Title | Attribution | Remarks |
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Bore O' Bef'nal Green, The | Frederick Eplett (music) W.E. Imeson (words) G. Elen (perf.) |
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Different Kinds of Girls | Frederick Eplett (music) Nat Clifford (words) Charles Bignell (perf.) |
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E Dunno Where 'e Are | Frederick Eplett (music) H. Wright (words) G. Elen (perf.) |
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Huntsman, The | Frederick Eplett (music) Albert Perry (words) George A. Stevens (words) D. Leno (perf.) |
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Some O' Yer Do Git Abaht | Frederick Eplett (music) Charles Cornell (words) G. Elen (perf.) |
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Trade Marks | Frederick Eplett (words & music) George Beauchamp (perf.) |
Title | Year | Attribution | Remarks |
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Once More Harry | 1880 | Harry Windley (words) Harry Turner (perf.) |
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It Does So Upset Me. | 1884 | A.R. Marshall (words) | Pub. |
Cherry Blossoms | 1889 | Pub. | |
Five Pound (£5) Note, The | 1889 | Fred Ogden (words) S. Mayo (perf.) |
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Mabel's Fancy | 1889 | Pub. | |
May-Day | 1889 | Pub. | |
E Dunno Where 'e Are | 1890 | H. Wright (words) G. Elen (perf.) |
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He Wanted Me to Have Some | 1890 | Nutsey Minton (words) J. Fawn (perf.) |
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Ee's Found Out Where 'e Are | 1891 | G Wallis Arthur (words) F W Stephens (words) Bob Rae (perf.) |
Pub. |
Out | 1891 | Charles Wilmott (words) Fred Harvey (perf.) |
Pub. |
Petticoat Dance, The | 1891 | ![]() |
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⇑ Relations | 1891 | W. Pink (words) W. F. Moss (perf.) |
Pub. |
Theosophee | 1891 | Charles Wilmott (words) T. Costello (perf.) |
Pub. |
Never Share Your Lodgings With a Pal | 1892 | W. Pink (words) Arthur Tinsley (perf.) |
Pub. |
That Is My One | 1892 | C M Rodney (words) George Beauchamp (perf.) |
Pub. |
Close | 1893 | F. Conran (words) Little Tich (perf.) |
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Title | Year | Attribution | Remarks |
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Jolly Bohemian Boys | 1893 | H. Wright (words) Edgar Romaine (words) |
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Barrister, The | 1894 | H. Castling (words) D. Leno (perf.) |
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Every Blessed Bit As Good As You Are | 1894 | C M Rodney (words) Alec Hurley (perf.) |
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Jack Jones Esqre. | 1894 | Harry Wright (words) A.W. Rigby (perf.) |
Pub. |
Once Upon a Time | 1894 | Charles Wilmott (words) R. G. Knowles (perf.) |
Pub. |
Some O' Yer Do Git Abaht | 1894 | Charles Cornell (words) G. Elen (perf.) |
Pub. |
Zig! Zig! Zig! | 1894 | J.P. Harrington (words) Amy Lyster (perf.) |
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Empty Chair, The | 1895 | J.P. Harrington (words) Charles Bignell (perf.) |
Pub. |
I Want to Look As Well As You | 1895 | N. Atkins (words) Billie Barlow (perf.) |
Pub. |
It's a Sprahtin | 1895 | A R Marshall (words) G. Elen (perf.) |
Pub. |
Our Society | 1895 | Charles Wilmott (words) Fred Harvey (perf.) |
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⇑ Trade Marks | 1895 | W.H. Wallis (words) George Beauchamp (perf.) |
Pub. |
Oh, Sally! | 1896 | N. Atkins (words) Claire Romaine (perf.) |
Pub. |
De Little Eb'ny Doll | 1898 | Walter Burnot (words) | ![]() |
Mam An' Dad An' She An' Me | 1898 | Walter Burnot (words) | Pub. |
Something Like This! | 1898 | R. Morton (words) Harry Braham (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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Two Coons in a Boat | 1898 | Walter Burnot (words) | ![]() |
White May and Black May | 1898 | Walter Burnot (words) | Pub. |
Bore O' Bef'nal Green, The | 1899 | W.E. Imeson (words) G. Elen (perf.) |
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Different Kinds of Girls | 1899 | N. Clifford (words) Charles Bignell (perf.) |
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Faithful | 1899 | F. Gilbert (words) T. Costello (perf.) |
Pub. |
Jones's Parlour Floor | 1899 | Bob Leonard (words) | Pub. |
Topical Tipster, The | 1899 | Gordon Noble (words) G. Lashwood (perf.) |
Pub. |
Ev'ry Home Is Fairyland | 1900 | F.W. Leigh (words) | Pub. |
Huntsman, The | 1900 | Albert Perry (words) George A. Stevens (words) D. Leno (perf.) |
|
Oh, the Scenery Was Absolutely Grand | 1900 | F.W. Leigh (words) Florrie Forde (perf.) |
Pub. |
Blind Leading the Blind, The | 1901 | A R Marshall. (words) W. F. Moss (perf.) |
Pub. |
⇑ It Was Only Done in Play | 1901 | F.W. Leigh (words) | Pub. |
I Do, Doodle-Oodle-Oo | 1903 | R. Morton (words) Little Tich (perf.) |
Pub. |
How Dare You? | 1906 | Harry Boden (words) Keith & Merson. (words) Harry Ford (perf.) |
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