Address: | Wabash Avenue, Chicago, Illinois, USA |
Title | Author | Supplier |
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Piano Sheet Music: | |||
The Maywood Two-Step | G. Maywood | ||
Etude de Concert for the Piano | F. Messick | ||
Down in Maiden Lane | T.H. Northrup | ||
Ealoine | T.H. Northrup | ||
It Is Better to Have Loved and Lost Than Ne'er to Have Loved at All | T.H. Northrup | ||
My Eileen | T.H. Northrup | ||
My Heart's Desire | T.H. Northrup | ||
One Night | T.H. Northrup | ||
Papa, Be Good to Mamma | T.H. Northrup | ||
Pat Wiley's Old Back Stoop | T.H. Northrup | ||
The Sweetest Girl in Town | T.H. Northrup | ||
Trilby | T.H. Northrup | ||
Years Ago | T.H. Northrup |
Title | Music | Attribution |
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Sleep Well, Sleep Well (1890) | Franz Abt | ||
Heart Bowed Down (1902), The | Michael William Balfe | Vernon Archibald (perf.) John W. Myers (perf.) Thomas Chalmers (perf.) Alan Turner (perf.) William F. Hooley (perf.) William M. Tuson (perf.) |
|
Sandy Boy (1907) | Willie Benn | Alec McNulty (words) | |
Lonesome Lou (1924) | Jerry Benson(w&m) | Edwin Earl Tillman (co-author) | |
Don't Quarrel With Your Sweetheart (1897) | John J. Braham | Arthur J. Lamb (words) Frances Jones (perf.) |
|
Coontown Vacation (1900) | Charles B. Brown | ||
Love, I Come! (1891) | Warner Crosby | May Yohe (words) | |
Would-Be Politician (1891), A | Warner Crosby | ||
Too Late (1895) | Gussie Lord Davis(w&m) | ||
He Stands Between Love and Duty (1892) | Leo Dryden | C Williams (words) C L Keck (words) |
|
Don't Tell Her That You Saw Me (1896) | Raphael Fassett | ||
Pity the Newsboy (1897) | Abbie A. Ford(w&m) | ||
John Maloney's Sweetheart (1890) | George W. Gage(w&m) | May Irwin (perf.) | |
Second Battalion March (1897) | Frank R. Gillis | Midi Ragtime Recorder Ensemble (perf.) | |
Dream of Paradise (n.d.), A | Hamilton Gray | Claude Lyttleton (words) | |
Orphan Newsboy (1891), The | Fred J. Hamill(w&m) | ||
Ragtime Patrol (1897), The | R.J. Hamilton | ||
⇑Monarch (1881), The | Alberta Himan | ||
Brush by Nigger Brush by (1897) | Max Hoffmann | Fred. M. Statia (words) Verona Jarbeau (perf.) |
|
Will O' the Wisp (n.d.) | Albert Jungmann | ||
Our Melody of Dreams (1931) | E. Clinton Keithley | Phil Stewart (words) Rex Maupin (perf.) |
|
Berceuse (1893) | W. Herbert Lanyon | ||
Impromptu-Mazurka (1893) | W. Herbert Lanyon | ||
Ride With Santa Claus (1899), A | W. Herbert Lanyon | Jas. A. Ball (words) | |
Summer's Morning on the Beach (1893), A | W. Herbert Lanyon | ||
Missus Johnson's Rent Rag Ball (1897) | D.A. Lewis | ||
Missus Johnson's Rent Rag Ball - Song (1897) | D.A. Lewis | Fred Stasia Hammil (words) | |
Chicago Cyclist March (1896), The | Hans S. Liné | ||
By the Fountain (n.d.) | Michael Maybrick | F. E. Weatherly (words) | |
Boy Wanted (1895) | George Maywood | Charles Bradley (words) | |
Ingersolia Grand March (?) | George Maywood | ||
Maywood Two-Step (1896), The | George Maywood | ||
Mother Dear Will Miss Me (1893) | George Maywood | R. L. Anglemire (words) | |
Negro Oddities (1882) | George Maywood | ||
Second Regiment Quickstep (1882) | George Maywood | ||
⇑Superba Waltzes (1890) | George Maywood | Hanlon's Superba Company (perf.) | |
Cupid's in Love With Me (1897) | Felix McGlennon | J Albert Snow (words) | |
Woman, Lovely Woman (1886) | Felix McGlennon(w&m) | James Fawn (perf.) | |
Old Black Joe (1903) | Frank W. Meacham | ||
Etude de Concert for the Piano (1896) | Frederick Messick | ||
Sambo and His Banjo (1891) | Frederick Messick | ||
Sleighbell Chimes (1892) | Frederick Messick | ||
Postillion (n.d.), The | James L. Molloy | F. E. Weatherly (words) | |
Afterwards (n.d.) | John W. Mullen | Mary Mark Lemon (words) George Alexander (perf.) |
|
Angelus Bell (1893), The | Theodore H. Northrup | ||
Down in Maiden Lane (1896) | Theodore H. Northrup | Colin C. Hamand (words) | |
Ealoine (1895) | Theodore H. Northrup | Louie Blosser (words) | |
Fancy (1895) | Theodore H. Northrup | Charles Lamb (words) | |
Fast Asleep Is Little Will (1895) | Theodore H. Northrup | ||
It Is Better to Have Loved and Lost Than Ne'er to Have Loved at All (1896) | Theodore H. Northrup | Walter M. Auerbach (words) | |
Loreley (1894), The | Theodore H. Northrup | ||
My Eileen (1895) | Theodore H. Northrup | Thos. Scanlan (words) | |
My Heart's Desire (1895) | Theodore H. Northrup | Ella A. Woods (words) | |
⇑One Night (1895) | Theodore H. Northrup | Lawrence Oxenford (words) | |
Papa, Be Good to Mamma (1895) | Theodore H. Northrup | Arthur J. Lamb (words) | |
Pat Wiley's Old Back Stoop (1895) | Theodore H. Northrup | William Lewis Elliot (words) | |
Shadow March (1895) | Theodore H. Northrup | Robert Louis Stevenson (words) | |
Sweetest Girl in Town (1895), The | Theodore H. Northrup | Chas. M. Genoud (words) | |
Trilby (1895) | Theodore H. Northrup | Arthur J. Lamb (words) | |
Years Ago (1895) | Theodore H. Northrup | Ella Woods (words) | |
Beautiful Sensation Rag (1916) | Lew J. Novy | ||
Awake Beloved (1892) | Anita Owen | ||
Swinging With Teresa (?) | Anita Owen | Harry C. Clyde (words) | |
Dick and Ned and I (1893) | Henry W. Petrie | Egbert W Fowler (words) | |
Navy's Blue Rag (1919), The | Leo Piersanti | ||
Calvary (1886) | Paul Rodney | Henry Vaughn (words) Elsie West Baker (perf.) |
|
Good-Bye London Town (1907) | E.W. Rogers | J Charles Moore (words) | |
Cottonfield Dance (1892), The | Monroe H. Rosenfeld | ||
Good Bye My Honey I'm Gone (1885) | Monroe H. Rosenfeld(w&m) | ||
Victory (1917) | Adaline Shepherd | Midi Ragtime Recorder Ensemble (perf.) | |
Don't Cry (1941) | Sunny Skylar(w&m) | ||
⇑Chilperic (n.d.) | Sydney Smith | ||
Oscar Wilde Galop (1882) | J. Albert Snow | ||
Kiss Waltz (1880) | Johann Strauss | ||
Galop (1892) | Jean Louis Streabbog | ||
Lonesome and Blue (1923) | Edwin Tillman(w&m) | Don Bestor (perf.) Paul L. Specht (perf.) Dorothy Joyce (perf.) |
|
Four Little Curly Headed Coons (1889) | James W. Wheeler(w&m) | ||
Listen to the Mocking Bird (1856) | Septimus Winner(w&m) | Johnny ''Scat'' Davis (perf.) Rose Merrifield (perf.) Billy Golden (perf.) Elizabeth Spencer (perf.) Walter Van Brunt (perf.) Len Spencer (perf.) Billy Williams (perf.) Alma Gluck (perf.) Florence Ethel Smith (perf.) William H. Thompson (perf.) Corinne Morgan (perf.) Frank C. Stanley (perf.) |