Walter Donaldson (1893-1947)
Last updated: 19.04.24
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Walter Donaldson | Biography by wikipedia.org. |
Walter Donaldson (1893-1947) has at least 1 item(s) at the Amazons which you can order on-line by clicking the item's order icon.
 Beside a Babbling BrookMusic by: Walter Donaldson. Words by: Gus Kahn Performed by: Karyl Norman
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| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
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What's the Use of Kickin' (1920) | Maurice Burkhart | Edison Blue Amberol: 4109 | |
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My Little Bimbo Down on the Bamboo Isle (1921) | Aileen Stanley | Edison Blue Amberol: 4147 | |
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You're a Million Miles From Nowhere (1920) | William Bonner | Edison Blue Amberol: 3982 | |
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Back Home in Tennessee (1916) | A. Vecsey | Edison Blue Amberol: 2824 | |
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Back Where the Daffodils Grow (1924) | Green Brothers' Novelty Band | Edison Blue Amberol: 4948 | |
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The Daughter of Rosie O'Grady (1918) | Ada Jones | Edison Blue Amberol: 3500 | |
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Don't Cry Frenchy, Don't Cry (1919) | George Wilton Ballard | Edison Blue Amberol: 3800 | |
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Down Where the South Begins (1924) | Billy Jones Ernest Hare |
Edison Blue Amberol: 4892 | |
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Hippity Hop (1920) | Premier Quartet | Edison Blue Amberol: 3978 | |
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How 'Ya Gonna Keep 'Em Down on the Farm? (1919) | Byron George Harlan Ada Jones |
Edison Blue Amberol: 3726 | |
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I Love the Land of Old Black Joe (1920) | V. de Leath | Edison Blue Amberol: 4097 | |
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⇑I'll Always Keep a Corner in My Heart For Tennessee (1920) | Billy Jones | Edison Blue Amberol: 4061 | |
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I've Got the Sweetest Girl in Maryland (1917) | Premier Quartet | Edison Blue Amberol: 3217 | |
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In the Evening (1924) | Vernon Dalhart E. Smalle |
Edison Blue Amberol: 4885 | |
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It Made You Happy When You Made Me Cry (1927) | P. Napoleon | Edison Blue Amberol: 5309 | |
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Just Try to Picture Me Down Home in Tennessee (1916) | George Wilton Ballard | Edison Blue Amberol: 2819 | |
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The Last Little Mile Is the Longest (1921) | Lewis James | Edison Blue Amberol: 4340 | |
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Mindin' My Bus'ness (1924) | Ernest Hare | Edison Blue Amberol: 4865 | |
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My Blue Heaven (1928) | M. Pollock | Edison Blue Amberol: 5471 | |
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My Mammy (1921) | Premier Quartet | Edison Blue Amberol: 4227 | |
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My Ohio Home (1928) | Louis Lilienfeld | Edison Blue Amberol: 5513 | |
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My Sahara Rose (1920) | Wiedoeft-Wadsworth Quartet | Edison Blue Amberol: 4066 | |
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Suki San (1918) | Vernon Dalhart | Edison Blue Amberol: 3422 | |
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⇑Sweet Indiana Home (1922) | Broadway Dance Orchestra | Edison Blue Amberol: 4597 | |
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There Ain't No Maybe in My Baby's Eyes (1927) | G. Kahn Raymond Egan |
John Ryan | Edison Blue Amberol: 5344 |
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We'll Have a Jubilee in My Old Kentucky Home (1915) | Billy Murray | Edison Blue Amberol: 2748 | |
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When the Bees Make Honey Down in Sunny Alabam' (1919) | I. Kaufman Jack Kaufman |
Edison Blue Amberol: 3834 | |
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Yes Sir! That's My Baby (1925) | Georgia Melodians | Edison Blue Amberol: 5044 | |
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Yock-A-Hilo Town (1919) | Vernon Dalhart | Edison Blue Amberol: 3627 |
| Title (Release Year) | Composer | Performers | Issue |
|---|
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Don't Cry Frenchy, Don't Cry (1919) | W. Donaldson | George Wilton Ballard | Edison: 6706 |
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For My Sweetheart (1926) | W. Donaldson | Ponce Sisters | Columbia: W142814 |
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My Sweetie Turned Me Down (1925) | W. Donaldson | Ponce Sisters | Edison: 10633 |
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Seven or Eleven (1923) | W. Donaldson | Dolly Kay | Columbia: 80814 |
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Who Wouldn't? (1926) | W. Donaldson | Ponce Sisters | Columbia: W142474 |
| Performer | CD Title | Supplier |
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| Folk Music CDs: | |||
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Duncan Sisters | The Duncan Sisters | |
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Vaughn de Leath | Original Radio Girl |        |
| Jazz Music CDs: | |||
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Boswell Sisters | Shout Sister Shout | |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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At the Old Plantation Ball (1915) | W. Donaldson (music) C. Goetz (words) M. Ager (words) Ed Morton (perf.) Ed Morton (perf.) |
Piano, Voice | IMSLP Indiana |
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Away Down East in Maine (1922) | W. Donaldson (w&m) |
Piano, Voice | IMSLP Indiana |
|
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Back Where the Daffodils Grow (1924) | W. Donaldson (w&m) Charlotte Meyers (perf.) |
Piano | YorkSpace | Pub. |
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Bamboo Bay (1922) | W. Donaldson (music) Raymond B. Egan (coauth.) Richard A. Whiting (coauth.) |
Piano | Greer | |
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Beside a Babbling Brook (1923) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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Bless My Swanee River Home (1919) | W. Donaldson (music) S. Lewis (words) J. Young (words) |
Piano, Voice | Indiana | |
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Carolina in the Morning (1922) | W. Donaldson (music) G. Kahn (words) Aileen Stanley (perf.) Willie Howard (perf.) Gene Howard (perf.) Aileen Stanley (perf.) B. Bernie (perf.) Artie Mehlinger (perf.) Bob Canser (perf.) Sam Gould (perf.) Jack Gould (perf.) |
Piano, Voice | IMSLP Indiana Indiana Indiana Indiana Indiana Indiana |
Pub. |
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⇑Come on to Nashville, Tennessee (1916) | W. Donaldson (w&m) | Piano, Voice | Indiana | |
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Daughter of Rosie O'Grady (1918), The | W. Donaldson (music) Monty C. Brice (words) |
Piano, Orchestra | IMSLP | |
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Dixie Highway (1922) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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Don't Cry Frenchy, Don't Cry (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Greer IMSLP Indiana |
Pub. |
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Down Around 'Sip 'Sip 'Sippy Shore (1921) | W. Donaldson (music) J. Young (words) Sam M. Lewis (words) |
Piano, Voice | IMSLP | |
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Feeling the Way I Do (1923) | W. Donaldson (music) B. G De Sylva (words) |
Piano, Voice | IMSLP | Pub. |
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For My Sweetheart (1926) | W. Donaldson (music) G. Kahn (words) Maurine Marseilles (perf.) |
Piano, Voice | Univ. of Maine | Pub. |
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Georgia (1922) | W. Donaldson (music) Howard Johnson (words) |
Piano, Voice | Indiana | Pub. |
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⇑Good-Bye Slim (1918) | W. Donaldson (w&m) | Piano, Voice | IMSLP | Pub. |
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Hippity Hop (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Indiana | Pub. |
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Hortense (1921) | W. Donaldson (music) J. Young (words) Sam. M Lewis (words) |
Piano, Voice | Greer Indiana |
Pub. |
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How 'Ya Gonna Keep 'Em Down on the Farm? (1919) | W. Donaldson (music) J. Young (words) Sam. M Lewis (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
I Love the Land of Old Black Joe (1920) | W. Donaldson (music) G. Clarke (words) |
Piano, Voice | IMSLP | Pub. |
|
I Wish That I'd Been Born in Borneo (1920) | W. Donaldson (music) G. Clarke (words) E. Cantor (perf.) |
Piano, Voice | IMSLP | Pub. |
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I'll Be Happy When the Preacher Makes You Mine (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Greer Indiana |
Pub. |
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I'm Satisfied to Step Aside (1918) | W. Donaldson (music) L. Wolfe Gilbert (words) |
Piano, Voice | Indiana | |
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⇑I'm Tickled to Death That You're Irish (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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I've Got a Ten Day Pass For a Honeymoon (1918) | W. Donaldson (w&m) J.F. Hanley (coauth.) B. MacDonald (coauth.) M. King (perf.) |
Piano, Voice | Indiana | Pub. |
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I've Got the Sweetest Girl in Maryland (1917) | W. Donaldson (music) Percy Bronson (perf.) Winnie Baldwin (perf.) Percy Bronson (perf.) Winnie Baldwin (perf.) |
Piano | IMSLP Indiana |
Pub. |
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In My Own Back Yard (1924) | W. Donaldson (music) B. Rose (words) Aileen Stanley (perf.) |
Piano, Voice | IMSLP | Pub. |
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It Made You Happy When You Made Me Cry (1926) | W. Donaldson (w&m) | Piano, Voice | IMSLP | Pub. |
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Just a Bird's-Eye View (1926) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | Greer IMSLP |
Pub. |
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Just Try to Picture Me Down Home in Tennessee (1915) | W. Donaldson (music) W. Jerome (words) A. Jolson (perf.) A. Jolson (perf.) A. Jolson (perf.) |
Piano, Voice | Greer Greer Greer Indiana Indiana |
Pub. |
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Kinky Kids' Parade (1925), The | W. Donaldson (music) G. Kahn (words) N. Bayes (perf.) |
Piano, Voice | IMSLP | Pub. |
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⇑Last Little Mile Is the Longest (1921), The | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Indiana | Pub. |
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Let It Rain! Let It Pour! (1925) | W. Donaldson (music) C. Friend (words) Irwin Abrams (perf.) |
Piano, Voice | IMSLP | Pub. |
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Midnight Waltz (1925), The | W. Donaldson (music) G. Kahn (words) |
Piano, Saxophone | IMSLP | Pub. |
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Mindin' My Bus'ness (1923) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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My Best Girl (1924) | W. Donaldson (w&m) |
Piano, Voice | Greer IMSLP Indiana |
Pub. |
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My Buddy (1922) | W. Donaldson (music) G. Kahn (words) Mary Katherine Campbell (perf.) A. Jolson (perf.) Mary Katharine Campbell (perf.) A. Jolson (perf.) |
Piano, Voice | IMSLP Kirk Indiana Indiana Indiana |
Pub. |
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My Little Bimbo Down on the Bamboo Isle (1920) | W. Donaldson (music) G. Clarke (words) Aileen Stanley (perf.) Aileen Stanley (perf.) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
My Mammy (1921) | W. Donaldson (music) J. Young (words) S. Lewis (words) A. Jolson (perf.) A. Jolson (perf.) Larry Parks (perf.) A. Jolson (perf.) |
Piano, Voice | IMSLP Indiana Indiana |
Pub. |
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⇑My Nanky Panky Poo (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP | Pub. |
|
My Ohio Home (1927) | W. Donaldson (music) G. Kahn (words) Al Plunkett (perf.) |
Piano, Voice | IMSLP | Pub. |
|
My Papa Doesn't Two-Time No Time (1924) | W. Donaldson (w&m) Hazel Crosby (perf.) |
Piano, Voice | IMSLP | Pub. |
|
My Sahara Rose (1920) | W. Donaldson (music) G. Clarke (words) |
Piano, Voice | Indiana | Pub. |
|
Oh! The Woman in Room 13 (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
Oh, Baby! (1924) | W. Donaldson (music) Bud G. De Sylva (words) Jean Granese (perf.) |
Piano, Voice | IMSLP | Pub. |
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Oh, Joe, With Your Fiddle and Bow (1916) | W. Donaldson (music) W. Tracey (words) |
Piano, Voice | IMSLP | Pub. |
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On the 'Gin 'Gin 'Ginny Shore (1922) | W. Donaldson (music) E. Leslie (words) Aileen Stanley (perf.) Adele Rowland (perf.) Aileen Stanley (perf.) |
Piano, Voice | IMSLP Indiana Indiana |
Pub. |
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⇑On the 'Gin 'Gin 'Ginny Shore - Fox Trot (1922) | W. Donaldson (music) | Piano | Indiana | Pub. |
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On the Isle of Wicki Wacki Woo (1923) | W. Donaldson (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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Sam, the Old Accordion Man (1927) | W. Donaldson (w&m) Helen Moretti (perf.) |
Piano, Voice | Univ. of Mississippi | Pub. |
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Seven or Eleven (1923) | W. Donaldson (music) L. Brown (words) |
Piano, Voice | IMSLP | Pub. |
|
Suki San (1917) | W. Donaldson (music) J. Keirn Brennan (words) |
Piano, Voice | Kirk Indiana |
Pub. |
|
Sweet Indiana Home (1922) | W. Donaldson (w&m) Aileen Stanley (perf.) Aileen Stanley (perf.) |
Piano, Voice | Greer IMSLP |
Pub. |
|
Sweet Jennie Lee! (1930) | W. Donaldson (w&m) | Piano, Voice | IMSLP | |
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There Must Be a Silver Lining (1928) | W. Donaldson (music) Dolly Morse (words) Fred Waring (perf.) |
Piano, Voice | IMSLP | Pub. |
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⇑Tired of Me (1920) | W. Donaldson (music) G. Clarke (words) |
Piano, Voice | Indiana | Pub. |
|
Upstairs and Down (1919) | W. Donaldson (music) Olive Thomas (perf.) Olive Thomas (perf.) |
Piano | IMSLP Indiana |
Pub. |
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We'll Have a Jubilee in My Old Kentucky Home (1915) | W. Donaldson (music) C. Goetz (words) Baby Esmond (perf.) Fred Barnes (perf.) Baby Esmond (perf.) Bert Wilcox (perf.) |
Piano, Voice | IMSLP Kirk Indiana Indiana |
Pub. |
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What Are You Waiting For Mary? (1923) | W. Donaldson (w&m) Elsie Thompson (perf.) |
Piano, Voice | Univ. of Maine | Pub. |
|
What's the Use of Kickin' (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP | Pub. |
|
When the Bees Make Honey Down in Sunny Alabam' (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | IMSLP Indiana |
Pub. |
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When Verdi Plays the Hurdy Gurdy (1916) | W. Donaldson (music) Chas McCarron (words) |
Piano, Voice | IMSLP | Pub. |
|
When You See Another Sweetie Hanging Around (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) Watson Sisters (perf.) |
Piano, Voice | IMSLP | Pub. |
|
⇑Where the Bamboo Babies Grow (1922) | W. Donaldson (music) L. Brown (words) E. Cantor (perf.) |
Piano, Voice | IMSLP Indiana |
Pub. |
|
Where'd You Get Those Eyes? (1925) | W. Donaldson (w&m) | Piano, Voice | Greer | Pub. |
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You'd Never Know That Old Home-Town of Mine (1915) | W. Donaldson (music) Howard Johnson (words) Dorothy Meuther (perf.) Ed Morton (perf.) Dorothy Meuther (perf.) Pilcer & Douglas (perf.) Dorothy Meuther (perf.) Ed Morton (perf.) Jack Frazer (perf.) Dorothy Meuther (perf.) S. Tucker (perf.) |
Piano, Voice | Greer IMSLP Indiana Indiana Indiana |
Pub. |
|
You're a Million Miles From Nowhere (1919) | W. Donaldson (music) Sam M. Lewis (words) J. Young (words) |
Piano, Voice | Greer IMSLP Indiana |
Pub. |
|
You're Just the Type (1921) | W. Donaldson (music) Sam M Lewis (words) J. Young (words) |
Piano, Voice | Indiana | Pub. |
This list is arranged in chronological order and contains 226 works by Walter Donaldson (1893-1947).
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| At the Old Plantation Ball | 1915 | Coleman Goetz (words) Milton Ager (words) Ed Morton (perf.) |
|
| Back Home in Tennessee | 1915 | William Jerome (words) Armand Vecsey (perf.) Mona Vivian (perf.) |
|
| I'll Be Back in Me Low Back Car | 1915 | Joe Young (words) | |
| Just Try to Picture Me Down Home in Tennessee | 1915 | William Jerome (words) George Wilton Ballard (perf.) Harry Cove (perf.) Al Jolson (perf.) William H. Thompson (perf.) |
 |
| We'll Have a Jubilee in My Old Kentucky Home | 1915 | Coleman Goetz (words) Fred Barnes (perf.) Jean Challon (perf.) Baby Esmond (perf.) Marie Laurent (perf.) Louise LeFoggie (perf.) Billy Murray (perf.) Bert Wilcox (perf.) Babe Wilsn (perf.) |
Pub. |
| You'd Never Know That Old Home-Town of Mine | 1915 | Howard Johnson (words) Monte Austin (perf.) Frederic V. Bowers (perf.) Jack Frazer (perf.) Dorothy Meuther (perf.) Ed Morton (perf.) Pilcer & Douglas (perf.) Sophie Tucker (perf.) |
Pub. |
| Cold Turkey | 1916 | |
|
| Come on to Nashville, Tennessee (w&m) | 1916 | |
|
| In the Beautiful Seaside Air | 1916 | William Tracey (words) | |
| Oh, Joe, With Your Fiddle and Bow | 1916 | William Tracey (words) | Pub. |
| When the Black Sheep Returns to the Fold | 1916 | Monty C Brice (words) | |
| ⇑ When Verdi Plays the Hurdy Gurdy | 1916 | Chas McCarron (words) | Pub.  |
| Army's Full of Irish a Man From Erin Never Runs, He's Irish, The | 1917 | ||
| I've Got the Nicest Little Home in D-I-X-I-E | 1917 | ||
| I've Got the Sweetest Girl in Maryland | 1917 | Winnie Baldwin (perf.) Percy Bronson (perf.) Premier Quartet (perf.) |
|
| My Loveable Girl | 1917 | Monty C. Brice (words) | Pub. |
| Suki San | 1917 | J. Keirn Brennan (words) Vernon Dalhart (perf.) |
Pub. |
| When He's All Dolled Up | 1917 | Monty C Brice (words) | |
| Daughter of Rosie O'Grady, The | 1918 | Monty C. Brice (words) Ada Jones (perf.) Gladys Leslie (perf.) |
Pub. |
| Dumpty Deedle Dee Dum Dee | 1918 | Hal Crane (words) | |
| Good-Bye Slim (w&m) | 1918 | |
|
| I'm Satisfied to Step Aside | 1918 | L. Wolfe Gilbert (words) | |
| I've Got a Ten Day Pass For a Honeymoon (w&m) | 1918 | James F. Hanley (co-author) Ballard MacDonald (co-author) Mollie King (perf.) |
Pub. |
| ⇑ Sweet Peaches | 1918 | Carol Holloway (perf.) | |
| You Can Find a Little Bit of Dixieland No Matter Where You Go | 1918 | ||
| Baby Blue | 1919 | Sam M. Lewis (words) Joe Young (words) |
|
| Bless My Swanee River Home | 1919 | Sam Lewis (words) Joe Young (words) |
Pub. |
| Don't Cry Frenchy, Don't Cry | 1919 | Sam M. Lewis (words) Joe Young (words) George Wilton Ballard (perf.) |
Pub. |
| Hippity Hop | 1919 | Sam M. Lewis (words) Joe Young (words) Premier Quartet (perf.) |
Pub. |
| How 'Ya Gonna Keep 'Em Down on the Farm? | 1919 | Joe Young (words) Sam. M Lewis (words) Byron George Harlan (perf.) Ada Jones (perf.) |
Pub. |
| I'll Be Happy When the Preacher Makes You Mine | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| I'm Tickled to Death That You're Irish | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| My Nanky Panky Poo | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| Oh! The Woman in Room 13 | 1919 | Sam M. Lewis (words) Joe Young (words) |
Pub. |
| Sail Away For Lullabye Bay | 1919 | Sam M Lewis (words) Joe Young (words) |
|
| ⇑ Upstairs and Down | 1919 | Olive Thomas (perf.) | Pub. |
| What's the Use of Kickin' | 1919 | Sam M. Lewis (words) Joe Young (words) Maurice Burkhart (perf.) |
Pub. |
| When the Bees Make Honey Down in Sunny Alabam' | 1919 | Sam M. Lewis (words) Joe Young (words) Irving Kaufman (perf.) Jack Kaufman (perf.) |
Pub. |
| When You See Another Sweetie Hanging Around | 1919 | Sam M. Lewis (words) Joe Young (words) Watson Sisters (perf.) |
Pub. |
| Yock-A-Hilo Town | 1919 | Vernon Dalhart (perf.) | |
| You're a Million Miles From Nowhere | 1919 | Sam M. Lewis (words) Joe Young (words) William Bonner (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| I Love the Land of Old Black Joe | 1920 | Grant Clarke (words) Vaughn de Leath (perf.) |
|
| I Wish That I'd Been Born in Borneo | 1920 | Grant Clarke (words) Eddie Cantor (perf.) |
Pub. |
| I'll Always Keep a Corner in My Heart For Tennessee | 1920 | Grant Clarke (words) Billy Jones (perf.) Billy Jones; as Reese Jones |
Pub. |
| If All the Girls Were Good Little Girls | 1920 | Grant Clarke (words) | Pub. |
| My Little Bimbo Down on the Bamboo Isle | 1920 | Grant Clarke (words) Aileen Stanley (perf.) |
Pub. |
| My Sahara Rose | 1920 | Grant Clarke (words) Wiedoeft-Wadsworth Quartet (perf.) |
Pub. |
| Rock-A-Bye Lullabye Mammy | 1920 | Grant Clarke (words) | Pub. |
| Tired of Me | 1920 | Grant Clarke (words) | Pub. |
| Down Around 'Sip 'Sip 'Sippy Shore | 1921 | Joe Young (words) Sam M. Lewis (words) |
Pub. |
| Down South | 1921 | B.G. DeSylva (words) | |
| Give Me My Mammy | 1921 | Al Jolson (perf.) | |
| ⇑ Hortense | 1921 | Joe Young (words) Sam. M Lewis (words) |
Pub. |
| Last Little Mile Is the Longest, The | 1921 | Sam M. Lewis (words) Joe Young (words) Lewis James (perf.) |
Pub. |
| My Mammy | 1921 | Joe Young (words) Sam Lewis (words) Barbara Hale (perf.) Al Jolson (perf.) Larry Parks (perf.) Premier Quartet (perf.) |
Pub. |
| You're Just the Type | 1921 | Sam M Lewis (words) Joe Young (words) |
Pub. |
| Away Down East in Maine (w&m) | 1922 | |
|
| Bamboo Bay | 1922 | Raymond B. Egan (co-author) Richard A. Whiting (co-author) |
|
| Carolina in the Morning | 1922 | Gus Kahn (words) Ben Bernie (perf.) Bob Canser (perf.) Maureen Englin (perf.) Ernie & Billy Loos (perf.) Jack Gould (perf.) Sam Gould (perf.) Gene Howard (perf.) Willie Howard (perf.) Artie Mehlinger (perf.) Maurice Sherman (perf.) Aileen Stanley (perf.) Buddy Walker (perf.) Willie & Gene Howard (perf.) |
Pub. |
| Dixie Highway | 1922 | Gus Kahn (words) | Pub. |
| Dixie Vagabond, The | 1922 | Gus Kahn (words) | |
| Georgia | 1922 | Howard Johnson (words) | |
| My Buddy | 1922 | Gus Kahn (words) Mary Katharine Campbell (perf.) Mary Katherine Campbell (perf.) Al Jolson (perf.) |
Pub. |
| On the 'Gin 'Gin 'Ginny Shore | 1922 | Edgar Leslie (words) Adele Rowland (perf.) Aileen Stanley (perf.) White Sisters (perf.) |
Pub. |
| ⇑ On the 'Gin 'Gin 'Ginny Shore - Fox Trot | 1922 | Pub. | |
| Sweet Indiana Home (w&m) | 1922 | Margie Coates (perf.) Charles Crafts (perf.) Jesse Crawford (perf.) Roy Dieterich (perf.) Jean Granese (perf.) Jack Haley (perf.) Karyl Norman (perf.) Broadway Dance Orchestra (perf.) Jessie Reed (perf.) Aileen Stanley (perf.) |
Pub. |
| Where the Bamboo Babies Grow | 1922 | Lew Brown (words) Eddie Cantor (perf.) |
Pub. |
| Beside a Babbling Brook | 1923 | Gus Kahn (words) Karyl Norman (perf.) |
 Pub. |
| Feeling the Way I Do | 1923 | B. G De Sylva (words) | Pub. |
| I Love My Chili Bom Bom | 1923 | Cliff Friend (words) | |
| Little Rover | 1923 | Gus Kahn (words) George Jessel (perf.) Marshall Montgomery (perf.) Martha Pryor (perf.) Aileen Stanley (perf.) |
Pub. |
| Lou'siana | 1923 | Gus Kahn (words) | Pub. |
| Mindin' My Bus'ness | 1923 | Gus Kahn (words) Maureen Englin (perf.) Ernest Hare (perf.) |
Pub. |
| On the Isle of Wicki Wacki Woo | 1923 | Gus Kahn (words) | Pub. |
| Poor Little Rose | 1923 | Gus Kahn (words) | |
| Seven or Eleven | 1923 | Lew Brown (words) Eddie Cantor (perf.) Dolly Kay (perf.) |
Pub. |
| ⇑ Stealing to Virginia | 1923 | Gus Kahn (words) Helen Moretti (perf.) Blossom Seeley (perf.) Elsie White (perf.) |
Pub. |
| What Are You Waiting For Mary? (w&m) | 1923 | Larry Dean (perf.) Jack Osterman (perf.) Elsie Thompson (perf.) |
Pub. |
| Back Where the Daffodils Grow (w&m) | 1924 | Green Brothers' Novelty Band (perf.) Charlotte Meyers (perf.) |
Pub. |
| Down Where the South Begins | 1924 | Gus Kahn (words) Ernest Hare (perf.) Billy Jones (perf.) |
|
| In My Own Back Yard | 1924 | Billy Rose (words) Aileen Stanley (perf.) |
Pub. |
| In the Evening (w&m) | 1924 | Vernon Dalhart (perf.) Harry Fox (perf.) Hellene Heller (perf.) Keller Sisters & Lynch (perf.) Artie Mehlinger (perf.) Geo Riley (perf.) Ed Smalle (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Kiss Your Little Baby, Good Night! (w&m) | 1924 | Charles T. Straight (co-author) | |
| My Best Girl (w&m) | 1924 | |
|
| My Papa Doesn't Two-Time No Time (w&m) | 1924 | Hazel Crosby (perf.) | |
| Oh Maw! Oh Paw! Isn't She the Sweetest Thing? | 1924 | Gus Kahn (words) | Pub. |
| Oh, Baby! | 1924 | Bud G. De Sylva (words) Jean Granese (perf.) |
Pub. |
| On the Z-R-3 | 1924 | Al Jolson (perf.) | |
| Somebody Like You | 1924 | Cliff Friend (words) | |
| Starlight Bay | 1924 | Gus Kahn (words) | |
| What's Today Got to Do With Tomorrow (w&m) | 1924 | Pub. | |
| Ev'ry One Home Is Asking For You | 1925 | Gus Kahn (words) | |
| I Can't Realize | 1925 | B. G. DeSylva (words) Aileen Stanley (perf.) |
|
| ⇑ I Wonder Where My Baby Is To-Night | 1925 | Gus Kahn (words) Wright & Bessinger (perf.) |
Pub. |
| In the Middle of the Night | 1925 | Billy Rose (words) Virginia Johnson (perf.) |
Pub. |
| Isn't She the Sweetest Thing | 1925 | Gus Kahn (co-author) | Pub. |
| Kinky Kids' Parade, The | 1925 | Gus Kahn (words) Nora Bayes (perf.) Duncan Sisters (perf.) Mr & Mrs. Jesse Crawford (perf.) |
Pub. |
| Let It Rain! Let It Pour! | 1925 | Cliff Friend (words) Irwin Abrams (perf.) Earl & Bell (perf.) Charles R. Hector (perf.) Ruby Norton (perf.) |
Pub. |
| Midnight Waltz, The | 1925 | Gus Kahn (words) Ben Goldfarb (perf.) Dave Harmon (perf.) Johnny Harms (perf.) Al Messenger (perf.) Oriole Orchestra (perf.) Harry Pomar (perf.) California Ramblers (perf.) |
Pub. |
| My Sweetie Turned Me Down | 1925 | Gus Kahn (words) Maxine Brown (perf.) Ed. & Morton Beck (perf.) Maxine Loomis (perf.) Virginia Loomis (perf.) Ponce Sisters (perf.) |
Pub. |
| Oh Lovey Be Mine (w&m) | 1925 | Correll & Gosden (perf.) David Rubinof (perf.) |
|
| One Way Street | 1925 | Ballard MacDonald (words) | |
| Swanee Butterfly (w&m) | 1925 | Billy Rose (co-author) | Pub. |
| That Certain Party | 1925 | Gus Kahn (words) Grace Aldrich (perf.) Charles Derickson (perf.) Jay C. Flippen (perf.) Heller & Riley (perf.) Lloyd Ibach (perf.) Louise Lake (perf.) Francis Renault (perf.) Betty Taylor (perf.) |
Pub. |
| There Ain't No Maybe in My Baby's Eyes (w&m) | 1925 | Gus Kahn (co-author) Raymond Egan (co-author) John Ryan (perf.) |
|
| ⇑ What Do I Care My Sweetie Turned Me Down | 1925 | Gus Kahn (words) Parodians (perf.) |
Pub. |
| Where'd You Get Those Eyes? (w&m) | 1925 | Correll & Gosden (perf.) Frank Fay (perf.) Helen Moretti (perf.) A. B. Salinger (perf.) |
Pub. |
| Yes Sir! That's My Baby | 1925 | Gus Kahn (words) Maxine Brown (perf.) Margie Carson (perf.) Thomas E. Fullmer (perf.) Nick Lucas (perf.) Georgia Melodians (perf.) Don Romine (perf.) Roy Steffens (perf.) Welder Sisters (perf.) |
Pub. |
| You Gotta Know How (w&m) | 1925 | Ernie Erdman (co-author) Ralph Williams (co-author) |
Pub. |
| After I Say I'm Sorry? | 1926 | Abe Lyman (words) Lydia Harris (perf.) Bee Palmer (perf.) |
Pub. |
| But I Do - You Know I Do | 1926 | Gus Kahn (words) Locust Sisters (perf.) |
|
| Don't Be Angry With Me (w&m) | 1926 | Pub. | |
| For My Sweetheart | 1926 | Gus Kahn (words) Clariece Catlett (perf.) Hazel Hurd (perf.) Bobby Jackson (perf.) Jones & Elliott (perf.) Joseph Knecht (perf.) Doree Leslie (perf.) Maurine Marseilles (perf.) Ponce Sisters (perf.) Ryan Sisters (perf.) Paul Smith (perf.) Wilton Sisters (perf.) |
Pub. |
| I've Got the Girl! | 1926 | Pub. | |
| It Made You Happy When You Made Me Cry (w&m) | 1926 | Phil Napoleon (perf.) | Pub. |
| Just a Bird's-Eye View | 1926 | Gus Kahn (words) | Pub. |
| Let's Talk About My Sweetie | 1926 | Gus Kahn (words) Merle Johnston (perf.) Bee Palmer (perf.) |
Pub. |
| ⇑ No More Worryin' | 1926 | Jay Mills (co-author) Gus Kahn (words) Jean Granese (perf.) Al Jolson (perf.) |
Pub. |
| Pretty Lips (w&m) | 1926 | Charle Straight (co-author) | |
| Thinking of You | 1926 | Paul Ash (words) | Pub. |
| Up and Down the Eight Mile Road | 1926 | Gus Kahn (words) Grace Aldrich (perf.) Iris Vining (perf.) |
Pub. |
| What a Man! (w&m) | 1926 | Ralph Williams (co-author) Charles T. Straight (perf.) |
Pub. |
| What Can I Say After I Say I'm Sorry? (w&m) | 1926 | Abe Lynman (co-author) Ruth Etting (perf.) Bee Palmer (perf.) |
|
| Title | Year | Attribution | Remarks |
|---|
| Who Wouldn't? | 1926 | Gus Kahn (words) Ponce Sisters (perf.) Arr. by May Singhi Breen |
|
| At Sundown (w&m) | 1927 | Frank Petty Trio (perf.) | |
| Changes (w&m) | 1927 | Pub. | |
| He's the Last Word | 1927 | Gus Kahn (words) | |
| If I Can't Have You (w&m) | 1927 | Pub. | |
| If You See Sally | 1927 | Gus Kahn (words) Ray Egan (words) |
Pub. |
| Just the Same (w&m) | 1927 | Joe Burke (co-author) | Pub. |
| Mary? (w&m) | 1927 | Pub. | |
| My Blue Heaven | 1927 | George Whiting (words) Gene Austin (perf.) Jeanne La Crosse (perf.) Eddie Dunstedter (perf.) Ruth Etting (perf.) Vaughn de Leath (perf.) Jack Osterman (perf.) Muriel Pollock (perf.) Paul Whiteman (perf.) |
Pub. |
| My Ohio Home | 1927 | Gus Kahn (words) Earl & Bell (perf.) Louis Lilienfeld (perf.) Al Plunkett (perf.) |
Pub. |
| Sa-Lu-Ta! | 1927 | Gus Kahn (words) | Pub. |
| ⇑ Sam, the Old Accordion Man (w&m) | 1927 | Bob Fisher (perf.) F. Judnich (perf.) Helen Moretti (perf.) Jack Sidney (perf.) Wilmont Sisters (perf.) |
Pub. |
| Shady Tree, A (w&m) | 1927 | Pub. | |
| Sing Me a Baby Song | 1927 | Gus Kahn (words) | Pub. |
| Someday You'll Say-O.K (w&m) | 1927 | Pub. | |
| That Melody of Love | 1927 | Howard Dietz (words) Greta Garbo (perf.) John Gilbert (perf.) |
Pub. |
| There Ain't No Land Like Dixieland to Me | 1927 | Pub. | |
| You're the One For Me (w&m) | 1927 | Paul Ash (co-author) Jack Kneeland (perf.) |
|
| Anything You Say | 1928 | |
|
| Because My Baby Don't Mean Maybe Now | 1928 | ||
| Come West, Little Girl, Come West | 1928 | ||
| Gypsy Joe | 1928 | ||
| Gypsy Song, The | 1928 | ||
| ⇑ In a Bamboo Garden | 1928 | Pub. | |
| In a Little Town Called Home Sweet Home (w&m) | 1928 | Pub. | |
| Just Another Night (w&m) | 1928 | Grace La Rue (perf.) | Pub. |
| Just Like a Melody Out of the Sky | 1928 | Pub. | |
| Love Me or Leave Me | 1928 | James Cagney (perf.) Doris Day (perf.) |
Pub. |
| Makin' Whoopee! | 1928 | Eddie Cantor (perf.) | Pub. |
| Out of the Dawn (w&m) | 1928 | Richard Dix (perf.) | Pub. |
| Out of Town Gal | 1928 | ||
| Say ''Yes'' Today | 1928 | ||
| There Must Be a Silver Lining | 1928 | Dolly Morse (words) Fred Waring (perf.) |
Pub. |
| Until You Get Somebody Else | 1928 | ||
| You're in Love and I'm in Love (w&m) | 1928 | Pub. | |
| ⇑ Duke of Ka-Ki-Ak! | 1929 | Edgar Leslie (words) | Pub. |
| If We Never Should Meet Again | 1929 | Edgar Leslie (words) | Pub. |
| Junior (w&m) | 1929 | Pub. | |
| Kansas City Kitty | 1929 | Edgar Leslie (words) | Pub. |
| Reaching For Someone | 1929 | Edgar Leslie (words) Vaughn de Leath (perf.) |
Pub. |
| Romance | 1929 | Edgar Leslie (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Sweet Nothings of Love | 1929 | Edgar Leslie (words) Fifi D'Orsay (perf.) |
|
| Sweet Seventeen | 1929 | Edgar Leslie (words) | |
| Tain't No Sin | 1929 | Pub. |
|
| Am I Gonna See You Some More? (w&m) | 1930 | Pub. | |
| Cottage in the Country, A | 1930 | ||
| Girl Friend of a Boy Friend of Mine, A | 1930 | Gus Kahn (words) Chester Gaylord (perf.) Parker Gibbs (perf.) Irving Kaufman (perf.) |
|
| Lazy Lou'siana Moon (w&m) | 1930 | Pub. | |
| Little White Lies (w&m) | 1930 | Flo Campbell (perf.) Dick Haymes (perf.) Vincent Lopez (perf.) Ethel Merman (perf.) Rudy Vallée (perf.) |
Pub. |
| My Baby Just Cares For Me | 1930 | Gus Kahn (words) Eddie Cantor (perf.) |
Pub. |
| My Man From Caroline | 1930 | Ethel Merman (perf.) | Pub. |
| Sweet Jennie Lee! (w&m) | 1930 | Guy Lombardo (perf.) | Pub. |
| ⇑ There's a Wah-Wah Girl in Agua Caliente (w&m) | 1930 | Pub. | |
| You're Driving Me Crazy! (w&m) | 1930 | |
|
| Blue Kentucky Moon (w&m) | 1931 | Ben Ally (perf.) | Pub. |
| Ev'ning in Caroline, An (w&m) | 1931 | Boswell Sisters (perf.) | Pub. |
| Goodnight Moon (w&m) | 1931 | Pub. | |
| Hello! Beautiful! (w&m) | 1931 | Maurice Chevalier (perf.) | Pub. |
| How the Time Can Fly (w&m) | 1931 | Pub. | |
| I'm With You! | 1931 | Helen Morgan (perf.) Harry Richman (perf.) |
Pub. |
| Little Hunka Love (w&m) | 1931 | Pub. | |
| Lucille (w&m) | 1931 | Maurice Chevalier (perf.) Rudy Vallée (perf.) |
Pub. |
| Sometime in Summertime (w&m) | 1931 | Pub. | |
| That's What I Like About You (w&m) | 1931 | Pub. | |
| ⇑ Without That Gal | 1931 | ||
| You Didn't Have to Tell Me (w&m) | 1931 | Pub. | |
| I Guess It Wasn't Meant to Be | 1932 | Gus Kahn (words) | Pub. |
| I'm So in Love (w&m) | 1932 | Pub. | |
| My Mom (w&m) | 1932 | Bing Crosby (perf.) Irene Taylor (perf.) |
Pub. |
| You're Telling Me | 1932 | Gus Kahn (words) | Pub. |
| Hiawatha's Lullaby | 1933 | Joe Young (words) Eddie Duchin (perf.) |
Pub. |
| You've Got Ev'rything | 1933 | Gus Kahn (words) Isham Jones (perf.) |
|
| Dancing in the Moonlight | 1934 | Gus Kahn (words) | |
| Earful of Music, An | 1934 | Gus Kahn (words) Eddie Cantor (perf.) Ethel Merman (perf.) |
Pub. |
| I've Had My Moments | 1934 | Gus Kahn (words) | |
| Jungle Fever | 1934 | Howard Dietz (words) Mills Brothers (perf.) |
Pub. |
| ⇑ Okay Toots | 1934 | Gus Kahn (words) Eddie Cantor (perf.) |
Pub. |
| Once in a Lifetime | 1934 | Gus Kahn (words) Gary Cooper (perf.) Marion Davies (perf.) |
Pub. |
| Riptide | 1934 | Gus Kahn (words) | Pub. |
| Sleepy Head | 1934 | Gus Kahn (words) Gary Cooper (perf.) Marion Davies (perf.) |
Pub. |
| Thousand Good Nights, A (w&m) | 1934 | Charles Carlile (perf.) Hal Kemp (perf.) |
Pub. |
| When My Ship Comes In | 1934 | Gus Kahn (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| You'll Never Know (w&m) | 1934 | |
|
| Clouds | 1935 | Gus Kahn (words) Bernie Cummins (perf.) Richard Himber (perf.) Pickens Sisters (perf.) |
Pub. |
| It's Been So Long | 1935 | Harold Adamson (words) Myrna Loy (perf.) William Powell (perf.) Luise Rainer (perf.) |
|
| Tender Is the Night | 1935 | Harold Adamson (words) | |
| Did I Remember? | 1936 | Harold Adamson (words) Cary Grant (perf.) Jean Harlow (perf.) Franchot Tone (perf.) |
Pub. |
| You | 1936 | Harold Adamson (words) Myrna Loy (perf.) William Powell (perf.) Luise Rainer (perf.) |
Pub. |
| You Never Looked So Beautiful | 1936 | Harold Adamson (words) | |
| Could Be | 1938 | Johnny Mercer (words) Kay Kyser (perf.) |
|
| Why'd Ya Make Me Fall in Love? | 1938 | ||
| You Look Good to Me | 1938 | Billy Rose (words) | |
| Cuckoo in the Clock | 1939 | Johnny Mercer (words) | |
| ⇑ Fit to Be Tied | 1939 | ||
| Gotta Get Some Shut-Eye | 1939 | Johnny Mercer (words) Ben Bernie (perf.) Sammy Kaye (perf.) |
Pub. |
| I'm Fit to Be Tied | 1939 | ||
| Shut-Eye | 1939 | Johnny Mercer (words) Ben Bernie (perf.) |
Pub. |
| Mister Meadowlark | 1940 | Johnny Mercer (words) | |
| On Behalf of the Visiting Firemen | 1940 | Johnny Mercer (words) | |
| Nevada (w&m) | 1943 | Mort Greene (co-author) John Hubbard (perf.) Freddy Martin (perf.) Ann Miller (perf.) Rochester (perf.) |
|
| Never a Day Goes By (w&m) | 1943 | Peter de Rose (co-author) Mitchell Parish (co-author) Benay Venuta (perf.) Jerry Wald (perf.) |
|
| Borneo | ? | ||
| Cause I'm in Love (w&m) | ? | |
| Composer | Title | Performer |
|---|
|
W. Donaldson | Just Try to Picture Me Down Home in Tennessee (2:54) | Harry Cove William H. Thompson |
|
W. Donaldson | Let It Rain! Let It Pour! (2:42) | Earl & Bell |
|
W. Donaldson | Cold Turkey (2:35) | Ragtime Dorian Henry |
|
W. Donaldson | In the Evening (3:11) | Keller Sisters & Lynch |
|
W. Donaldson | Mindin' My Bus'ness (2:47) | Maureen Englin |