Egbert A. van Alstyne (1878-1951)
Last updated: 02.05.23
According to the Internet source given below, Egbert Anson Van Alstyne was an American songwriter and pianist, who was born in Marengo, Illinois. Initially on the Vaudeville circuit he later moved to New York City to work in Tin Pan Alley. His first success was Navajo", Harry H. Williams being the lyricist, which was introduced in the Broadway musical Nancy Brown in 1903. Their best remembered song is In The Shade of the Old Apple Tree" (1905). He composed a number of rags of which Honey Rag (1909 - DBE 562) is best known. He also recorded a number of piano rolls.
| Websites: | |||
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Egbert Anson van Alstyne | Biography and list of works by "Perfessor" Bill Edwards |
| Title | Instruments/Issue | Performers |
|---|
| DBE MP3 Sample | |||
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Aunt Jane (1905) | A/T/T+B/B/GB(B) | Midi Ragtime Recorder Ens. |
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Aunt Jane (1905) | A/T/B | Midi Ragtime Recorder Ens. |
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Beautiful Lady (1912) | A/T/T/B+T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Golden Arrow (1909) | A/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Honey Rag (1909) | A/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Honey Rag (1909) | A/T/B | Midi Ragtime Recorder Ens. |
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Jamaica Jinjer (1912) | D/A/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Navajo (1903) | A/T/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Ragtime Chimes (1900) | D/A/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Seminole (1904) | A/T/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
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Shy-Try (1906) | T/T/T/B/GB(B) | Midi Ragtime Recorder Ens. |
| MP3 File(s) | |||
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Alabama | Edison Standard Record: 10075 | Arthur Collins Byron George Harlan |
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Back, Back, Back to Baltimore | Edison Gold Moulded Record: 8860 | Arthur Collins Byron George Harlan |
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Campmeetin' Time | Edison Gold Moulded Record: 9415 | Arthur Collins Byron George Harlan |
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Cheyenne | Edison Bell Record: 10015 | Stanley Kirkby |
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⇑Dat Friend of Mine | Edison Gold Moulded Record: 9740 | Bob Roberts |
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Do It Now | Edison Standard Record: 10537 | Ada Jones Billy Murray |
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Down in the Old Meadow Lane | Edison Amberol: 726 | Frank X. Doyle |
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Drifting and Dreaming | Edison Blue Amberol: 5227 | Waikiki Hawaiian Orchestra |
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Farewell Nellie Mine! | Columbia Record: 32477 | Harry Tally |
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Frisco Dan | Edison Blue Amberol: 2124 | Billy Murray |
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Golden Arrow - Song | Indestructible Record: 1128 | F.C. Stanley H. Burr |
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I Used to Be Afraid to Come Home in the Dark | Clarion Record: 286 | Harry Fay |
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I Used to Be Afraid to Go Home in the Dark | Edison's National Phonograph Company: 9780 | Billy Murray |
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I Used to Be Afraid to Go Home in the Dark | Edison Standard Record: 10127 | Billy Murray |
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I Want Somebody to Play With | Edison Standard Record: 10241 | Byron George Harlan |
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I Was a Hero Too | Edison Record: 9880 | Billy Murray |
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I'm Afraid to Come Home in the Dark | Edison's National Phonograph Company: 9780 | Billy Murray |
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I'm Afraid to Come Home in the Dark | Edison Gold Moulded Record: 9780 | Billy Murray |
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I'm Going Right Back to Chicago | Edison Gold Moulded Record: 9479 | Arthur Collins |
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I've Got a Vacant Room in My Heart For You | Edison Gold Moulded Record: 9488 | Bob Roberts |
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⇑In Dear Old Georgia | Edison Gold Moulded Record: 9099 | H. Burr |
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In the Land of the Buffalo | Edison Gold Moulded Record: 9668 | Billy Murray |
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In the Shade of the Old Apple Tree | Columbia Phonograph Company: 32764 | Columbia Quartette |
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In the Shade of the Old Apple Tree | Indestructible Record: 3206 | W.V. Brunt |
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In the Shade of the Old Apple Tree | Columbia Phonograph Co.: 32664 | Albert Campbell |
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In the Shade of the Old Apple Tree | Edison Gold Moulded Record: 8958 | H. Burr |
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It Looks Like a Big Night Tonight | Edison Gold Moulded Record: 9985 | Arthur Collins Byron George Harlan |
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It Looks Like a Big Night Tonight | Indestructible Record: 864 | Billy Murray |
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It Might As Well Be You | Edison Blue Amberol: 3689 | Leola Lucey |
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Liza | Indestructible Record: 1149 | Peerless Quartette |
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Memories | Edison Blue Amberol: 2877 | Burton Lenihan |
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Mr. Wilson, That's All | Edison Gold Moulded Record: 8864 | Billy Murray |
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My Rosy Rambler | Edison Standard Record: 10022 | Billy Murray |
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Navajo | Columbia Phonograph Co.: 32421 | Gilmore's Band |
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Navajo - Song | Edison Gold Moulded Record: 8640 | Harry MacDonough |
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Navajo - Song | Columbia Phonograph Co.: 32363 | Harry Tally |
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⇑Neath the Old Cherry Tree Sweet Marie | Edison Gold Moulded Record: 9688 | Byron George Harlan |
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Oh That Navajo Rag | Edison Amberol: 917 | Premier Quartet |
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On the Road to Home Sweet Home | Edison Blue Amberol: 3516 | Harry Anthony George W. Reardon |
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Pretty Baby | Edison Blue Amberol: 3019 | Gladys Rice |
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Pretty Baby | Indestructible Record: 3374 | Pete Murray |
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Raggity Man, The | Edison Blue Amberol: 3838 | Edward Meeker Ada Jones |
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San Antonio | Edison Gold Moulded Record: 9547 | Billy Murray |
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Shoulder Straps | Columbia Phonograph Co.: 33185 | Prince's Military Band |
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So Long, Mother | Edison Blue Amberol: 3398 | George Wilton Ballard |
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Sunshine and Roses | Edison Blue Amberol: 2023 | H. Burr Elizabeth Spencer |
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Tale the Church Bells Tolled, The | Edison Gold Moulded Record: 9522 | Harry MacDonough |
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That Old Girl of Mine | Edison Blue Amberol: 1737 | James F. Harrison |
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That's Good | Edison Standard Record: 10453 | Edward Meeker |
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Way Down on Tampa Bay | Edison Blue Amberol: 2544 | Owen J. McCormack |
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What Makes the World Go Round | U.S. Everlasting: 1126 | Elise Stevenson F.C. Stanley |
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What's the Matter With Father? | Indestructible Record: 1400 | F. Duprez |
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⇑What's the Matter With Father? | Edison Standard Record: 10369 | Billy Murray |
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Why Don't You Try | Columbia Phonograph Co.: 32880 | Harry Tally |
| Midi File(s) | Sequencer(s) | ||
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Aunt Jane (1905) | Midi | James Pitt-Payne |
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Cavalier' Rustican' Rag (1910) | Midi | James Pitt-Payne |
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Golden Arrow (1909) | Midi | James Pitt-Payne |
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Hold Up Rag (1912), The | Midi | James Pitt-Payne |
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Honey Rag (1909) | Midi | Perf. Bill Edwards |
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Honolulu Rag (1910), The | Midi | James Pitt-Payne |
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It Looks Like a Big Night Tonight (1908) | Midi | James Pitt-Payne |
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Jamaica Jinjer (1912) | Midi | Colin McDonald |
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Little Old Red School House on the Hill (1908), The | Midi | James Pitt-Payne |
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My Dreamy China Lady (1916) | Midi | James Pitt-Payne |
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Navajo (1903) | Midi | Parlor Songs |
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Ragtime Chimes (1900) | Midi | J. Cowles |
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Shy-Try (1906) | Midi | Unknown |
| Performer | CD Title | Supplier |
|---|
| Folk Music CDs: | |||
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Various Performers | The High Priestess of Jollity & The Southern Singer |        |
| Brass Music CDs: | |||
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South Shore Circus Concert Band | Sounds of the Circus - Volume 22 | CD(s) & MP3 Album(s) |
| Jazz Music CDs: | |||
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Monty Sunshine | Remembering Monty Sunshine | CD(s) & MP3 Album(s) |
| Ragtime Music CDs: | |||
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Various Artists | Cakewalks, Rags & Blues - Military Style | CD(s) & MP3 Album(s) |
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Various Artists | Please Don't Shoot the Piano Player (Nostalgic Player Piano Music) | CD(s) & MP3 Album(s) |
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David Thomas Roberts | Best of New Orleans Ragtime Piano | CD(s) & MP3 Album(s) |
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Alan Martin | Everything is Ragtime Now | |
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Tom Brier | Rewind | CD(s) & MP3 Album(s) |
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Symphonic Winds | Ragging the Baby to Sleep | |
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Chrysanthemum Ragtime Band | Preserves | |
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⇑St. Louis Ragtimers | Full Steam Ahead and Loaded Up! | |
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Sue Keller | Ragtime Reflections | CD(s) & MP3 Album(s) |
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Jody Dall'Armi | On the Level, You're a Little Devil | |
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Heliotrope Ragtime Orchestra | It's a Bear | |
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Butch Thompson | Live at Illiana | |
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Dick Wellstood | Ragtime Piano Favorites | |
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Bill Edwards | Whipped Cream Rag |
| Item | Title | Available | € | £ | $ | Other |
|---|
| DBE561 | Aunt Jane (1905) - Intermezzo Two-Step A/T/T+B/B/GB(B), approx. 3 mins. |
1-2 days |  |
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| DBE561C | Aunt Jane (1905) - Intermezzo Two-Step A/T/B, approx. 3 mins. |
1-2 days | |
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| DBE562 | Beautiful Lady (1912) - Valse A/T/T/B+T/B/GB(B), approx. 4½ mins. |
1-2 days | |
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| DBE563 | Golden Arrow (1909) - Intermezzo Two Step A/T/T/B/GB(B), approx. 2¾ mins. |
1-2 days | |
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| DBE564 | Honey Rag (1909) - Two Step A/T/T/B/GB(B), approx. 3¾ mins. |
1-2 days | |
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| DBE564C | Honey Rag (1909) - Two Step A/T/B, approx. 3¾ mins. |
1-2 days | |
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| DBE565 | Jamaica Jinjer (1912) - A Hot Rag D/A/T/T/B/GB(B), approx. 3 mins. |
1-2 days | |
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| ⇑DBE566 | Navajo (1903) - Indian Characteristique A/T/T/T/B/GB(B), approx. 3¼ mins. |
1-2 days | |
|||
| DBE567 | Ragtime Chimes (1900) - Characteristic Two-Step D/A/T/T/B/GB(B), approx. 2¾ mins. |
out-of-print | €12.00 | £10.00 | $15.50 | |
| DBE568 | Seminole (1904) - March Two-Step A/T/T/T/B/GB(B), approx. 2¼ mins. |
1-2 days | |
|||
| DBE569 | Shy-Try (1906) - Two Step T/T/T/B/GB(B), approx. 5 mins. |
1-2 days | |
| Title | Instruments | Remarks |
|---|
| Title | Attribution | Remarks |
|---|
|
I'm Afraid to Come Home in the Dark | Egbert A. van Alstyne (music) Harry Williams (words) Ella Retford (perf.) Hetty King (perf.) |
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In the Shade of the Old Apple Tree | Egbert A. van Alstyne (music) Harry H. Williams (words) Burt Shepard (perf.) |
 |
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Old Apple Tree - Parody, The | Egbert A. van Alstyne (music) Harry Castling (co-author) McGee (words) Lily Morris (perf.) |
| Title | Attribution | Instruments | Source | Remarks |
|---|
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Alabama Moon (1917) | E.A. van Alstyne (music) J. Will Callahan (words) |
Piano, Voice | IMSLP |  |
|
Baby | E.A. van Alstyne (music) G. Kahn (words) Emily Miles (perf.) |
Piano, Voice | Indiana | Pub. |
|
Baby | E.A. van Alstyne (music) G. Kahn (words) Emily Miles (perf.) |
Piano, Voice | Indiana | Pub. |
|
Back, Back, Back to Baltimore (1904) | E.A. van Alstyne (music) H. Williams (words) Clarice Vance (perf.) |
Piano, Voice | IMSLP | |
|
Back, Back, Back to Indiana | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Kirk | Pub. |
|
Back, Back, Back to Indiana | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
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Back, Back, Back to Indiana (1914) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
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Beautiful Lady | E.A. van Alstyne (music) J. Mahoney (words) |
Piano | Indiana | Pub. |
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Beautiful Lady (1912) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Because You're Irish (1917) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
Blarney | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Blarney (1914) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑Bright Eyes, Good-Bye | E.A. van Alstyne (music) H.H. Williams (words) Lilian Held (perf.) |
Piano, Voice | Indiana | Pub. |
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Bright Eyes, Good-Bye | E.A. van Alstyne (music) H.H. Williams (words) Lilian Held (perf.) |
Piano, Voice | Indiana | Pub. |
|
Bright Eyes, Good-Bye (1905) | E.A. van Alstyne (music) H.H. Williams (words) Lilian Held (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Call (1918), The | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Campmeetin' Time (1906) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Cavalier' Rustican' Rag | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Indiana | |
|
Cavalier' Rustican' Rag (1910) | E.A. van Alstyne (words & music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Cheyenne (1905) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
China Dreams | E.A. van Alstyne (music) Raymond B. Egan (words) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Do It Now (1911) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Don't Be Cross With Me (1920) | E.A. van Alstyne (music) H. Gillespie (words) |
Piano, Voice | IMSLP | |
|
Don't Forget to Drop a Line to Mother (1908) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Down in the Old Meadow Lane (1911) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑Dreaming of the Same Old Girl | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Dreaming of the Same Old Girl (1920) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
Dreams (1924) | E.A. van Alstyne (music) James La Mont (words) Guido Ciccolini (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Every Heart Must Have Its Sorrow (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Father's Allowed to See Us Twice a Year (1911) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
For the Boys Over There | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
For the Boys Over There (1918) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
For Your Boy and My Boy | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
For Your Boy and My Boy (1918) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
Forget Me Not (1909) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Ginger Snaps (1904) | E.A. van Alstyne (music) | Piano | IMSLP | |
|
Going Up (1910) | E.A. van Alstyne (music) H.H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Golden Arrow | E.A. van Alstyne (music) H. Williams (words) |
Piano | Indiana | Pub. |
|
⇑Golden Arrow | E.A. van Alstyne (music) | Piano | YorkSpace | Pub. |
|
Golden Arrow (1909) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Have a Drink to Yankee Land | E.A. van Alstyne (words & music) | Piano, Voice | Kirk | Pub. |
|
He Got Right Up on the Wagon (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Heinze (1909) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Hold Up Rag, The | E.A. van Alstyne (music) E. Madden (words) |
Piano, Voice | Greer | Pub. |
|
Hold Up Rag, The | E.A. van Alstyne (music) E. Madden (words) |
Piano, Voice | Indiana | |
|
Honey Rag (1909) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Honey, Dat's All | E.A. van Alstyne (music) H. Gillespie (words) |
Piano, Voice | Kirk | Pub. |
|
Honolulu Rag (1910) | E.A. van Alstyne (words & music) H. Williams (coauth.) G. Buck (coauth.) |
Piano, Voice | IMSLP | Pub. |
|
Hosanna (1905) | E.A. van Alstyne (music) Paul Armstrong (words) Joe F. Barton (perf.) Alexander C. Stuart (perf.) Claude Lewis (perf.) Mrs Birdell Spencer Donevan (perf.) Chas. Haverstock (perf.) |
Piano, Voice | IMSLP | |
|
Hula Serenade - Sweet Dreams | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
I Don't Think I Love You, I Know I Do (1910) | E.A. van Alstyne (music) H.H. Williams (words) Julian Eltinge (perf.) |
Piano, Voice | IMSLP | Pub. |
|
⇑I Like It Better Every Day (1912) | E.A. van Alstyne (music) Williams (words) Brockman (words) |
Piano, Voice | IMSLP | Pub. |
|
I Love My Mother-In-Law (1914) | E.A. van Alstyne (music) A.S. Brown (words) |
Piano, Voice | IMSLP | Pub. |
|
I Want Somebody to Play With (1909) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
I Want Someone to Call Me Dearie (1908) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
I'd Like to Tell Your Fortune, Dearie (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
I'll Wait For You (1919) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
I'm Afraid to Come Home in the Dark | E.A. van Alstyne (music) H.H. Williams (words) Elizabeth M. Murray (perf.) |
Piano | Greer | Pub. |
|
I'm Going Right Back to Chicago (1906) | E.A. van Alstyne (music) H. Williams (words) William H. Tascott (perf.) |
Piano, Voice | IMSLP | Pub. |
|
I'm Going to Make You Love Me (1914) | E.A. van Alstyne (music) A.S. Brown (words) |
Piano, Voice | IMSLP | Pub. |
|
I'm in Love With the Mother of My Best Girl | E.A. van Alstyne (music) G. Kahn (words) H.H. Williams (words) |
Piano, Voice | Indiana | Pub. |
|
I'm in Love With the Mother of My Best Girl (1913) | E.A. van Alstyne (music) G. Kahn (words) Sydney Jarvis (perf.) |
Piano, Voice | IMSLP | Pub. |
|
I'm Just a Little Blue For You (1922) | E.A. van Alstyne (words & music) H. Gillespie (words) Ernie & Billy Loos (perf.) |
Piano, Voice | IMSLP | Pub. |
|
I'm Just Pinin' For You (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑I'm Looking For a Girl Like Mother | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
I'm Looking For a Girl Like Mother (1916) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
I've Lost My Gal (1909) | E.A. van Alstyne (music) H. Williams (words) Stella Mayhew (perf.) B. Taylor (perf.) |
Piano, Voice | IMSLP | Pub. |
|
In Dear Old Georgia | E.A. van Alstyne (music) H. Williams (words) Lilian Rosewood (perf.) |
Piano, Voice | Indiana | Pub. |
|
In Dear Old Georgia | E.A. van Alstyne (music) H. Williams (words) Lilian Rosewood (perf.) |
Piano, Voice | Indiana | Pub. |
|
In Dear Old Georgia (1905) | E.A. van Alstyne (music) H. Williams (words) Lilian Rosewood (perf.) |
Piano, Voice | IMSLP | Pub. |
|
In June | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
In Old Missouri (1914) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
In the Land of the Buffalo (1907) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
In the Shade of the Old Apple Tree | E.A. van Alstyne (music) H. Williams (words) Lynotte Sisters (perf.) |
Piano, Voice | Monologues | Pub. |
|
In the Shade of the Old Apple Tree | E.A. van Alstyne (music) H. Williams (words) Lynotte Sisters (perf.) |
Piano, Voice | Kirk | Pub. |
|
In the Shade of the Old Apple Tree | E.A. van Alstyne (music) H. Williams (words) Lynotte Sisters (perf.) |
Piano, Voice | Greer | Pub. |
|
In the Shade of the Old Apple Tree (1905) | E.A. van Alstyne (music) H. Williams (words) Lynotte Sisters (perf.) |
Piano, Voice | IMSLP | Pub. |
|
⇑Is There Anything Else That I Can Do For You? (1912) | E.A. van Alstyne (music) Earle C Jones (words) |
Piano, Voice | IMSLP | Pub. |
|
It Looks Like a Big Night Tonight | E.A. van Alstyne (music) G. Kahn (words) H.H. Williams (words) May Vickers (perf.) |
Piano, Voice | Kirk | Pub. |
|
It Looks Like a Big Night Tonight | E.A. van Alstyne (music) G. Kahn (words) H.H. Williams (words) May Vickers (perf.) |
Piano, Voice | Greer | Pub. |
|
It Looks Like a Big Night Tonight | E.A. van Alstyne (music) Butler (coauth.) |
Piano, Voice | Indiana | Pub. |
|
It Might As Well Be You (1918) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
Ivanhoe | E.A. van Alstyne (music) Butler (coauth.) |
Piano | YorkSpace | Pub. |
|
Jamaica Jinjer | E.A. van Alstyne (music) Herbert Thompson (words) |
Piano | Indiana | |
|
Jamaica Jinjer (1912) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Just a Word of Sympathy | E.A. van Alstyne (music) Gustave Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Kaiser Bill (1918) | E.A. van Alstyne (music) Raymond Egan (words) |
Piano, Voice | IMSLP | Pub. |
|
Kentucky's Way of Sayin' Good Mornin' (1925) | E.A. van Alstyne (words & music) G. Kahn (coauth.) Cardo & Noll (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Little Old Red School House on the Hill, The | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Kirk | Pub. |
|
Love Light (1909) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑Love, Honor and Obey (1916) | E.A. van Alstyne (music) J.P. McEvoy (words) |
Piano, Voice | IMSLP | Pub. |
|
Memories | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Greer | Pub. |
|
Memories | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Greer | Pub. |
|
Memories | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Mon Bijou (1912) | E.A. van Alstyne (music) Herbert Thompson (words) |
Piano, Voice | IMSLP | Pub. |
|
My Choc'late Soldier Sammy Boy (1919) | E.A. van Alstyne (words & music) | Piano, Voice | IMSLP | Pub. |
|
My Dreamy China Lady (1916) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
My Rosy Rambler (1908) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
My Tom Tom Man | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
My Tom Tom Man (1915) | E.A. van Alstyne (music) G. Kahn (words) A. Jolson (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Naughty, Naughty, Naughty | E.A. van Alstyne (music) H.H. Williams (words) |
Piano, Voice | Kirk | Pub. |
|
Navajo | E.A. van Alstyne (music) | Piano | Indiana | |
|
Navajo | E.A. van Alstyne (music) | Piano | YorkSpace | Pub. |
|
⇑Navajo (1903) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Navajo - Song | E.A. van Alstyne (music) H.H. Williams (words) M. Cahill (perf.) |
Piano, Voice | Kirk | Pub. |
|
Neath the Old Cherry Tree Sweet Marie (1907) | E.A. van Alstyne (music) H. Williams (words) Harry A. Ellis (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Now She's Anybody's Girlie (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Oh That Navajo Rag | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Indiana | |
|
Oh That Navajo Rag (1911) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Oh! You Lovable Chile (1913) | E.A. van Alstyne (music) Earle C Jones (words) |
Piano, Voice | IMSLP | Pub. |
|
Old Kentucky Moonlight - Song (1921) | E.A. van Alstyne (music) H. Gillespie (words) |
Piano, Voice | IMSLP | Pub. |
|
Old Pal (1924) | E.A. van Alstyne (music) G. Kahn (words) Bernice De Pasquale (perf.) |
Piano, Voice | IMSLP | Pub. |
|
On an Old Fashioned Buggy Ride (1907) | E.A. van Alstyne (music) H.H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
On the Road to Home Sweet Home | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Greer | Pub. |
|
On the Road to Home Sweet Home | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
On the Road to Mexico Through Dixieland | E.A. van Alstyne (music) J. Will Callahan (words) |
Piano, Voice | Indiana | Pub. |
|
⇑On the Road to Mexico Through Dixieland (1914) | E.A. van Alstyne (music) J. Will Callahan (words) |
Piano, Voice | IMSLP | Pub. |
|
On the Trail to Santa Fe | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Patocka Waltzes (1901) | E.A. van Alstyne (music) | Piano | Ragtime Piano | Pub. |
|
Piccolo (1912) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Ragtime Chimes (1900) | E.A. van Alstyne (music) | Piano | IMSLP | Pub. |
|
Ramona (1904) | E.A. van Alstyne (music) | Piano | IMSLP | |
|
Rock-A-Bye Land | E.A. van Alstyne (music) Gustave Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Rock-A-Bye Land (1917) | E.A. van Alstyne (music) Gustave Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
Sahara, My Sweet Sahara Jane | E.A. van Alstyne (music) H. Williams (words) Trixie Friganza (perf.) |
Piano, Voice | Indiana | |
|
Sailin' Away on the Henry Clay | E.A. van Alstyne (music) G. Kahn (words) Marx Brothers (perf.) |
Piano, Voice | Indiana | Pub. |
|
Sailin' Away on the Henry Clay (1917) | E.A. van Alstyne (music) G. Kahn (words) Marx Brothers (perf.) |
Piano, Voice | IMSLP | Pub. |
|
San Antonio | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Greer | Pub. |
|
San Antonio | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Indiana | Pub. |
|
⇑Santa Fe (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Seminole - Song (1904) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Shy-Try | E.A. van Alstyne (music) | Piano | Indiana | Pub. |
|
Sing Me ''Oh, Solo Mio'' (1924) | E.A. van Alstyne (music) Gustave Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
So Long, Mother | E.A. van Alstyne (music) Raymond B. Egan (words) G. Kahn (words) A. Jolson (perf.) |
Piano, Voice | Kirk | Pub. |
|
So Long, Mother | E.A. van Alstyne (music) Raymond B. Egan (words) G. Kahn (words) A. Jolson (perf.) |
Piano, Voice | Indiana | Pub. |
|
Sunshine and Roses | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Greer | Pub. |
|
Sunshine and Roses | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Sweethearts | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Kirk | Pub. |
|
Sweethearts | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Sweetie O'Mine (1920) | E.A. van Alstyne (music) H. Gillespie (words) |
Piano, Voice | IMSLP | Pub. |
|
Tale the Church Bells Tolled, The | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Greer | Pub. |
|
Tale the Church Bells Tolled, The | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Indiana | Pub. |
|
⇑That Devil Rag (1913) | E.A. van Alstyne (music) E. Madden (words) |
Piano, Voice | IMSLP | |
|
That Old Girl of Mine | E.A. van Alstyne (music) Earle C. Jones (words) T.N. Ford (perf.) |
Piano, Voice | Kirk | Pub. |
|
That Old Girl of Mine | E.A. van Alstyne (music) Earle C. Jones (words) T.N. Ford (perf.) |
Piano, Voice | Greer | Pub. |
|
Then We'll All Go Home | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Kirk | Pub. |
|
Then We'll All Go Home | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Greer | Pub. |
|
There Never Was a Girl Like You | E.A. van Alstyne (music) H. Williams (words) Victoria Murray (perf.) |
Piano, Voice | Greer | Pub. |
|
They'll All Be Waiting For You at the Train | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Kirk | Pub. |
|
Till the Shadows Have Flown (1919) | E.A. van Alstyne (music) H. Gillespie (words) Lee Onidas (words) |
Piano, Voice | IMSLP | Pub. |
|
Tippecanoe | E.A. van Alstyne (music) H. Williams (words) Willliam Gould (perf.) |
Piano, Voice | Kirk | Pub. |
|
Under the Pretzel Bough (1911) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Water Never Did That (1908) | E.A. van Alstyne (music) H. Williams (words) Frank Daniels (perf.) |
Piano, Voice | IMSLP | Pub. |
|
Way Down on Tampa Bay (1914) | E.A. van Alstyne (music) A.S. Brown (words) |
Piano, Voice | IMSLP | Pub. |
|
What Are You Going To Do To Help The Boys (1918) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
⇑What Are You Going to Do to Help the Boys? | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
What Makes the World Go Round (1908) | E.A. van Alstyne (music) H. Williams (words) Neva Eymar (perf.) |
Piano, Voice | IMSLP | Pub. |
|
What's the Matter With Father? (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
What's the Use of Anything? (1906) | E.A. van Alstyne (music) H. Williams (words) Clarice Vance (perf.) |
Piano, Voice | IMSLP | Pub. |
|
When I Was a Dreamer and You Were My Dream | E.A. van Alstyne (music) R. Lewis (words) Geo. A. Little (words) |
Piano, Voice | Kirk | Pub. |
|
When I Was Twenty-One and You Were Sweet Sixteen | E.A. van Alstyne (music) H.H. Williams (words) |
Piano, Voice | Kirk | Pub. |
|
When I Was Twenty-One and You Were Sweet Sixteen | E.A. van Alstyne (music) H.H. Williams (words) |
Piano, Voice | Greer | Pub. |
|
When I Was Twenty-One and You Were Sweet Sixteen | E.A. van Alstyne (music) | Piano, Voice | Indiana | Pub. |
|
When We Went to Sunday School | E.A. van Alstyne (music) G. Kahn (words) F. W. Gorman (perf.) |
Piano, Voice | Indiana | Pub. |
|
Who Are You With Tonight? (1910) | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | IMSLP | Pub. |
|
Whose Pretty Baby Are You Now? | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | Indiana | Pub. |
|
Whose Pretty Baby Are You Now? (1916) | E.A. van Alstyne (music) G. Kahn (words) |
Piano, Voice | IMSLP | Pub. |
|
Why Don't You Try | E.A. van Alstyne (music) H. Williams (words) |
Piano, Voice | Greer | Pub. |
|
⇑Won't You Come Over to My House? | E.A. van Alstyne (music) H. Williams (words) Louise Henry (perf.) |
Piano, Voice | Greer | Pub. |
|
Wrap Me in a Bundle and Take Me Home With You | E.A. van Alstyne (music) G. Kahn (words) Leila McIntyre (perf.) |
Piano, Voice | Indiana | Pub. |
|
Wrap Me in a Bundle and Take Me Home With You (1914) | E.A. van Alstyne (music) G. Kahn (words) Leila McIntyre (perf.) |
Piano, Voice | IMSLP | Pub. |
|
You Can't Make a Fool Out of Me (1923) | E.A. van Alstyne (music) Paul Cunningham (words) Cherie Dennis (perf.) |
Piano, Voice | IMSLP | Pub. |
|
You're the Sweetest Rose That Grows in Old Killarney (1914) | E.A. van Alstyne (music) Earle C. Jones (words) |
Piano, Voice | IMSLP | Pub. |
|
Ypsilanti (1915) | E.A. van Alstyne (music) A. Bryan (words) Hayden Sisters (perf.) |
Piano, Voice | IMSLP | Pub. |
This list is arranged in chronological order and contains 350 works by Egbert A. van Alstyne (1878-1951).
It does not claim to be complete and represents only the number of items located. Keys: ER
(w&m)
(w&m)
| Title | Year | Attribution | Remarks |
|---|
| Rivals Two-Step, The | 1896 | |
|
| Mayflower Waltzes | 1897 | ||
| Hu-La Hu-La | 1899 |  |
|
| I Adore Thee | 1899 | ||
| Bolo Bolo | 1900 | Pub. | |
| Go to Sleep Your Mammy's Close Beside You | 1900 | ||
| Hearts Are Trumps | 1900 | ||
| Ragtime Chimes | 1900 | |
|
| Darkies' Spring Song | 1901 | Pub. | |
| Patocka Waltzes | 1901 | Pub. | |
| Easy Pickin's | 1902 | Pub. | |
| ⇑ Pious Peter | 1902 | |
|
| My Sweet Magnolia | 1903 | Harry Williams (words) | |
| Navajo | 1903 | Gilmore's Band (perf.) | |
| Navajo - Song | 1903 | H.H. Williams (words) Harry Tally (perf.) Harry MacDonough (perf.) M. Cahill (perf.) |
|
| Storm of Life, The | 1903 | Harry Williams (words) | |
| We've Got to Move Today | 1903 | Harry Williams (words) | |
| A-Sa-Ma | 1904 | Will Hyde (words) | Pub. |
| Back, Back, Back to Baltimore | 1904 | Harry Williams (words) Arthur Collins (perf.) Byron George Harlan (perf.) Clarice Vance (perf.) |
Pub. |
| Buttercups and Daisies | 1904 | ||
| Farewell Nellie Mine! | 1904 | Harry Williams (words) Byron George Harlan (perf.) Harry Tally (perf.) Louise Henry (perf.) |
Pub. |
| Ginger Snaps | 1904 | Pub. | |
| If I Were Only You | 1904 | Harry H. Williams (words) | Pub. |
| ⇑ Johnnie Morgan | 1904 | Harry Williams (words) | |
| Mr. Wilson, That's All | 1904 | Harry H. Williams (words) Lew Dockstader (perf.) Billy Murray (perf.) |
Pub. |
| Ramona | 1904 | |
|
| Seminole | 1904 | Pub. | |
| Seminole - Song | 1904 | Harry Williams (words) | Pub. |
| Tale of the Old Black Crow, The | 1904 | Harry Williams (words) | |
| Temples of Eternity, The | 1904 | Arthur J. Lamb (words) | |
| There's a Chicken Dinner Waitin' Home For Me | 1904 | Harry Williams (words) | Pub. |
| Tippecanoe | 1904 | Harry Williams (words) Bob Roberts (perf.) Willliam Gould (perf.) |
Pub. |
| Toreador | 1904 | ||
| You're All Right Eddie | 1904 | Harry Williams (words) Bob Fitzsimmons (perf.) |
|
| At West Point | 1905 | Harry Williams (words) | |
| ⇑ Aunt Jane | 1905 | Pub. |
|
| Back to the U.S.A | 1905 | Harry Williams (words) | |
| Be My Girl | 1905 | Harry Williams (words) | |
| Because He Wears That Hat | 1905 | Harry Williams (words) | |
| Bonita Cachelti | 1905 | Harry Williams (words) | |
| Bright Eyes, Good-Bye | 1905 | H.H. Williams (words) Empire City Quartette (perf.) Lilian Held (perf.) Kelly & Violette (perf.) Baby Zena Keife (perf.) |
|
| Cheyenne | 1905 | Harry Williams (words) Stanley Kirkby (perf.) - Shy Ann |
Pub. |
| Cholly | 1905 | Harry Williams (words) | |
| Cob Web Man, The | 1905 | Harry Williams (words) | |
| Down in Lover's Lane | 1905 | H.H. Williams (words) Aaron Hoffman (words) Anna Fitziu (perf.) |
|
| Fight Them Like Your Dear Old Dad | 1905 | Harry Williams (words) | |
| Fol-De-Rol-Dol | 1905 | Harry Williams (words) | |
| ⇑ Get a Ticket | 1905 | Harry Williams (words) | |
| Good-A-Bye John | 1905 | Harry Williams (words) | |
| Hosanna | 1905 | Paul Armstrong (words) Joe F. Barton (perf.) Alexander C. Stuart (perf.) Claude Lewis (perf.) Mrs Birdell Spencer Donevan (perf.) Chas. Haverstock (perf.) Mrs. Robert Mullins (perf.) |
Pub. |
| I Forgot the Rhyme | 1905 | Harry Williams (words) | |
| I Wonder What the Wild Waves Are Saying | 1905 | Harry Williams (words) | |
| I'm Going Back to California | 1905 | Harry Williams (words) | |
| In Dear Old Georgia | 1905 | Harry Williams (words) Lillian Rosewood (perf.) Eugene Jerge (perf.) H. Burr (perf.) Claude Thardo (perf.) Avery Strakosch (perf.) Henry Burr as Irving Gillette; |
Pub. |
| In Sunny Little Italy | 1905 | Harry Williams (words) | |
| In the Shade of the Old Apple Tree | 1905 | Harry Williams (words) H. Burr (perf.) Albert Campbell (perf.) W.V. Brunt (perf.) Kelly & Violette (perf.) Columbia Quartette (perf.) Lynotte Sisters (perf.) Burt Shepard (perf.) Geo. H. Diamond (perf.) Henry Burr as Irving Gillette |
Pub. |
| Janitor, The | 1905 | Harry Williams (words) | |
| Man May Go to College and Still Be a Fool, A | 1905 | Harry Williams (words) | |
| My Hindoo Man | 1905 | H.H. Williams (words) M. Cahill (perf.) Marie Laurent (perf.) Josephine Gassman (perf.) Kelly & Violette (perf.) Clarice Vance (perf.) |
Pub. |
| ⇑ My Nightingale | 1905 | Harry Williams (words) |
| Title | Year | Attribution | Remarks |
|---|
| Nicodemus | 1905 | Harry Williams (words) | |
| On a Summer Night | 1905 | Harry Williams (words) | |
| Professor and His Pupil | 1905 | Harry Williams (words) | |
| Senorita Papeta | 1905 | Harry Williams (words) | |
| Sioux Song | 1905 | Harry Williams (words) | |
| Something Seems to Tell Me I'm in Love With You | 1905 | Harry Williams (words) | |
| There's a Little Fighting Blood in Me | 1905 | Harry Williams (words) | |
| Valse Lucile | 1905 | ||
| Why Don't You Try | 1905 | Harry Williams (words) Marie Hoy (perf.) Harry Anthony (perf.) Harry Tally (perf.) - The Rolling Chair Song |
|
| Campmeetin' Time | 1906 | Harry Williams (words) Arthur Collins (perf.) Byron George Harlan (perf.) |
Pub. |
| Down in the Everglade | 1906 | Harry Williams (words) | Pub. |
| ⇑ I Like You Too | 1906 | Harry Williams (words) | |
| I'm Going Right Back to Chicago | 1906 | Harry Williams (words) Arthur Collins (perf.) William H. Tascott (perf.) |
Pub. |
| I've Got a Vacant Room in My Heart For You | 1906 | Harry Williams (words) Bob Roberts (perf.) |
|
| Larry | 1906 | Harry Williams (words) | Pub. |
| My Irish Girl (w&m) | 1906 | Harry Williams (words) | Pub. |
| Not Yet, But Soon | 1906 | Harry Williams (words) | |
| Oh! How I Love My Teacher | 1906 | Harry Williams (words) Eddie Foy (perf.) |
|
| Old Apple Tree - Parody, The | 1906 | Harry Castling (co-author) McGee (words) Lily Morris (perf.) |
|
| Owatonna | 1906 | Harry Williams (words) | |
| Sally | 1906 | Harry Williams (words) Louise Henry (perf.) |
Pub. |
| Shoulder Straps | 1906 | Prince's Military Band (perf.) | |
| Shy-Try | 1906 | Pub. |
|
| ⇑ Since Hiram Went to Yale | 1906 | Harry Williams (words) Della Fox (perf.) |
Pub. |
| Those Are Things That Happen Every Day | 1906 | Harry Williams (words) Hap Ward (perf.) |
|
| Valse Louise | 1906 | ||
| What's the Use of Anything? | 1906 | Harry Williams (words) Clarice Vance (perf.) |
Pub. |
| When You Kiss the Girl You Love | 1906 | Harry Williams (words) | Pub. |
| Won't You Come Over to My House? | 1906 | Hattie Williams (words) H. Burr (perf.) Will Oakland (perf.) J.A. Driscoll (perf.) Louise Henry (perf.) Henry Burr as Irving Gillette |
Pub. |
| Ain't You Glad You Found Me | 1907 | Harry Williams (words) | Pub. |
| Beware of the Siren | 1907 | Herbert Thompson (words) | Pub. |
| I Used to Be Afraid to Come Home in the Dark | 1907 | Harry Fay (perf.) | Pub. |
| I'm Afraid to Come Home in the Dark | 1907 | H.H. Williams (words) Ella Retford (perf.) Hetty King (perf.) Clarice Vance (perf.) Della Fox (perf.) M. Irwin (perf.) May Vokes (perf.) Elizabeth M. Murray (perf.) Billy Murray (perf.) |
Pub. |
| I'm the Leading Lady | 1907 | Harry Williams (words) | |
| I'm Wise | 1907 | ||
| ⇑ In the Land of the Buffalo | 1907 | Harry Williams (words) Billy Murray (perf.) |
Pub. |
| Mary Wise | 1907 | ||
| Neath the Old Cherry Tree Sweet Marie | 1907 | Hattie Williams (words) Byron George Harlan (perf.) Harry A. Ellis (perf.) Josephine Gassman (perf.) |
Pub. |
| Nurse Girls and Doctors | 1907 | Harry Williams (words) | |
| O, Come My Lou | 1907 | ||
| On an Old Fashioned Buggy Ride | 1907 | H.H. Williams (words) | Pub. |
| San Antonio | 1907 | Harry Williams (words) Billy Murray (perf.) |
Pub. |
| Solitary Finish, A | 1907 | Harry Williams (words) | |
| Tale the Church Bells Tolled, The | 1907 | Harry Williams (words) Harry MacDonough (perf.) |
Pub. |
| There Never Was a Girl Like You | 1907 | Harry Williams (words) Byron George Harlan (perf.) Josephine Ainsley (perf.) Victoria Murray (perf.) |
Pub. |
| Wedding of the Blue and Grey, The (w&m) | 1907 | ||
| When You See Me With Another Beau | 1907 | Harry Williams (words) | |
| ⇑ Wonderland | 1907 | Harry Williams (words) | |
| Your Father Was a Soldier | 1907 | Harry Williams (words) | |
| Zoo-Lou | 1907 | Harry Williams (words) | |
| Alabama | 1908 | Harry Williams (words) Arthur Collins (perf.) Byron George Harlan (perf.) |
Pub. |
| Bobbing Up and Down (w&m) | 1908 | ||
| Cured | 1908 | Harry Williams (words) | |
| Dat Friend of Mine | 1908 | Harry Williams (words) Bob Roberts (perf.) Edgar Atchinson Ely (perf.) |
Pub. |
| Don't Forget to Drop a Line to Mother | 1908 | Harry Williams (words) | Pub. |
| I Used to Be Afraid to Go Home in the Dark (w&m) | 1908 | Billy Murray (perf.) | Pub. |
| I Want Someone to Call Me Dearie | 1908 | Harry Williams (words) | Pub. |
| I Was a Hero Too | 1908 | Harry Williams (words) Sam Bernard (perf.) Billy Murray (perf.) |
Pub. |
| I Wonder What's the Matter With My Eyes | 1908 | Harry Williams (words) Anna Held (perf.) |
Pub. |
| ⇑ I'd Rather Be a Lemon Than a Grape Fruit | 1908 | Harry Williams (words) |
| Title | Year | Attribution | Remarks |
|---|
| It Looks Like a Big Night Tonight | 1908 | Gus Kahn (words) H.H. Williams (words) Billy Murray (perf.) Arthur Collins (perf.) Byron George Harlan (perf.) Lew Dockstader (perf.) |
|
| Ivanhoe | 1908 | Butler (co-author) | Pub. |
| Little China Doll, A (w&m) | 1908 | Harry Williams (words) | Pub. |
| Little Old Red School House on the Hill, The | 1908 | Harry Williams (words) | Pub. |
| Love Makes the World Go Round (w&m) | 1908 | |
|
| Marie (w&m) | 1908 | Loyal Curtis (words) | |
| Maybelle | 1908 | ||
| My Lady Bug | 1908 | Harry Williams (words) | |
| My Rosy Rambler | 1908 | Harry Williams (words) Billy Murray (perf.) |
Pub. |
| Perfectly Terrible Dear | 1908 | Harry Williams (words) | |
| Poor Old Dad's in New York For the Summer (w&m) | 1908 | ||
| ⇑ Rebecca | 1908 | H.H. Williams (words) | |
| Sahara, My Sweet Sahara Jane | 1908 | Harry Williams (words) Trixie Friganza (perf.) Louise Brehany (perf.) |
Pub. |
| Song of the Waiters | 1908 | Harry Williams (words) | |
| That's Politics | 1908 | Harry Williams (words) | |
| That's the Sign of a Honeymoon (w&m) | 1908 | Harry Williams (words) | Pub. |
| They'll All Be Waiting For You at the Train | 1908 | Harry Williams (words) | Pub. |
| Water Never Did That | 1908 | Harry Williams (words) Frank Daniels (perf.) |
Pub. |
| We Two in an Aeroplane | 1908 | Anna Held (perf.) | |
| What Makes the World Go Round | 1908 | Hattie Williams (words) Ada Jones (perf.) Billy Murray (perf.) Elise Stevenson (perf.) F.C. Stanley (perf.) Neva Eymar (perf.) |
Pub. |
| You Want Someone to Love You | 1908 | Harry Williams (words) | |
| You'll Never Miss the Water Till the Well Runs Dry | 1908 | Harry Williams (words) Eddie Foy (perf.) |
|
| Bonnie Annie Laurie | 1909 | Harry Williams (words) | Pub. |
| ⇑ Forget Me Not | 1909 | Harry Williams (words) | Pub. |
| Go Back | 1909 | Harry Williams (words) | Pub. |
| Golden Arrow | 1909 | Pub. | |
| Golden Arrow - Song | 1909 | Harry Williams (words) F.C. Stanley (perf.) H. Burr (perf.) |
Pub. |
| Have a Drink to Yankee Land (w&m) | 1909 | Pub. |
|
| He Was a Cowboy | 1909 | Harry Williams (words) | |
| Heinze | 1909 | Harry Williams (words) | Pub. |
| Heinze Is Pickled Again | 1909 | Harry Williams (words) | |
| Honey Rag | 1909 | Pub. | |
| I Want Somebody to Play With | 1909 | Harry Williams (words) Byron George Harlan (perf.) |
Pub. |
| I've Lost My Gal | 1909 | Harry Williams (words) Stella Mayhew (perf.) Billy Taylor (perf.) |
Pub. |
| Little Flat in a Great Big Town, A | 1909 | Harry Williams (words) | |
| ⇑ Liza | 1909 | Harry Williams (words) Peerless Quartette (perf.) |
Pub. |
| Love Light | 1909 | Harry Williams (words) | Pub. |
| Sunbeam | 1909 | Harry Williams (words) | |
| Terrible Turk, A | 1909 | Pub. | |
| Then We'll All Go Home | 1909 | Harry Williams (words) | Pub. |
| We'll All Go Home | 1909 | Harry Williams (words) | |
| Baby Talk | 1910 | Harry Williams (words) | |
| Bull Frog and the Dove, The | 1910 | Harry Williams (words) | |
| Cavalier' Rustican' Rag (w&m) | 1910 | Harry Williams (words) | Pub. |
| Concerina | 1910 | Harry Williams (words) | |
| Dance of the Whip-Poor-Will | 1910 | ||
| Every Heart Must Have Its Sorrow | 1910 | Harry Williams (words) | Pub. |
| ⇑ Going Up | 1910 | H.H. Williams (words) | Pub. |
| Going Up in My Aeroplane | 1910 | Harry Williams (words) | |
| He Got Right Up on the Wagon | 1910 | Harry Williams (words) | Pub. |
| Honolulu Rag, The (w&m) | 1910 | Harry Williams (co-author) Gene Buck (co-author) |
Pub. |
| I Don't Think I Love You, I Know I Do | 1910 | H.H. Williams (words) Julian Eltinge (perf.) |
Pub. |
| I'd Like to Tell Your Fortune, Dearie | 1910 | Harry Williams (words) | Pub. |
| I'm Just Pinin' For You | 1910 | Harry Williams (words) | Pub. |
| Meet Me Down by the River, Dearie | 1910 | Harry Williams (words) | |
| Miami | 1910 | ||
| Now She's Anybody's Girlie | 1910 | Harry Williams (words) | Pub. |
| Odds and Ends | 1910 | |
|
| Play That Wedding March Backwards | 1910 | Harry Williams (words) | |
| ⇑ Ring Me Up in the Morning | 1910 | Harry Williams (words) |
| Title | Year | Attribution | Remarks |
|---|
| Rowing Song | 1910 | Harry Williams (words) | |
| Santa Fe | 1910 | Harry Williams (words) | |
| That's Good | 1910 | Hattie Williams (words) Edward Meeker (perf.) |
|
| What's the Matter With Father? | 1910 | Harry Williams (words) Ed Morton (perf.) F. Duprez (perf.) Harry Bulger (perf.) Billy Murray (perf.) |
Pub. |
| Who Are You With Tonight? | 1910 | Harry Williams (words) | Pub. |
| Who Were You With To-night? | 1910 | Harry Williams (words) | |
| Why Be a Hero? | 1910 | Harry Williams (words) | |
| You Can Find It in the Papers Every Day | 1910 | Harry Williams (words) | |
| Casey | 1911 | Arthur Gillespie (words) | Pub. |
| Do It Now | 1911 | Harry Williams (words) Ada Jones (perf.) Billy Murray (perf.) |
Pub. |
| Down in the Old Meadow Lane | 1911 | Hattie Williams (words) Frank X. Doyle (perf.) |
Pub. |
| ⇑ Father's Allowed to See Us Twice a Year | 1911 | Harry Williams (words) | Pub. |
| Forever With You in My Dreams | 1911 | Arthur Gillsepie (words) | |
| Goodnight Ladies | 1911 | H.H. Williams (words) | |
| Hair of the Dog, The | 1911 | W. Kendall (words) | |
| I've Been a Good Santa Claus For You | 1911 | Harry Williams (words) | |
| Injun Love | 1911 | John L. Golden (words) Harry Williams (words) |
Pub. |
| Lazy | 1911 | Harry Williams (words) | |
| Let Me Build a Home for You | 1911 | Arthur Gillespie (words) | Pub. |
| Naughty, Naughty, Naughty | 1911 | H.H. Williams (words) | Pub. |
| Oh That Navajo Rag | 1911 | Hattie Williams (words) Premier Quartet (perf.) |
Pub. |
| Pierrot Dance, The | 1911 | Harry Williams (words) | |
| Raggity Man, The | 1911 | Harry Williams (words) Edward Meeker (perf.) Ada Jones (perf.) |
Pub. |
| ⇑ Shoes and Socks Shock Susan | 1911 | Harry Williams (words) | |
| Under the Pretzel Bough | 1911 | Harry Williams (words) | Pub. |
| When I Was Twenty-One and You Were Sweet Sixteen | 1911 | H.H. Williams (words) Joseph A. Phillips (perf.) Harry MacDonough (perf.) W.V. Brunt (perf.) |
Pub. |
| Beautiful Lady | 1912 | Pub. | |
| Do You Think You'll Call Again? | 1912 | Jack Mahoney (words) | Pub. |
| Frisco Dan | 1912 | Earle C. Jones (words) Billy Murray (perf.) |
|
| Hold Up Rag, The | 1912 | Edward Madden (words) | Pub. |
| Honey Mine | 1912 | Edward Madden (words) | |
| I Like It Better Every Day | 1912 | Williams (words) Brockman (words) |
Pub. |
| I Want Some One | 1912 | Harry Williams (words) | |
| I'm Goin' Back to Oklahoma | 1912 | Harry Williams (words) | |
| Is There Anything Else That I Can Do For You? | 1912 | Earle C Jones (words) | Pub. |
| ⇑ Jamaica Jinjer | 1912 | Pub. |
|
| Ladies! Ladies! | 1912 | Herbert Thompson (words) | |
| Little Girls Beware | 1912 | Herbert Thompson (words) | |
| Mon Bijou | 1912 | Herbert Thompson (words) | Pub. |
| My Hat's in the Ring | 1912 | Harry Williams (words) | |
| Oh You May | 1912 | Harry Williams (words) | |
| Piccolo | 1912 | Pub. | |
| Raggedy Man | 1912 | Harry Williams (words) | |
| Roo-Te-Too-Toot | 1912 | Harry Williams (words) | |
| That Old Girl of Mine | 1912 | Earle C. Jones (words) James F. Harrison (perf.) Maude Rockwell (perf.) Clarence Oliver (perf.) Mary Shakespear (perf.) Peggy Dougherty (perf.) Phelps (perf.) Wright & (perf.) Dietrich (perf.) Tilford (perf.) |
Pub. |
| That Slippery Slide Trombone | 1912 | Harry Williams (words) | |
| You Wouldn't Know the Old Place Now | 1912 | Harry Williams (words) | |
| ⇑ I'm Getting Used to It | 1913 | Harry B. Lester (words) | |
| I'm in Love With the Mother of My Best Girl | 1913 | Gus Kahn (words) Sydney Jarvis (perf.) |
Pub. |
| In June | 1913 | Gus Kahn (words) | Pub. |
| Oh! You Lovable Chile | 1913 | Earle C Jones (words) | Pub. |
| Sunshine and Roses | 1913 | Gus Kahn (words) H. Burr (perf.) Elizabeth Spencer (perf.) Henry Burr as Irving Gillette |
Pub. |
| That Devil Rag | 1913 | Edward Madden (words) | |
| You're the Girl | 1913 | Earle C. Jones (words) | |
| Back, Back, Back to Indiana | 1914 | Gus Kahn (words) | Pub. |
| Blarney | 1914 | Gus Kahn (words) | Pub. |
| Cheese and Crackers (w&m) | 1914 | ||
| Don't You Dare to Call Me Up at Home | 1914 | A. Seymour Brown (words) | |
| Evening | 1914 | ||
| ⇑ I Love My Mother-In-Law | 1914 | A. Seymour Brown (words) | Pub. |
| Title | Year | Attribution | Remarks |
|---|
| I'm Going to Make You Love Me | 1914 | A. Seymour Brown (words) | |
| In Old Missouri | 1914 | Gus Kahn (words) | Pub. |
| Just a Moment | 1914 | ||
| On the Road to Mexico Through Dixieland | 1914 | J. Will Callahan (words) | Pub. |
| Tangomania | 1914 | ||
| That Sneaky, Creepy Tune | 1914 | ||
| Way Down on Tampa Bay | 1914 | A. Seymour Brown (words) Owen J. McCormack (perf.) |
Pub. |
| When I Was a Dreamer and You Were My Dream | 1914 | Roger Lewis (words) Geo. A. Little (words) George Wilton Ballard (perf.) |
Pub. |
| Wrap Me in a Bundle and Take Me Home With You | 1914 | Gus Kahn (words) Leila McIntyre (perf.) |
Pub. |
| You're the Sweetest Rose That Grows in Old Killarney | 1914 | Earle C. Jones (words) | Pub. |
| Come on Along | 1915 | ||
| ⇑ I Love to Tango With My Tea | 1915 | Alfred Bryan (words) | |
| I Want a Little Love From You | 1915 | J. Will Callahan (words) | |
| Love Comes A-Stealing | 1915 | Gustave Kahn (words) | |
| Memories | 1915 | Gus Kahn (words) Burton Lenihan (perf.) |
Pub. |
| My Tom Tom Man | 1915 | Gus Kahn (words) A. Jolson (perf.) |
Pub. |
| Oh, My! | 1915 | ||
| Oh, My! - Song | 1915 | ||
| On the Trail to Santa Fe | 1915 | Gus Kahn (words) | Pub. |
| Rubenstein | 1915 | ||
| Rubenstein - Song | 1915 | Philip Braham (words) | |
| Same Old Summer Moon | 1915 | Gustave Kahn (words) | |
| Untold | 1915 | Alfred Bryan (words) | |
| ⇑ Ypsilanti | 1915 | Alfred Bryan (words) Hayden Sisters (perf.) |
Pub. |
| I'm Looking For a Girl Like Mother | 1916 | Gus Kahn (words) | Pub. |
| Just a Word of Sympathy | 1916 | Gustave Kahn (words) Known (perf.) |
Pub. |
| Love, Honor and Obey | 1916 | J.P. McEvoy (words) | Pub. |
| My Dreamy China Lady | 1916 | Gus Kahn (words) | Pub. |
| Pretty Baby | 1916 | Tony Jackson (words) Gus Kahn (words) Pete Murray (perf.) Dolly Hackett (perf.) Gladys Rice (perf.) A. Jolson (perf.) |
Pub. |
| Sweethearts | 1916 | Gus Kahn (words) | Pub. |
| Where the Shamrock Grows | 1916 | J.B. Walsh (words) | |
| Whose Pretty Baby Are You Now? | 1916 | Gus Kahn (words) | Pub. |
| You Made the World For Me | 1916 | Bessie Buchanan (words) | Pub. |
| Alabama Moon | 1917 | J. Will Callahan (words) | Pub. |
| Because You're Irish | 1917 | Gus Kahn (words) | Pub. |
| ⇑ China Dreams | 1917 | Raymond B. Egan (words) Gus Kahn (words) |
Pub. |
| Hula Serenade - Sweet Dreams | 1917 | Gus Kahn (words) | Pub. |
| I've Been Fiddle-Ing | 1917 | Tony Jackson (words) Gus Kahn (words) |
|
| If We Can Be Together | 1917 | Gustave Kahn (words) | |
| On the Road to Home Sweet Home | 1917 | Gus Kahn (words) Harry Anthony (perf.) George W. Reardon (perf.) |
Pub. |
| Play That Hula Waltz for Me | 1917 | Gus Kahn (words) | Pub. |
| Rock-A-Bye Land | 1917 | Gustave Kahn (words) | Pub. |
| Sailin' Away on the Henry Clay | 1917 | Gus Kahn (words) Marx Brothers (perf.) |
Pub. |
| So Long, Mother | 1917 | Raymond B. Egan (words) Gus Kahn (words) A. Jolson (perf.) George Wilton Ballard (perf.) - Al Jolson's Mother Song |
Pub. |
| Afterwhile | 1918 | Thos. M Bowers (words) | Pub. |
| Call, The | 1918 | Pub. | |
| For the Boys Over There | 1918 | Gus Kahn (words) | Pub. |
| ⇑ For Your Boy and My Boy | 1918 | Gus Kahn (words) | Pub. |
| I Can't Get Along Without You | 1918 | Gus Kahn (words) | Pub. |
| It Might As Well Be You | 1918 | Gus Kahn (words) Leola Lucey (perf.) |
Pub. |
| It Must Be Love | 1918 | Gus Kahn (words) Leila McIntyre (perf.) John Hyams (perf.) |
Pub. |
| Just 'round the Corner | 1918 | Gustave Kahn (words) | |
| Kaiser Bill | 1918 | Raymond Egan (words) | Pub. |
| Put Your Hands in Your Pockets and Give, Give, Give | 1918 | Gustave Kahn (words) | |
| Tell the Folks in Dixie I'll Be Back There Some Day | 1918 | Gustave Kahn (words) | |
| We'll Build a Rainbow in the Sky | 1918 | Richard A. Whiting (words) | |
| What Are You Going to Do to Help the Boys? | 1918 | Gus Kahn (words) | Pub. |
| When We Meet in the Sweet Bye and Bye | 1918 | Stanley Murphy (words) | |
| When We Went to Sunday School | 1918 | Gus Kahn (words) F. W. Gorman (perf.) |
Pub. |
| ⇑ Baby | 1919 | Gus Kahn (words) Nancy Fair (perf.) Emily Miles (perf.) |
Pub. |
| Title | Year | Attribution | Remarks |
|---|
| I'll Wait For You | 1919 | Gus Kahn (words) | |
| In Springtime | 1919 | Erwin R. Schmidt (words) | |
| Lucy | 1919 | ||
| Mississippi Shore | 1919 | Arthur Sizemore (words) | |
| My Choc'late Soldier Sammy Boy (w&m) | 1919 | Pub. | |
| Some Quiet Afternoon | 1919 | Gus Kahn (words) Mollie King (perf.) Leila McIntyre (perf.) John Hyams (perf.) |
Pub. |
| That's the Way That I've Missed You | 1919 | Gustave Kahn (words) Mabel Juliene Scott (perf.) |
|
| Till the Shadows Have Flown | 1919 | Haven Gillespie (words) Lee Onidas (words) |
|
| Don't Be Cross With Me | 1920 | Haven Gillespie (words) | Pub. |
| Dreaming of the Same Old Girl | 1920 | Gus Kahn (words) | Pub. |
| Dreamy Paradise | 1920 | Pub. | |
| ⇑ Some Little Bird | 1920 | Haven Gillespie (words) Lindsey McPhail (words) |
|
| Sweetie O'Mine | 1920 | Haven Gillespie (words) | Pub. |
| Honey, Dat's All | 1921 | Haven Gillespie (words) | Pub. |
| Old Kentucky Moonlight - Song | 1921 | Haven Gillespie (words) | Pub. |
| Old Kentucky Moonlight Waltz | 1921 | Pub. | |
| I'm Just a Little Blue For You (w&m) | 1922 | Haven Gillespie (words) Margaret Young (perf.) Ernie & Billy Loos (perf.) |
Pub. |
| Girl of the Olden West, The | 1923 | C.L. Cooke (co-author) H. Gillespie (words) Sylvia Breamer (perf.) |
Pub. |
| Nearer and Dearer | 1923 | Haven Gillespie (words) | Pub. |
| Skeezix | 1923 | Louise Fields (words) | |
| Tweet Tweet | 1923 | Haven Gillespie (words) Nathan Glantz (perf.) |
|
| You Can't Make a Fool Out of Me | 1923 | Paul Cunningham (words) Cherie Dennis (perf.) |
Pub. |
| Dreams | 1924 | James La Mont (words) Guido Ciccolini (perf.) |
Pub. |
| ⇑ In the Hills of Old Virginia | 1924 | Haven Gillespie (words) | |
| Old Pal | 1924 | Gus Kahn (words) Bernice De Pasquale (perf.) |
Pub. |
| Sing Me ''Oh, Solo Mio'' | 1924 | Gustave Kahn (words) | Pub. |
| Until Tomorrow | 1924 | Al Hegbom (words) | |
| Drifting and Dreaming | 1925 | Erwin R. Schmidt (words) Loyal Curtis (words) Haven Gillespie (words) Waikiki Hawaiian Orchestra (perf.) |
|
| Kentucky's Way of Sayin' Good Mornin' (w&m) | 1925 | Gus Kahn (co-author) Earl & Bell (perf.) Cardo & Noll (perf.) Jeanne La Crosse (perf.) |
Pub. |
| Moonlight Trail, The | 1926 | Raymond Egan (words) | |
| With Mother a Smilin' on Me | 1926 | ||
| Blue Ridge Moon | 1927 | Haven Gillespie (words) Gene Arnold (words) |
|
| Surrender | 1927 | Jeff Edmonds (words) Haven Gillespie (words) |
|
| What Could I Do? | 1927 | Gustave Kahn (words) | |
| Nita | 1928 | Walter Hirsch (words) | |
| ⇑ Swingin' Along With Lindy | 1928 | Gus Kahn (words) M. Cahill (perf.) |
Pub. |
| Toy Town | 1928 | Charles L. Cooke (words) | |
| My Prayer For Today | 1930 | Walter Hirsch (words) | |
| Beautiful Love | 1931 | Victor Young (words) Haven Gillespie (words) Wayne King (words) |
|
| Calling Me Homeward to You | 1932 | Walter Hirsch (words) | |
| Dearest | 1932 | Walter Hirsch (words) | Pub. |
| Softly Steals the Night | 1933 | Haven Gillespie (words) | |
| When the Sun Comes Tumbling Down | 1933 | Gene Arnold (words) | |
| Your Chicao, My Chicago | 1933 | Gene Arnold (words) | |
| Golden Sands and Silv'ry Sea | 1934 | Walter Blaufuss (words) | |
| When You and I Were School Day Sweethearts | 1934 | Gene Arnold (words) | |
| Enchanted Moon | 1937 | Walter Blaufuss (words) | |
| ⇑ Dance of the Kewpies | ? | ||
| I Wish I Wuz a Kid Again | ? | |
|
| Lovers Lane Waltz | ? |
| Title | Duration | Performer |
|---|
|
Hu-La Hu-La | 1:59 | Ragtime Dorian Henry |
|
I'm Afraid To Come Home in the Dark | 2:57 | Clarice Vance |
|
Jamaica Jinjer | 0:00 | Ragtime Dorian Henry |
|
Odds and Ends | 2:56 | Ragtime Dorian Henry |