Robert P. Weston
Last updated: 01.03.26
| Websites: | |||
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R. P. Weston | Biography by wikipedia.org. |
| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
 |
I Like Your Town (1915) | Glen Ellison | Edison Blue Amberol: 2696 | |
|
The Matrimonial Handicap (1913) | Jack Charman | Edison Blue Amberol: 23158 | |
|
My Boy (1913) | Florrie Forde | Edison Blue Amberol: 23030 | |
|
Patricia (1913) | Florrie Forde | Edison Blue Amberol: 23069 | |
|
Wild Woodbines (1910) | B. Williams | Edison Amberol: 12066 | |
|
Wild Woodbines (1913) | B. Williams | Edison Blue Amberol Record: 23027 | |
|
Never Let Your Braces Dangle (1911) | Arthur Gilbert as Arthur Osmond | Edison Gold Moulded Record: 14091 | |
|
Why Do You Think I Look So Gay? (1911) | B. Williams | Edison Amberol: 12330 |
| Title | Co-Author(s) | Sequencer |
|---|
 |
Bolshevic (1919), The | James Pitt-Payne | |
|
Good-Bye-Ee (1917) | B. Lee | James Pitt-Payne |
| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
 |
No Grousing! (1918) | Florrie Forde | Zonophone 1891 | |
|
When Father Papered the Parlour (1911) | B. Williams | Regal G6860 | |
|
I'm Henry the Eighth I Am (1911) | F. Murray | H. Champion | Homochord 4042 |
|
⇑Scented Soap (1929) | Gracie Fields | HMV B3061 | |
|
We're Living at the Cloisters (1928) | Gracie Fields | HMV B2739 | |
|
Stop and Shop at the Co-Op Shop (1930) | Gracie Fields | HMV B3305 |
| Title (Release Year) | Composer | Performers | Issue |
|---|
 |
I Like Your Town (1915) | R.P. Weston | Glen Ellison | Edison: 3938 |
|
When Father Papered the Parlour (1911) | R.P. Weston | B. Williams | Columbia: 27407 |
| Title (Release Year) | Performers | Instruments |
|---|
 |
I'm Henry the Eighth I Am (1910) | Dr Rosteck & Mr Grainger | Voice, Piano, Chorus |
This list is derived from information provided by Monologues.co.uk which went down sometime in 2023.
The loss of this valuable resource is very sad and a mystery.
The loss of this valuable resource is very sad and a mystery.
| Title | Attribution | Remarks |
|---|
| And the Great Big Saw Came Nearer | Robert P. Weston (music) Bert Lee (words) Leslie Sarony (perf.) |
||
| Animal Language | Robert P. Weston (music) Fred J Barnes (words) George Formby Sr. (perf.) |
||
| Bolshevic, The | Robert P. Weston (music) Bert Lee (words) Ernest W. Hastings (perf.) |
||
| Broken-Down Showman, The | Robert P. Weston (music) Frank Carter (words) |
||
| Captain Said, ''I''ll Stick to My Ship'', The | Robert P. Weston (music) F. W. Carter (words) Dennis. J. McCarthy (perf.) |
||
| Could Lloyd George Do It? | Robert P. Weston (music) B. Lee (words) Stanley Lupino (perf.) |
||
| End of My Old Cigar, The | Robert P. Weston (music) Worton David (words) Harry Champion (perf.) |
||
| Future Variety Show, The | Robert P. Weston (music) Bert Lee (words) Ernest W. Hastings (perf.) |
||
| Gypsy Warned Me, The | Robert P. Weston (words & music) Violet Loraine (perf.) |
||
| Heaven Will Protect an Honest Girl | Robert P. Weston (music) Bert Lee (words) Irving Taylor (words) Gracie Fields (perf.) |
||
| Hobnailed Boots That Farver Wore, The | Robert P. Weston (music) Fred J Barnes (words) Billy Williams (perf.) |
||
| ⇑I'm a Navvy | Robert P. Weston (music) Fred J Barnes (words) |
||
| I'm Henry the Eighth I Am | Robert P. Weston (music) Murry (words) Harry Champion (perf.) |
||
| I'm Learning a Song For Christmas | Robert P. Weston (music) Bert Lee (words) Jack Pleasants (perf.) |
||
| I'm on My Honeymoon | Robert P. Weston (words & music) Whit Cunliffe (perf.) |
||
| I'm the Black Sheep of the Flock | Robert P. Weston (music) Fred J. Barnes (words) Jack Pleasants (perf.) |
||
| In My First Time on Earth | Robert P. Weston (music) Fred J Barnes (words) Tom Woottwell (perf.) |
||
| In These Old Lavender Trousers | Robert P. Weston (music) Harry Bedford (words) Harry Bedford (perf.) |
||
| It Won't Last Very, Very Long | Robert P. Weston (music) Frank W. Carter (words) Harry Champion (perf.) |
||
| It's My Bath Night, Tonight | Robert P. Weston (music) Bert Lee (words) Jack Pleasants (perf.) |
||
| Knees Up Mother Brown | Robert P. Weston (music) R.H. Weston (words) I. Taylor (words) Doris Waters (perf.) |
||
| Knocking at Every Door | Robert P. Weston (words & music) Whit Cunliffe (perf.) |
||
| My Meatless Day | Robert P. Weston (music) Bert Lee (words) Ernie Mayne (perf.) |
||
| ⇑My Poor Heart Went Pitter Patter | Robert P. Weston (words & music) Harry Champion (perf.) |
||
| Nan, Nan, Nan | Robert P. Weston (music) Fred Murray (words) Harry Champion (perf.) |
||
| Never Let Your Braces Dangle | Robert P. Weston (music) Barnes (words) Harry Champion (perf.) |
||
| Olga Pulloffski | Robert P. Weston (music) R. P. Weston (words) Bert Lee (words) Jack Hilton (perf.) |
||
| Out Went the Gas | Robert P. Weston (music) Fred J Barnes (words) Harry Champion (perf.) |
||
| Second-Hand Aristocrat, A | Robert P. Weston (music) E. J. Hillary (words) F. J. Barnes (words) Harry Bedford (perf.) |
||
| Sergeant Solomon Isaacstein | Robert P. Weston (music) Bert Lee (words) Gus Harris (perf.) |
||
| Shall I Have It Bobbed or Shingled | Robert P. Weston (music) Bert Lee (words) Ernest Le Messurier (perf.) |
||
| She Was Poor But She Was Honest | Robert P. Weston (music) Bert Lee (words) Billy Bennett (perf.) Elsa Lanchester (perf.) |
||
| Sidney's in Civvies, Again | Robert P. Weston (music) Bert Lee (words) Vesta Tilley (perf.) |
||
| Susie Sighed For Cider | Robert P. Weston (music) F.W. Carter (words) Charles Bignell (perf.) |
||
| Swim, Sam! Swim! | Robert P. Weston (music) Bert Lee (words) Jay Laurier (perf.) |
||
| ⇑There Are Nice Girls Everywhere | Robert P. Weston (words & music) Whit Cunliffe (perf.) |
||
| There's No Place Like London | Robert P. Weston (words & music) Whit Cunliffe (perf.) |
||
| There's Something in the Seaside Air | Robert P. Weston (words & music) Whit Cunliffe (perf.) |
||
| Tight Skirts Have Got to Go | Robert P. Weston (words & music) Whit Cunliffe (perf.) |
||
| Tow the Row Row | Robert P. Weston (music) Maurice Scott (words) Whit Cunliffe (perf.) |
||
| What a Mouth | Robert P. Weston (words & music) Harry Champion (perf.) |
||
| What I Want Is a Proper Cup O'Coffee | Robert P. Weston (music) Bert Lee (words) Ernie Mayne (perf.) |
||
| When Father Papered the Parlour | Robert P. Weston (music) Fred J. Barnes (words) Billy Williams (perf.) |
||
| Wild Woodbines | Robert P. Weston (music) Fred J. Barnes (words) Billy Williams (perf.) |
||
| World's All Right It's the People Living in It, The | Robert P. Weston (music) Bert Lee (words) Ella Shields (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
 |
Bolshevic (1919), The | R.P. Weston (music) B. Lee (words) Hugh Steyne (perf.) |
Piano, Voice | IMSLP |  |
|
Good-Bye-Ee (1917) | R.P. Weston (w&m) B. Lee (coauth.) |
Piano, Voice | Sheet Music Singer | |
|
I Spoiled You (1921) | R.P. Weston (w&m) | Piano, Voice | IMSLP | |
|
I'm on Agen With Monaghan (1910) | R.P. Weston (w&m) Maggie Cline (perf.) |
Piano, Voice | IMSLP | |
|
Muldoon's Ball (1920) | R.P. Weston (music) B. Lee (words) E.W. Hastings (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Tax the Bachelors (1910) | R.P. Weston (w&m) Billee Taylor (perf.) |
Piano, Voice | IMSLP | |
|
When Father Papered the Parlour (1909) | R.P. Weston (music) F.J. Barnes (words) B. Williams (perf.) |
Piano, Voice | IMSLP | Pub. |
This list is arranged in chronological order and contains 207 works by Robert P. Weston.
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Our Little Garden Subbub | 190- | |
|
| I Want to Be a Military Man | 1900 | F.W. Carter (words) | |
| Wobberly Walk, The | 1900 | F.W. Carter (co-author) Charles Deane (perf.) |
|
| Susie Sighed For Cider | 1901 | F.W. Carter (words) Charles Bignell (perf.) |
Pub. |
| Broken-Down Showman, The | 1902 | Frank Carter (words) | |
| It Won't Last Very, Very Long | 1902 | Frank W. Carter (words) Harry Champion (perf.) |
|
| Captain Said, ''I''ll Stick to My Ship'', The | 1903 | F. W. Carter (words) Dennis. J. McCarthy (perf.) |
|
| Animal Language | 1904 | Fred J Barnes (words) George Formby Sr. (perf.) |
|
| Round the Band-Stand in the Park (w&m) | 1904 | Fred J. Barnes (co-author) Florrie Gallimore (perf.) |
Pub. |
| Oom-pom-pom! | 1905 | Fred J Barnes (words) Frank Lynne (perf.) |
Pub. |
| Choose Her in the Morning | 1906 | Jefferson De Angelis (perf.) | |
| ⇑ In My First Time on Earth | 1906 | Fred J Barnes (words) Tom Woottwell (perf.) |
|
| Second-Hand Aristocrat, A | 1906 | E. J. Hillary (words) F. J. Barnes (words) Harry Bedford (perf.) |
Pub. |
| What a Mouth (w&m) | 1906 | Harry Champion (perf.) | |
| Hobnailed Boots That Farver Wore, The | 1907 | Fred J Barnes (words) Billy Williams (perf.) |
|
| My Poor Heart Went Pitter Patter | 1907 | Harry Champion (perf.) | Pub. |
| Out Went the Gas | 1907 | Fred J Barnes (words) Harry Champion (perf.) |
|
| We Are All Stars (w&m) | 1907 | Fred J. Barnes (words) Florrie Gallimore (perf.) |
Pub. |
| Tickle Me, Timothy, Do! | 1908 | Pub. | |
| Wild Woodbines | 1908 | Fred J. Barnes (words) Billy Williams (perf.) |
|
| Never Let Your Braces Dangle | 1909 | Barnes (words) Harry Champion (perf.) Arthur Gilbert as Arthur Osmond (perf.) |
Pub. |
| There Are Nice Girls Everywhere (w&m) | 1909 | Whit Cunliffe (perf.) | |
| When Father Papered the Parlour | 1909 | Frederick Johnson Barnes (words) Billy Williams (perf.) |
Pub. |
| ⇑ I'm Henry the Eighth I Am (w&m) | 1910 | Fred Murray (co-author) Harry Champion (perf.) Dr Rosteck & Mr Grainger (perf.) |
Pub.  |
| I'm on Agen With Monaghan (w&m) | 1910 | Maggie Cline (perf.) | |
| Knocking at Every Door (w&m) | 1910 | Whit Cunliffe (perf.) | |
| Tax the Bachelors | 1910 | Billee Taylor (perf.) | |
| Hush! Here Comes the Dream Man | 1911 | Fred James Barnes (co-author) Maurice Scott (co-author) |
|
| I'm on My Honeymoon | 1911 | Whit Cunliffe (perf.) | |
| There's Something in the Seaside Air | 1911 | Whit Cunliffe (perf.) | |
| Why Do You Think I Look So Gay? | 1911 | Billy Williams (perf.) | |
| I'm the Black Sheep of the Flock | 1912 | Fred J. Barnes (words) Jack Pleasants (perf.) |
|
| In These Old Lavender Trousers | 1912 | Harry Bedford (words) Harry Bedford (perf.) |
Pub. |
| I'm a Navvy | 1913 | Fred J Barnes (words) | Pub. |
| Matrimonial Handicap, The | 1913 | Jack Charman (perf.) | |
| ⇑ Patricia | 1913 | F. J Barnes (words) Maurice Scott (words) Florrie Forde (perf.) |
|
| There's No Place Like London | 1913 | Whit Cunliffe (perf.) | |
| Tow the Row Row | 1913 | Maurice Scott (words) Whit Cunliffe (perf.) |
Pub. |
| End of My Old Cigar, The | 1914 | Worton David (words) Harry Champion (perf.) |
Pub. |
| My Boy | 1914 | Florrie Forde (perf.) | |
| Sister Susie's Sewing Shirts For Soldiers | 1914 | Hermann E. Darewski (words) |
| Title | Year | Attribution | Remarks |
|---|
| There's a Cottage in Ballymahone | 1914 | T W Thurban (words) Gertie Gitana (perf.) |
|
| I Like Your Town | 1915 | Harry Bedford (words) Glen Ellison (perf.) |
|
| In These Hard Times | 1915 | Whit Cunliffe (perf.) | Pub. |
| It's a Sure, Sure Sign | 1915 | |
|
| Tight Skirts Have Got to Go | 1915 | Fred J Barnes (words) Whit Cunliffe (perf.) |
Pub. |
| I'm Learning a Song For Christmas | 1916 | Bert Lee (words) Jack Pleasants (perf.) |
Pub. |
| Sergeant Solomon Isaacstein | 1916 | Bert Lee (words) Gus Harris (perf.) |
Pub. |
| When Tommy's on Furlough and Jack's Ashore | 1916 | Pub. | |
| Do You Want Us to Lose the War? | 1917 | Pub. | |
| Future Variety Show, The (w&m) | 1917 | Bert Lee (words) Ernest W. Hastings (perf.) |
Pub. |
| Good-Bye-Ee (w&m) | 1917 | Bert Lee (co-author) | Pub. |
| ⇑ My Meatless Day | 1917 | Bert Lee (words) Ernie Mayne (perf.) |
|
| Swim, Sam! Swim! | 1917 | Bert Lee (words) Jay Laurier (perf.) |
Pub. |
| No Grousing! | 1918 | Florrie Forde (perf.) | Pub. |
| Any Girl From Anywhere | 1919 | Pub. | |
| Bolshevic, The | 1919 | Bert Lee (words) Ernest W. Hastings (perf.) Hugh Steyne (perf.) |
Pub. |
| Sidney's in Civvies, Again | 1919 | Bert Lee (words) Vesta Tilley (perf.) |
Pub. |
| Gypsy Warned Me, The (w&m) | 1920 | Violet Loraine (perf.) | |
| Muldoon's Ball | 1920 | Bert Lee (words) Ernest W. Hastings (perf.) |
Pub. |
| I Spoiled You (w&m) | 1921 | as Bob Harris | |
| Noise Annoys an Oyster, A | 1921 | Pub. | |
| World's All Right It's the People Living in It, The | 1921 | Ella Shields (perf.) | Pub. |
| It's My Bath Night, Tonight | 1922 | Bert Lee (words) Jack Pleasants (perf.) |
|
| ⇑ Earthenware | 1923 | Bert Lee (words) | Pub. |
| Rich Man and the Poor Man, The | 1923 | Pub. | |
| All Day Long (w&m) | 1924 | ||
| Come and Listen to Antonio! (w&m) | 1924 | ||
| Give Me Lapland (w&m) | 1924 | ||
| Make a Noise! (w&m) | 1924 | ||
| Maud! Your Mother Wants You (w&m) | 1924 | ||
| Shall I Have It Bobbed or Shingled | 1924 | Bert Lee (words) Ernest Le Messurier (perf.) |
|
| Tipperary Blues, The (w&m) | 1924 | ||
| You've Got to Come Along to Wembley (w&m) | 1924 | ||
| Could Lloyd George Do It? | 1925 | B. Lee (words) Stanley Lupino (perf.) |
|
| Down Hill All the Way (w&m) | 1925 | ||
| ⇑ François (w&m) | 1925 | ||
| Mamma's Gone Dancing! (w&m) | 1925 | ||
| Monday She Goes to Be Shingled (w&m) | 1925 | ||
| Our Avenue | 1925 | Bert Lee (words) | Pub. |
| You Ought to See the Old Folks Now! (w&m) | 1925 | ||
| Don't Let Nobody Steal You From Me! (w&m) | 1926 |
| Title | Year | Attribution | Remarks |
|---|
| Like We Used to Be (w&m) | 1926 | ||
| Molly Muldoon (w&m) | 1926 | ||
| She/He Can Make a Nice Cup of Tea (w&m) | 1926 | ||
| There Are More Heavens Than One (w&m) | 1926 | ||
| What I Want Is a Proper Cup O'Coffee | 1926 | Ernie Mayne (perf.) | |
| Windermere (w&m) | 1926 | ||
| Everybody's Charleston Crazy Now! (w&m) | 1927 | |
|
| Fancy Me Just Meeting You (w&m) | 1927 | ||
| Hullo! Old Timer (w&m) | 1927 | ||
| I Feel I Wanna Wander (w&m) | 1927 | ||
| I'm Wearing My Heart Out For You (w&m) | 1927 | ||
| ⇑ Just Imagine It! (w&m) | 1927 | ||
| Mamma's Gone Young - Papa's Gone Old | 1927 | Bert Lee (words) | Pub. |
| Simple Susie (w&m) | 1927 | ||
| Ting-A-Ling-A-Ling! (w&m) | 1927 | ||
| Wallflower (w&m) | 1927 | ||
| Wave to Me! (w&m) | 1927 | Pub. | |
| Who Says Sailors Don't Care! (w&m) | 1927 | ||
| Why? Because I Love Her! (w&m) | 1927 | ||
| Your Mother Won't Mind (w&m) | 1927 | ||
| Afterwards May Be Too Late (w&m) | 1928 | ||
| And So Do All My Pals! (w&m) | 1928 | ||
| Blue Moon (w&m) | 1928 | ||
| ⇑ Burying the Blues (w&m) | 1928 | ||
| Gad-About Mama, Stay-At-Home Papa (w&m) | 1928 | ||
| It's Girls Like You, Make Fellows Like Me Like Girls You You! (w&m) | 1928 | ||
| Jungle Yale Blues , The | 1928 | Cecil H Taylor (words) | |
| Let 'em Laugh! (w&m) | 1928 | ||
| Living Hand to Mouth (w&m) | 1928 | ||
| Madeline | 1928 | L Oatley (words) | |
| Silence (w&m) | 1928 | ||
| Sizzle of the Sausage , The (w&m) | 1928 | ||
| There Won't Be Nobody Home (w&m) | 1928 | ||
| Two-Two-Double-Two Timbuctoo (w&m) | 1928 | ||
| We Gotta Have Rain! (w&m) | 1928 | ||
| ⇑ We're Living at the Cloisters (w&m) | 1928 | Gracie Fields (perf.) | |
| Comfy and Cosy (w&m) | 1929 | ||
| I Love You More Than You Love Me (w&m) | 1929 | ||
| I Won't Break My Heart Over You (w&m) | 1929 | ||
| Love's Radio (w&m) | 1929 | ||
| Lucy's Lipstick (w&m) | 1929 |
| Title | Year | Attribution | Remarks |
|---|
| Mamma, It Isn't Fair! (w&m) | 1929 | ||
| Pass It Along! (w&m) | 1929 | ||
| Scented Soap | 1929 | Gracie Fields (perf.) | |
| Smith's Crisp Crisps (w&m) | 1929 | ||
| That's How I Like 'em (w&m) | 1929 | ||
| There's a Girl in My Arms and a Man in the Moon (w&m) | 1929 | ||
| Unlucky Number Thirteen (w&m) | 1929 | ||
| Canoodleum's School of Love (w&m) | 1930 | ||
| Coople O'Dooks (w&m) | 1930 | ||
| Dying Duck, a Penny (w&m) | 1930 | |
|
| Happiest Couple in Lancasheer, The (w&m) | 1930 | ||
| ⇑ I'd Lahve To! (w&m) | 1930 | ||
| I'm Singing My Way Round the World (w&m) | 1930 | ||
| I've Said Good-Bye to All That! (w&m) | 1930 | ||
| Just As Long As You're Along With Me (w&m) | 1930 | ||
| Let George Do It (w&m) | 1930 | ||
| Lovely Aspidistra in the Old Art Pot, The (w&m) | 1930 | ||
| Make the World a Little Bit Happier (w&m) | 1930 | ||
| Mickey the Mouse (w&m) | 1930 | ||
| Rah! Rah! Columbus! (w&m) | 1930 | ||
| She Was Poor But She Was Honest | 1930 | Bert Lee (words) Billy Bennett (perf.) Elsa Lanchester (perf.) |
|
| Sitting on the Cold Wer Grass (w&m) | 1930 | ||
| Stop and Shop at the Co-Op Shop (w&m) | 1930 | Gracie Fields (perf.) | |
| ⇑ There's Nothing Like Jolly Good Health (w&m) | 1930 | ||
| Toy Farm-Yard, The (w&m) | 1930 | ||
| We Must All Pull Together! | 1930 | Bert Lee (words) | |
| When Susie Switches on Her Lovelight (w&m) | 1930 | ||
| Wild Rose Magee (w&m) | 1930 | ||
| You Must Have a Sweetheart When You're by the Sea (w&m) | 1930 | ||
| Boo-Hoo! Hoo-Oo! (w&m) | 1931 | Pub. | |
| Here Come Captain Ted! (w&m) | 1931 | ||
| Hiking | 1931 | Elmer Lincoln (words) | Pub. |
| I'm Gonna Be Home by Tea-Time (w&m) | 1931 | ||
| I'm Sending Out the S.O.S. For Love (w&m) | 1931 | ||
| Marionettes in Vanity Fair (w&m) | 1931 | ||
| ⇑ Sob Song , The (w&m) | 1931 | ||
| There's Another Couple Making Love (w&m) | 1931 | ||
| Things Are Shocking in America! (w&m) | 1931 | ||
| Whack Fol the Diddle and a Tow Row Row (w&m) | 1931 | ||
| Beat the Retreat on Thy Drum! (w&m) | 1932 | Pub. | |
| Don't Call Me Mister, Call Me Charlie! (w&m) | 1932 |
| Title | Year | Attribution | Remarks |
|---|
| Ghost of Your Love, The (w&m) | 1932 | ||
| I Wonder Why Poor Nelly Never Writes (w&m) | 1932 | ||
| If Mary Ann Says She Won't Marry Me (w&m) | 1932 | ||
| Legion of the Lost, The (w&m) | 1932 | ||
| Say to Yourself I Will Be Happy! (w&m) | 1932 | ||
| Song That Is Calling Me Home, The (w&m) | 1932 | ||
| Wedding of the Slum Town Babies, The (w&m) | 1932 | |
|
| Why Should Sailors Care? (w&m) | 1932 | Pub. | |
| Chingy Wingy Wing Wong's Pig-Tail (w&m) | 1933 | ||
| Elephant Never Forgets!, The (w&m) | 1933 | ||
| Heaven Will Protect an Honest Girl | 1933 | Bert Lee (words) Gracie Fields (perf.) |
|
| ⇑ I'll Be Seein' Ya in Abyssinia (w&m) | 1933 | ||
| Pull Away the Curtains From the Windows of Your Heart (w&m) | 1933 | ||
| Squeeze Me Waltz, The (w&m) | 1933 | ||
| Waltz of My Dreams, The (w&m) | 1933 | ||
| Whiskers An' All! (w&m) | 1933 | Pub. | |
| Food! - Beautiful Food! (w&m) | 1934 | ||
| Stick a Geranium in You Hat to Show You're Happy (w&m) | 1934 | ||
| With Her Head Tucked Underneath Her Arm | 1934 | Bert Lee (words) | |
| Houp La, Allez (w&m) | 1935 | ||
| Olga Pulloffski | 1935 | Bert Lee (words) Jack Hilton (perf.) |
Pub. |
| What's Your Poor Old Daddy Gonna Do? (w&m) | 1935 | ||
| You Can Keep Your Champagne and Your Oysters (w&m) | 1935 | ||
| ⇑ And the Great Big Saw Came Nearer | 1936 | Bert Lee (words) Leslie Sarony (perf.) |
|
| Baby in the Pram, The (w&m) | 1936 | ||
| Gertie, the Gunman's Moll! (w&m) | 1936 | ||
| Harmonica Dan! (w&m) | 1936 | ||
| Okay For Sound | 1936 | Bert Lee (words) | |
| Signalman Sam (w&m) | 1936 | ||
| Toy Town Band , The (w&m) | 1937 | ||
| Knees Up Mother Brown | 1938 | I. Taylor (words) ViC Gilmore (perf.) Doris Waters (perf.) Annie Woods (perf.) |
|
| Palais Glide , The | 1938 | Edgar Leslie (words) Joe Burke (words) |
Pub. |
| Salome (w&m) | 1941 | John Turner (perf.) | Pub. |
| Place in the Sun For Ev'ryone, A | 1944 | Will E Haines (words) | |
| Wot! No Luv? | 1946 | Will E Haines (words) Harry Ralton (words) |
|
| ⇑ How Does a Broadcast Know the Way to Go? (w&m) | 1948 | ||
| How High Is Up? (w&m) | 1948 | ||
| Knees Up! Momma Brown | 1948 | Bert Lee (words) | |
| Leaning on the Railings | 1948 | Will E Haines (words) | |
| Quix Song, The (w&m) | 1948 | J.P. Long (perf.) | |
| Knees Up, Mother Brown | 1950 | Bert Lee (words) Irving Taylor (words) |
| Title | Year | Attribution | Remarks |
|---|
| Cha Cha Momma Brown | 1959 | Bert Lee (words) Gordon Rees (words) Martinas (perf.) |
|
| Nan, Nan, Nan | ? | Fred Murray (words) Harry Champion (perf.) |
| Composer | Title | Performer |
|---|
|
R.P. Weston | Henery the Eighth I Am (3:05) | H. Champion |
|
R.P. Weston | Knees Up Mother Brown (1:52) | ViC Gilmore |
|
R.P. Weston | Knees Up Mother Brown (12:06) | Annie Woods |