Title | Attribution | Instruments | Source | Remarks |
---|
When I Get to New Orleans (1917) | N. Alexander (music) N. Alexander (perf.) Thea Lightner (perf.) Winnie Lightner (perf.) Newell & Most (perf.) |
Piano, Voice | Indiana | ||
Brown Skin (1916) | R. Barton (w&m) Jerry Mills (words) Newell & Most (perf.) |
Piano, Voice | Indiana | Pub. | |
Parisienne - Song (1912) | A. von Tilzer (music) L. Brown (words) Newell & Most (perf.) |
Piano, Voice | Indiana | ||
Whose Little Girl Are You Now (1912) | A. von Tilzer (music) L. Brown (words) Newell & Most (perf.) |
Piano, Voice | Indiana | Pub. |
Title | Composer | Attribution | Items |
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When I Get to New Orleans (1917) | Newton Alexander | Newton Alexander (perf.) Thea Lightner (perf.) Winnie Lightner (perf.) Newell & Most (perf.) |
||
Brown Skin (1916) | Roy Barton(w&m) | Jerry Mills (words)
Newell & Most (perf.) |
||
When It's Night-Time in Italy It's Wednesday Over Here (1923) | James Kendis(w&m) | Lew Brown (co-author)
Newell & Most (perf.) |
||
I Wonder What's Become of Joe? (1926) | Maceo Pinkard | Roy Turk (words)
Newell & Most (perf.) |
||
Save Your Sorrow (1925) | Al Sherman | B. G. DeSylva (words)
Newell & Most (perf.) |
||
Parisienne - Song (1912) | Albert von Tilzer | Lew Brown (words)
Newell & Most (perf.) |
||
Whose Little Girl Are You Now (1912) | Albert von Tilzer | Lew Brown (words)
Newell & Most (perf.) |