Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
Wax Cylinders | ||||
I'm the Plumber (1904) | Leonard Mackay | Edison Gold Moulded Record: 12936 | ||
I'm the Man They're Looking For (1910) | Edward M. Favor | Edison Amberol: 508 | ||
The Pretty Little Girl From ''Nowhere'' (1910) | Stanley Kirkby | Edison Standard Record: 14034 | ||
Call Around Any Old Time and Make Yourself at Home (1908) | Victoria Monks | Edison Gold Moulded Record: 13720 | ||
I'm Following in Father's Footsteps (1906c.) | Vesta Tilley | Edison Gold Moulded Record: 13571 | ||
It's Part of a P'liceman's Duty (1907c.) | Vesta Tilley | Edison Gold Moulded Record: 13593 |
Title | Attribution | Remarks |
---|
After the Show | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
All Doing Something For Baby | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
All One Price | E.W. Rogers (words & music) T. E. Dunville (perf.) |
||
As You Were Before | E.W. Rogers (words & music) Arthur Tinsley (perf.) |
||
Baby | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Barmaid, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
||
Best Man, The | E.W. Rogers (words & music) Walter Munroe (perf.) |
||
Brighton | E.W. Rogers (words & music) Paul Pelham (perf.) |
||
Bus Conductor, The | E.W. Rogers (words & music) Fred W. Stephens (perf.) |
||
Daily Male, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Don't It Do Your Eyesight Good! | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
⇑End of the Song, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Following in Father's Footsteps | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Four-P'ny-A'p'ny Banquet, The | E.W. Rogers (words & music) Harry Freeman (perf.) |
||
French Lady's-Maid, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
||
Galtimore Banshee, The | E.W. Rogers (words & music) |
||
G'arn Away | E.W. Rogers (words & music) Marie Lloyd (perf.) |
||
Giddy Little Curate, The | E.W. Rogers (music) Augustus E. Durandeau (words) Charles Godfrey (perf.) |
||
Good-Bye London Town | E.W. Rogers (music) J Charles Moore (words) |
||
Handy Man, The | E.W. Rogers (words & music) James Fawn (perf.) |
||
He'll Get It Where He's Gone to Now | E.W. Rogers (words & music) George Robey (perf.) |
||
Hennessy's Fancy Ball | E.W. Rogers (words & music) Walter Munroe (perf.) |
||
Here We Come Gathering Flats and Jays | E.W. Rogers (words & music) |
||
⇑He's Going in For This Dance Now | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
His Whiskers! | E.W. Rogers (words & music) Ben Albert (perf.) |
||
Hurry Up, There! | E.W. Rogers (words & music) Daisy Wood (perf.) |
||
I Was Led Like a Lamb to the Slaughter | E.W. Rogers (words & music) Austin Rudd (perf.) |
||
I'm Throwing Myself Away | E.W. Rogers (words & music) Arthur W. Rigby (perf.) |
||
It Suddenly Dawned Upon Me | E.W. Rogers (words & music) George Robey (perf.) |
||
It's Part of a P'liceman's Duty | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Lambeth Walk, The | E.W. Rogers (words & music) Alec Hurley (perf.) |
||
Language of London Town, The | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
Latest Chap on Earth, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Little Golden Hair | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
Little Thing Like This Is Very Handy, A | E.W. Rogers (words & music) Alf Chester (perf.) |
||
⇑Man at the Door, The | E.W. Rogers (words & music) James Fawn (perf.) |
||
Mary Anne Maginty | E.W. Rogers (words & music) Walter Munroe (perf.) |
||
Midnight Son!, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
My Hat's a Brown 'un | E.W. Rogers (words & music) George Robey (perf.) |
||
New Policeman, The | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Not For Bill! | E.W. Rogers (words & music) Marie Lloyd (perf.) |
||
One Man, One Vote | E.W. Rogers (words & music) Charles Deane (perf.) |
||
Only a Broken Toy | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
Only a Month Ago | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
Only a Pair of Shoes | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Our Happy, Happy Evenings For the Poor | E.W. Rogers (words & music) Arthur W. Rigby (perf.) |
||
Postman, The | E.W. Rogers (words & music) James Fawn (perf.) |
||
⇑Red and the White and the Blue, The | E.W. Rogers (words & music) Marie Lloyd (perf.) |
||
Rivals | E.W. Rogers (words & music) Pat Rafferty (perf.) |
||
Sanitary Inspector, The | E.W. Rogers (words & music) James Fawn (perf.) |
||
Scotch and Polly | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
She's Beautiful to Me | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
She's My Wife | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
Shillelagh, The | E.W. Rogers (words & music) Walter Munroe (perf.) |
||
Showing Aunt Matilda Round the Town | E.W. Rogers (words & music) Vesta Tilley (perf.) |
||
Simple Pimple, The | E.W. Rogers (words & music) George Robey (perf.) |
||
Since Bill's Been Crossed in Love | E.W. Rogers (words & music) Alec Hurley (perf.) |
||
Skylark! Skylark! | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
Somebody Else's Baby | E.W. Rogers (words & music) Florrie Gallimore (perf.) |
||
⇑Something I Shall Never See Again | E.W. Rogers (music) George Maurice (words) Arthur W. Rigby (perf.) |
||
Spanish Señora | E.W. Rogers (words & music) Marie Lloyd (perf.) |
||
Tatcho | E.W. Rogers (words & music) Harry Randall (perf.) |
||
That's Work! | E.W. Rogers (words & music) George Robey (perf.) |
||
Therein Lurks Unseen Danger | E.W. Rogers (words & music) Arthur W. Rigby (perf.) |
||
There's a Lump in Your Throat and a Tear in Your Eye | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
They Never Do That to Me! | E.W. Rogers (words & music) Arthur W. Rigby (perf.) |
||
Thick-Ear'd Jim | E.W. Rogers (words & music) Alec Hurley (perf.) |
||
Timothy Tubbs and All the Tubbs | E.W. Rogers (words & music) Arthur Lennard (perf.) |
||
We Tossed Up Who Should Kill Him | E.W. Rogers (words & music) Walter Munroe (perf.) |
||
What I Have I'll Hold | E.W. Rogers (words & music) George Robey (perf.) |
||
What Is One Amongst So Many? | E.W. Rogers (words & music) George Robey (perf.) |
||
⇑What They Showed Me in Paree | E.W. Rogers (words & music) Arthur W. Rigby (perf.) |
||
You're Still One of the Boys | E.W. Rogers (words & music) Tom Costello (perf.) |
Title | Year | Attribution | Remarks |
---|
Lady Killer, The | 1885 | Frederick Eplett (words) Walter Munroe (perf.) |
|
Beautiful Language | 1889 | Henry E. Pether (words) Walter Munroe (perf.) |
|
Bus Conductor, The (w&m) | 1889 | Fred W. Stephens (perf.) | Pub. |
Electric Railway, The | 1889 | Frederick Eplett (words) Walter Munroe (perf.) |
|
Good ''On Yer'' Mary Ann | 1889 | Augustus E. Durandeau (words) Walter Munroe (perf.) |
Pub. |
Postman, The (w&m) | 1889 | James Fawn (perf.) | Pub. |
Talking Waltz, The | 1889 | Frederick Eplett (words) Arthur Roberts (perf.) |
Pub. |
Tim Macarthy's Daughter | 1889 | Henry E. Pether (words) Walter Munroe (perf.) |
Pub. |
Whether You Want It or Not (w&m) | 1889 | Arthur Roberts (perf.) | Pub. |
As You Were Before | 1890 | Frederick Eplett (words) Arthur Tinsley (perf.) |
Pub. |
Soldier, The (w&m) | 1890 | James Fawn (perf.) | |
⇑ 18th Royal Irish Brigade, The | 1891 | Walter Munroe (perf.)
arr.: T Richards |
Pub. |
Ennis (w&m) | 1891 | Walter Munroe (perf.)
arr.:T Richards |
Pub. |
Giddy Little Curate, The | 1891 | Augustus E. Durandeau (words) Charles Godfrey (perf.) |
Pub. |
He'll Get It Where He's Gone to Now | 1891 | Alfred Lamont (words) George Robey (perf.) |
|
Kitty Malony | 1891 | Alfred Leggett (words) Walter Munroe (perf.) |
Pub. |
Leave Your Boots on the Mat | 1891 | Augustus E. Durandeau (words) Walter Munroe (perf.) |
Pub. |
Lum-Tum-Di-Diddley-Um | 1891 | Frederick Eplett (words) Walter Munroe (perf.) |
|
My Hat's a Brown 'un | 1891 | Alfred Lamont (words) George Robey (perf.) |
Pub. |
On My Own | 1891 | Frederick Eplet (words) James Fawn (perf.) |
|
Original Bogie Man, The | 1891 | Augustus E. Durandeau (words) Charles Godfrey (perf.) |
Pub. |
Since Bill's Been Crossed in Love (w&m) | 1891 | Alec Hurley (perf.) | Pub. |
Skating at Olympia (w&m) | 1891 | Walter Munroe (perf.)
arr.: T Richards |
Pub. |
⇑ Welcome Home | 1891 | Alfred Leggett (words) Walter Munroe (perf.) |
Pub. |
You, and I, and All of Us | 1891 | Augustus E. Durandeau (words) Walter Munroe (perf.) |
Pub. |
Don't Be Sure of It | 1892 | Frederick Eplett (words) Arthur Tinsley (perf.) |
Pub. |
G'arn Away (w&m) | 1892 | Marie Lloyd (perf.) | Pub. |
Have Another (w&m) | 1892 | James Fawn (perf.) | Pub. |
Louisa's Lovers (w&m) | 1892 | Arthur Lennard (perf.) | Pub. |
Master and Man | 1892 | Charles Godfrey (words) | |
Roberts on Billiards | 1892 | Frederick Eplett (words) Arthur Roberts (perf.) |
Pub. |
Storm and Calm | 1892 | Augustus E. Durandeau (words) Arthur Lennard (perf.) |
Pub. |
Timothy Tubbs and All the Tubbs | 1892 | Augustus E. Durandeau (words) Arthur Lennard (perf.) |
Pub. |
Baby | 1893 | John S Baker (words) Arthur Lennard (perf.) Vesta Tilley (perf.) |
Pub. |
Brighton (w&m) | 1893 | Paul Pelham (words) Paul Pelham (perf.) |
Pub. |
⇑ Famous in Love, Famous in War | 1893 | John S Baker (words) Walter Munroe (perf.) |
Pub. |
Handy Man, The (w&m) | 1893 | James Fawn (perf.) | Pub. |
Ju-Jah! (w&m) | 1893 | James Fawn (perf.) | Pub. |
Mary Anne Maginty | 1893 | John S Baker (words) Maggie Duggan (perf.) Walter Munroe (perf.) |
Pub. |
One Man, One Vote | 1893 | Charles Deane (words) F. W. Venton (words) Charles Deane (perf.) |
Pub. |
Overcoats (w&m) | 1893 | Arthur W. Rigby (perf.) | Pub. |
Title | Year | Attribution | Remarks |
---|
Thick-Headed Danny | 1893 | John S Baker (words) Pat Rafferty (perf.) |
|
After the Show (w&m) | 1894 | Arthur Lennard (perf.) | |
Barmaid, The (w&m) | 1894 | Marie Lloyd (perf.) | Pub. |
Best Man, The (w&m) | 1894 | Walter Munroe (perf.) | Pub. |
End of the Song, The (w&m) | 1894 | Vesta Tilley (perf.) | |
Fine Weather | 1894 | Alfred Leggett (words) Arthur Lennard (perf.) |
|
Galtimore Banshee, The (w&m) | 1894 | Pub. | |
His Whiskers! (w&m) | 1894 | Ben Albert (perf.) Albert Ben (perf.) |
Pub. |
I Woo-Oo | 1894 | Frederick Eplett (words) Alf Chester (perf.) |
Pub. |
Little Thing Like This Is Very Handy, A | 1894 | Frederick Eplett (words) Alf Chester (perf.) |
Pub. |
Man's Not Required (w&m) | 1894 | James Fawn (perf.) | |
⇑ My Friend the Major (w&m) | 1894 | Vesta Tilley (perf.) | Pub. |
Nelson, Off His Column | 1894 | Harry Pleon (words) | Pub. |
Now the Young Folks Are Away | 1894 | Walter Munroe (perf.) Olympian Quintette (perf.) |
Pub. |
Sanitary Inspector, The (w&m) | 1894 | James Fawn (perf.) | |
Spanish Señora (w&m) | 1894 | Marie Lloyd (perf.) | Pub. |
To Your Girl, My Girl | 1894 | Charles Deane (words) F. W. Venton (words) |
Pub. |
We Tossed Up Who Should Kill Him (w&m) | 1894 | Walter Munroe (perf.) | Pub. |
Baby's Father (w&m) | 1895 | Alf Chester (perf.) | Pub. |
Don't It Do Your Eyesight Good! (w&m) | 1895 | Vesta Tilley (perf.) | Pub. |
Hurry Up, There! (w&m) | 1895 | Daisy Wood (perf.) | Pub. |
I Went Like This to the Lady (w&m) | 1895 | Alf Chester (perf.) | Pub. |
Little Golden Hair (w&m) | 1895 | Arthur Lennard (perf.) | Pub. |
⇑ Miss Marie Lloyd's Not For Bill! (w&m) | 1895 | Marie Lloyd (perf.) | Pub. |
Not For Bill! (w&m) | 1895 | Marie Lloyd (perf.) | Pub. |
One of the Brave Old Guards | 1895 | John S Baker (words) Arthur Lennard (perf.) |
Pub. |
Our Happy, Happy Evenings For the Poor (w&m) | 1895 | Arthur W. Rigby (perf.) | Pub. |
Pardners! (w&m) | 1895 | Arthur Lennard (perf.) | Pub. |
Rivals (w&m) | 1895 | Pat Rafferty (perf.) | Pub. |
Simple Pimple, The | 1895 | Alfred Lamont (words) George Robey (perf.) |
Pub. |
Two Orphans, The | 1895 | John S Baker (words) | Pub. |
You're at Your Old Game (w&m) | 1895 | Arthur Lennard (perf.) | Pub. |
Catchemaliveograph, The (w&m) | 1896 | Arthur Lennard (perf.) | Pub. |
Connemara | 1896 | Augustus E. Durandeau (words) | Pub. |
Dear Hearts Are Waiting (w&m) | 1896 | Arthur Lennard (perf.) | Pub. |
⇑ He's Going in For This Dance Now (w&m) | 1896 | Vesta Tilley (perf.) | Pub. |
Hennessy's Fancy Ball | 1896 | Walter Munroe (perf.) | Pub. |
How He Recieved the News (w&m) | 1896 | Arthur Lennard (perf.) | Pub. |
Man at the Door, The (w&m) | 1896 | James Fawn (perf.) | Pub. |
Nancy Brown (w&m) | 1896 | Pub. | |
New Photographee, The | 1896 | John S Baker (words) Harry Randall (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
New Policeman, The (w&m) | 1896 | Vesta Tilley (perf.) | |
Old Harmonium-Yum-Yum, The (w&m) | 1896 | Arthur Lennard (perf.) | Pub. |
Only a Pair of Shoes (w&m) | 1896 | Vesta Tilley (perf.) | Pub. |
All Doing Something For Baby (w&m) | 1897 | Arthur Lennard (perf.) | Pub. |
Boys of the Thin Red Line, The | 1897 | Ernest D'Almaine (words) | Pub. |
French Lady's-Maid, The (w&m) | 1897 | Marie Lloyd (perf.) | Pub. |
Midnight Son!, The | 1897 | Charles E Pratt (words) Vesta Tilley (perf.) |
|
Only a Broken Toy (w&m) | 1897 | Arthur Lennard (perf.) | Pub. |
Only a Month Ago (w&m) | 1897 | Arthur Lennard (perf.) | Pub. |
Only Mother and I (w&m) | 1897 | Tom White's Arabs (perf.) | Pub. |
Put Away (w&m) | 1897 | J.J. Dallas (perf.) | Pub. |
⇑ Showing Aunt Matilda Round the Town (w&m) | 1897 | Vesta Tilley (perf.) | Pub. |
They Never Do That to Me! (w&m) | 1897 | Arthur W. Rigby (perf.) | Pub. |
Gordon Highlanders, The (w&m) | 1898 | Arthur Lennard (perf.) | Pub. |
I'm the Plumber (w&m) | 1898 | Leonard Mackay (perf.) Arthur W. Rigby (perf.) |
Pub. |
I'm Throwing Myself Away (w&m) | 1898 | Arthur W. Rigby (perf.) | Pub. |
It Suddenly Dawned Upon Me (w&m) | 1898 | George Robey (perf.) | Pub. |
It's Hard to Say Good-Bye (w&m) | 1898 | Arthur Lennard (perf.) | Pub. |
Language of London Town, The (w&m) | 1898 | Arthur Lennard (perf.) | Pub. |
My Heart Is Your Heart | 1898 | Ernest D'Almaine (words) Ethel Haydon (perf.) Milner Verren (perf.) |
Pub. |
Song From the Heart, A (w&m) | 1898 | Walter Munroe (perf.) | Pub. |
Tatcho (w&m) | 1898 | Harry Randall (perf.) | Pub. |
Vesta Tilley's Great Eton Boy | 1898 | Leander Richardson (words) Andrew Mack (words) George F McCann (words) Joseph E Howard (words) Lew Bloom (words) Fay Templeton (words) Vesta Tilley (perf.) |
|
⇑ What Is One Amongst So Many? (w&m) | 1898 | George Robey (perf.) | Pub. |
What They Showed Me in Paree (w&m) | 1898 | Arthur W. Rigby (perf.) | Pub. |
All One Price | 1899 | T. E. Dunville (words) T. E. Dunville (perf.) |
Pub. |
Cuckoo, The (w&m) | 1899 | Ethel Haydon (perf.) | Pub. |
Daily Male, The (w&m) | 1899 | Vesta Tilley (perf.) | Pub. |
Isn't It Hard to Find? (w&m) | 1899 | Arthur W. Rigby (perf.) | Pub. |
Lambeth Walk, The (w&m) | 1899 | Alec Hurley (perf.) | Pub. |
Latest Chap on Earth, The (w&m) | 1899 | Vesta Tilley (perf.) | Pub. |
Love Has No Need For Words (w&m) | 1899 | Arthur Lennard (perf.) | Pub. |
Oh, How Rude! (w&m) | 1899 | Arthur Lennard (perf.) | Pub. |
Only a Voice From Dreamland (w&m) | 1899 | Arthur Lennard (perf.) | Pub. |
That's Work! (w&m) | 1899 | George Robey (perf.) | Pub. |
⇑ Three Little Words = I Love You (w&m) | 1899 | ||
When You're a Married Man (w&m) | 1899 | Vesta Tilley (perf.) | Pub. |
Four-P'ny-A'p'ny Banquet, The (w&m) | 1900 | Harry Freeman (perf.) | Pub. |
How to Manage a Husband (w&m) | 1900 | Arthur W. Rigby (perf.) | Pub. |
Love or Gold | 1900 | Lee Orean Smith (words) Vesta Tilley (perf.) |
|
Red and the White and the Blue, The (w&m) | 1900 | Marie Lloyd (perf.) | Pub. |
Title | Year | Attribution | Remarks |
---|
Scotch and Polly (w&m) | 1900 | Vesta Tilley (perf.) | |
Something I Shall Never See Again | 1900 | George Maurice (words) Arthur W. Rigby (perf.) |
|
What I Have I'll Hold (w&m) | 1900 | George Robey (perf.) | Pub. |
When the Boys Come Home Again (w&m) | 1900 | Walter Munroe (perf.) | Pub. |
When You Get a Bit of Something in Your Eye (w&m) | 1900 | Arthur Lennard (perf.) | Pub. |
He Hadn't Been Used to Luxuries | 1901 | Frederick Eplett (words) Walter Munroe (perf.) |
|
Man Without a Woman (w&m) | 1901 | Arthur Lennard (perf.) | Pub. |
Moon, Moon, Moon! (w&m) | 1901 | Arthur Lennard (perf.) | Pub. |
Moonlight Blossoms, The (w&m) | 1901 | Vesta Tilley (perf.) | Pub. |
Mrs. Carter, You're a Tartar (w&m) | 1901 | Emma Carus (perf.) | |
She's My Wife (w&m) | 1901 | Arthur Lennard (perf.) | Pub. |
⇑ Following in Father's Footsteps | 1902 | Vesta Tilley (perf.) | Pub. |
He Was a Married Man (w&m) | 1902 | ||
Kerbstone Millionaire, The (w&m) | 1902 | Arthur Lennard (perf.) | Pub. |
Oh, the Pallis! (w&m) | 1902 | Arthur W. Rigby (perf.) | Pub. |
She's Beautiful to Me (w&m) | 1902 | Arthur Lennard (perf.) | Pub. |
Skylark! Skylark! (w&m) | 1902 | Arthur Lennard (perf.) | Pub. |
England's the Land For Me (w&m) | 1903 | Pub. | |
Fairy Queen (w&m) | 1903 | ||
Flower and the Weed, The (w&m) | 1903 | Arthur Lennard (perf.) | Pub. |
Jack and Jill (w&m) | 1903 | Arthur Lennard (perf.) | Pub. |
She's His Mother (w&m) | 1903 | Arthur Lennard (perf.) | Pub. |
Shillelagh, The (w&m) | 1903 | Walter Munroe (perf.) | Pub. |
⇑ That's Cleverness (w&m) | 1903 | Pub. | |
Thick-Ear'd Jim (w&m) | 1903 | Alec Hurley (perf.)
arr.: John Neat |
Pub. |
Three Bunches of Flowers (w&m) | 1903 | Pub. | |
Two Short Speeches (w&m) | 1903 | Pub. | |
Let Me Call You Daddy! (w&m) | 1904 | Pub. | |
Same Two Birds in the Same Old Cage, The (w&m) | 1904 | Arthur Lennard (perf.) | Pub. |
There's a Lump in Your Throat and a Tear in Your Eye (w&m) | 1904 | Arthur Lennard (perf.) | Pub. |
Therein Lurks Unseen Danger (w&m) | 1904 | Arthur W. Rigby (perf.) | Pub. |
Sweethearts Still (w&m) | 1905 | ||
Biddy, My Irish Queen (w&m) | 1906 | Pub. | |
He's Only a Little 'un (w&m) | 1906 | Arthur Lennard (perf.) | Pub. |
I'm Following in Father's Footsteps | 1906 | Vesta Tilley (perf.) | |
⇑ It's Part of a P'liceman's Duty (w&m) | 1906 | Vesta Tilley (perf.) | Pub. |
Lazing in Lazy-Land (w&m) | 1906 | Pub. | |
Let's Have a Ha'porth of England! (w&m) | 1906 | Pub. | |
Mary Llewellyn | 1906 | Lovedon Plass (words) | Pub. |
Mary Llewellyn | 1906 | Lovedon Plass (words) | Pub. |
My Fireside Ornament (w&m) | 1906 | Pub. |
Title | Year | Attribution | Remarks |
---|
Oh! For a Night in the West (w&m) | 1906 | George Lashwood (perf.) | |
Two Little Lovers Hand-In-Hand (w&m) | 1906 | Pub. | |
Boy and the Eagle, The (w&m) | 1907 | Arthur Lennard (perf.) | Pub. |
David Evans (Evans Above) | 1907 | J. Chas Moore (words) | |
Girls, Beware of the Serpentine! (w&m) | 1907 | George Lashwood (perf.) | Pub. |
Good-Bye London Town | 1907 | J Charles Moore (words) | |
Here We Come Gathering Flats and Jays (w&m) | 1907 | ||
I've Only One Little Flower (w&m) | 1907 | Arthur Lennard (perf.) | Pub. |
Jo'burg Joe (w&m) | 1907 | George Lashwood (perf.) | Pub. |
Pomona Green (w&m) | 1907 | Pub. | |
That Old Garden-Seat (w&m) | 1907 | Pub. | |
⇑ When You Have Lots of Feathers (w&m) | 1907 | George Lashwood (perf.) | Pub. |
Call Around Any Old Time and Make Yourself at Home | 1908 | Victoria Monks (perf.) | |
Brown Wings | 1909 | Leonard Cooke (words) | Pub. |
Noise of the Girls and Boys, The (w&m) | 1909 | Pub. | |
Pretty Little Girl From ''Nowhere'', The | 1909 | John Neat (words) Stanley Kirkby (perf.) |
|
Somebody Else's Baby (w&m) | 1909 | Florrie Gallimore (perf.) Arthur Lennard (perf.) |
Pub. |
Swallow | 1909 | Leonard Cooke (words) | Pub. |
You're Still One of the Boys (w&m) | 1909 | Tom Costello (perf.) | Pub. |
My Girl's Promised to Marry Me | 191- | Will Godwin (words) | |
Are You Looking For a Girl Like Me? | 1910 | Orlando Powell (words) | Pub. |
How Would You Like to Be a Baby? (w&m) | 1910 | Arthur Lennard (perf.) | Pub. |
I'm the Man They're Looking For | 1910 | Edward M Favor (words) Edward M. Favor (perf.) |
|
⇑ In Your Hy-Hy-Hy-Hy-Hydroplane (w&m) | 1910 | Pub. | |
Little Miss Importance | 1910 | John Neat (words) | |
Nobody's Little Daughter | 1910 | Orlando Powell (words) Alec Hurley (perf.) |
Pub. |
Old Tollgate, The (w&m) | 1910 | ||
Pass Along, Please! (w&m) | 1910 | Arthur Lennard (perf.) | Pub. |
Tell Me, Daddie, Do Dreams Come True? (w&m) | 1910 | Arthur Lennard (perf.) | Pub. |
Which Would You Like to Spare? (w&m) | 1910 | Pub. | |
All Get Together | 1911 | John Neat (words) | Pub. |
Follow the Bald-Heads | 1911 | Huntley Trevor (words) John Neat (words) |
Pub. |
He's a Very Old Friend of Mine | 1911 | Fred Godfrey (words) | |
I'll Go Half-Way Home With You | 1911 | John P Harrington (words) John Neat (words) |
Pub. |
Mother-Bird, The (w&m) | 1911 | Pub. | |
⇑ Sh! You'll Waken Mister Doyle | 1911 | William Hargreaves (words) | Pub. |
Why Should Your Eyes Ask Me to Stay | 1911 | William Hargreaves (words) | Pub. |
Daisy, What ''Daisy Roots''! | 1912 | Fred Murray (words) Harry Champion (perf.) |
Pub. |
Let's Go Home Together! | 1912 | Fred Murray (words) Gladys Mavius (perf.) Mark Sheridan (perf.) |
Pub. |
Maidie | 1912 | Fred Murray (words) | Pub. |
Manager of the Splitz Hotel, The (w&m) | 1912 | Pub. |
Title | Year | Attribution | Remarks |
---|
Send Me a Record of Mother's Voice | 1912 | Charles Collins (words) | |
That Old Waltz Tune | 1912 | William Hargreaves (words) | |
Then We All Said Good-Bye Again | 1912 | Fred Murray (words) | Pub. |
Where Have You Left the Girls? | 1912 | Charles Collins (words) Fred Murray (words) Mark Sheridan (perf.) |
Pub. |
Will the Stars Come Nearer? (w&m) | 1912 | Pub. | |
With a Rake Upon Your Shoulder (w&m) | 1912 | Pub. | |
I've Got to Get the Nine-Train Back | 1913 | William Hargreaves (words) | Pub. |
I Was Led Like a Lamb to the Slaughter | ? | Austin Rudd (perf.) |
Composer | Title | Performer |
---|
E.W. Rogers | I'm Following In Father's Footsteps (2:13) | Vesta Tilley | |
E.W. Rogers | It's Part of a Policeman's Duty (2:19) | Vesta Tilley |