According to the Internet source given below, Louis Daniel Armstrong aka [Satchmo], [Satch] and [Pops} was an American trumpeter, composer, singer and occasional actor who was one of the most influential figures in jazz. His career spanned five decades, from the 1920s to the 1960s, and different eras in the history of jazz.In 2017, he was inducted into the Rhythm & Blues Hall of Fame. | Websites: | |||
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Louis Armstrong | Biography by wikipedia.org. | |
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The Portsmouth Music Scene 1962 | Blog by Michael Cooper | |
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DAHR: Louis Armstrong | List of 753 historic recordings from 1923 to 1969. |
| Title (Release Year) | Composer | Performers | Issue |
|---|
| Historic Records | ||||
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If We Never Meet Again (1936) | L. Armstrong | Dolly Dawn | Victor: BS-0651 |
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You've Got Me Voo-Doo'd (1940) | L. Armstrong | Mary Ann McCall | Victor: BS-047988 |
| as Performer | ||||
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Endie (1946) | L. Alter | L. Armstrong | Victor: D6VB-2190 |
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I Gotta Right to Sing the Blues (1933) | H. Arlen | L. Armstrong | Victor: BS-74892 |
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Dropping Shucks (1926) | L.H. Armstrong | L. Armstrong | OKeh: 9731 |
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Hotter Than That (1927) | L.H. Armstrong | L. Armstrong | OKeh: W82055 |
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I'm Gonna Gitcha (1926) | L.H. Armstrong | L. Armstrong | OKeh: 9730 |
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I'm Not Rough (1927) | L.H. Armstrong | L. Armstrong | OKeh: W82040 |
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Lonesome Blues (1926) | L.H. Armstrong | L. Armstrong | OKeh: 9778 |
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Skid-Dat-De-Dat (1926) | L.H. Armstrong | L. Armstrong | OKeh: 9891 |
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Wrap Your Troubles in Dreams (1931) | H. Barris | L. Armstrong | OKeh: W405060 |
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He's a Son of the South (1933) | R. Foresythe | L. Armstrong | Victor: BS-74896 |
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Mississippi Basin (1933) | R. Foresythe | L. Armstrong | Victor: BS-75421 |
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Dusky Stevedore (1933) | J.C. Johnson | L. Armstrong | Victor: BS-75424 |
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Honey, Do (1933) | J.C. Johnson | L. Armstrong | Victor: BS-75104 |
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Last Time, The (1927) | S. Martin | L. Armstrong | OKeh: W81317 |
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Honey, Don't You Love Me Anymore? (1933) | T. Shand | L. Armstrong | Victor: BS-75420 |
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Sweet Sue Just You (1933) | V. Young | L. Armstrong Budd Johnson |
Victor: BS-75478 |
| Title | Author | Supplier |
|---|
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Louis Armstrong - Master of Modernism |
Thomas Brothers |
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Satchmo |
Louis Armstrong |
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| Title | Attribution | Instruments | Source | Remarks |
|---|
| As performer | |||||
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Honey in the Honeycomb (1940) | V. Duke (music) John Latouche (words) E. Waters (perf.) Eddie Anderson (perf.) Lena Horne (perf.) L. Armstrong (perf.) Rex Ingram (perf.) D. Ellington (perf.) |
Piano, Voice | Sheet Music Singer | |
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True Love (1955) | C. Porter (w&m) Bing Crosby (perf.) Grace Kelly (perf.) F. Sinatra (perf.) Celeste Holm (perf.) John Lund (perf.) Louis Calhern (perf.) Sydney Blackmer (perf.) L. Armstrong (perf.) |
Piano, Voice | Sheet Music Singer | |
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Jeepers Creepers (1938) | H. Warren (music) J. Mercer (words) Allen Jenkins (perf.) Anita Louise (perf.) Dick Powell (perf.) L. Armstrong (perf.) Maxine Sullivan (perf.) Ronald Reagon (perf.) Walter Catlett (perf.) Harold Huber (perf.) |
Piano, Voice | Sheet Music Singer |
| Title | Composer | Attribution | Remarks |
|---|
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Endie (1946) | Louis Alter | Eddie De Lange (words)
Louis Armstrong (perf.) |
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I Gotta Right to Sing the Blues (1932) | Harry Arlen | Ted Koehler (words)
Louis Armstrong (perf.) |
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Dropping Shucks (1926) | Lil Hardin Armstrong(w&m) | Louis Armstrong (perf.) |
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I'm Gonna Gitcha (1926) | Lil Hardin Armstrong(w&m) | Louis Armstrong (perf.) |
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Lonesome Blues (1926) | Lil Hardin Armstrong(w&m) | Louis Armstrong (perf.) |
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Skid-Dat-De-Dat (1926) | Lil Hardin Armstrong(w&m) | Louis Armstrong (perf.) |
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Hotter Than That (1927) | Lil Hardin Armstrong(w&m) | Louis Armstrong (perf.) |
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I'm Not Rough (1927) | Lil Hardin Armstrong(w&m) | Louis Armstrong (perf.) |
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Wrap Your Troubles in Dreams (1931) | Harry Barris | Ted Koehler (words) Billy Moll (words) Louis Armstrong (perf.) |
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Sweet Georgia Brown (1925) | Ben Bernie | Maceo Pinkard (co-author) Kenneth Casey (words) Louis Armstrong (perf.) |
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⇑Honey in the Honeycomb (1940) | Vernon Duke | John Latouche (words)
Louis Armstrong (perf.) |
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Mississippi Basin (1933) | Reginald Foresythe | Andy Razaf (words)
Louis Armstrong (perf.) |
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He's a Son of the South (1933) | Reginald Foresythe | Joe Davis (co-author) Andy Razaf (words) Joe Davis (words) Louis Armstrong (perf.) |
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Dusky Stevedore (1928) | J.C. Johnson | Andy Razaf (words)
Louis Armstrong (perf.) |
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Honey, Do (1933) | J.C. Johnson | Andy Razaf (words)
Louis Armstrong (perf.) |
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Kiss to Build a Dream On (1951), A | Bert Kalmar | Oscar Hammerstein (co-author) Harry Ruby (words) Louis Armstrong (perf.) Barney Bigard (perf.) Kay Brown (perf.) Vic Damone (perf.) Sally Forest (perf.) Earl Hines (perf.) Monica Lewis (perf.) Mickey Rooney (perf.) Jack Teagarden (perf.) |
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Last Time (1927), The | Sara Martin | Bill Ewing (words)
Louis Armstrong (perf.) |
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Louis Armstrong - Berlin 1965 (1965) | Miscellaneous | Louis Armstrong (perf.) |
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True Love (1955) | Cole Porter(w&m) | Louis Armstrong (perf.) | |
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Honey, Don't You Love Me Anymore? (1933) | Terry Shand | Fred Meadows (co-author)
Louis Armstrong (perf.) |
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When the Saints Go Marching In (?) | Traditional | Louis Armstrong (perf.) |
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⇑Jeepers Creepers (1938) | Harry Warren | Johnny Mercer (words)
Louis Armstrong (perf.) Allen Jenkins (perf.) Anita Louise (perf.) Dick Powell (perf.) Maxine Sullivan (perf.) |
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Mack the Knife (1928) | Kurt Weill | Mark Blitzstein (words) Bert Brecht (words) Louis Armstrong (perf.) |
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Sweet Sue Just You (1928) | Victor Young | Will J. Harris (words)
Louis Armstrong (perf.) Budd Johnson (perf.) |
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| Title | Year | Attribution | Remarks |
|---|
| If We Never Meet Again | 1936 | Horace Gerlach (co-author) Dolly Dawn (perf.) |
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| You've Got Me Voo-Doo'd | 1940 | Luis Russell (co-author) Neil Lawrence (co-author) Mary Ann McCall (perf.) |
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| Throw It Out of Your Mind | 1948 | Billy Kyle (co-author) Una Mae Carlisle (perf.) |
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| Composer | Title | Performer |
|---|
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L. Armstrong | Throw It Out of Your Mind (1:27) | U. Carlisle |
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Miscellaneous | Louis Armstrong - Berlin 1965 (56:15) | L. Armstrong |
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B. Bernie | Sweet Georgia Brown (4:17) | L. Armstrong |
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Traditional | When The Saints Go Marching In (4:46) | L. Armstrong |