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Arthur Fields | Biography by wikipedia.org. |
![]() Music by: Arthur Fields. Co-Author: Walter Donovan Performed by: Debbie Reynolds
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![]() Music by: Arthur Fields. Co-Author: Fred Hall
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Title (Release Year) | Instruments/Issue | Performers |
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MP3 File(s) | |||
as Performer | Composers | ||
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Good Bye Broadway, Hello France (1917) | Edison Blue Amberol: 3321 | B. Baskette |
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We're All Going Calling on the Kaiser (1918) | Edison Blue Amberol: 3568 | J.A. Brennan |
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When Alexander Takes His Ragtime Band to France (1918) | Edison Blue Amberol: 3553 | A. Bryan |
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You'll Find Old Dixieland in France (1919) | Edison Blue Amberol: 3659 | G. Clarke |
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I'm True to Them All (1919) | Edison Blue Amberol: 3855 | G.M. Cohan |
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You May Hold a Million Girlies in Your Arms (1917) | Edison Blue Amberol: 3299 | F. Fisher |
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Singapore (1919) | Edison Blue Amberol: 3721 | L.W. Gilbert |
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Ragging the Chopsticks (1919) | Edison Blue Amberol: 3836 | A. Gottler |
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Rolling Stones (1917) | Edison Blue Amberol: 3163 | A. Gottler |
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I Don't Want to Get Well (1918) | Edison Blue Amberol: 3378 | H. Jentes |
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Where Do We Go From Here? (1917) | Edison Blue Amberol: 3260 | H.E. Johnson |
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⇑Honolulu, America Loves You (1917) | Edison Blue Amberol: 3087 | J.V. Monaco |
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What's the Use of Going Home (1916) | Edison Blue Amberol: 2930 | J.V. Monaco |
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When Yankee Doodle Learns to Parlez Vous Francais (1918) | Edison Blue Amberol: 3447 | E.G. Nelson |
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Hello, Montreal (1928) | Edison Blue Amberol: 5523 | B. Rose |
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Hong Kong (1917) | Edison Blue Amberol: 3238 | A.M. Sanders |
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Mother, Dixie and You (1917) | Edison Blue Amberol: 3340 | J.H. Santly |
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Oh, What Wonderful Things One Little Girlie Can Do (1917) | Edison Blue Amberol: 3257 | I. Schuster |
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Jim, Jim, I Always Knew You'd Win (1919) | Edison Blue Amberol: 3680 | H. von Tilzer |
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The Man Behind the Hammer and the Plow (1917) | Edison Blue Amberol: 3245 | H. von Tilzer |
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I Ain't Got Weary Yet! (1919) | Edison Blue Amberol: 3642 | P. Wenrich |
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Send Me Away With a Smile (1917) | Edison Blue Amberol: 3324 | L. Weslyn |
Title | Attribution | Instruments | Source | Remarks |
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Aba Daba Honeymoon (1914), The | A. Fields (w&m) W. Donovan (coauth.) Ruth Roye (perf.) Fred Heider (perf.) Ruby Raymond (perf.) |
Piano, Voice | Indiana Indiana |
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Eleven More Months and Ten More Days (1930) | A. Fields (music) Fred Hall (coauth.) Lew Dite (perf.) |
Piano | IMSLP | ![]() |
As performer | |||||
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Singapore (1918) | L.W. Gilbert (w&m) A. Friedland (coauth.) A. Fields (perf.) |
Piano | Indiana | ![]() |
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Where Do We Go From Here? (1917) | H.E. Johnson (w&m) P. Wenrich (coauth.) A. Fields (perf.) |
Piano, Voice | Indiana | ![]() |
Title | Composer | Attribution | Remarks |
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Good Bye Broadway, Hello France (1917) | Billy Baskette | C. Francis Reisner (words) Benny Davis (words) Arthur Fields (perf.) Jaudas' Society Orchestra (perf.) Peerless Quartette (perf.) |
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We're All Going Calling on the Kaiser (1918) | James Alexander Brennan | Jack Caddigan (words) Arthur Fields (perf.) |
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When Alexander Takes His Ragtime Band to France (1918) | Alfred Bryan | Cliff Hess (co-author) Edgar Leslie (co-author) Belle Baker (perf.) Billie Burke (perf.) Arthur Fields (perf.) |
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I'm Going Down to Tennessee (1912) | Harry Carroll | Arthur Fields (words) Harry Carroll (perf.) Arthur Fields (perf.) |
Pub. |
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You'll Find Old Dixieland in France (1919) | Grant Clarke | George W. Meyer (words) Arthur Fields (perf.) |
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I'm True to Them All (1918) | George. M. Cohan(w&m) | Arthur Fields (perf.) | ![]() ![]() |
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You May Hold a Million Girlies in Your Arms (1916) | Fred Fisher | Howard Johnson (words) Arthur Fields (perf.) |
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Singapore (1918) | Louis Wolfe Gilbert(w&m) | Anatol Friedland (co-author) Arthur Fields (perf.) |
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Rolling Stones (1916) | Archie Gottler | Edgar Leslie (words) Anna Chandler (perf.) Arthur Fields (perf.) Sophie Tucker (perf.) |
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Ragging the Chopsticks (1919) | Archie Gottler | Abe Frankl (words) Arthur Fields (perf.) |
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⇑I Don't Want to Get Well (1917) | Harry Jentes | Harry Pease (words) Howard E. Johnson (words) Arthur Fields (perf.) Grace Woods (perf.) |
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Where Do We Go From Here? (1917) | Howard E. Johnson(w&m) | Percy Wenrich (co-author) Indestructible Band (perf.) Frank Bessinger (perf.) Elizabeth Brice (perf.) Marie Concerto (perf.) Harry Cooper (perf.) Royal Dadmun (perf.) Harry Ellis (perf.) Arthur Fields (perf.) Avon Comedy Four (perf.) King (perf.) Beatrice Lambert (perf.) Neil McKinley (perf.) Frank Mullane (perf.) Blossom Seeley (perf.) Jack Wise (perf.) |
Pub. |
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What's the Use of Going Home (1915) | James V. Monaco | Grant Clark (words) Joe McCarthy (words) Arthur Fields (perf.) Mae Francis (perf.) Neil McKinley (perf.) |
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Honolulu, America Loves You (1916) | James V. Monaco | Eddie Cox (co-author) Grant Clarke (co-author) Elizabeth Brice (perf.) Arthur Fields (perf.) King (perf.) Santly &. Norton (perf.) Eleanor Sherman (perf.) |
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When Yankee Doodle Learns to Parlez Vous Francais (1917) | Ed G. Nelson | Will Hart (words) Julia Dika (perf.) Arthur Fields (perf.) |
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Hello, Montreal (1928) | Billy Rose | Mort Dixon (words) Harry Warren (words) Arthur Fields (perf.) |
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Hong Kong (1917) | Alma M. Sanders | Richard W. Pascoe (words) Arthur Fields (perf.) |
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Mother, Dixie and You (1927) | Jos. H. Santly(w&m) | Howard Johnson (co-author) Arthur Fields (perf.) Eleanor Fisher (perf.) |
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Oh, What Wonderful Things One Little Girlie Can Do (1917) | Ira Schuster | Jack Glogau (words) Arthur Fields (perf.) |
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Man Behind the Hammer and the Plow (1917), The | Harry von Tilzer(w&m) | Arthur Fields (perf.) | ![]() ![]() |
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Jim, Jim, I Always Knew You'd Win (1918) | Harry von Tilzer | Bert Hanlon (words) Ben Ryan (words) Arthur Fields (perf.) |
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⇑I Ain't Got Weary Yet! (1918) | Percy Wenrich | Howard E. Johnson (words) Arthur Fields (perf.) |
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Send Me Away With a Smile (1917) | Louis Weslyn(w&m) | Al. Piantadosi (co-author) Henry Burr (perf.) Arthur Fields (perf.) Rita Gould (perf.) |
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Title | Year | Attribution | Remarks |
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Aba Daba Honeymoon, The (w&m) | 1914 | Walter Donovan (co-author) Elizabeth Brice (perf.) Carleton Carpenter (perf.) Fred Heider (perf.) Ricardo Montalban (perf.) Jane Powell (perf.) Ruby Raymond (perf.) Debbie Reynolds (perf.) Ruth Roye (perf.) |
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Pay-Day! | 1918 | ||
In Miami | 1919 | Archie Gottler (co-author) Sidney D Mitchell (co-author) |
Pub. |
Swanee Shore | 1919 | Sidney D Mitchell (words) Irving Kaufman (words) |
Pub. |
I Got a Code in My Doze | 1929 | Fred Hall (co-author) Billy Rose (co-author) |
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Eleven More Months and Ten More Days | 1930 | Fred Hall (co-author) Lew Dite (perf.) Eddie Younger (perf.) |
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I Hate to Be Called a Hobo | 1932 | Fred Hall (co-author) | Pub. |
There's a Blue Sky 'way Out Yonder (w&m) | 1932 | Bert Van Cleve (co-author) Fred Hall (co-author) |
Pub. |
Those Were the Very Last Words He Said | 1932 | Pub. |
Composer | Title | Performer |
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A. Fields | Eleven more months and ten more days (2:40) | Lew Dite |