Title (Release Year) | Composer | Performers | Issue |
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Historic Records | ||||
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Ach, wie ist möglich (1915) | F. Kücken | Julia Claussen | Columbia: 37364 |
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Alma Mater (1930) | F. Kücken | West Pointers | Victor: BVE-59587 |
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Alpine Morning, The (1915) | F. Kücken | Grace Kerns Mildred Potter |
Columbia: 45878 |
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Der kleine Rekrut (1921) | F. Kücken | Paul Reimers | Edison: 7848 |
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Goodnight, Farewell (1916) | F. Kücken | Venetian Instrumental Quartet | Edison: 4922 |
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Heaven Hath Shed a Tear (1914) | F. Kücken | Reed Miller | Edison: 2685 |
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Mother's Song, The (1920) | F. Kücken | Columbia Miniature Orchestra | Columbia: 90124 |
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Treue Liebe (1915) | F. Kücken | Alma Gluck Paul Reimers |
Victor: B-15969 |
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Tziyon, Tziyon (1917) | F. Kücken | Abraham Sukoenig | Victor: B-20912 |
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Zdrowas Maria (1905) | F. Kücken | Stanislaw Bogucki | Gramophone: 3593L |
Title | Attribution | Instruments | Source | Remarks |
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Barcarole (1859) | F. Kücken (music) | Piano | Greer | ![]() |
Title | Year | Attribution | Remarks |
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We Met by Chance | 1858 | ![]() ![]() |
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Barcarole | 1859 | ![]() |
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Zdrowas Maria | 1905 | Stanislaw Bogucki (perf.) | ![]() |
Heaven Hath Shed a Tear | 1914 | Reed Miller (perf.) | ![]() |
Ach, wie ist möglich | 1915 | Julia Claussen (perf.) | ![]() |
Alpine Morning, The | 1915 | Grace Kerns (perf.) Mildred Potter (perf.) |
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Treue Liebe | 1915 | Alma Gluck (perf.) Paul Reimers (perf.) |
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Goodnight, Farewell | 1916 | Venetian Instrumental Quartet (perf.) | ![]() |
Tziyon, Tziyon | 1917 | Lyda Paalzow (words) Abraham Sukoenig (perf.) |
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Mother's Song, The | 1920 | Columbia Miniature Orchestra (perf.) | ![]() |
Der kleine Rekrut | 1921 | Paul Reimers (perf.) | ![]() |
⇑ Alma Mater | 1930 | Paul S. Reinecke (words) West Pointers (perf.) |
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