Title | Attribution | Instruments | Source | Remarks |
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Mammy's Carolina Twins (1899) | L. Johnson (music) M. Irwin (perf.) May Howard (perf.) Minnie Palmer (perf.) Anna Suits (perf.) Lydia Barry (perf.) Jennie Kelton (perf.) Ola Hayden (perf.) Ada Sweeney (perf.) Susie Levino (perf.) Margaret Rose (perf.) Vera Harte (perf.) Lizzie B. Raymond (perf.) Lucy Daly (perf.) |
Piano | Lester S. Levy Sheet Music Collection |
Title | Composer | Attribution | Remarks |
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Sweet Belle of Mars (1897), The | Chas W. Barrett(w&m) | Lizzie B. Raymond (perf.) | ||
My Little Lucy Lane (1895) | Mike Bernard | Harry Graves (words) Lizzie B. Raymond (perf.) |
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Tim Reilly (1898) | Henry F. Blaese(w&m) | Lydia Barry (perf.) Emma Carus (perf.) Imogene Comer (perf.) J. Bernard Dyllyn (perf.) Lizzie B. Raymond (perf.) |
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There's One Rose That Will Never Bloom Again (1901) | Raymond A. Browne(w&m) | Lizzie B. Raymond (perf.) | ||
Something Seemed to Whisper in My Ear and Told Me Not To (1897) | Frank E. Carroll | Lizzie B. Raymond (perf.) | ||
You'll Soon Forget (1897) | Stanley Carter | Harry Braisted (words) Lizzie B. Raymond (perf.) |
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His Mother Is Waiting and Hoping (1897) | C.A. Chase | Ray Wilson (words) Lizzie B. Raymond (perf.) |
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Down Where the Congo Flows (1903) | S. Gibson Cooke | Chas. Shackford (words) Lizzie B. Raymond (perf.) |
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O'Dooley's First Five Oclock Tea (1897) | Frederic Dana | Paul West (words) Lizzie B. Raymond (perf.) John G Sparks (perf.) |
Pub. | |
She Is More to Be Pitied, Than Censured (1894) | William B. Gray(w&m) | Charles Falke (perf.) Lizzie B. Raymond (perf.) Harry Taft (perf.) Milner Verren (perf.) |
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⇑Mother of the Girl I Love (1897), The | William B. Gray(w&m) | Blanche Newcomb (perf.) Lizzie B. Raymond (perf.) |
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I've Just Come Back to Say Good-Bye (1897) | Charles K. Harris(w&m) | Lizzie B. Raymond (perf.) | Pub. | |
My Coal Black Lady (1896) | W.T. Jefferson(w&m) | Lizzie B. Raymond (perf.) | ||
Mammy's Carolina Twins (1899) | Lee Johnson | Lydia Barry (perf.) Lucy Daly (perf.) Josephine Gassman (perf.) Vera Harte (perf.) Ola Hayden (perf.) May Howard (perf.) May Irwin (perf.) Jennie Kelton (perf.) Susie Levino (perf.) Minnie Palmer (perf.) Lizzie B. Raymond (perf.) Margaret Rose (perf.) Anna Suits (perf.) Ada Sweeney (perf.) |
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Mary Ann McCue (1898) | Jay Mack | Alfred J. Kuttner (words) Lizzie B. Raymond (perf.) |
Pub. | |
Nora, I Adore Her (1900) | David Marion | Lizzie B. Raymond (perf.) | ||
And She Lisped When She Said 'Yes'' (1897) | J. McNicoll(w&m) | Marie Lloyd (perf.) Marie Loftus (perf.) Lizzie B. Raymond (perf.) |
Pub. | |
Meet Me in St Louis, Louis (1904) | Kerry Mills | Andrew B. Sterling (words) Mary Astor (perf.) Paul Barnes (perf.) Nora Bayes (perf.) Lucille Bremer (perf.) Anna Caldwell (perf.) May Curtis (perf.) Midi Ragtime Recorder Ensemble (perf.) Charles Foreman (perf.) Judy Garland (perf.) Lottie Gilson (perf.) Lew Hawkins (perf.) Vera King (perf.) Ethel Levey (perf.) Marjorie Main (perf.) Kitty Miley (perf.) Billy Murray (perf.) Margaret O'Brien (perf.) Lizzie B. Raymond (perf.) Nat Willis (perf.) |
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Sweet Kitty Mahone (1897) | Ben Riggs(w&m) | Lizzie B. Raymond (perf.) | ||
Her Word Is Just As Good As Yours (1899) | Monroe H. Rosenfeld | Howard Graham (words) Lizzie B. Raymond (perf.) |
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I'm Going to Do What I Please (1909) | Ted Snyder | Harry A. Ellis (perf.) Lizzie B. Raymond (perf.) Stella Tobin (perf.) |
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⇑She's a Real Good Mother (1893) | Joseph Tabrar(w&m) | Lizzie B. Raymond (perf.) | ||
When Susan Thompson Tries to Reach High C (1899) | Harry von Tilzer(w&m) | Lizzie B. Raymond (perf.) |