| Title | Attribution | Instruments | Source | Remarks |
|---|
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Carmen Up to Data (1891) | M. Lutz (music) | Piano | IMSLP | |
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Faust Up to Date (1899) | M. Lutz (music) George Robert Sims (words) H. Pettitt (words) |
Piano, Voice | IMSLP | |
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Miss Esmeralda (1887) | M. Lutz (music) Frederick Leslie (words) Horace Mills (words) |
Piano, Voice | IMSLP | |
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Pas De Quatre (1892) | M. Lutz (music) | Piano | YorkSpace |
| Title | Year | Attribution | Remarks |
|---|
| Dreaming by Night | 1871 | ||
| Trip to Margate, A | 1876 | Robert Reece (words) John Lawrence Toole (perf.) |
|
| Crutch and Toothpick, The | 1879 | ||
| Parlez vous Français | 1884 | F C Burnand (words) Kate Vaughan (perf.) |
Pub. |
| Miss Esmeralda | 1887 | Frederick Leslie (words) Horace Mills (words) |
|
| He Always Came Home to Tea | 1890 | F C Burnand (words) John Lawrence Toole (perf.) |
|
| Carmen Up to Data | 1891 | |
|
| Pas De Quatre | 1892 | |
|
| Continong, The | 1894 | Henry J Byron (words) Nellie Farren (perf.) Kate Vaughan (perf.) |
Pub. |
| Sweetest Eyes | 1895 | Miss C. Graves (words) Alice Atherton (perf.) |
|
| Faust Up to Date | 1899 | George Robert Sims (words) Henry Pettitt (words) |
|
| ⇑ Skirt Dance, The | ? |