Louise Music by: Richard A. Whiting. Words by: Leo Robin Performed by: Betty Jane Rhodes, Johnnie Johnston
|
Title (Release Year) | Co-Author(s) | Performers | Issue |
---|
It's Tulip Time in Holland (1915) | Arthur C. Lichty | Edison Blue Amberol: 2707 | ||
Ain't We Got Fun (1921) | Billy Jones | Edison Blue Amberol: 4309 | ||
Ain't You Coming Back to Dixieland? (1917) | Jaudas' Society Orchestra | Edison Blue Amberol: 3320 | ||
The Japanese Sandman (1921) | Hector Pellerin | Edison Blue Amberol: 27217 | ||
Derby Day in Dixie (1918) | Elaine Gordon | Edison Blue Amberol: 3542 | ||
It's Tulip Time in Holland (1915) | Albert Campbell H. Burr |
Indestructible Record: 3353 | ||
The Japanese Sandman (1921) | Max Fells' Della Robbia Orchestra | Edison Blue Amberol: 4174 | ||
Mammy's Little Coal Black Rose (1917) | Manuel Romain | Edison Blue Amberol: 3116 | ||
Some Sunday Morning (1917) | Ada Jones Billy Murray |
Edison Blue Amberol: 3351 | ||
Till We Meet Again (1896-1900) | Gilmore's Band | Columbia Phonograph Co.: 1588 | ||
Till We Meet Again (1919) | Gladys Rice Vernon Dalhart |
Edison Blue Amberol: 3670 | ||
⇑Till We Meet Again (1919) | Charles Hart Elliott Shaw |
Indestructible Record: 3445 | ||
When Shall We Meet Again? (1922) | Gladys Rice Lewis James |
Edison Blue Amberol: 4476 | ||
Where the Black-Eyed Susans Grow (1917) | Arthur Hall | Edison Blue Amberol: 3192 | ||
While Miami Dreams (1922) | Imperial Marimba Band | Edison Blue Amberol: 4514 | ||
You're Still an Old Sweetheart of Mine (1919) | Metropolitan Quartet | Edison Blue Amberol: 3791 |
Title (Release Year) | Composer | Performers | Issue |
---|
Adorable (1933) | R.A. Whiting | Jack Little | Victor: BS-76100 | |
Ain't We Got Fun (1921) | R.A. Whiting | Van & Schenck | Columbia: 79806 | |
Ain't You Coming Back to Dixieland? (1917) | R.A. Whiting | Harry MacDonough Lambert Murphy William F. Hooley Reinald Werrenrath |
Victor: B-20034 | |
Along the Way to Waikiki (1917) | R.A. Whiting | Albert Campbell H. Burr John H. Meyer Arthur Collins |
Victor: B-20066 | |
And They Called It Dixieland (1916) | R.A. Whiting | Lee White C. Smith |
Columbia: 6871 | |
Beyond the Blue Horizon (1930) | R.A. Whiting | Bob Borger | Victor: PBVE-61019 | |
Bimini Bay (1921) | R.A. Whiting | Original Piano Trio | Edison: 8282 | |
Breezin' Along With the Breeze (1939) | R.A. Whiting | Babs Johnson Charlie Ryan Little Ryan |
Victor: BS-037125 | |
Everything Is K.O. in K-Y (1923) | R.A. Whiting | F. Crumit | Columbia: 80807 | |
Fire! (An ''Alarming'' Novelty) (1926) | R.A. Whiting | Tom Howard | Edison: 11283 | |
Gather Lip Rouge While You May (1933) | R.A. Whiting | Harold van Emburgh | Victor: BS-77677 | |
Got No Time (1925) | R.A. Whiting | Wainwright Sisters | Edison: 10421 | |
Grass Is Always Greener, The (1924) | R.A. Whiting | Joseph A. Griffith | Columbia: 81885 | |
Hand in Hand Again (1919) | R.A. Whiting | H. Burr Albert Campbell |
Columbia: 78753 | |
Have You Got Any Castles, Baby? (1937) | R.A. Whiting | Joan Brooks | Victor: BS-011321 | |
Hello Baby (1926) | R.A. Whiting | J. Marvin | Columbia: W142356 | |
⇑Honey (1929) | R.A. Whiting | Oscar Grogan | Columbia: W148410 | |
Horses (1926) | R.A. Whiting | Fran Frey | Victor: BVE-34676 | |
How Do I Rate With You? (1935) | R.A. Whiting | Victor: BS-98094 | ||
I Can't Escape From You (1936) | R.A. Whiting | Charles Chester | Victor: BS-102334 | |
I'll Love You More For Losing You a While (1918) | R.A. Whiting | Charles W. Harrison | Columbia: 78019 | |
In a Little Front Parlor (1921) | R.A. Whiting | N. Bayes | Columbia: 79784 | |
It's Tulip Time in Holland (1915) | R.A. Whiting | Arthur C. Lichty Donald Alexander Chalmers S. Porter John Young Mary Carson |
Edison: 4020 | |
Japanese Sandman, The (1920) | R.A. Whiting | Olive Kline | Victor: B-24358 | |
Just a Quiet Evening (1937) | R.A. Whiting | Bobby Goday | Victor: BS-03982 | |
Louise (1929) | R.A. Whiting | Maurice Chevalier | Victor: BVE-50942 | |
Love Is on the Air To-Night (1937) | R.A. Whiting | Bob Murray | Victor: BS-011604 | |
Mammy's Little Coal Black Rose (1916) | R.A. Whiting | Columbia Stellar Quartette | Columbia: 47037 | |
My Future Just Passed (1930) | R.A. Whiting | Annette Hanshaw | Columbia: [W]150588 | |
My Ideal (1930) | R.A. Whiting | Maurice Chevalier | Victor: BVE-62387 | |
My Sweeter Than Sweet (1929) | R.A. Whiting | Smith Ballew | OKeh: W403082 | |
No (1926) | R.A. Whiting | T. Lewis | Columbia: W141665 | |
Old Folks at Home, The (1923) | R.A. Whiting | Vernon Dalhart | Edison: 9214 | |
⇑On Top of the World, Alone (1929) | R.A. Whiting | Irving Kaufman | Columbia: 148482 | |
On With the Dance (1937) | R.A. Whiting | Bob Murray | Victor: BS-011603 | |
Peach of a Pair, A (1930) | R.A. Whiting | Smith Ballew | Columbia: [W]150911 | |
Peter Piper (1936) | R.A. Whiting | Dolly Dawn | Victor: BS-0606 | |
Ride, Tenderfoot, Ride (1938) | R.A. Whiting | Gene Walsh | Victor: PBS-019305 | |
Rosy Cheeks (1927) | R.A. Whiting | Giersdorf Sisters | Columbia: W144002 | |
Some Sunday Morning (1917) | R.A. Whiting | Ada Jones Billy Murray |
Victor: B-20625 | |
Song of Persia (1922) | R.A. Whiting | Tandy MacKenzie | Columbia: 80309 | |
Sweet Child (1925) | R.A. Whiting | Billy Jones | Columbia: W141441 | |
Tea Leaves (1921) | R.A. Whiting | N. Bayes | Columbia: 79805 | |
There's Only One Mary in Maryland (1923) | R.A. Whiting | Harvey Hindermeyer | Edison: 8832 | |
They Made It Twice As Nice As Paradise (1916) | R.A. Whiting | Frederick J. Wheeler Reed Miller |
Columbia: 46719 | |
Till We Meet Again (1918) | R.A. Whiting | H. Burr Albert Campbell |
Columbia: 78159 | |
Tin Pan Parade (1928) | R.A. Whiting | V. de Leath | Edison: 18414 | |
Too Marvelous For Words (1937) | R.A. Whiting | Bobby Goday | Victor: BS-03983 | |
True Blue Lou (1929) | R.A. Whiting | Irving Kaufman | Columbia: 148652 | |
True Blue Lou (1929) | R.A. Whiting | Annette Hanshaw | Columbia: [W]148849 | |
⇑Ukulele Lady (1925) | R.A. Whiting | Eddie Peabody | Edison: 10445 | |
Watchin' the Moon Rise (1923) | R.A. Whiting | Albert Campbell H. Burr Frank Croxton John H. Meyer |
Victor: B-29217 | |
When Did You Leave Heaven? (1936) | R.A. Whiting | Joe Hoste | Victor: BS-102410 | |
When Shall We Meet Again? (1921) | R.A. Whiting | Charles Hart Elliott Shaw |
Columbia: 80098 | |
Where Is My Rose of Waikiki (1925) | R.A. Whiting | Waikiki Hawaiian Orchestra | Edison: 10306 | |
Where the Black-Eyed Susans Grow (1917) | R.A. Whiting | H. Burr Albert Campbell |
Victor: B-18978 | |
Where the Morning Glories Grow (1917) | R.A. Whiting | Elizabeth Spencer H. Burr Albert Campbell John H. Meyer |
Victor: B-20811 | |
While Miami Dreams (1921) | R.A. Whiting | Billy Jones | Columbia: 80105 | |
Whole World Loves a Lover, The (1916) | R.A. Whiting | H. Burr Grace Kerns |
Columbia: 46851 | |
Yo Te Amo Means I Love You (1929) | R.A. Whiting | The Rollickers | Edison: 19093 | |
You Took My Breath Away (1935) | R.A. Whiting | Dolly Dawn | Victor: BS-98119 | |
You're a Great Big Lonesome Baby (1917) | R.A. Whiting | M. J. O'Connell | Columbia: 77112 | |
You're an Old Smoothie (1939) | R.A. Whiting | Babs Johnson Charlie Ryan Little Ryan |
Victor: BS-036810 | |
You're Still an Old Sweetheart of Mine (1919) | R.A. Whiting | Albert Campbell H. Burr John H. Meyer |
Columbia: 78266 |
Performer | CD Title | Supplier |
---|
Jazz Music CDs: | |||
Kenny Ball | Greatest Hits of Kenny Ball | ||
Bix Beiderbecke | Jazz Masters: From Original Recordings | ||
Nat Gonella | Hot Lips | ||
Boswell Sisters | Shout Sister Shout | ||
Boswell Sisters | That's How Rhythm Was Born | ||
Ragtime Music CDs: | |||
Dawn of the Century Ragtime Orchestra | This One's for Art |
Title | Attribution | Instruments | Source | Remarks |
---|
Ain't We Got Fun (1921) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) Van & Schenck (perf.) |
Piano, Voice | IMSLP | ||
Ain't You Coming Back to Dixieland? (1917) | R.A. Whiting (music) Raymond B. Egan (words) A. Jolson (perf.) |
Piano, Voice | IMSLP | Pub. | |
Along the Way to Waikiki (1917) | R.A. Whiting (music) G. Kahn (words) |
Piano, Voice | Kirk | Pub. | |
Big Red Motor and the Little Blue Limousine (1913), The | R.A. Whiting (music) Earle C. Jones (words) |
Piano, Voice | IMSLP | Pub. | |
Bravest Heart of All (1917), The | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
Caberavings (1914) | R.A. Whiting (music) | Piano | IMSLP | Pub. | |
Dear Old Gal Who's Your Pal Tonight (1920) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
⇑Hand in Hand Again (1919) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Kirk | Pub. | |
If I Came to You With a Heart Bowed Down (1914) | R.A. Whiting (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. | |
It's Tulip Time in Holland (1915) | R.A. Whiting (music) Dave Radford (words) |
Piano, Voice | Greer | Pub. | |
Japanese Sandman (1920), The | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer Greer Kirk |
Pub. | |
Kickapoo Trail (1926) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | ||
Light of the World Is Love (1913), The | R.A. Whiting (music) Earle C. Jones (words) |
Piano, Voice | IMSLP | Pub. | |
Little Black Buddie (1924) | R.A. Whiting (music) Raymond B. Egan (words) Nick Lucas (perf.) |
Piano, Voice | IMSLP | Pub. | |
Love Me Like the Ivy Loves the Old Oak Tree (1914) | R.A. Whiting (music) George J. Moriarty (words) |
Piano, Voice | Greer | Pub. | |
⇑Mammy's Little Coal Black Rose (1916) | R.A. Whiting (music) Raymond B. Egan (words) Adele Rowland (perf.) |
Piano, Voice | Greer | Pub. | |
Mighty Blue (1925) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Saxophones | IMSLP | ||
My Pretty Wild Wood Rose (1912) | R.A. Whiting (music) Van H. Terry (words) |
Piano, Voice | IMSLP | ||
Some Sunday Morning (1917) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) E. Brice (perf.) King (perf.) Beatrice Lambert (perf.) |
Piano, Voice | Greer YorkSpace |
Pub. | |
Sunny Sumertime (1914) | R.A. Whiting (music) Clara H. Rees (words) |
Piano, Voice | IMSLP | Pub. | |
They Made It Twice As Nice As Paradise (1916) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
Throw Me a Kiss from Over the Sea (1917) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. | |
Till We Meet Again (1918) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer Greer Greer |
Pub. | |
⇑Ukulele Lady (1925) | R.A. Whiting (music) G. Kahn (words) |
Piano, Voice | Greer | ||
Watchin' the Moon Rise (1923) | R.A. Whiting (music) Raymond B. Egan (words) G. Kahn (words) Margaret Young (perf.) |
Piano, Voice | IMSLP | Pub. | |
When Grand Circus Park Was Uptown (1921) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | Greer | ||
When Shall We Meet Again? (1921) | R.A. Whiting (music) Raymond B. Egan (words) Duncan Sisters (perf.) |
Piano, Voice | Greer Kirk |
Pub. | |
Where the Morning Glories Grow (1917) | R.A. Whiting (music) G. Kahn (words) Raymond B. Egan (words) |
Piano, Voice | Kirk | Pub. | |
You're Still an Old Sweetheart of Mine (1918) | R.A. Whiting (music) Raymond B. Egan (words) |
Piano, Voice | IMSLP | Pub. |
Title | Year | Attribution | Remarks |
---|
My Pretty Wild Wood Rose | 1912 | Van H. Terry (words) | |
Big Red Motor and the Little Blue Limousine, The | 1913 | Earle C. Jones (words) | |
Light of the World Is Love, The | 1913 | Earle C. Jones (words) | Pub. |
Caberavings | 1914 | Pub. | |
I Wonder Where My Lovin' Man Has Gone | 1914 | Charles L. Cooke (co-author) Earle C. Jones (words) Jordan (perf.) Winnie Lightner (perf.) |
Pub. |
If I Came to You With a Heart Bowed Down | 1914 | Gus Kahn (words) | Pub. |
Love Me Like the Ivy Loves the Old Oak Tree | 1914 | George J. Moriarty (words) | Pub. |
Mary Pickford (The Darling of Them All) (w&m) | 1914 | Dave Radford (co-author) Daisy Sullivan (co-author) |
|
Sunny Sumertime | 1914 | Clara H. Rees (words) | Pub. |
In the Valley of the Nile | 1915 | Dave Radford (words) | Pub. |
It's Tulip Time in Holland | 1915 | Dave Radford (words) Henry Burr (perf.) Albert Campbell (perf.) Mary Carson (perf.) Donald Alexander Chalmers (perf.) Arthur C. Lichty (perf.) Steve Porter (perf.) John Young (perf.) |
Pub. |
⇑ And They Called It Dixieland | 1916 | Raymond B. Egan (words) Clay Smith (perf.) Lee White (perf.) |
|
Coaling Up in Colon Town | 1916 | Pub. | |
Don't Turn the Smiles to Tears | 1916 | Daisy Sullivan (words) | Pub. |
Girl and the Game, The | 1916 | Dave Radford (words) | |
Mammy's Little Coal Black Rose | 1916 | Raymond B. Egan (words) Al Jolson (perf.) Manuel Romain (perf.) Adele Rowland (perf.) Blossom Seeley (perf.) |
Pub. |
Pump Song (w&m) | 1916 | Sammy Lerner (co-author) Buddy Fields (co-author) |
|
They Made It Twice As Nice As Paradise | 1916 | Raymond B. Egan (words) Reed Miller (perf.) Frederick J. Wheeler (perf.) |
Pub. |
Where the Black-Eyed Susans Grow | 1916 | Dave Radford (words) Henry Burr (perf.) Albert Campbell (perf.) Daisy Dormer (perf.) Hilda Glyder (perf.) Arthur Hall (perf.) Al Jolson (perf.) Arthur Hall as "Adolph J. Hahl" |
Pub. |
Whole World Loves a Lover, The | 1916 | Dave Radford (words) Henry Burr (perf.) Grace Kerns (perf.) |
|
Ain't You Coming Back to Dixieland? | 1917 | Raymond B. Egan (words) William F. Hooley (perf.) Al Jolson (perf.) Harry MacDonough (perf.) Lambert Murphy (perf.) Jaudas' Society Orchestra (perf.) Reinald Werrenrath (perf.) |
Pub. |
Along the Way to Waikiki | 1917 | Gus Kahn (words) Henry Burr (perf.) Albert Campbell (perf.) Arthur Collins (perf.) John H. Meyer (perf.) |
Pub. |
Bravest Heart of All, The | 1917 | Raymond B. Egan (words) | Pub. |
⇑ Some Sunday Morning | 1917 | Gus Kahn (words) Raymond B. Egan (words) Elizabeth Brice (perf.) Daisy Dormer (perf.) Viola Graham (perf.) Ada Jones (perf.) King (perf.) Beatrice Lambert (perf.) Billy Murray (perf.) |
Pub. |
Throw Me a Kiss from Over the Sea | 1917 | Raymond B. Egan (words) | Pub. |
Where the Morning Glories Grow | 1917 | Gus Kahn (words) Raymond B. Egan (words) Henry Burr (perf.) Albert Campbell (perf.) John H. Meyer (perf.) Elizabeth Spencer (perf.) |
Pub. |
You're a Great Big Lonesome Baby | 1917 | Doc Cook (co-author) Gus Kahn (co-author) M. J. O'Connell (perf.) |
|
Cotton Hollow Harmony | 1918 | Chas. A. Mason (words) | Pub. |
Derby Day in Dixie | 1918 | Raymond Egan (words) Elaine Gordon (perf.) |
Pub. |
Dress Up Your Dollars in Khaki (And Help Win Democracy's Fight) | 1918 | Lister R. Alwood (words) | |
Good-Bye Cabarabian Nights | 1918 | Raymond Egan (words) | Pub. |
I'll Love You More For Losing You a While | 1918 | Raymond B. Egan (words) Charles W. Harrison (perf.) |
Pub. |
Old Tennessee and Me - Say You Intend to See | 1918 | Eddie Cantor (words) Raymond B. Egan (words) |
|
Say You Intend to See Old Tennessee and Me | 1918 | Eddie Cantor (words) Raymond Egan (words) |
Pub. |
So Dress Up Your Dollars in Khaki | 1918 | Lister R. Alwood (words) | |
⇑ Till We Meet Again | 1918 | Raymond B. Egan (words) Gilmore's Band (perf.) Henry Burr (perf.) Albert Campbell (perf.) Vernon Dalhart (perf.) Charles Hart (perf.) Gladys Rice (perf.) Elliott Shaw (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
We'll Build a Rainbow in the Sky | 1918 | Raymond B. Egan (words) | |
You're Still an Old Sweetheart of Mine | 1918 | Raymond B. Egan (words) Henry Burr (perf.) Albert Campbell (perf.) John H. Meyer (perf.) Metropolitan Quartet (perf.) |
Pub. |
Broadway Belles | 1919 | Herbert Spencer (words) Arthur Jackson (words) George White (words) |
|
Fallen Idols | 1919 | Alfred Bryan (words) John William Kellette (words) Evelyn Nesbit (perf.) |
Pub. |
Hand in Hand Again | 1919 | Raymond B. Egan (words) Henry Burr (perf.) Albert Campbell (perf.) |
Pub. |
I Guess I'm More Like Mother Than Like Father | 1919 | ||
That Lullaby of Long Ago | 1919 | Bud DeSylva (co-author) Gus Kahn (words) Raymond B. Egan (words) Al Jolson (perf.) |
Pub. |
Where the Water Lilies Grow | 1919 | Raymond B. Egan (words) Gus Kahn (words) |
|
Won't You You Park Your Heart in My Little Garage of Love | 1919 | Chas. A. Mason (words) Raymond Egan (words) |
Pub. |
Sunshine Sis | 1919. | Mabel Normand (perf.) | |
Dear Old Gal Who's Your Pal Tonight | 1920 | Raymond B. Egan (words) | Pub. |
⇑ Japanese Sandman, The | 1920 | Raymond B. Egan (words) Olive Kline (perf.) Max Fells' Della Robbia Orchestra (perf.) Hector Pellerin (perf.) |
Pub. |
One Night in Rome | 1920 | ||
When It's Moonlight on the Swannee Shore | 1920 | Raymond B Egan (words) | Pub. |
Why Is Romany So Many Miles Away | 1920 | ||
Ain't We Got Fun | 1921 | Gus Kahn (words) Raymond B. Egan (words) Billy Jones (perf.) Van & Schenck (perf.) |
Pub. |
Bikini Bay | 1921 | Raymond B. Egan (words) Gus Kahn (words) |
|
Bimini Bay | 1921 | Gus Kahn (words) Raymond B. Egan (words) Eddie Cantor (perf.) Ted Lewis (perf.) Original Piano Trio (perf.) |
Pub. |
In a Little Front Parlor | 1921 | Raymond B. Egan (words) Nora Bayes (perf.) |
Pub. |
Tea Leaves | 1921 | Raymond B. Egan (words) Nora Bayes (perf.) |
Pub. |
When Grand Circus Park Was Uptown | 1921 | Raymond B. Egan (words) | |
When Shall We Meet Again? | 1921 | Raymond B. Egan (words) Duncan Sisters (perf.) Charles Hart (perf.) Lewis James (perf.) Gladys Rice (perf.) Elliott Shaw (perf.) Wilton Sisters (perf.) |
Pub. |
Song of Persia | 1922 | David B. Radford (words) Raymond B. Egan (words) Rae Eleanor Ball (perf.) John F. Burckhardt (perf.) Tandy MacKenzie (perf.) |
Pub. |
⇑ While Miami Dreams | 1922 | Raymond B. Egan (words) Imperial Marimba Band (perf.) Herbert Hoey (perf.) Billy Jones (perf.) Van & Schenck (perf.) |
Pub. |
Everything Is K.O. in K-Y | 1923 | Raymond B. Egan (words) Frank Crumit (perf.) |
|
Old Folks at Home, The | 1923 | Gus Kahn (words) Raymond B. Egan (words) Vernon Dalhart (perf.) Karyl Norman (perf.) Colette Ryan (perf.) |
Pub. |
There's Only One Mary in Maryland | 1923 | George Moriarty (words) Harvey Hindermeyer (perf.) |
|
Watchin' the Moon Rise | 1923 | Raymond B. Egan (words) Gus Kahn (words) Henry Burr (perf.) Albert Campbell (perf.) Frank Croxton (perf.) John H. Meyer (perf.) Margaret Young (perf.) |
Pub. |
Grass Is Always Greener, The | 1924 | Raymond B. Egan (words) Mildred Gething (perf.) Joseph A. Griffith (perf.) Maurice Hyman (perf.) |
Pub. |
Let's Waken the World With a Love Song | 1924 | Stephen Pasternacki (co-author) Raymond B. Egan (words) |
|
Little Black Buddie | 1924 | Raymond B. Egan (words) Nick Lucas (perf.) |
Pub. |
Got No Time | 1925 | Gus Kahn (words) Wainwright Sisters (perf.) |
Pub. |
Lady | 1925 | Gus Kahn (words) | |
Mighty Blue | 1925 | Raymond B. Egan (words) | |
Moon Deer | 1925 | Neil Moret (co-author) Raymond B. Egan (words) |
|
⇑ Rock-A-Bye Time | 1925 | Gene Shirley (words) Raymond B. Egan (words) Nora Kelly (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
---|
Sweet Child | 1925 | Howard Simon (co-author) Al Lewis (words) Billy Jones (perf.) Chic Kennedy (perf.) Macy & Scott (perf.) |
|
Ukulele Lady | 1925 | Gus Kahn (words) Katherine Adolph (perf.) Margie Carson (perf.) Joseph Diskay (perf.) Galla-Rini and Sisters (perf.) Vaughn de Leath (perf.) Eddie Peabody (perf.) |
|
Weary of Waiting For You | 1925 | Emerson Gill (co-author) Gus Kahn (words) |
|
Where Is My Rose of Waikiki | 1925 | Raymond B Egan (words) | |
Where the Four-Leaf Clovers Grow | 1925 | Raymond B. Egan (words)
Arr. by May Singhi Breen |
|
Breezin' Along With the Breeze | 1926 | Haven Gillespie (co-author) Seymour Simons (co-author) Babs Johnson (perf.) Charlie Ryan (perf.) Little Ryan (perf.) |
|
Fire! (An ''Alarming'' Novelty) | 1926 | Byron Gay (words) Tom Howard (perf.) |
|
Hello Baby | 1926 | Seymour Simons (words) Johnny Marvin (perf.) |
|
Horses | 1926 | Byron Gay (words) Fran Frey (perf.) |
|
Kickapoo Trail | 1926 | Raymond B. Egan (words) | |
Let's Forget | 1926 | Al Lewis (words) | |
⇑ No | 1926 | Byron Gay (words) Ted Lewis (perf.) |
|
Banjo Eyes | 1927 | Gus Kahn (words) Janet Bodwell (perf.) |
Pub. |
Rosy Cheeks | 1927 | Seymour Simons (words) Giersdorf Sisters (perf.) |
|
There's One Little Girl Who Loves Me | 1927 | Gus Kahn (words) | |
Tin Pan Parade | 1927 | Haven Gillespie (words) Vaughn de Leath (perf.) |
|
That Brand New Model of Mine | 1928 | Seymour Simons (words) Haven Gillespie (words) |
|
Yo Te Amo Means I Love You | 1928 | Alfred Bryan (words) The Rollickers (perf.) Lupé Velez (perf.) |
|
Alma Mammy | 1929 | Geo. Marion Jr. (words) | Pub. |
Celia | 1929 | Leo Robin (words) Mary Brian (perf.) |
Pub. |
Honey (w&m) | 1929 | Seymour Simons (co-author) Haven Gillespie (co-author) Oscar Grogan (perf.) |
|
I Wanna Go Places and Do Things | 1929 | Leo Robin (words) | Pub. |
I'm All A-Twitter and All A-Twirl | 1929 | Leo Robin (words) | Pub. |
⇑ It's a Habit of Mine | 1929 | Leon Robin (words) Maurice Chevalier (perf.) |
Pub. |
Louise | 1929 | Leo Robin (words) Maurice Chevalier (perf.) Johnnie Johnston (perf.) Betty Jane Rhodes (perf.) |
Pub. |
My Sweeter Than Sweet | 1929 | George Marion Jr. (words) Smith Ballew (perf.) |
Pub. |
On Top of the World, Alone | 1929 | Leo Robin (words) Irving Kaufman (perf.) |
|
True Blue Lou (w&m) | 1929 | Sam Coslow (co-author) Leo Robin (co-author) Annette Hanshaw (perf.) Irving Kaufman (perf.) |
|
Wait Till You See Ma Cherie | 1929 | Leo Robin (words) | |
Always in All Ways | 1930 | Richard A Whiting (co-author) Leo Robin (words) |
|
Beyond the Blue Horizon | 1930 | W. Franke Harling (words) Leo Robin (words) Bob Borger (perf.) |
|
Do You Play, Madame? | 1930 | Geo. Marion Jr. (words) | Pub. |
Give Me a Moment Please | 1930 | W. Franke Harling (words) Leo Robin (words) |
|
It Seems to Be Spring | 1930 | George Marion (words) | Pub. |
It's a Great Life | 1930 | Newell Chase (words) Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
⇑ Let's Go Native | 1930 | Geo. Marion Jr (words) | Pub. |
Title | Year | Attribution | Remarks |
---|
My Future Just Passed | 1930 | George Marion Jr. (words) Annette Hanshaw (perf.) |
|
My Ideal | 1930 | Newell Chase (words) Leo Robin (words) Joan Brooks (perf.) Maurice Chevalier (perf.) |
Pub. |
Peach of a Pair, A | 1930 | George Marion (words) Jr. (words) Smith Ballew (perf.) |
|
Take Along a Little Love - Train Was Just Starting (w&m) | 1930 | Seymour Simons (co-author) Freddie Rich (perf.) |
|
Not That I Care | 1931 | Oscar Hammerstein II (words) | |
Eadie Was a Lady | 1932 | Nacio Herb Brown (words) B.G. DeSylva (words) Jack Haley (perf.) Ethel Merman (perf.) |
|
My Lover (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
Oh How I Long to Belong to You (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
One Hour With You | 1932 | Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
Rise 'n Shine (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
Should I Be Sweet? (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
⇑ So Do I (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) |
|
Turn Out the Light (w&m) | 1932 | Herb Nacio Brown (co-author) Vincent Youmans (co-author) Jack Haley (perf.) Ethel Merman (perf.) |
|
What Would You Do? | 1932 | Leo Robin (words) Maurice Chevalier (perf.) |
Pub. |
You're an Old Smoothie (w&m) | 1932 | Herb Nacio Brown (words) B.G. DeSylva (words) Jack Haley (perf.) Babs Johnson (perf.) Ethel Merman (perf.) Charlie Ryan (perf.) Little Ryan (perf.) |
|
Adorable | 1933 | George Marion Jr. (words) Henry Garat (perf.) Janet Gaynor (perf.) Jack Little (perf.) |
|
Gather Lip Rouge While You May | 1933 | B.G. DeSylva (words) Leo Robin (words) Harold van Emburgh (perf.) |
|
My First Love to Last | 1933 | George Marion Jr (words) | |
It Was Sweet of You | 1934 | Sidney Clare (words) | |
My Future Star | 1934 | Sidney Clare (words) | |
On the Good Ship Lollipop (w&m) | 1934 | Sidney Clare (co-author) | |
Rock and Roll | 1934 | Sidney Clare (words) Boswell Sisters (perf.) |
|
Sweet of You | 1934 | Sidney Clare (words) | |
⇑ Waitin' at the Gate For Katy | 1934 | Gus Kahn (words) | Pub. |
Yes to You | 1934 | Sidney Clare (words) | |
How Do I Rate With You? | 1935 | Sam Coslow (words) (perf.) |
|
You Took My Breath Away | 1935 | Sam Coslow (words) Dolly Dawn (perf.) |
|
I Can't Escape From You | 1936 | Leo Robin (words) Charles Chester (perf.) |
|
Peter Piper | 1936 | Johnny Mercer (words) Dolly Dawn (perf.) |
|
Saddle Your Blues to a Wild Mustang | 1936 | Buddy Bernier (words) William Haid (words) |
|
When Did You Leave Heaven? | 1936 | Walter Bullock (words) Joe Hoste (perf.) Tony Martin (perf.) |
|
Have You Got Any Castles, Baby? | 1937 | Johnny Mercer (words) Joan Brooks (perf.) |
|
I'm Like a Fish Out of Water | 1937 | Johnny Mercer (words) | |
I've Hitched My Wagon to a Star | 1937 | Johnny Mercer (words) | Pub. |
Just a Quiet Evening | 1937 | Johnny Mercer (words) Bobby Goday (perf.) |
|
⇑ Love Is on the Air To-Night | 1937 | Johnny Mercer (words) Bob Murray (perf.) Dick Powell (perf.) Fred Waring (perf.) |
Title | Year | Attribution | Remarks |
---|
On With the Dance | 1937 | Johnny Mercer (words) Bob Murray (perf.) |
|
Sentimental and Melancholy | 1937 | Johnny Mercer (words) | |
Too Marvelous For Words | 1937 | Johnny Mercer (words) Bobby Goday (perf.) |
|
You've Got Something There | 1937 | Dick Powell (perf.) | |
Can't Teach My Old Heart New Tricks | 1938 | Johnny Mercer (words) | |
Hooray For Hollywood | 1938 | Johnny Mercer (words) | |
I'll Dream Tonight | 1938 | Johnny Mercer (words) | Pub. |
Let That Be a Lesson to You | 1938 | Johnny Mercer (words) | |
Ride, Tenderfoot, Ride | 1938 | Johnny Mercer (words) Gene Walsh (perf.) |
Pub. |
Silhouetted in the Moonlight | 1938 | Johnny Mercer (words) | |
Guilty (w&m) | 1946 | Gus Kahn (co-author) Harry Akst (co-author) |
|
⇑ Sorry | 1949 | Buddy Pepper (words) | |
Lovable | ? | Ralph Holmes (words) Seymour Simons (words) |
Composer | Title | Performer |
---|
R.A. Whiting | Caberavings (0:00) | Ragtime Dorian Henry | |
R.A. Whiting | Song of Persia (1922) (3:39) | R.E. Ball |