Man That Broke the Bank at Monte Carlo, The Music by: Fred Gilbert. Performed by: Charles Coborn
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Man That Broke the Bank at Monte Carlo, The Music by: Fred Gilbert.
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We Don't Want Him Down Our Way Music by: Fred Gilbert. Words by: Charles Coborn Performed by: Arthur Alexander
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Title (Release Year) | Co-Author(s) | Performers | Issue |
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MP3 Files from Various Sources | ||||
The Man That Broke the Bank at Monte Carlo (1924) | C. Coborn | Beltona 764 | ||
Saving Them All For Mary (1891-1893) | Al Reeves | New Jersey Phonograph Company): Unknown |
Performer | CD Title | Supplier |
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Folk Music CDs: | |||
Various Performers | Glory of the Music Hall Vol.1 |
Title | Attribution | Remarks |
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At Trinity Church I Met My Doom | Fred Gilbert (words & music) Tom Costello (perf.) |
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But That's the Wust O' Gals | Fred Gilbert (words & music) Herbert Campbell (perf.) |
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Down the Road | Fred Gilbert (words & music) Gus Elen (perf.) |
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Half Past XII | Fred Gilbert (words & music) G.H. MacDermott (perf.) |
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I'll Place It in the Hands of My Solicitors | Fred Gilbert (words & music) Arthur Lloyd (perf.) |
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I'll Say No More to Mary Ann | Fred Gilbert (music) Edmund Forman (words) Harry Randall (perf.) |
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Man That Broke the Bank at Monte Carlo, The | Fred Gilbert (words & music) Charles Coborn (perf.) |
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Off She Goes Again | Fred Gilbert (words & music) Charles Coborn (perf.) |
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Saving Them All For Mary | Fred Gilbert (words & music) James Fawn (perf.) |
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She Comes Home Tight on Saturday Night | Fred Gilbert (words & music) Tom Costello (perf.) |
Title | Year | Attribution | Remarks |
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Under the May Bush | 1874 | Charles Solomon (words) Annette Solomon (words) Fred Foster (perf.) |
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Saving Them All For Mary | 1881 | E Jonghmans (words) James Fawn (perf.) Al Reeves (perf.) |
|
Charlie Dilke | 1885 | G.H. MacDermott (perf.) | |
I'm the Fellow That Tells the Truth (w&m) | 1885 | Slade Murray (perf.) | Pub. |
In the Good Old Times Long Ago (w&m) | 1885 | Jessie Acton (perf.) | Pub. |
Oh Dear! Oh Dear!! Oh Dear!!! | 1885 | Belle Bilton (perf.) Florence Bilton (perf.) |
Pub. |
P's and Q's | 1885 | Jenny Hill (perf.) | Pub. |
W.E.G | 1885 | G.H. MacDermott (perf.) | Pub. |
We Don't Do That in Our Days | 1885 | Edmund Forman (words) Slade Murray (perf.) |
Pub. |
I'll Say No More to Mary Ann | 1886 | Edmund Forman (words) Harry Randall (perf.) |
Pub. |
It All Depends on Randy | 1886 | G.H. MacDermott (perf.) | Pub. |
⇑ It Always Come Round to Me | 1886 | J. W. Rowley (perf.) | Pub. |
I'll Place It in the Hands of My Solicitors (w&m) | 1887 | Arthur Lloyd (perf.) | |
Beaten by a Head (w&m) | 1890 | G.H. MacDermott (perf.) | Pub. |
Don't They Love Us | 1891 | W. Bint (perf.) | Pub. |
Half Past XII | 1891 | G.H. MacDermott (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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He Must Be a Man of Decent Height (w&m) | 1892 | ||
If You'll Be True to Me | 1892 | Frederick Eplett (words) Tom Costello (perf.) |
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Man That Broke the Bank at Monte Carlo, The | 1892 | Charles Coborn (perf.) Tom Costello (perf.) Frank Dunne (perf.) |
Pub. |
My Friend, My Flag | 1892 | Ezra Read (words) Vesta Tilley (perf.) |
|
Bowery!, The (w&m) | 1893 | Percy Gaunt (co-author) Ada Blanche (perf.) |
Pub. |
Bundle 'em Off at Once (w&m) | 1893 | Victor Stevens (perf.) | Pub. |
Dinkey Arno | 1893 | E Andrews (words) Tilley Sisters. (perf.) |
Pub. |
Down the Road (w&m) | 1893 | Gus Elen (perf.) | Pub. |
Liberty Hall | 1893 | Ezra Read (words) Constance Moxon (perf.) |
Pub. |
Sportsmans' Young Wife Up to Date, The | 1893 | John S Baker (words) Kate James (perf.) |
Pub. |
Sweetest Flower Dies!, The | 1893 | John S Baker (words) | Pub. |
⇑ At Trinity Church I Met My Doom (w&m) | 1894 | Tom Costello (perf.) | Pub. |
First She Would and Then She Wouldn't | 1894 | Vesta Tilley (perf.) | |
Never Knock at Her Door Now, My Boy | 1894 | Tom Costello (perf.) | Pub. |
Off She Goes Again | 1894 | Charles Coborn (perf.) | Pub. |
Oh! Maria, if You Love Me | 1894 | Tom Costello (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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Sunday Afternoon | 1894 | Tom Costello (perf.) | |
Tain't the Way to Make Life Sweeter | 1894 | Charles Coborn (perf.) | Pub. |
Up the Road | 1894 | Charles Osborne (words) George Beauchamp (words) Arthur Morton (perf.) |
Pub. |
Could You Love a Little Man Named Carney (w&m) | 1895 | Millie Hylton (perf.) | Pub. |
Dreaming of Thy Gentle Face | 1895 | Pub. | |
Father's Come Home With His Money All Right (w&m) | 1895 | Tom Costello (perf.) | Pub. |
Fish | 1895 | Henry E. Pether (words) Herbert Campbell (perf.) |
Pub. |
Fresh, Fresh As the Morning | 1895 | Belle Bilton (perf.) | Pub. |
I Will Be There | 1895 | ||
Laughing Madman, The | 1895 | John S Baker (words) Tom Costello (perf.) |
|
Long Lost Boy, The | 1895 | Pub. | |
⇑ Mary Ann Made a Mistake | 1895 | May Evans (perf.) | Pub. |
Miss May Evans' We Both Loved Kate | 1895 | May Evans (perf.) | Pub. |
She Comes Home Tight on Saturday Night | 1895 | Tom Costello (perf.) | Pub. |
We Both Loved Kate | 1895 | May Evans (perf.) | Pub. |
I Gave the Missis a Brace of Kisses | 1896 | Tom Costello (perf.) | Pub. |
Title | Year | Attribution | Remarks |
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I Give You My Word I'm Going | 1896 | Dan Paulton (words) | |
I've Got to Prove It (w&m) | 1896 | Tom Costello (perf.)
arr.: E Jonghmans |
Pub. |
King of the Pier, The | 1896 | Charles Deane (words) | Pub. |
Poor Old Maid, A | 1896 | Ada Lundberg (perf.) | Pub. |
Bridget the Spaniard (w&m) | 1897 | Tom Costello (perf.) | Pub. |
But That's the Wust O' Gals (w&m) | 1897 | Herbert Campbell (perf.) | Pub. |
Top O' the 'Bus (w&m) | 1897 | George D'Albert (perf.) | Pub. |
We Don't Want Him Down Our Way | 1898 | Charles Coborn (words) Arthur Alexander (perf.) |
Pub. |
Imported! Yes, We Are | 1900 | George Ade (words) | |
In Twentieth Century Style (w&m) | 1900 | Flo Varley (perf.) | Pub. |
Rates and Taxes (w&m) | 1900 | Pub. | |
⇑ Market Day in the Old Sea Town | 1932 | Clifton Boanas (words) |
Composer | Title | Performer |
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F. Gilbert | At Trinity Church I Met My Doom (1934) (3:02) | T. Costello | |
F. Gilbert | The Man Who Broke the Bank at Monte Carlo (2:41) | Frank Dunne |