| Title (Release Year) | Performers | Instruments |
|---|
| MP3 Samples from DBE | ||||
![]() |
A1 at Lloyd's (1898) | Midi Ragtime Recorder Ens. | A/T+D/T/B/GB(B) |
| Item | Title | Available | € | £ | $ | Other |
|---|
| DBE1003 | A1 at Lloyd's (1898) - Barn Dance A/T+D/T/B/GB(B), approx. 4 mins. |
out-of-print | €12.00 | £10.00 | $15.50 |
| Title | Attribution | Remarks |
|---|
| Arabella Binks | Alan Macey (music) Albert E. Ellis (words) George Robey (perf.) |
||
| Half a Mo! | Alan Macey (music) Albert E. Ellis (words) James Fawn (perf.) |
||
| Poor Little Winkle, The | Alan Macey (music) Albert E. Ellis (words) George Beauchamp (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
![]() |
Impudence (1897) | A. Macey (music) | Piano | YorkSpace |
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Pass No Rude Remarks | 1864 | Albert E. Ellis (words) | |
| Bar Lambs | 1894 | Albert E. Ellis (words) George Leyton (perf.) |
Pub. |
| I Loves 'er All the More | 1894 | Albert E. Ellis (words) George Raycott (perf.) |
|
| Mary May - Song | 1894 | Albert E. Ellis (words) | Pub. |
| They Wanted Oiling | 1894 | Albert E. Ellis (words) Harry Randall (perf.) |
Pub. |
| Tittle Tattle | 1894 | Pub. | |
| Tokio | 1894 | Pub. | |
| Bonnie Banks O' Loch Lomon, The (w&m) | 1895 | Pub. | |
| Coon Revels | 1895 | Pub. | |
| Coon's Wedding, The | 1895 | Arthur Wallace (words) George Raycott (perf.) |
Pub. |
| Dance of the Fiends - Grotesque March | 1895 | Pub. | |
| ⇑ Daybreak | 1895 | Pub. | |
| Dignity | 1895 | Pub. | |
| Egypta Serpentine | 1895 | Pub. | |
| Friends | 1895 | Albert E. Ellis (words) Minnie Cunningham (perf.) |
Pub. |
| Harum Scarum | 1895 | Pub. | |
| Love For an Hour Is Love For Ever | 1895 | Lindsay Lennox (words) Edwin Britnell (words) |
Pub. |
| Mary May - Waltz | 1895 | Pub. | |
| Mischief | 1895 | Pub. | |
| Moonlight on the Floor, The | 1895 | Arthur Wallage (words) Percy Clifford (words) R H Brook (words) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| My Intended | 1895 | Albert E. Ellis (words) Tom E. Leamore (perf.) |
|
| My Missis Thinks She's Trilby | 1895 | Albert E. Ellis (words) Harry Freeman (perf.) |
Pub. |
| New Der Styrien | 1895 | |
|
| Oh, Nancy! | 1895 | Albert E. Ellis (words) May Evans (perf.) |
Pub. |
| Play It Again | 1895 | Pub. | |
| Singing Barn Dance | 1895 | Pub. | |
| Stepping Stones | 1895 | Pub. | |
| Vagabond King | 1895 | A.P. Coxford (words) | Pub. |
| Wait For Me | 1895 | G. Arthurs (words) | Pub. |
| Wake Up Darkies | 1895 | Arthur Wallace (words) George Raycott (perf.) |
Pub. |
| Chin-Music | 1896 | Perroquet. (words) Herbert Campbell (perf.) |
Pub. |
| ⇑ Circus, The | 1896 | Pub. | |
| Dolly's Birthday | 1896 | H R Howe (words) | Pub. |
| Franky! | 1896 | Albert E. Ellis (words) | Pub. |
| Half a Mo! | 1896 | Albert E. Ellis (words) James Fawn (perf.) |
Pub. |
| Her Secret (w&m) | 1896 | Arthur Philip Coxford (words) | Pub. |
| Hottentots Cocoa Nut Dance, The | 1896 | Pub. | |
| Jollification | 1896 | Pub. | |
| Launch of the Battle Ship | 1896 | Pub. | |
| Old England's on Our Lee, Boys | 1896 | A.P. Coxford (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Our Residence | 1896 | Edgar Bateman (words) | |
| Pass No Rude Remarks | 1896 | Albert E. Ellis (words) Harry Randall (perf.) |
Pub. |
| Side by Side. March | 1896 | |
|
| Téte-á-Téte (w&m) | 1896 | Pub. | |
| That's My Baby | 1896 | Perroquet. (words) Herbert Campbell (perf.) |
Pub. |
| Au Revoir | 1897 | Pub. | |
| Coon's Angel, The | 1897 | Perroquet. (words) | Pub. |
| Coster's Minuet, The | 1897 | Edgar Bateman (words) Fred W. Stephens (perf.) |
Pub. |
| Dance of the Fiends - March. Duet | 1897 | Pub. | |
| Impudence | 1897 | ![]() |
|
| Jack Ashore | 1897 | Pub. | |
| ⇑ Midnight Revels - Pas De Cat | 1897 | Pub. | |
| Motor Car Marriage, A | 1897 | Malcolm Arnold (words) | Pub. |
| Myrtle. Gavotte | 1897 | Pub. | |
| Wait a Minute! Berlin | 1897 | Pub. | |
| A1 at Lloyd's | 1898 | Midi Ragtime Recorder Ensemble (perf.) | Pub. ![]() |
| De Belle Ob Baltimore | 1898 | Perroquet (words) | Pub. |
| Don't Let the World Know You're Down | 1898 | Perroquet. (words) | Pub. |
| Fashionable Soirée at the Zoo, The | 1898 | George Arthurs (words) | Pub. |
| I Want My Mammy | 1898 | George Arthurs (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Messmate Tom | 1898 | Arthur Philip Coxford (words) | |
| Milly Burne | 1898 | George Arthurs (words) Amy Clevere (perf.) |
|
| O'Donovan's Vow | 1898 | J. Lea (words) | Pub. |
| Once More | 1898 | Pub. | |
| Over the Ice | 1898 | Pub. | |
| Somebody | 1898 | Pub. | |
| Tarantelle in D | 1898 | Pub. | |
| Two Little Girls in Blue | 1898 | Pub. | |
| You Can Buy Them For a Penny in the Street | 1898 | Perroquet. (words) Hana. (words) Dora Clifford (perf.) |
Pub. |
| Fishing. Song (w&m) | 1899 | G. Arthurs (words) | Pub. |
| Meadowland | 1899 | Pub. | |
| ⇑ Going to Table Bay | 1900 | Pub. | |
| Festival Barn Dance | 1901 | Pub. | |
| His Majesty | 1901 | Pub. | |
| Invaders, The | 1901 | Pub. | |
| My Conscience Wouldn't Let Me | 1901 | George Arthurs (words) Harry Randall (perf.) |
Pub. |
| Coronation March | 1902 | |
|
| Dolly That Didn't Grow, The | 1902 | G. Arthurs (words) | Pub. |
| Mirror Dance | 1902 | Pub. | |
| Scotch Airs | 1902 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Candlelight Barn Dance | 1903 | |
|
| Cracker Dance | 1903 | Pub. | |
| Whisper the Old Sweet Name | 1903 | C. Bingham (words) | |
| Winnie, Won't You Wait Awhile? | 1903 | Edgar Bateman (words) | Pub. |
| Daffydown Dilly (w&m) | 1904 | Pub. | |
| Lily, I Am Longing, Love, For You | 1904 | Edgar Bateman (words) | Pub. |
| Skipping Rope Dance | 1910c | |
|
| Filming | 1914 | |
|
| Flag We Love, The | 1914 | Arthur Philip Coxford (words) | Pub. |
| Modesty | 1919 | Dora Clifford (perf.) | |
| Arabella Binks | ? | Albert E. Ellis (words) George Robey (perf.) |
|
| ⇑ Poor Little Winkle, The (w&m) | ? | Albert E. Ellis (words) George Beauchamp (perf.) |