Title | Instruments/Issue | Performers |
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MP3 File(s) | |||
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Come Into the Garden Maude | Edison Blue Amberol: 4080 | Hardy Williamson |
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Come Into the Garden Maude | Edison Blue Amberol Record: 23049 | Charles Compton |
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Day Is Done, The | Edison Blue Amberol: 28111 | Christine Miller |
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Heart Bowed Down, The | Edison Concert Record: B 88 | William F. Hooley |
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Heart Bowed Down, The | Edison's National Phonograph Company 8455 | W.M. Tuson |
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I Dreamt That I Dwelt in Marble Halls | Edison Amberol: 89 | Edith Chapman |
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Killarney | Edison Amberol: 495 | Marie Narelle |
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Killarney | Edison Blue Amberol: 3103 | John Finnegan |
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Then You'll Remember Me | Edison Gold Moulded Record: 9273 | Marie Narelle |
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Then You'll Remember Me | Edison Blue Amberol: 1801 | Charles Hackett |
Title | Attribution | Remarks |
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Come Into the Garden Maude | Michael William Balfe (words & music) J. Sims Reeves (perf.) John McCormack (perf.) |
Title | Attribution | Instruments | Source | Remarks |
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Arrow and the Song (n..d.), The | M. Balfe (music) Alfred Bunn (words) |
Piano, Voice | IMSLP | |
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Bohemian Girl (1840), The | M. Balfe (music) Alfred Bunn (words) |
Piano, Voice | IMSLP | ![]() |
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Come Into the Garden Maude (1856) | M. Balfe (music) Alfred Tennyson (words) J. Sims Reeves (perf.) |
Piano, Voice | IMSLP | ![]() |
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Day Is Done (n.d.), The | M. Balfe (music) Henry Wadsworth Longfellow (words) |
Piano, Voice | IMSLP | Pub. |
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Excelsior (n.d.) | M. Balfe (music) Henry Wadsworth Longfellow (words) |
Piano, Voice | IMSLP | |
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Fantasia (1831) | M. Balfe (music) | Piano | IMSLP | ![]() |
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Fantasie (1847) | M. Balfe (music) Edward Fitzball (words) |
Piano, Voice | IMSLP | ![]() |
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Favorit-Arie der Malibran (1895) | M. Balfe (music) | Piano, Oboe(Flute) | IMSLP | ![]() |
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Good Night! Good Night! Beloved! (n.d.) | M. Balfe (music) Henry Wadsworth Longfellow (words) |
Piano, Voice | IMSLP | Pub. |
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Green Trees Whispered (n.d.), The | M. Balfe (music) Henry Wadsworth Longfellow (words) |
Piano, Voice | IMSLP | Pub. |
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Heart Bowed Down (1903), The | M. Balfe (music) | Piano, Violin | IMSLP | ![]() |
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Hither We Come (1850) | M. Balfe (music) | Piano, Voice | IMSLP | ![]() |
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⇑I Would Be a Soldier Still (1839) | M. Balfe (music) Edward Fitzball (words) |
Piano, Voice | IMSLP | Pub. |
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Killarney | M. Balfe (music) Edmund Falconer (words) |
Piano, Voice | YorkSpace | ![]() |
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Killarney (187-) | M. Balfe (music) Edmund Falconer (words) John McCormack (perf.) |
Piano, Voice | IMSLP | Pub. |
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Let All Obey (1849) | M. Balfe (music) | Piano, Voice | IMSLP | ![]() |
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Maid of Artois (1836), The | M. Balfe (music) Alfred Bunn (words) |
Piano, Voice | IMSLP | ![]() |
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O Smile As Thou Wert Wont (1844) | M. Balfe (music) | Piano, Voice | IMSLP | ![]() |
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Piano Trio (n.d.) | M. Balfe (music) Henry Wadsworth Longfellow (words) |
Piano, Violin, Cello | IMSLP | Pub. |
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Raise the Bright Flag of Columbia (1849) | M. Balfe (music) | Piano, Voice | IMSLP | ![]() |
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Satanella (1876) | M. Balfe (music) Augustus Glossop Harris (words) Edmund Falconer (words) |
Piano, Voice | IMSLP | Pub. |
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Siege of Rochelle (1835), The | M. Balfe (music) Edward Fitzball (words) |
Piano, Voice | IMSLP | Pub. |
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Then You'll Remember Me (n.d.) | M. Balfe (music) | Piano, Voice | IMSLP | ![]() |
Title | Year | Attribution | Remarks |
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Fantasia | 1831 | ![]() |
|
Siege of Rochelle, The | 1835 | Edward Fitzball (words) | ![]() |
Maid of Artois, The | 1836 | Alfred Bunn (words) | ![]() |
I Would Be a Soldier Still | 1839 | Edward Fitzball (words)
From "Joan of Arc" |
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Bohemian Girl, The | 1840 | Alfred Bunn (words) | ![]() |
O Smile As Thou Wert Wont | 1844 | from "The Daughter of St. Mark" | ![]() |
Fantasie | 1847 | Edward Fitzball (words)
From "The Maid of Honour" |
Pub. |
Let All Obey | 1849 | from "The Enchantress" | ![]() |
Raise the Bright Flag of Columbia | 1849 | from "The Enchantress" | ![]() |
Hither We Come | 1850 | from "The Enchantress" | ![]() |
Come Into the Garden Maude | 1856 | Alfred Tennyson (words) Hardy Williamson (perf.) J. Sims Reeves (perf.) John McCormack (perf.) Charles Compton (perf.) |
Pub. ![]() |
⇑ Killarney | 187- | Edmund Falconer (words) John Finnegan (perf.) Marie Narelle (perf.) John McCormack (perf.) |
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Satanella | 1876 | Augustus Glossop Harris (words) Edmund Falconer (words) |
Pub. |
Favorit-Arie der Malibran | 1895 | ![]() |
|
Heart Bowed Down, The | 1903 | Alan Turner (perf.) William F. Hooley (perf.) W.M. Tuson (perf.) |
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I Dreamt That I Dwelt in Marble Halls | 1909 | Alfred Bunn (words) Edith Chapman (perf.) |
|
Arrow and the Song, The | n..d. | Henry Wadsworth Longfellow (words) | Pub. ![]() |
Day Is Done, The | n.d. | Henry Wadsworth Longfellow (words) Christine Miller (perf.) |
|
Excelsior | n.d. | Henry Wadsworth Longfellow (words) | Pub. |
Good Night! Good Night! Beloved! | n.d. | Henry Wadsworth Longfellow (words) | Pub. |
Green Trees Whispered, The | n.d. | Henry Wadsworth Longfellow (words) | Pub. |
Piano Trio | n.d. | ![]() ![]() |
|
Then You'll Remember Me | n.d. | Alfred Bunn (words) Charles Hackett (perf.) Marie Narelle (perf.) |
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Title | Duration | Performer |
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The Heart Bowed Down | 2:50 | Alan Turner |