pub. |
| Love Has No Need For Words (w&m) | 1899 | A. Lennard (perf.) | Pub. |
| Oh, How Rude! (w&m) | 1899 | A. Lennard (perf.) | Pub. |
| Only a Voice From Dreamland (w&m) | 1899 | A. Lennard (perf.) | Pub. |
| That's Work! (w&m) | 1899 | G. Robey (perf.) | Pub. |
| ⇑ Three Little Words = I Love You (w&m) | 1899 | |
|
| When You're a Married Man (w&m) | 1899 | Vesta Tilley (perf.) | Pub. |
| Four-P'ny-A'p'ny Banquet, The (w&m) | 1900 | H. Freeman (perf.) | Pub. |
| How to Manage a Husband (w&m) | 1900 | A.W. Rigby (perf.) | Pub. |
| Love or Gold | 1900 | L.O. Smith (words) Vesta Tilley (perf.) |
|
| Red and the White and the Blue, The (w&m) | 1900 | Marie Lloyd (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Scotch and Polly (w&m) | 1900 | Vesta Tilley (perf.) | |
| Something I Shall Never See Again | 1900 | George Maurice (words) A.W. Rigby (perf.) |
|
| What I Have I'll Hold (w&m) | 1900 | G. Robey (perf.) | Pub. |
| When the Boys Come Home Again (w&m) | 1900 | Walter Munroe (perf.) | Pub. |
| When You Get a Bit of Something in Your Eye (w&m) | 1900 | A. Lennard (perf.) | Pub. |
| He Hadn't Been Used to Luxuries | 1901 | Frederick Eplett (words) Walter Munroe (perf.) |
|
| Man Without a Woman (w&m) | 1901 | A. Lennard (perf.) | Pub. |
| Moon, Moon, Moon! (w&m) | 1901 | A. Lennard (perf.) | Pub. |
| Moonlight Blossoms, The (w&m) | 1901 | Vesta Tilley (perf.) | Pub. |
| Mrs. Carter, You're a Tartar (w&m) | 1901 | Emma Carus (perf.) | |
| She's My Wife (w&m) | 1901 | A. Lennard (perf.) | Pub. |
| ⇑ Following in Father's Footsteps | 1902 | Vesta Tilley (perf.) | Pub.  |
| He Was a Married Man (w&m) | 1902 | |
|
| Kerbstone Millionaire, The (w&m) | 1902 | A. Lennard (perf.) | Pub. |
| Oh, the Pallis! (w&m) | 1902 | A.W. Rigby (perf.) | Pub. |
| She's Beautiful to Me (w&m) | 1902 | A. Lennard (perf.) | Pub. |
| Skylark! Skylark! (w&m) | 1902 | A. Lennard (perf.) | Pub. |
| England's the Land For Me (w&m) | 1903 | Pub. | |
| Fairy Queen (w&m) | 1903 | |
|
| Flower and the Weed, The (w&m) | 1903 | A. Lennard (perf.) | Pub. |
| Jack and Jill (w&m) | 1903 | A. Lennard (perf.) | Pub. |
| She's His Mother (w&m) | 1903 | A. Lennard (perf.) | Pub. |
| Shillelagh, The (w&m) | 1903 | Walter Munroe (perf.) | Pub. |
| ⇑ That's Cleverness (w&m) | 1903 | Pub. | |
| Thick-Ear'd Jim (w&m) | 1903 | Alec Hurley (perf.)
arr.: John Neat |
Pub. |
| Three Bunches of Flowers (w&m) | 1903 | Pub. | |
| Two Short Speeches (w&m) | 1903 | Pub. | |
| Let Me Call You Daddy! (w&m) | 1904 | Pub. | |
| Same Two Birds in the Same Old Cage, The (w&m) | 1904 | A. Lennard (perf.) | Pub. |
| There's a Lump in Your Throat and a Tear in Your Eye (w&m) | 1904 | A. Lennard (perf.) | Pub. |
| Therein Lurks Unseen Danger (w&m) | 1904 | A.W. Rigby (perf.) | Pub. |
| Sweethearts Still (w&m) | 1905 | ||
| Biddy, My Irish Queen (w&m) | 1906 | Pub. | |
| He's Only a Little 'un (w&m) | 1906 | A. Lennard (perf.) | Pub. |
| I'm Following in Father's Footsteps | 1906 | Vesta Tilley (perf.) | |
| ⇑ It's Part of a P'liceman's Duty (w&m) | 1906 | Vesta Tilley (perf.) | Pub. |
| Lazing in Lazy-Land (w&m) | 1906 | Pub. | |
| Let's Have a Ha'porth of England! (w&m) | 1906 | Pub. | |
| Mary Llewellyn | 1906 | Lovedon Plass (words) | Pub. |
| Mary Llewellyn | 1906 | Lovedon Plass (words) | Pub. |
| My Fireside Ornament (w&m) | 1906 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Oh! For a Night in the West (w&m) | 1906 | G. Lashwood (perf.) | |
| Two Little Lovers Hand-In-Hand (w&m) | 1906 | Pub. | |
| Boy and the Eagle, The (w&m) | 1907 | A. Lennard (perf.) | Pub. |
| David Evans (Evans Above) | 1907 | J. Chas Moore (words) | |
| Girls, Beware of the Serpentine! (w&m) | 1907 | G. Lashwood (perf.) | Pub. |
| Good-Bye London Town | 1907 | J Charles Moore (words) | |
| Here We Come Gathering Flats and Jays (w&m) | 1907 | |
|
| I've Only One Little Flower (w&m) | 1907 | A. Lennard (perf.) | Pub. |
| Jo'burg Joe (w&m) | 1907 | G. Lashwood (perf.) | Pub. |
| Pomona Green (w&m) | 1907 | Pub. | |
| That Old Garden-Seat (w&m) | 1907 | Pub. | |
| ⇑ When You Have Lots of Feathers (w&m) | 1907 | G. Lashwood (perf.) | Pub. |
| Call Around Any Old Time and Make Yourself at Home | 1908 | Victoria Monks (perf.) | |
| Brown Wings | 1909 | Leonard Cooke (words) | Pub. |
| Noise of the Girls and Boys, The (w&m) | 1909 | Pub. | |
| Pretty Little Girl From ''Nowhere'', The | 1909 | John Neat (words) Stanley Kirkby (perf.) |
|
| Somebody Else's Baby (w&m) | 1909 | A. Lennard (perf.) Florrie Gallimore (perf.) |
Pub. |
| Swallow | 1909 | Leonard Cooke (words) | Pub. |
| You're Still One of the Boys (w&m) | 1909 | T. Costello (perf.) | Pub. |
| My Girl's Promised to Marry Me | 191- | Will Godwin (words) | |
| Are You Looking For a Girl Like Me? | 1910 | Orlando Powell (words) | Pub. |
| How Would You Like to Be a Baby? (w&m) | 1910 | A. Lennard (perf.) | Pub. |
| I'm the Man They're Looking For | 1910 | Edward M Favor (words) Edward M. Favor (perf.) |
|
| ⇑ In Your Hy-Hy-Hy-Hy-Hydroplane (w&m) | 1910 | Pub. | |
| Little Miss Importance | 1910 | John Neat (words) | |
| Nobody's Little Daughter | 1910 | Orlando Powell (words) Alec Hurley (perf.) |
Pub. |
| Old Tollgate, The (w&m) | 1910 | |
|
| Pass Along, Please! (w&m) | 1910 | A. Lennard (perf.) | Pub. |
| Tell Me, Daddie, Do Dreams Come True? (w&m) | 1910 | A. Lennard (perf.) | Pub. |
| Which Would You Like to Spare? (w&m) | 1910 | Pub. | |
| All Get Together | 1911 | John Neat (words) | Pub. |
| Follow the Bald-Heads | 1911 | Huntley Trevor (words) John Neat (words) |
Pub. |
| He's a Very Old Friend of Mine | 1911 | Fred Godfrey (words) | |
| I'll Go Half-Way Home With You | 1911 | John P Harrington (words) John Neat (words) |
Pub. |
| Mother-Bird, The (w&m) | 1911 | Pub. | |
| ⇑ Sh! You'll Waken Mister Doyle | 1911 | William Hargreaves (words) | Pub. |
| Why Should Your Eyes Ask Me to Stay | 1911 | William Hargreaves (words) | Pub. |
| Daisy, What ''Daisy Roots''! | 1912 | Fred Murray (words) H. Champion (perf.) |
Pub. |
| Let's Go Home Together! | 1912 | Fred Murray (words) M. Sheridan (perf.) Gladys Mavius (perf.) |
Pub. |
| Maidie | 1912 | Fred Murray (words) | Pub. |
| Manager of the Splitz Hotel, The (w&m) | 1912 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Send Me a Record of Mother's Voice | 1912 | Charles Collins (words) | |
| That Old Waltz Tune | 1912 | William Hargreaves (words) | |
| Then We All Said Good-Bye Again | 1912 | Fred Murray (words) | Pub. |
| Where Have You Left the Girls? | 1912 | Charles Collins (words) Fred Murray (words) M. Sheridan (perf.) |
Pub. |
| Will the Stars Come Nearer? (w&m) | 1912 | Pub. | |
| With a Rake Upon Your Shoulder (w&m) | 1912 | Pub. | |
| I've Got to Get the Nine-Train Back | 1913 | William Hargreaves (words) | Pub. |
| I Was Led Like a Lamb to the Slaughter | ? | A. Rudd (perf.) |
| Title | Duration | Performer |
|---|
|
I'm Following In Father's Footsteps | 2:13 | Vesta Tilley |
|
It's Part of a Policeman's Duty | 2:19 | Vesta Tilley |