Harry Ruby (1895-1974)
Last updated: 13.09.24
According to the Internet source given below, Harry Ruby [Harry Rubenstein] was an American composer and screenwriter born in New York City,
He toured the vaudeville circuit as a pianist with the Bootblack Trio and the Messenger Boys Trio, until meeting lyricist Bert Kalmar. They were a successful song writing team over three decades.
He died in Woodland Hills, California.
He toured the vaudeville circuit as a pianist with the Bootblack Trio and the Messenger Boys Trio, until meeting lyricist Bert Kalmar. They were a successful song writing team over three decades.
He died in Woodland Hills, California.
| Websites: | |||
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Harry Ruby | Biography by wikipedia.org. |
| Title (Release Year) | Composer | Performers | Issue |
|---|
| Historic Records | ||||
 |
I Wanna Be Loved by You (1928) | H. Ruby | Annette Hanshaw | Columbia: [W]147482 |
|
Nephews of Uncle Sam (1917) | H. Ruby | Donald Alexander Chalmers Marion Evelyn Cox A. Fields S. Porter Gladys Rice John Young |
Edison: 5491 |
| Title | Attribution | Instruments | Source | Remarks |
|---|
 |
And He'd Say ''Oo-La-La Wee-Wee'' (1919) | H. Ruby (w&m) George Jessel (coauth.) |
Piano | Greer Indiana |
 |
|
Come on and Play Wiz Me (1919) | H. Ruby (music) B. Kalmar (words) E. Leslie (words) |
Piano, Voice | IMSLP | Pub. |
|
Daddy Long Legs (1919) | H. Ruby (music) Sam M. Lewis (words) J. Young (words) Mary Pickford (perf.) Mary Pickford (perf.) Mary Pickford (perf.) |
Piano, Voice | Greer IMSLP Indiana |
Pub. |
|
Hello, Wisconsin (1917) | H. Ruby (music) B. Kalmar (words) E. Leslie (words) Anna Chandler (perf.) Eddie Hickey (perf.) Willie Weston (perf.) |
Piano, Voice | Greer Indiana Indiana |
|
|
Hoodlum (1919), The | H. Ruby (music) Sam M. Lewis (words) J. Young (words) Mary Pickford (perf.) |
Piano, Voice | Indiana | Pub. |
|
I'll Be Over Your Way in the Mornin' Bill (1918) | H. Ruby (w&m) | Piano, Voice | Indiana | Pub. |
|
Oh! What a Time For the Girlies (1918) | H. Ruby (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑Oh! What a Time For the Girlies When the Boys Come Marching Home (1918) | H. Ruby (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Indiana | Pub. |
|
That's Worth Waiting For (1919) | H. Ruby (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
What'll We Do on a Saturday Night (1919) | H. Ruby (w&m) | Piano | IMSLP | Pub. |
|
What'll We Do on a Saturday Night? (1919) | H. Ruby (w&m) | Piano, Voice | Indiana | Pub. |
|
When Those Sweet Hawaiian Babies Roll Their Eyes (1917) | H. Ruby (music) E. Leslie (words) E. Cantor (perf.) Lillian Watson (perf.) Clara Howard (perf.) |
Piano, Voice | Greer Indiana Indiana |
|
|
You Keep Sending 'em Over and We'll Keep Knocking 'em Down (1918) | H. Ruby (music) S. Mitchell (words) E. Cantor (perf.) |
Piano, Voice | Indiana | Pub. |
This list is arranged in chronological order and contains 66 works by Harry Ruby (1895-1974).
It does not claim to be complete and represents only the number of items located. Keys:
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Greatest Battle Song of All, The | 1916 | Al Friend (words) Sam Downing (words) Dorothy Herman (perf.) |
|
| Hello, Wisconsin | 1917 | Bert Kalmar (words) Edgar Leslie (words) Anna Chandler (perf.) Eddie Hickey (perf.) Sophie Tucker (perf.) Willie Weston (perf.) |
Pub. |
| Nephews of Uncle Sam | 1917 | Donald Alexander Chalmers (perf.) Marion Evelyn Cox (perf.) Arthur Fields (perf.) Steve Porter (perf.) Gladys Rice (perf.) John Young (perf.) |
|
| When Those Sweet Hawaiian Babies Roll Their Eyes | 1917 | Edgar Leslie (words) Eddie Cantor (perf.) Clara Howard (perf.) Jimmy Hussey (perf.) Lillian Watson (perf.) Billy Worsley (perf.) |
|
| Come on Papa | 1918 | ||
| Dixieland Volunteers, The | 1918 | Edgar Leslie (words) | |
| For the Two of Us | 1918 | Edgar Leslie (words) Renee Dietrich (perf.) Horace Wright (perf.) |
 |
| I'll Be Over Your Way in the Mornin' Bill (w&m) | 1918 | Pub. | |
| Oh! What a Time For the Girlies | 1918 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| You Keep Sending 'em Over and We'll Keep Knocking 'em Down | 1918 | Sidney D. Mitchell (words) Eddie Cantor (perf.) |
Pub. |
| And He'd Say ''Oo-La-La Wee-Wee'' (w&m) | 1919 | George Jessel (co-author) Barbelue (perf.) Heatherly (perf.) |
Pub. |
| ⇑ Come on and Play Wiz Me | 1919 | Bert Kalmar (words) Edgar Leslie (words) |
Pub. |
| Daddy Long Legs | 1919 | Sam M. Lewis (words) Joe Young (words) Mary Pickford (perf.) |
Pub. |
| Hoodlum, The | 1919 | Sam M. Lewis (words) Joe Young (words) Mary Pickford (perf.) |
Pub. |
| That's Worth Waiting For | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| What'll We Do on a Saturday Night (w&m) | 1919 | Pub. | |
| I'm a Vamp From East Broadway | 1920 | Bert Kalmar (words) Irving Berlin (words) |
|
| Timbucktoo | 1920 | Bert Kalmar (words) | |
| My Sunny Tennessee | 1921 | Bert Kalmar (words) | |
| Snoops the Lawyer | 1921 | Bert Kalmar (words) |
| Title | Year | Attribution | Remarks |
|---|
| Beautiful Girls | 1922 | Bert Kalmar (words) | |
| I Gave You Up Just Before You Threw Me Down | 1922 | Frederick Emil Ahlert (words) Bert Kalmar (words) |
|
| Pick Me Up and Lay Me Down (In Dear Old Dixieland) | 1922 | Bert Kalmar (words) | |
| Happy Ending | 1923 | Bert Kalmar (words) | |
| I Like a Big Town | 1923 | Bert Kalmar (words) | |
| It Was Meant to Be | 1923 | Bert Kalmar (words) | |
| Tenth Interval Rag | 1924 | |
|
| All Alone Monday | 1926 | Bert Kalmar (words) | |
| Ramblers, The | 1926 | Bobby Clark (perf.) Paul McCullough (perf.) |
|
| We Won't Charleston | 1926 | Bobby Clark (perf.) Paul McCullough (perf.) |
|
| Dancing the Devil Away | 1927 | Mary Eaton (perf.) Ivy Sawyer (perf.) |
|
| ⇑ Five O'Clock Girl, The | 1927 | Mary Eaton (perf.) Oscar Shaw (perf.) |
|
| Same Old Moon, The | 1927 | Bert Kalmar (words) Otto Harbach (words) |
|
| Thinking of You | 1927 | Bert Kalmar (words) Fred Astaire (perf.) Mary Eaton (perf.) Oscar Shaw (perf.) Red Skelton (perf.) |
Pub. |
| Up in the Clouds | 1927 | Bert Kalmar (words) | |
| Who Did - You Did! | 1927 | ||
| I Wanna Be Loved by You | 1928 | Herbert Stothart (words) Bert Kalmar (words) Annette Hanshaw (perf.) Helen Kane (perf.) |
|
| Watching the Clouds Roll By | 1928 | Bert Kalmar (words) | |
| I Love You So Much | 1930 | Bert Kalmar (words) Dorothy Lee (perf.) |
Pub. |
| Keep Your Undershirt On | 1930 | Bert Kalmar (words) |
| Title | Year | Attribution | Remarks |
|---|
| Three Little Words | 1930 | Bert Kalmar (words) Amos n' Andy (perf.) Fred Astaire (perf.) Red Skelton (perf.) |
|
| What Would I Care? | 1930 | Bert Kalmar (words) | |
| Wherever You Are | 1930 | Bert Kalmar (words) | Pub. |
| I'm Happy When You're Jealous | 1931 | Bert Kalmar (words) | |
| I'm So Afraid of You | 1931 | Bert Kalmar (words) | |
| Nevertheless | 1931 | Bert Kalmar (co-author) | |
| Everyone Says ''I Love You'' | 1932 | Bert Kalmar (words) | |
| Get a Little Fun Out of Life (w&m) | 1932 | Bert Kalmar (co-author) Eddie Cantor (perf.) |
|
| Look What You've Done | 1932 | Harry Akst (words) Bert Kalmar (words) Irving Caesar (words) |
|
| What a Perfect Combination | 1932 | Harry Akst (words) Bert Kalmar (words) Irving Caesar (words) |
|
| Keep on Doin' What You're Doin' | 1933 | Bert Kalmar (words) | |
| ⇑ Tired of It All | 1933 | Bert Kalmar (words) | |
| One Little Kiss | 1935 | Bert Kalmar (words) | |
| Puppchen (w&m) | 1935 | Bert Kalmar (co-author) | |
| Let's Make a Wish | 1936 | Bert Kalmar (words) Sid Silvers (words) |
Pub. |
| Moon Is in the Sky (w&m) | 1936 | Bert Kalmar (words) Guy Lombardo (perf.) |
|
| When You Dream About Hawaii | 1937 | Bert Kalmar (words) Sid Silvers (words) Bing Crosby (perf.) Carl Ravell (perf.) |
|
| Ain't Cha Comin' Out? | 1939 | Bert Kalmar (words) | Pub. |
| Only When You're in My Arms | 1939 | Bert Kalmar (words) Conrad (words) |
|
| Cigarettes | 1941 |
| Title | Year | Attribution | Remarks |
|---|
| Do You Love Me (w&m) | 1946 | Dick Haymes (perf.) Harry James (perf.) Maureen O'Hara (perf.) |
|
| Egg and I, The | 1947 | Harry Akst (words) Bert Kalmar (words) Al Jolson (words) |
|
| Midnight Mood | 1948 | ||
| Moonlight on the Meadow | 1948 | ||
| Bamboola | ? | Bert Kalmar (co-author) Herbert Stothart (co-author) Vaughn de Leath (perf.) |
|
| When Ragtime Rufus Rags the Humoresque | ? |
| Composer | Title | Performer |
|---|
|
H. Ruby | For the Two of Us (3:04) | R. Dietrich Horace Wright |
|
H. Ruby | My Sunny Tennessee (2:18) | Banta & Hess |
|
H. Ruby | I Wanna Be Loved by You (2:50) | Helen Kane |