Address: | New York, USA |
Title | Music | Attribution |
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How Come You Do Me Like You Do? (1924) | Gene Austin(w&m) | Roy Bergere (co-author) | |
It Takes a Good Man to Do That (1921) | Jack Elliot Bayha(w&m) | Chris Smith (co-author) Van & Schenck (perf.) Bob La Salle (perf.) |
|
Wanita: Wanna Eat? Wanna Eat? (1923) | Sam Coslow | Al Sherman (co-author) Howard Brothers (perf.) |
|
Lonely and Blue (1924) | Rubey Cowan | Rubey Cowan (words) Arthur Ashley (perf.) Helen Clement (perf.) |
|
There's Just a Little Touch of Dixie in Your Eyes (1920) | Rubey Cowan | Jack Strouse (words) Thomas F. Swift (words) |
|
Oh Sister Ain't That Hot (1923) | Will Donaldson | Harry White (co-author) | |
Under a Thousand Eyes (1923) | Leo Edwards | Irma Hopper (words) | |
Everybody's Buddy (1920) | Billy Frisch | Bernie Grossman (words) | |
I Wonder Who You're Calling Sweetheart (1921) | Joe Goodwin(w&m) | Bud Green (co-author) Al Piantadosi (co-author) |
|
Whippin' the Keys (1923) | Sam Goold | ||
Don't Feel Sorry For Me (1922) | Archie Gottler | Grant Clarke (words) Edgar Leslie (words) Jean Granese (perf.) |
|
Oh! Is She Dumb (1922) | Archie Gottler | Grant Clarke (words) Edgar Leslie (words) |
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Oogie Oogie Wa Wa (1922) | Archie Gottler | Grant Clarke (words) Edgar Leslie (words) Margaret Young (perf.) |
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Blue (1922) | Lou Handman | Grant Clarke (words) Edgar Leslie (words) Jean Granese (perf.) Tom Waring (perf.) Chas Klass (perf.) Brilant Saul (perf.) |
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Grandma's Boy (1922) | Jean Havez | Herb Crooker (co-author) Pete Wendling (co-author) |
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In a Tent (1923) | Ted Koehler | Frank Magine (co-author) Joe Lyons (co-author) |
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Sighing Sands (1923) | Ted Koehler(w&m) | Joe Lyons (co-author) Frank Magine (co-author) Dennis Sisters (perf.) |
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⇑Hottentot Trot (1924), The | Max Kortlander | Sam Coslow (words) | |
Hello Paddy (1923) | Joseph Meyer | Herman Ruby (words) | |
Panorama Bay (1922) | James V. Monaco | Grant Clarke (words) | |
Scandinavia, Sing Dose Song and Make Dose Music (1921) | Ray Perkins(w&m) | Aileen Stanley (perf.) | |
Tenth Interval Rag (1924) | Harry Ruby | ||
If You'll Come Back (1920) | Otis Spencer | Rubey Cowan (co-author) Eugene West (words) |
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Maybe You Think You're Fooling Baby (1922) | Solly Violinsky | Grant Clarke (words) | |
Rose of the Rio Grande (1922) | Harry Warren | Ross Gorman (words) Edgar Leslie (words) Broadway Dance Orchestra (perf.) |
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Black'n Blue (1924) | Pete Wendling | Max Kortlander (co-author) | |
Buck Shots (1924) | Pete Wendling | Max Kortlander (co-author) | |
Butter Fingers (1924) | Pete Wendling | Max Kortlander (co-author) | |
Flower of Spain (1924) | Pete Wendling | Max Kortlander (co-author) | |
He Loves It (1922) | Pete Wendling | Grant Clarke (words) Edgar Leslie (words) Monica Young (perf.) |
|
New Orleans Fizz (1924) | Pete Wendling | Max Kortlander (co-author) | |
Silver Screen (1924) | Pete Wendling | Kortlander (co-author) | |
Sleepy Little Village (1922), A | Pete Wendling | Edgar Leslie (words) | |
Steps - Modern Progression (1924) | Pete Wendling | Max Kortlander (co-author) | |
What Cha Gonna Do When There Ain't No Jazz? (1920) | Pete Wendling | Edgar Leslie (words) Jane Greene (perf.) James Blyler (perf.) |
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⇑Wonderful Girl of Today (1923) | Willy White | Bernie Grossman (words) |