Down Red Rose Lane Song Words and Music by: John Walter Bratton.
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Teddy Bears Picnic, The for Xylophone or Marimba with Piano Accompaniment Music by: John Walter Bratton.
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Two Little Blue Little True Little Eyes Song Music by: John Walter Bratton. Words by: George A. Norton
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When the Fightin' Irish Come Home Song Words and Music by: John Walter Bratton.
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You'll Always Be Just Sweet Sixteen to Me Song Music by: John Walter Bratton. Words by: Paul West
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Title (Release Year) | Co-Author(s) | Performers | Issue |
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There Are Fifty-Seven Ways to Catch a Man (1910) | Stella Mayhew | Edison Amberol: D-23 | ||
Sadie, My Lady (1896-1900) | Dan W. Quinn | Columbia Phonograph Co.: 5273 |
Performer | CD Title | Supplier |
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Recorder Music CDs: | |||
Bremen Recorder Touring Company | Recorder Recital at St. Mathews | ||
Brass Music CDs: | |||
New Columbian Brass Band | The Teddy Bears Picnic | ||
Jazz Music CDs: | |||
Kenny Ball | The Very Best of Kenny Ball | ||
Ragtime Music CDs: | |||
Various Artists | American Light Music Classics | CD(s) & MP3 Album(s) | |
Paragon Ragtime Orchestra | Knockout Drops | CD(s) & MP3 Album(s) | |
Paragon Ragtime Orchestra | More Candy | CD(s) & MP3 Album(s) | |
The Great American Main St. Band | Silks & Rags | ||
Tom Brier | Generic | ||
Palm Court Theatre Orchestra | The Picnic Party | CD(s) & MP3 Album(s) |
Title | Attribution | Remarks |
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Just As if She Didn't Know | John Walter Bratton (music) Walter Ford (words) Marie Lloyd (perf.) |
Title | Attribution | Instruments | Source | Remarks |
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Down Red Rose Lane (1913) | J.W. Bratton (w&m) | Piano, Voice | Indiana | ||
In a Cosey Corner (1901) | J.W. Bratton (music) | Piano | YorkSpace | ||
Just a Word For Father (1900) | J.W. Bratton (music) Walter H. Ford (words) |
Piano, Voice | Indiana | ||
Laces and Graces (1903) | J.W. Bratton (music) Gus Salzer (coauth.) |
Piano | YorkSpace | Pub. | |
Little Black Man (1905), The | J.W. Bratton (music) Paul West (words) |
Piano, Voice | Indiana | Pub. | |
My Little Hong Kong Baby (1902) | J.W. Bratton (music) Paul West (words) Violet Dale (perf.) |
Piano, Voice | Indiana | Pub. | |
My Sunday Dolly (1898) | J.W. Bratton (music) Walter H. Ford (words) |
Piano, Voice | Indiana | Pub. | |
⇑On a Saturday Night (1922) | J.W. Bratton (music) William Andrew Downs (words) |
Piano, Voice | Indiana | Pub. | |
Seeing New York in the Rubber-Neck Hack (1904) | J.W. Bratton (music) Paul West (words) |
Piano, Voice | Indiana | Pub. | |
Teddy Bears Picnic (1907), The | J.W. Bratton (music) Paul West (coauth.) |
Piano, Voice | Indiana | Pub. | |
Then I'll Come Back to You (1917) | J.W. Bratton (w&m) Ed Morton (perf.) |
Piano, Voice | Indiana | Pub. | |
You'll Always Be Just Sweet Sixteen to Me (1908) | J.W. Bratton (music) Paul West (words) |
Piano, Voice | Indiana | Pub. |
Title | Year | Attribution | Remarks |
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Marie | 1893 | ||
Rose Glenroy (w&m) | 1893 | ||
Two Pictures | 1893 | Walter H. Ford (words) Julius P. Witmark (perf.) |
Pub. |
Bells of Fate | 1894 | Walter H. Ford (words) W Murray Smith (perf.) |
Pub. |
His Little Sweetheart, Nell | 1894 | Walter H. Ford (words) | Pub. |
My Dainty Cigarette | 1894 | Walter H. Ford (words) | Pub. |
My Dear Old Chum | 1894 | Walter H. Ford (words) Lottie Gilson (perf.) |
|
Old Stage Door, The (w&m) | 1894 | Robert S Baird (perf.) | Pub. |
Only Me | 1894 | Walter H. Ford (words) Joseph B. Maxwell (perf.) Alfred L. Simpson (perf.) |
Pub. |
She Didn't Do a Thing to Him | 1894 | Walter H. Ford (words) | Pub. |
Tarry Carrie Till We Marry | 1894 | Walter H. Ford (words) | Pub. |
⇑ Tell Me Ruby, Will You True Be? | 1894 | Walter H. Ford (words) | Pub. |
Under the City Lights | 1894 | Walter H. Ford (words) | Pub. |
Waiting For Nora's Return | 1894 | Walter H. Ford (words) | Pub. |
What D'ye Think of Hoolihan? | 1894 | Walter H. Ford (words) | Pub. |
Henrietta! Have You Met Her? | 1895 | Walter H. Ford (words) | Pub. |
Honey Does You Love Yer Man? | 1895 | Walter H. Ford (words) Flora Irwin (perf.) |
Pub. |
I Did'nt Think He'd Do It, But He Did | 1895 | Walter H. Ford (words) | |
I'll Not Forsake You, Tom | 1895 | Walter H. Ford (words) Al Bellman (perf.) |
Pub. |
Just As if She Didn't Know | 1895 | Walter H. Ford (words) Hawthorne Sisters (perf.) Marie Lloyd (perf.) |
Pub. |
Melody He Used to Sing, The | 1895 | Walter H. Ford (words) | Pub. |
Songs We Hear on the Stage | 1895 | Walter H. Ford (words) Henry V Donnelly (perf.) Edward Girard (perf.) |
Pub. |
Sunshine of Paradise Alley, The | 1895 | Walter H. Ford (words) Hawthorne Sisters (perf.) Julius P. Witmark (perf.) |
Pub. |
⇑ Because We're Together | 1896 | Walter H. Ford (co-author) | |
I Love You in the Same Old Way | 1896 | Walter H. Ford (words) Richard J. José (perf.) Joseph B. Maxwell (perf.) Alfred L. Simpson (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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Isabelle | 1896 | Walter H. Ford (words) | |
It's Sunshiny Weather | 1896 | Walter H. Ford (words) | Pub. |
Japanese Lantern Dance | 1896 | ||
Lika a Good Little Girl Should Do | 1896 | Walter H. Ford (words) | Pub. |
She Always Dressed in Black | 1896 | Walter H. Ford (words) Fannie Leslie (perf.) |
Pub. |
She's Been a Mother to Me | 1896 | Walter H. Ford (words) | Pub. |
Since Maggie Bought the Parrot | 1896 | Walter H. Ford (words) | Pub. |
Sunday Night in Lover's Lane | 1896 | Walter H. Ford (words) | |
Belle of the Season, The | 1897 | Pub. | |
Dance of the Waves | 1897 | Pub. | |
Gayest Manhattan | 1897 | ||
⇑ Genevieve! | 1897 | Walter H. Ford (words) | Pub. |
Lurline | 1897 | Pub. | |
Mary's Not As Green As She Looks | 1897 | Walter H. Ford (words) | Pub. |
Only a Newsboy | 1897 | Arthur J. Lamb (words) | |
Sadie, My Lady | 1897 | Walter H. Ford (words) Dan W. Quinn (perf.) |
Pub. |
At the Sound of the Sunset Gun | 1898 | Walter H. Ford (words) Robert S Baird (perf.) |
|
Cinderella | 1898 | Walter H. Ford (words) | Pub. |
Don't Ask Me to Forget | 1898 | Walter H. Ford (words) | Pub. |
Gold, Wine and Kisses | 1898 | Pub. | |
Hats Off to the Boys Who Made Good | 1898 | Walter H. Ford (words) | Pub. |
Have a Kiss With Me | 1898 | Walter H. Ford (words) | Pub. |
I'm Nothing to You Now | 1898 | Walter H. Ford (words) Lottie Gilson (perf.) |
Pub. |
⇑ My Sunday Dolly | 1898 | Walter H. Ford (words) | Pub. |
Oh Liza, How I Despise Her | 1898 | Walter H. Ford (words) | Pub. |
Title | Year | Attribution | Remarks |
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Old Folks Are Longing For You May, The | 1898 | Walter H. Ford (words) | |
Queen of Hearts, The | 1898 | Pub. | |
You May Regret Some Day | 1898 | Walter H. Ford (words) | Pub. |
Change Will Do You Good | 1899 | ||
Dear Old Soul | 1899 | Walter H. Ford (words) Richard J. José (perf.) |
Pub. |
Heigh Ho | 1899 | Walter H. Ford (words) | Pub. |
I Got All I Can Do to Keep My Hands Off You | 1899 | ||
Mandy From Mandalay | 1899 | Walter H. Ford (words) | Pub. |
My Queen Irene | 1899 | Walter H. Ford (words) Truly Shattuck (perf.) |
Pub. |
Pride of the Pier, The | 1899 | Walter H. Ford (words) Lottie Gilson (perf.) |
|
Rubber Neck Jim | 1899 | Pub. | |
⇑ That You May Be Mine | 1899 | Walter H. Ford (words) | Pub. |
Touch of a Woman's Hand, A | 1899 | Walter H. Ford (words) | Pub. |
You'se Honey to Yo' Mammy Just De Same | 1899 | Walter H Ford (words) Isadore Rush (perf.) |
Pub. |
Billet Doux | 1900 | ||
Just a Word For Father | 1900 | Walter H. Ford (words) | |
My Little Lady Bug | 1900 | Walter H. Ford (words) | Pub. |
My May Day | 1900 | ||
My Sunbeam From the South | 1900 | Walter H. Ford (co-author) | |
My Sunflower Sue | 1900 | Walter H. Ford (words) Peter F. Dailey (perf.) |
Pub. |
Scion of the House of High-Ball, A | 1900 | ||
Spring-Time Bells | 1900 | ||
You Never Can Tell What a Kiss Will Do | 1900 | ||
⇑ Barn Yard Frolics | 1901 | ||
He Ought to Have a Tablet in the Hall of Fame | 1901 | Arthur L. Robb (words) Francis Wilson (perf.) |
Pub. |
Title | Year | Attribution | Remarks |
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In a Cosey Corner | 1901 | ||
At Sunrise | 1902 | J. W. Bratton (words) | Pub. |
My Little Hong Kong Baby | 1902 | Paul West (words) Violet Dale (perf.) Adele Ritchie (perf.) |
Pub. |
She Read the New York Papers Every Day | 1902 | Grace Cameron (perf.) | |
Amorous Esquimaux, The | 1903 | Paul West (words) | Pub. |
I Want to Play Hamlet | 1903 | ||
I'm on the Water Wagon Now | 1903 | Paul West (words) Frank Daniels (perf.) |
Pub. |
Laces and Graces | 1903 | Gus Salzer (co-author) | Pub. |
My Cosey-Corner Girl | 1903 | Chas. Noel Douglas (words) Geo. Grossmith Jr. (perf.) Edna May (perf.) |
Pub. |
Two Little Blue Little True Little Eyes | 1903 | George A. Norton (words) | Pub. |
Good-By, Teddy! | 1904 | Paul West (words) Alton Brooks Parker (perf.) |
|
⇑ Happy Jappy Soldier Man | 1904 | Paul West (words) Eleanor Falk (perf.) |
Pub. |
Honeymoon Hall | 1904 | Paul West (words) | Pub. |
In a Pagoda | 1904 | Pub. | |
In Black and White | 1904 | ||
Mademoiselle New York | 1904 | Paul West (words) | Pub. |
Roses' Honeymoon, The | 1904 | J.W. Bratton (words) | Pub. |
Seeing New York in the Rubber-Neck Hack | 1904 | Paul West (words) | Pub. |
That's the Girl | 1904 | ||
Come My True Love | 1905 | ||
Come On, Let's Two-Step | 1905 | ||
Hang Together | 1905 | ||
Jack O'Lantern Joe | 1905 | Paul West (words) | Pub. |
⇑ Lily White | 1905 | ||
Little Black Man, The | 1905 | Paul West (words) | Pub. |
Title | Year | Attribution | Remarks |
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Sitting on the Starboard Tack | 1905 | ||
Skating | 1905 | Frank Daniels (perf.) | |
String of Pearls | 1905 | ||
Tricks | 1905 | ||
When America Is Captured by the Japs | 1905 | Paul West (words) Inga Orner (perf.) |
|
Rosy Lips | 1906 | ||
Town at the End of the Line, The | 1906 | Arthur J. Lamb (words) Emma Carus (perf.) |
|
Molly McGinnity You're My Affinity (w&m) | 1907 | Walter H. Ford (co-author) James F. Macdonald (perf.) |
Pub. |
Somebody's Been Around Here Since I've Been Gone | 1907 | Walter H. Ford (words) Maude Raymond (perf.) |
|
Spangles | 1907 | Pub. | |
Teddy Bears Picnic, The | 1907 | Paul West (co-author) Edison Symphony Orchestra (perf.) |
Pub. |
⇑ Baby Say 'da! Da!' | 1908 | ||
Come Out Sue | 1908 | ||
My Boy Bill | 1908 | Paul West (words) Mabel Russel (perf.) |
Pub. |
You'll Always Be Just Sweet Sixteen to Me | 1908 | Paul West (words) | |
Ev'ry Baby Is a Sweet Bouquet | 1909 | Paul West (words) | Pub. |
Mister Jigger | 1909 | ||
Jungle Jubilee, The | 1910 | ||
Rest of the Week She's Mine, Caroline, The | 1910 | Richard Carle (perf.) | |
There Are Fifty-Seven Ways to Catch a Man | 1910 | Stella Mayhew (perf.) | |
Patsy Rosenstein | 1911 | ||
Down Red Rose Lane (w&m) | 1913 | Pub. | |
Then I'll Come Back to You (w&m) | 1917 | Bowman Brothers (perf.) Ed Morton (perf.) |
Pub. |
⇑ When the Fightin' Irish Come Home (w&m) | 1919 | Pub. | |
Hello Prosperity! | 1921 |
Title | Year | Attribution | Remarks |
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On a Saturday Night | 1922 | William Andrew Downs (words) | |
Mender of Broken Dreams | 1925 | ||
Mouse! Mouse! | 1925 | ||
Do You Think She'll Ever Love Me Any More? | ? | Walter H. Ford (words) | |
He Thought He Was in Heaven | ? | Walter H. Ford (words) | |
I Did'nt Marry All Your Kin | ? | Walter H. Ford (words) | |
It's Alright, But It's Awkward | ? | Walter H. Ford (words) | |
Just a Little Case of May Be | ? | Walter H. Ford (words) | |
Night at the Play, A | ? | ||
O'Dwyer Caught a Cold | ? | Walter H. Ford (words) | |
Trilby Waltzes | ? |
Composer | Title | Performer |
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J.W. Bratton | Barn Yard Frolics (3:51) | Ragtime Dorian Henry | |
J.W. Bratton | The Teddy Bears' Picnic (3:32) | Ma Douguo Recorder Orchestra |