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John W. Bratton | Biography by wikipedia.org. | |
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DAHR: John W. Bratton | List of 85 historic recordings from 1895 to 1944. |
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Down Red Rose Lane Song Words and Music by: John Walter Bratton.
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Teddy Bears Picnic, The for Xylophone or Marimba with Piano Accompaniment Music by: John Walter Bratton.
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Two Little Blue Little True Little Eyes Song Music by: John Walter Bratton. Words by: George A. Norton
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When the Fightin' Irish Come Home Song Words and Music by: John Walter Bratton.
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You'll Always Be Just Sweet Sixteen to Me Song Music by: John Walter Bratton. Words by: Paul West
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| Title (Release Year) | Co-Author(s) | Performers | Issue |
|---|
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There Are Fifty-Seven Ways to Catch a Man (1910) | Stella Mayhew | Edison Amberol: D-23 | |
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Sadie, My Lady (1896-1900) | Dan W. Quinn | Columbia Phonograph Co.: 5273 |
| Title | Co-Author(s) | Sequencer |
|---|
| Title (Release Year) | Composer | Performers | Issue |
|---|
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As the Ivy Loves the Oak (1909) | J.W. Bratton | John Dunsmure | Columbia: 3839 |
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Captain Cupid (1928) | J.W. Bratton | Victor Orchestra | Victor: BVE-42981 |
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Cosy Corner Girl (1903) | J.W. Bratton | Harry MacDonough | Victor: B-227 |
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Fol De Iddley Ido (1906) | J.W. Bratton | Dan W. Quinn H. Trix |
Victor: B-3906 |
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Frolic of the Teddy Bears (1907) | J.W. Bratton | Victor Orchestra | Victor: E-4622 |
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Gay Golf Girl, The (1900) | J.W. Bratton | Metropolitan Orchestra | Victor: [Pre- A-]384 |
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Good-By, Teddy! (1904) | J.W. Bratton | Billy Murray | Columbia: 1863 |
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He Ought to Have a Tablet in the Hall of Fame (1902) | J.W. Bratton | Samuel H. Dudley | Victor: [Pre- A-]1273 |
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In a Cosey Corner (1902) | J.W. Bratton | V.L. Ossman | Victor: [Pre- B-]1662 |
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Laces and Graces (1903) | J.W. Bratton | Arthur Pryor's Band | Victor: B-833 |
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My Cosey-Corner Girl (1904) | J.W. Bratton | H. Burr | Columbia: 1895 |
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Since Ma Linda Hinda's in the Syndicate (1902) | J.W. Bratton | Arthur Collins John W. Myers Bob Roberts |
Columbia: 379 |
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Since Then, There's Been No Light About the Place (1901) | J.W. Bratton | Albert Campbell | Victor: [Pre- A-]726 |
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Somebody's Waiting 'neath Southern Skies (1903) | J.W. Bratton | John H. Bieling Harry MacDonough |
Victor: B-502 |
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Sweetheart, Let's Grow Old Together (1936) | J.W. Bratton | Dolly Dawn | Victor: BS-0605 |
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When the Moon Is in the Sky (1905) | J.W. Bratton | Harry MacDonough | Victor: B-2715 |
| Performer | CD Title | Supplier |
|---|
| Recorder Music CDs: | |||
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Bremen Recorder Touring Company | Recorder Recital at St. Mathews |
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| Brass Music CDs: | |||
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New Columbian Brass Band | The Teddy Bears Picnic | |
| Jazz Music CDs: | |||
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Kenny Ball | The Very Best of Kenny Ball | |
| Ragtime Music CDs: | |||
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Various Artists | American Light Music Classics | CD(s) & MP3 Album(s) |
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Paragon Ragtime Orchestra | Knockout Drops | CD(s) & MP3 Album(s) |
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Paragon Ragtime Orchestra | More Candy | CD(s) & MP3 Album(s) |
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The Great American Main St. Band | Silks & Rags | |
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Tom Brier | Generic | |
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Palm Court Theatre Orchestra | The Picnic Party | CD(s) & MP3 Album(s) |
| Title | Attribution | Remarks |
|---|
| Just As if She Didn't Know | John Walter Bratton (music) Walter Ford (words) Marie Lloyd (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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Billet Doux (1900) | J.W. Bratton (music) Walter H. Ford (words) Geo. V. Hobart (words) |
Piano, Voice | Sheet Music Singer | |
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Down Red Rose Lane (1913) | J.W. Bratton (w&m) | Piano, Voice | Indiana | |
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Genevieve! (1897) | J.W. Bratton (music) Walter H. Ford (words) Merri Osbourne (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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Henrietta! Have You Met Her? (1895) | J.W. Bratton (music) Walter H. Ford (words) |
Piano, Voice | Sheet Music Singer | Pub. |
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I Got All I Can Do to Keep My Hands Off You (1899) | J.W. Bratton (music) Walter H. Ford (words) |
Piano, Voice | Sheet Music Singer | Pub. |
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In a Cosey Corner (1901) | J.W. Bratton (music) | Piano | YorkSpace | Pub. |
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Just a Word For Father (1900) | J.W. Bratton (music) Ford, Walter H. (words) |
Piano, Voice | Indiana | |
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⇑Laces and Graces (1903) | J.W. Bratton (music) Gus Salzer (coauth.) |
Piano | YorkSpace | Pub. |
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Little Black Man (1905), The | J.W. Bratton (music) West, Paul (words) |
Piano, Voice | Indiana | Pub. |
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My Little Hong Kong Baby (1902) | J.W. Bratton (music) West, Paul (words) Violet Dale (perf.) |
Piano, Voice | Indiana Sheet Music Singer |
Pub. |
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My Sunday Dolly (1898) | J.W. Bratton (music) Ford, Walter H. (words) |
Piano, Voice | Indiana | Pub. |
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My Sunflower Sue (1900) | J.W. Bratton (music) Walter H. Ford (words) Peter F. Dailey (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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On a Saturday Night (1922) | J.W. Bratton (music) Bratton, John W. (words) Downs, William Andrew (words) |
Piano, Voice | Indiana Sheet Music Singer |
Pub. |
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Scion of the House of High-Ball (1900), A | J.W. Bratton (music) Walter H. Ford (words) Peter Dailey (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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Seeing New York in the Rubber-Neck Hack (1904) | J.W. Bratton (music) West, Paul (words) |
Piano, Voice | Indiana | Pub. |
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⇑Sunshine of Paradise Alley (1895), The | J.W. Bratton (music) Walter H. Ford (words) Julius P. Witmark (perf.) |
Piano, Voice | Sheet Music Singer | Pub. |
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Teddy Bears Picnic (1907), The | J.W. Bratton (w&m) |
Piano, Voice | Indiana Sheet Music Singer |
Pub. |
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Then I'll Come Back to You (1917) | J.W. Bratton (music) Bratton, John W. (words) E. Morton (perf.) |
Piano, Voice | Indiana | Pub. |
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You'll Always Be Just Sweet Sixteen to Me (1908) | J.W. Bratton (music) West, Paul (words) |
Piano, Voice | Indiana | Pub. |
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Marie | 1893 | |
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| Rose Glenroy (w&m) | 1893 | |
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| Two Pictures | 1893 | Walter H. Ford (words) Julius P. Witmark (perf.) |
Pub. |
| Bells of Fate | 1894 | Walter H. Ford (words) W Murray Smith (perf.) |
Pub. |
| His Little Sweetheart, Nell | 1894 | Walter H. Ford (words) | Pub. |
| My Dainty Cigarette | 1894 | Walter H. Ford (words) | Pub. |
| My Dear Old Chum | 1894 | Walter H. Ford (words) Lottie Gilson (perf.) |
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| Old Stage Door, The (w&m) | 1894 | Robert S Baird (perf.) | Pub. |
| Only Me | 1894 | Walter H. Ford (words) Joseph B. Maxwell (perf.) Alfred L. Simpson (perf.) |
Pub. |
| She Didn't Do a Thing to Him | 1894 | Walter H. Ford (words) | Pub. |
| Tarry Carrie Till We Marry | 1894 | Walter H. Ford (words) | Pub. |
| ⇑ Tell Me Ruby, Will You True Be? | 1894 | Walter H. Ford (words) | Pub. |
| Under the City Lights | 1894 | Walter H. Ford (words) | Pub. |
| Waiting For Nora's Return | 1894 | Walter H. Ford (words) | Pub. |
| What D'ye Think of Hoolihan? | 1894 | Walter H. Ford (words) | Pub. |
| Henrietta! Have You Met Her? | 1895 | Walter H. Ford (words) | Pub. |
| Honey Does You Love Yer Man? | 1895 | Walter H. Ford (words) Flora Irwin (perf.) |
Pub. |
| I Did'nt Think He'd Do It, But He Did | 1895 | Walter H. Ford (words) | |
| I'll Not Forsake You, Tom | 1895 | Walter H. Ford (words) Al Bellman (perf.) |
Pub. |
| Just As if She Didn't Know | 1895 | Walter H. Ford (words) Hawthorne Sisters (perf.) Marie Lloyd (perf.) |
Pub. |
| Melody He Used to Sing, The | 1895 | Walter H. Ford (words) | Pub. |
| Songs We Hear on the Stage | 1895 | Walter H. Ford (words) Henry V Donnelly (perf.) Edward Girard (perf.) |
Pub. |
| Sunshine of Paradise Alley, The | 1895 | Walter H. Ford (words) Hawthorne Sisters (perf.) Julius P. Witmark (perf.) |
Pub. |
| ⇑ Because We're Together | 1896 | Walter H. Ford (co-author) | |
| I Love You in the Same Old Way | 1896 | Walter H. Ford (words) Richard J. José (perf.) Joseph B. Maxwell (perf.) Alfred L. Simpson (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Isabelle | 1896 | Walter H. Ford (words) | |
| It's Sunshiny Weather | 1896 | Walter H. Ford (words) | Pub. |
| Japanese Lantern Dance | 1896 | |
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| Lika a Good Little Girl Should Do | 1896 | Walter H. Ford (words) | Pub. |
| She Always Dressed in Black | 1896 | Walter H. Ford (words) Fannie Leslie (perf.) |
Pub. |
| She's Been a Mother to Me | 1896 | Walter H. Ford (words) | Pub. |
| Since Maggie Bought the Parrot | 1896 | Walter H. Ford (words) | Pub. |
| Sunday Night in Lover's Lane | 1896 | Walter H. Ford (words) | |
| Belle of the Season, The | 1897 | Pub. | |
| Dance of the Waves | 1897 | Pub. | |
| Gayest Manhattan | 1897 | ||
| ⇑ Genevieve! | 1897 | Walter H. Ford (words) Merri Osbourne (perf.) |
Pub. |
| Lurline | 1897 | Pub. | |
| Mary's Not As Green As She Looks | 1897 | Walter H. Ford (words) | Pub. |
| Only a Newsboy | 1897 | Arthur J. Lamb (words) | |
| Sadie, My Lady | 1897 | Walter H. Ford (words) Dan W. Quinn (perf.) |
Pub. ![]() |
| At the Sound of the Sunset Gun | 1898 | Walter H. Ford (words) Robert S Baird (perf.) |
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| Cinderella | 1898 | Walter H. Ford (words) | Pub. |
| Don't Ask Me to Forget | 1898 | Walter H. Ford (words) | Pub. |
| Gold, Wine and Kisses | 1898 | Pub. | |
| Hats Off to the Boys Who Made Good | 1898 | Walter H. Ford (words) | Pub. |
| Have a Kiss With Me | 1898 | Walter H. Ford (words) | Pub. |
| I'm Nothing to You Now | 1898 | Walter H. Ford (words) Lottie Gilson (perf.) |
Pub. |
| ⇑ My Sunday Dolly | 1898 | Walter H. Ford (words) | Pub. ![]() |
| Oh Liza, How I Despise Her | 1898 | Walter H. Ford (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| Old Folks Are Longing For You May, The | 1898 | Walter H. Ford (words) | |
| Queen of Hearts, The | 1898 | Pub. | |
| You May Regret Some Day | 1898 | Walter H. Ford (words) | Pub. |
| Change Will Do You Good | 1899 | ||
| Dear Old Soul | 1899 | Walter H. Ford (words) Richard J. José (perf.) |
Pub. |
| Heigh Ho | 1899 | Walter H. Ford (words) | Pub. |
| I Got All I Can Do to Keep My Hands Off You | 1899 | Pub. |
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| Mandy From Mandalay | 1899 | Walter H. Ford (words) | Pub. |
| My Queen Irene | 1899 | Walter H. Ford (words) Truly Shattuck (perf.) |
Pub. |
| Pride of the Pier, The | 1899 | Walter H. Ford (words) Lottie Gilson (perf.) |
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| Rubber Neck Jim | 1899 | Pub. | |
| ⇑ That You May Be Mine | 1899 | Walter H. Ford (words) | Pub. |
| Touch of a Woman's Hand, A | 1899 | Walter H. Ford (words) | Pub. |
| You'se Honey to Yo' Mammy Just De Same | 1899 | Walter H Ford (words) Isadore Rush (perf.) |
Pub. |
| Billet Doux | 1900 | Pub. |
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| Gay Golf Girl, The | 1900 | Metropolitan Orchestra (perf.) | ![]() |
| Just a Word For Father | 1900 | Walter H. Ford (words) | ![]() |
| My Little Lady Bug | 1900 | Walter H. Ford (words) | Pub. |
| My May Day | 1900 | ||
| My Sunbeam From the South | 1900 | Walter H. Ford (co-author) | |
| My Sunflower Sue | 1900 | Walter H. Ford (words) Peter F. Dailey (perf.) |
Pub. |
| Scion of the House of High-Ball, A | 1900 | Peter Dailey (perf.) | Pub. |
| Spring-Time Bells | 1900 | ||
| ⇑ You Never Can Tell What a Kiss Will Do | 1900 | ||
| Barn Yard Frolics | 1901 | ![]() |
| Title | Year | Attribution | Remarks |
|---|
| He Ought to Have a Tablet in the Hall of Fame | 1901 | Arthur L. Robb (words) Samuel H. Dudley (perf.) Francis Wilson (perf.) |
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| I'm Not Coming Back | 1901 | Walter H. Ford (words) Julius P. Witmark (perf.) |
Pub. |
| In a Cosey Corner | 1901 | Vess L. Ossman (perf.) | Pub. ![]() |
| Since Then, There's Been No Light About the Place | 1901 | Walter H. Ford (words) Albert Campbell (perf.) |
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| At Sunrise | 1902 | J. W. Bratton (words) | Pub. |
| My Little Hong Kong Baby | 1902 | Paul West (words) Violet Dale (perf.) Adele Ritchie (perf.) |
Pub. ![]() |
| She Read the New York Papers Every Day | 1902 | Grace Cameron (perf.) | |
| Since Ma Linda Hinda's in the Syndicate | 1902 | Walter H. Ford (words) Arthur Collins (perf.) John W. Myers (perf.) Bob Roberts (perf.) |
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| Amorous Esquimaux, The | 1903 | Paul West (words) | Pub. |
| Cosy Corner Girl | 1903 | Harry MacDonough (perf.) | ![]() |
| I Want to Play Hamlet | 1903 | ||
| ⇑ I'm on the Water Wagon Now | 1903 | Paul West (words) Frank Daniels (perf.) |
Pub. |
| Laces and Graces | 1903 | Gus Salzer (co-author) Arthur Pryor's Band (perf.) |
Pub. ![]() |
| My Cosey-Corner Girl | 1903 | Chas. Noel Douglas (words) Henry Burr (perf.) Geo. Grossmith Jr. (perf.) Edna May (perf.) |
Pub. ![]() |
| Somebody's Waiting 'neath Southern Skies | 1903 | Arthur J. Lamb (words) John H. Bieling (perf.) Harry MacDonough (perf.) |
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| Two Little Blue Little True Little Eyes | 1903 | George A. Norton (words) | Pub. |
| Good-By, Teddy! | 1904 | Paul West (words) Billy Murray (perf.) Alton Brooks Parker (perf.) |
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| Happy Jappy Soldier Man | 1904 | Paul West (words) Eleanor Falk (perf.) |
Pub. |
| Honeymoon Hall | 1904 | Paul West (words) | Pub. |
| In a Pagoda | 1904 | Pub. | |
| In Black and White | 1904 | ||
| Mademoiselle New York | 1904 | Paul West (words) | Pub. |
| Roses' Honeymoon, The | 1904 | J.W. Bratton (words) | Pub. |
| ⇑ Seeing New York in the Rubber-Neck Hack | 1904 | Paul West (words) | Pub. ![]() |
| That's the Girl | 1904 |
| Title | Year | Attribution | Remarks |
|---|
| Come My True Love | 1905 | ||
| Come On, Let's Two-Step | 1905 | ||
| Hang Together | 1905 | ||
| Jack O'Lantern Joe | 1905 | Paul West (words) | |
| Lily White | 1905 | ||
| Little Black Man, The | 1905 | Paul West (words) | Pub. ![]() |
| Sitting on the Starboard Tack | 1905 | ||
| Skating | 1905 | Frank Daniels (perf.) | |
| String of Pearls | 1905 | ||
| Tricks | 1905 | ||
| When America Is Captured by the Japs | 1905 | Paul West (words) Inga Orner (perf.) |
Pub. |
| ⇑ When the Moon Is in the Sky | 1905 | Paul West (words) Harry MacDonough (perf.) |
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| Fol De Iddley Ido | 1906 | Paul West (words) Dan W. Quinn (perf.) Helen Trix (perf.) |
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| Rosy Lips | 1906 | |
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| Town at the End of the Line, The | 1906 | Arthur J. Lamb (words) Emma Carus (perf.) |
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| Frolic of the Teddy Bears | 1907 | Victor Orchestra (perf.) | ![]() |
| Molly McGinnity You're My Affinity (w&m) | 1907 | Walter H. Ford (co-author) James F. Macdonald (perf.) |
Pub. |
| Somebody's Been Around Here Since I've Been Gone | 1907 | Walter H. Ford (words) Maude Raymond (perf.) |
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| Spangles | 1907 | Pub. | |
| Teddy Bears Picnic, The | 1907 | Paul West (co-author) Edison Symphony Orchestra (perf.) Ma Douguo Recorder Orchestra (perf.) |
Pub. ![]() ![]() |
| Baby Say 'da! Da!' | 1908 | ||
| Come Out Sue | 1908 | ||
| My Boy Bill | 1908 | Paul West (words) Mabel Russel (perf.) |
Pub. |
| ⇑ You'll Always Be Just Sweet Sixteen to Me | 1908 | Paul West (words) | ![]() |
| As the Ivy Loves the Oak | 1909 | John Dunsmure (perf.) | ![]() |
| Title | Year | Attribution | Remarks |
|---|
| Ev'ry Baby Is a Sweet Bouquet | 1909 | Paul West (words) | |
| Mister Jigger | 1909 | ||
| Jungle Jubilee, The | 1910 | ||
| Rest of the Week She's Mine, Caroline, The | 1910 | Richard Carle (perf.) | |
| There Are Fifty-Seven Ways to Catch a Man | 1910 | Stella Mayhew (perf.) | ![]() |
| Patsy Rosenstein | 1911 | ||
| Down Red Rose Lane (w&m) | 1913 | ![]() |
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| Then I'll Come Back to You (w&m) | 1917 | Bowman Brothers (perf.) Ed Morton (perf.) |
Pub. ![]() |
| When the Fightin' Irish Come Home (w&m) | 1919 | Pub. |
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| Hello Prosperity! | 1921 | ||
| On a Saturday Night | 1922 | William Andrew Downs (words) | Pub. ![]() |
| ⇑ Mender of Broken Dreams | 1925 | ||
| Mouse! Mouse! | 1925 | ||
| Captain Cupid | 1928 | Victor Orchestra (perf.) | ![]() |
| Sweetheart, Let's Grow Old Together | 1936 | John W. Bratton (words) Dolly Dawn (perf.) |
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| Do You Think She'll Ever Love Me Any More? | ? | Walter H. Ford (words) | |
| He Thought He Was in Heaven | ? | Walter H. Ford (words) | |
| I Did'nt Marry All Your Kin | ? | Walter H. Ford (words) | |
| It's Alright, But It's Awkward | ? | Walter H. Ford (words) | |
| Just a Little Case of May Be | ? | Walter H. Ford (words) | |
| Night at the Play, A | ? | ||
| O'Dwyer Caught a Cold | ? | Walter H. Ford (words) | |
| Trilby Waltzes | ? |
| Composer | Title | Performer |
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J.W. Bratton | Barn Yard Frolics (3:51) | Ragtime Dorian Henry |
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J.W. Bratton | The Teddy Bears' Picnic (3:32) | Ma Douguo Recorder Orchestra |