Title | Attribution | Remarks |
---|
Like a Good Little Wife Should Do | Walter P. Keen (music) Leigh (words) Florrie Forde (perf.) |
||
Mother Doyle's Diamond Jubilee | Walter P. Keen (words & music) Peggie Pryde (perf.) |
||
Oh Flo! Did You But Know! | Walter P. Keen (words & music) Florrie Forde (perf.) |
||
That's a Bit of Acting Off the Stage | Walter P. Keen (words & music) Arthur Lennard (perf.) |
Title | Attribution | Instruments | Source | Remarks |
---|
He Don't Know Where He's At (1898) | W.P. Keen (w&m) Lizzie B. Raymond (perf.) |
Piano, Voice | Indiana |
Title | Year | Attribution | Remarks |
---|
All the Comforts of a Home (w&m) | 1892 | ||
Good Ship Home Sweet Home, The (w&m) | 1892 | Pub. | |
No One Else Can Ever Fill Your Place (w&m) | 1892 | Pub. | |
Schoolboys Together (w&m) | 1892 | Pub. | |
Song For My Love to Sing, A (w&m) | 1892 | Pub. | |
They Are, I Don't Think | 1892 | Ruby Hart (words) | |
American Tears (w&m) | 1893 | Pub. | |
But There Are Others (w&m) | 1893 | Pub. | |
Charley's Aunt (w&m) | 1894 | Pub. | |
It's All Gone Now (w&m) | 1894 | Press Eldridge (perf.) | |
My Clara (w&m) | 1894 | ||
⇑ You May Return to Me (w&m) | 1894 | Pub. | |
In the Ranks of the Salvation Army (w&m) | 1895 | ||
In This World of Pleasure and Pain (w&m) | 1895 | Pub. | |
Story of a Woman With a Past, The (w&m) | 1895 | Pub. | |
Baby Girl (w&m) | 1896 | Pub. |
Title | Year | Attribution | Remarks |
---|
If You're Not Good I'll Put You in the Corner (w&m) | 1896 | ||
Night I Lost the Bet, The (w&m) | 1896 | ||
Shall We Forgive Her (w&m) | 1896 | ||
Sweet Jenny Lee (w&m) | 1896 | ||
Since I Became a Married Man (w&m) | 1897 | G.W. Hunter (perf.) | |
Follies of Youthity, The (w&m) | 1898 | Florrie Forde (perf.) | Pub. |
He Don't Know Where He's At (w&m) | 1898 | Lizzie B. Raymond (perf.) | |
Mother Doyle's Diamond Jubilee | 1898 | Owen Conduit (words) Peggie Pryde (perf.) |
|
Oh Flo! Did You But Know! (w&m) | 1898 | Florrie Forde (perf.) | Pub. |
That's the Way to Keep a Man at Home | 1898 | A J Mills (words) Rose Dearing (perf.) |
Pub. |
I Like My Glass of Foaming Beer | 1899 | Fred W. Leigh (words) Harry Anderson (perf.) |
Pub. |
⇑ Poor Little Whitechapel Coon, The | 1899 | Mark Anthony (words) | Pub. |
They Were Very, Very Good to Me | 1899 | Fred W. Leigh (words) T. E. Dunville (perf.) |
Pub. |
They're the Sort of Girls That I Like! (w&m) | 1899 | Harry Bedford (perf.) | |
Day the Farmer Came to See the Town, The | 1900 | Len Spencer (words) | |
That's a Bit of Acting Off the Stage (w&m) | 1900 | Arthur Lennard (perf.) | Pub. |
Title | Year | Attribution | Remarks |
---|
Like a Good Little Wife Should Do | 1901 | Leigh (words) Florrie Forde (perf.) |
|
They're Calling, Calling You (w&m) | 1901 | Pub. | |
I Was the Honeysuckle- Mary Was the Bee (w&m) | 1902 | Arthur Lennard (perf.) | Pub. |
I Want You to Be My Only-Only (w&m) | 1903 | Richard George Knowles (perf.) | Pub. |