| Title (Release Year) | Composer | Performers | Issue |
|---|
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Ending With a Kiss (1934) | L.E. Gensler | Joey Nash | Victor: BS-81961 |
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Fond of You (1925) | L.E. Gensler | George Wilton Ballard | Edison: 10741 |
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I Love Her! (1926) | L.E. Gensler | Paul Hagan H. Link Leroy Montesanto |
Brunswick: E19209-E19211 |
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Imagine Me Without You (1934) | L.E. Gensler | Sonny Schuyler | Victor: BS-84980 |
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It's Psychological (1934) | L.E. Gensler | Joey Nash | Victor: BS-81962 |
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Keep Smiling at Trouble (1925) | L.E. Gensler | Columbians | Columbia: 140326 |
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My Road (1924) | L.E. Gensler | Paul Whiteman Orchestra | Victor: B-30822 |
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My Road (1924) | L.E. Gensler | Merry Sparklers | Edison: 9806 |
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Sea Legs (1926) | L.E. Gensler | Hale Byers Orchestra | Brunswick: E17733-E17735 |
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Tom-Tom (1922) | L.E. Gensler | Great White Way Orchestra | Victor: B-26998 |
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Trouble's a Bubble (1924) | L.E. Gensler | A. Jolson | Brunswick: 14264-14265 |
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Ups-A-Daisy! (1928) | L.E. Gensler | Lewis James James Melton Elliott Shaw |
Victor: BVE-47797 |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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Only One For Me (1925), The | L.E. Gensler (music) B. G. De Sylva (words) |
Piano, Voice | Sheet Music Singer | |
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You Need Someone, Someone Needs You (1922) | L.E. Gensler (music) Oscar Hammerstein II (words) N. Bayes (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Tom-Tom | 1922 | Great White Way Orchestra (perf.) | ![]() |
| You Need Someone, Someone Needs You | 1922 | Oscar Hammerstein II (words) Nora Bayes (perf.) |
|
| Yvonne | 1923 | Irving Caesar (words) | |
| Keep Smiling at Trouble | 1924 | B.G. De Sylva (words) Al Jolson (words) Columbians (perf.) Al Jolson (perf.) |
Pub. ![]() |
| Little Bit of This | 1924 | George S Kaufman (words) Marc Connelly (words) |
|
| My Road | 1924 | Milton E. Schwarzwald (co-author) Marc Connelly (words) George S. Kaufman (words) Paul Whiteman Orchestra (perf.) Merry Sparklers (perf.) |
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| Trouble's a Bubble | 1924 | B. G. De Sylva (words) Al Jolson (words) Al Jolson (perf.) |
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| Captain Jinks | 1925 | ||
| Cross Your Heart | 1925 | B. G. De Sylva (words) Markels' Orchestra (perf.) Corinne Morgan (perf.) Frank C. Stanley (perf.) |
Pub. ![]() |
| Fond of You | 1925 | Stephen Jones (co-author) B. G. DeSylva (words) George Wilton Ballard (perf.) |
Pub. ![]() |
| I Do | 1925 | B. G. De Sylva (words) | |
| ⇑ Kiki | 1925 | ||
| Only One For Me, The | 1925 | B. G. De Sylva (words) | Pub. |
| Everything Will Happen For the Best | 1926 | ||
| Gentlemen Prefer Blondes | 1926 | ||
| I Love Her! | 1926 | Robert A. Simon (words) Paul Hagan (perf.) Harry Link (perf.) Leroy Montesanto (perf.) |
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| Title | Year | Attribution | Remarks |
|---|
| Queen High | 1926 | ||
| Queen High - Selection | 1926 | J. F. Hanley (co-author) | |
| Sea Legs | 1926 | Hale Byers Orchestra (perf.) | ![]() |
| Whiskers | 1926 | Rube Goldberg (words) | |
| Hot Hindoo | 1928 | Arthur Francis (words) | |
| Hot! | 1928 | ||
| I Can't Believe It's True | 1928 | Robert A Simon (words) | |
| My Treasures | 1928 | Rube Goldberg (words) | |
| Ups-A-Daisy! | 1928 | Robert A. Simon (words) Lewis James (perf.) James Melton (perf.) Elliott Shaw (perf.) |
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| Will You Remember? Will You Forget? | 1928 | Robert A. Simon (words) Clifford Grey (words) |
|
| Adorable Julie | 1931 | Owen Murphy (words) Robert A. Simon (words) |
|
| ⇑ By Special Permission of the Copyright Owners I Love You | 1931 | Robert A Simon (words) Owen Murphy (words) |
Pub. |
| I Love You | 1931 | Robert A. Simon (words) Owen Murphy (words) |
|
| It Always Takes Two | 1931 | Robert A. Simon (words) Owen Murphy (words) |
Pub. |
| Speak Easy | 1931 | Owen Murphy (words) Robert A. Simon (words) |
|
| Falling Off the Wagon | 1932 | E. Y. Harburg (words) Johnny Mercer (words) |
| Title | Year | Attribution | Remarks |
|---|
| How Do You Do It? | 1932 | E. Y. Harburg (words) | |
| Love and Nuts and Noodles | 1932 | E. Y. Harburg (words) | |
| Riddle Me This | 1932 | E. Y. Harburg (words) | |
| Seven Little Steps to Heaven | 1932 | Hilda Gottlieb (words) Johnny Mercer (words) |
|
| Thrill Me | 1932 | E. Y. Harburg (words) | |
| Ending With a Kiss | 1934 | Harlan Thompson (words) Joey Nash (perf.) Lanny Ross (perf.) |
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| Imagine Me Without You | 1934 | Leo Robin (words) Sonny Schuyler (perf.) |
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| It's Psychological (w&m) | 1934 | Joey Nash (perf.) | ![]() |
| Love Is Just Around the Corner | 1934 | Leo Robin (words) | |
| Me Without You | 1934 | Leo Robin (words) | |
| Melody in Spring | 1934 | Harlan Thompson (words) Lanny Ross (perf.) |
|
| ⇑ Open Road, The (w&m) | 1934 | ||
| Boys Will Be Boys, Girls Will Be Girls, Love Will Be Love | 1935 | Johnny Mercer (words) | |
| Comes the Revolution, Baby | 1935 | Johnny Mercer (words) | |
| I Lost My Heart | 1935 | Leon Robin (co-author) | |
| I Never Saw a Better Night | 1935 | Johnny Mercer (words) |
| Title | Year | Attribution | Remarks |
|---|
| Lazy Bones Gotta Job Now | 1935 | Leo Robin (words) | |
| Old Man Rhythm | 1935 | Johnny Mercer (words) | |
| There's Nothing Like a College Education | 1935 | Johnny Mercer (words) | |
| When You Are in My Arms | 1935 | Johnny Mercer (words) |