| Title | Attribution | Remarks |
|---|
| Like a Good Little Wife Should Do | Walter P. Keen (music) Leigh (words) Florrie Forde (perf.) |
||
| Mother Doyle's Diamond Jubilee | Walter P. Keen (words & music) Peggie Pryde (perf.) |
||
| Oh Flo! Did You But Know! | Walter P. Keen (words & music) Florrie Forde (perf.) |
||
| That's a Bit of Acting Off the Stage | Walter P. Keen (words & music) Arthur Lennard (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
![]() |
He Don't Know Where He's At (1898) | W.P. Keen (w&m) Lizzie B. Raymond (perf.) |
Piano, Voice | Indiana |
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| All the Comforts of a Home (w&m) | 1892 | |
|
| Good Ship Home Sweet Home, The (w&m) | 1892 | Pub. | |
| No One Else Can Ever Fill Your Place (w&m) | 1892 | Pub. | |
| Schoolboys Together (w&m) | 1892 | Pub. | |
| Song For My Love to Sing, A (w&m) | 1892 | Pub. | |
| They Are, I Don't Think | 1892 | Ruby Hart (words) | |
| American Tears (w&m) | 1893 | Pub. | |
| But There Are Others (w&m) | 1893 | Pub. | |
| Charley's Aunt (w&m) | 1894 | Pub. | |
| It's All Gone Now (w&m) | 1894 | Press Eldridge (perf.) | |
| My Clara (w&m) | 1894 | |
|
| ⇑ You May Return to Me (w&m) | 1894 | Pub. | |
| In the Ranks of the Salvation Army (w&m) | 1895 | |
|
| In This World of Pleasure and Pain (w&m) | 1895 | Pub. | |
| Story of a Woman With a Past, The (w&m) | 1895 | Pub. | |
| Baby Girl (w&m) | 1896 | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| If You're Not Good I'll Put You in the Corner (w&m) | 1896 | |
|
| Night I Lost the Bet, The (w&m) | 1896 | |
|
| Shall We Forgive Her (w&m) | 1896 | |
|
| Sweet Jenny Lee (w&m) | 1896 | |
|
| Since I Became a Married Man (w&m) | 1897 | G.W. Hunter (perf.) | |
| Follies of Youthity, The (w&m) | 1898 | Florrie Forde (perf.) | Pub. |
| He Don't Know Where He's At (w&m) | 1898 | Lizzie B. Raymond (perf.) | ![]() |
| Mother Doyle's Diamond Jubilee | 1898 | Owen Conduit (words) Peggie Pryde (perf.) |
|
| Oh Flo! Did You But Know! (w&m) | 1898 | Florrie Forde (perf.) | Pub. |
| That's the Way to Keep a Man at Home | 1898 | A J Mills (words) Rose Dearing (perf.) |
Pub. |
| I Like My Glass of Foaming Beer | 1899 | Fred W. Leigh (words) Harry Anderson (perf.) |
Pub. |
| ⇑ Poor Little Whitechapel Coon, The | 1899 | Mark Anthony (words) | Pub. |
| They Were Very, Very Good to Me | 1899 | Fred W. Leigh (words) T. E. Dunville (perf.) |
Pub. |
| They're the Sort of Girls That I Like! (w&m) | 1899 | Harry Bedford (perf.) | |
| Day the Farmer Came to See the Town, The | 1900 | Len Spencer (words) | |
| That's a Bit of Acting Off the Stage (w&m) | 1900 | Arthur Lennard (perf.) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Like a Good Little Wife Should Do | 1901 | Leigh (words) Florrie Forde (perf.) |
|
| They're Calling, Calling You (w&m) | 1901 | Pub. | |
| I Was the Honeysuckle- Mary Was the Bee (w&m) | 1902 | Arthur Lennard (perf.) | Pub. |
| I Want You to Be My Only-Only (w&m) | 1903 | Richard George Knowles (perf.) | Pub. |