Title (Release Year) | Composer | Performers | Issue |
---|
I'll Make You Want Me (1917) | J.P. Long | Billy Murray Gladys Rice |
Edison Blue Amberol: 3098 | |
Don't Sing in Ragtime (1913) | J.P. Long | B. Merson | Edison Blue Amberol: 23035 | |
I'll Make You Want Me (1914) | J.P. Long | Daisy Taylor | Edison Blue Amberol: 23298 |
Title (Release Year) | Composer | Performers | Issue |
---|
Carroty (1912) | J.P. Long | H. Champion | Favourite 547 |
Title (Release Year) | Composer | Performers | Issue |
---|
It's My Night Out Tonight (1910) | J.P. Long | Harry Bluff as Fred Mayne | Columbia: 26963 |
Performer | CD Title | Supplier |
---|
Folk Music CDs: | |||
Daisy Taylor | Popsy Wopsy | ||
Ella Shields | Ella Shields - Burlington Bertie from Bow |
Title | Attribution | Remarks |
---|
And the Fog Grew Thicker and Thicker | J.P. Long (words & music) Ernie Mayne (perf.) |
||
Blasted Oak, The | J.P. Long (music) Redman (words) Nellie Wallace (perf.) |
||
Carroty | J.P. Long (words & music) Harry Champion (perf.) |
||
Duchess Will Not Be Receiving Today, The | J.P. Long (words & music) |
||
Every Girl Should Be a Musical Girl | J.P. Long (music) Bennett Scott (words) |
||
Forty Fousand Frushes | J.P. Long (words & music) Florrie Forde (perf.) |
||
I Can't Do My Bally Bottom Button Up | J.P. Long (words & music) Ernie Mayne (perf.) |
||
I Had My Hands in My Pockets | J.P. Long (music) Paul Pelham (words) George Formby Sr. (perf.) |
||
I Rather Like It | A.J. Mills (music) Bennett Scott (words) J.P. Long (perf.) |
||
Ipecacuanha. | J.P. Long (music) Edgar Bateman (words) Jay Laurier (perf.) |
||
It Must Be the Clothes I'm Wearing | J.P. Long (music) Paul Pelham (words) George Formby Sr. (perf.) |
||
⇑It's the First Time I've Ever Done That | J.P. Long (music) George Robey (words) George Robey (perf.) |
||
Oh! It's a Lovely War | J.P. Long (music) Maurice Scott (words) Ella Shields (perf.) |
||
Ten Little Fingers, Ten Little Toes | J.P. Long (words & music) Ernie Mayne (perf.) |
||
There's a Girl For Every Soldier | J.P. Long (words & music) Daisy Wood (perf.) |
||
What D'yer Think of That? | J.P. Long (words & music) Ernie Mayne (perf.) |
Title | Composer | Attribution | Remarks |
---|
Letty Malone (1924) | H.M. Burnaby(w&m) | J. P. Long (perf.) |
||
Nine Inch Nails (1930) | H.M. Burnaby(w&m) | J. P. Long (perf.) |
||
I Rather Like It (1917) | A.J. Mills | Bennett Scott (words)
J. P. Long (perf.) |
||
Man Behind the Rifle (1914), The | Paul Pelham(w&m) | J. P. Long (perf.) |
||
Broncho Billy's Bouncing Baby Boy (1914) | W.H. Wallis(w&m) | J. P. Long (perf.) Paul Pelham (perf.) |
||
Quix Song (1948), The | Robert P. Weston(w&m) | J. P. Long (perf.) |
Title | Year | Attribution | Remarks |
---|
Back to Dear Old England (w&m) | 1907 | ||
Bubbles (w&m) | 1907 | Pub. | |
Daddy's Little Blue-Eyed Boy | 1907 | arr.: Mark Archer | |
Do to Others As You'd Have Them Do to You. Song (w&m) | 1907 | arr.: Mark Archer | Pub. |
Don't Cry Mammy (w&m) | 1907 | arr.: Mark Archer | Pub. |
Friend in Need, A (w&m) | 1907 | arr.: Mark Archer | Pub. |
If You Love Me As You Say You Do | 1907 | arr.: Mark Archer | Pub. |
Always Wear a Flower in Your Coat | 1908 | William Hyde (words) | |
Baby's Picture (w&m) | 1908 | arr.: Mark Archer | Pub. |
Come Out and Sit on the Balcony | 1908 | William Hyde (words) | |
I Want to Telephone to Mammy | 1908 | arr.: Mark Archer | Pub. |
⇑ Riding Home on a Load of Hay | 1908 | William Hyde (words) | Pub. |
Same Old Trysting Place, The | 1908 | arr.: Mark Archer | Pub. |
There's No Home Like the Old Home | 1908 | Mark Archer; | Pub. |
Why Do the Girls Run After the Soldiers? (w&m) | 1908 | arr.: Mark Archer | Pub. |
Chorus - Next Verse | 1909 | William Hyde (words) | |
If You Ever Feel a Longing For Your Home Sweet Home | 1909 | arr.: Mark Archer | Pub. |
Mary's Ticket | 1909 | Gilbert Wells (words) Florrie Forde (perf.) |
|
My Cornish Fisher-Girl | 1909 | Charles E Hilbury (words) | Pub. |
Rose From Cupid's Garden (w&m) | 1909 | Pub. | |
There's a Rose Blooming in My Heart For You | 1909 | arr.: Mark Archer | Pub. |
When Mister Trouble Comes A-Knocking at the Door (w&m) | 1909 | Pub. | |
As Long As She's an English Girl. (w&m) | 1910 | Pub. | |
⇑ It's My Night Out Tonight (w&m) | 1910 | Harry Bluff as Fred Mayne (perf.) | |
Little Dummy Teat My Mother Bought Me, The (w&m) | 1910 |
Title | Year | Attribution | Remarks |
---|
Mary Morgan, the Belle of Glamorgan. (w&m) | 1910 | ||
Saturday (w&m) | 1910 | ||
Slippery Little Slide That Tommy Made, The (w&m) | 1910 | Pub. | |
Songs They Loved the Best, The (w&m) | 1910 | Billie Burford (perf.) Cissie Curlette (perf.) |
Pub. |
There Goes a Vagabond. (w&m) | 1910 | Flora Cromer (perf.) Lena Leslie: (perf.) |
Pub. |
Wishing-Well, The (w&m) | 1910 | Pub. | |
You Don't Want to Linger Any Longer, Mister Long. (w&m) | 1910 | Queenie Leighton (perf.) | Pub. |
Curly Head. (w&m) | 1911 | ||
Have You Ever Loved Any Other Girl? | 1911 | Bennett Scott (words) Jack Norworth (words) Louis F Werba (words) Mark A Luescher (words) Nora Bayes (perf.) Alice Lloyd (perf.) |
|
Kitty, I'm Leaving Dublin City (w&m) | 1911 | Pub. | |
Life Is Only a Steeplechase. (w&m) | 1911 | Pub. | |
⇑ Miner's Mother, The (w&m) | 1911 | Pub. | |
Remember Your Friends in the Homeland. (w&m) | 1911 | Pub. | |
Sailor and the Cingalee, The (w&m) | 1911 | Pub. | |
Tommy Can Always Find a Sweetheart. (w&m) | 1911 | Pub. | |
Carroty (w&m) | 1912 | Harry Champion (perf.) | Pub. |
Dangerous Eyes | 1912 | Paul Pelham (words) | Pub. |
Don't Sing in Ragtime | 1912 | Paul Pelham (words) Billy Merson (perf.) |
Pub. |
Ten Little Fingers, Ten Little Toes (w&m) | 1912 | Ernie Mayne (perf.) | Pub. |
That Ragtime Record | 1912 | Bennett Scott (words) | Pub. |
Why Do You Keep Laughing at Me? | 1912 | Maurice Scott (words) Cahan (words) |
Pub. |
Big Black Cloud and a Big White Moon, A (w&m) | 1913 | Maurice Scott (co-author) Flora Cromer (perf.) |
Pub. |
Oh! You Kid | 1913 | Paul Pelham (words) | Pub. |
⇑ Sing Me a Ragtime Song. (w&m) | 1913 | Pub. | |
And the Fog Grew Thicker and Thicker (w&m) | 1914 | Ernie Mayne (perf.) | Pub. |
Title | Year | Attribution | Remarks |
---|
I Know You Love Me | 1914 | Paul Pelham (words) | |
I'll Make You Want Me | 1914 | Paul Pelham (words) Billy Murray (perf.) Gladys Rice (perf.) Daisy Taylor (perf.) |
|
Oh! Oh! Keep Away From That Girl (w&m) | 1914 | Pub. | |
Pay Me the Kisses You Owe Me | 1914 | Paul Pelham (words) | Pub. |
There's a Wee Scotch Lass in Inverary. (w&m) | 1914 | Paul Pelham (words) | |
Willie's Wooden Whistle (w&m) | 1914 | Paul Pelham (words) | Pub. |
You Gave Me a Bright Red Rose. (w&m) | 1914 | ||
All the Girls Loved Bertie When He Had a Motor Car | 1915 | Bennett Scott (words) | |
It Must Be the Clothes I'm Wearing | 1915 | Paul Pelham (words) George Formby Sr. (perf.) |
|
Little Loving Ev'ry Day, A | 1915 | Bennett Scott (words) | Pub. |
Spring-Time Might Have Been Ring-Time. | 1915 | Arthur J Mills (words) Fred Godfrey (words) |
Pub. |
⇑ I Can't Do My Bally Bottom Button Up (w&m) | 1916 | Ernie Mayne (perf.) | Pub. |
I Didn't Want My Dinner to Get Cold. | 1916 | Sam Mayo (words) | Pub. |
Jolly Good Luck to Everyone (w&m) | 1916 | Pub. | |
Oh! You Cuddlesome Girl | 1916 | Maurice Scott (words) | Pub. |
They Don't Take Quite So Long to Say Good-Night | 1916 | Bennett Scott (words) | Pub. |
Travel on the Sunshine Line | 1916 | Bennett Scott (words) | Pub. |
Every Girl Should Be a Musical Girl | 1917 | Bennett Scott (words) | Pub. |
He'd Still Want to Talk About His Girl (w&m) | 1917 | Pub. | |
Ipecacuanha. | 1917 | Edgar Bateman (words) Jay Laurier (perf.) |
Pub. |
There's a Girl For Every Soldier | 1917 | Maurice Scott (words) Daisy Wood (perf.) |
Pub. |
There's a Half-Way House to Heaven | 1917 | Bennett Scott (words) | Pub. |
Angel Eyes | 1918 | Maurice Scott (words) | Pub. |
⇑ He'd Have to Salute | 1918 | Bennett Scott (words) | Pub. |
I Like a C'hup of Co'hocoa | 1918 | Terry Sullivan (words) | Pub. |
Title | Year | Attribution | Remarks |
---|
My Dream-Ship | 1918 | Arthur J Mills (words) Bennett Scott (words) |
|
Oh! Those Water Babies | 1918 | Bennett Scott (words) | Pub. |
On the Trail of the Big Red Sunset | 1918 | Robert P. Weston (words) | |
Say Those Loving Things You Used to Say | 1918 | Bennett Scott (words) | Pub. |
Sergeant Brown | 1918 | Maurice Scott (words) | Pub. |
Silver Badge, The | 1918 | Bennett Scott (words) | Pub. |
Great Big Plonking Kiss, A | 1919 | Maurice Scott (words) | Pub. |
Hezekiah's Coloured Choir (w&m) | 1919 | ||
I'd Like a Narf a Napple. | 1919 | Ted Haggerty (words) | Pub. |
No More Bully Beef and Biscuits (w&m) | 1919 | Queenie Leighton (perf.) | Pub. |
Oh! Billy | 1919 | Maurice Scott (words) | Pub. |
⇑ Tommy and Jack Are Marching Home Again (w&m) | 1919 | Charles Lucas (co-author) Queenie Leighton (perf.) |
Pub. |
Waltz Is the Dance of Love, The | 1919 | Maurice Scott (words) | Pub. |
Where the Blue-Eyed-Marys Grow | 1919 | Maurice Scott (words) | Pub. |
Why Didn't You Tell Me? | 1919 | Maurice Scott (words) | Pub. |
Your Wonderful Heart of Gold | 1920 | Maurice Scott (words) | Pub. |
Oh! It's a Lovely War (w&m) | 1921 | Maurice Scott (co-author) Red Newman (perf.) Ella Shields (perf.) |
Pub. |
Turn Your Face to the Sunshine | 1921 | Maurice Scott (words) | Pub. |
Mississippi Honeymoon (w&m) | 1922 | Pub. | |
What D'yer Think of That? | 1922 | Albert Le Freé (words) Ernie Mayne (perf.) |
|
Like the Big Pots Do (w&m) | 1929 | George Formby (perf.) | Pub. |
Please Don't Wake My Wife! (w&m) | 1929 | Pub. | |
Forty Fousand Frushes | 1930 | Florrie Forde (perf.) | |
⇑ Follow Your Uncle Bob (w&m) | 1931 | Pub. | |
It's the First Time I've Ever Done That | 1931 | George Robey (words) George Robey (perf.) |
Title | Year | Attribution | Remarks |
---|
Click of the Little Green Gate, The (w&m) | 1932 | ||
Blasted Oak, The | 1934 | Redman (words) Nellie Wallace (perf.) |
|
Duchess Will Not Be Receiving Today, The | ? | ||
I Had My Hands in My Pockets | ? | Paul Pelham (words) George Formby Sr. (perf.) |
Composer | Title | Performer |
---|
J.P. Long | The Blasted Oak (3:13) | N. Wallace | |
J.P. Long | It's the First Time I've Ever Done That (1931) (3:44) | G. Robey |