| Title (Release Year) | Composer | Performers | Issue |
|---|
| Historic Records | ||||
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Chung Hong (1926) | P. Aceña | Mercedes Serós | Gramophone: BS2451 |
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Ku-klux-klan (1923) | P. Aceña | Mercedes Serós | Gramophone: BS1126 |
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La cieguita (1927) | P. Aceña | Juan Pulido | Victor: BVE-40781 |
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Los mártires (1931) | P. Aceña | Los Ciegos | Columbia: WK2620 |
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Muñequita de amor (1926) | P. Aceña | Mercedes Serós | Gramophone: BS2467 |
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Nueva España (1931) | P. Aceña | Los Ciegos | Columbia: WK2621 |
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Suspiro gitano (1925) | P. Aceña | A. Molina | Columbia: W93903 |
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Tutankamen (1924) | P. Aceña | Mercedes Serós | Gramophone: BS1337 |
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Waya-Wais (1923) | P. Aceña | International Novelty Orchestra. | Victor: B-28087 |
| Title | Year | Attribution | Remarks |
|---|
| Ku-klux-klan | 1923 | DowlerSam (words) Mercedes Serós (perf.) as W. Keppler-Lais |
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| La cieguita | 1923 | Juan Pulido (perf.)
as W. Keppler-Lais |
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| Waya-Wais | 1923 | DowlerSam (words) International Novelty Orchestra. (perf.) as W. Keppler-Lais |
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| Tutankamen | 1924 | DowlerSam (words) Mercedes Serós (perf.) as W. Keppler-Lais |
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| Suspiro gitano | 1925 | Ramón Berraondo Insausti (co-author) Amalia Molina (perf.) |
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| Chung Hong | 1926 | Ramuncho (words) Ramón Bertrán Reyna (words) Mercedes Serós (perf.) as W. Keppler-Lais |
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| Muñequita de amor | 1926 | Ramuncho (words) Ramón Bertrán Reyna (words) Mercedes Serós (perf.) as W. Keppler-Lais |
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| Los mártires | 1931 | Pedro Luis de Gálvez (words) Federico Maenza (words) Los Ciegos (perf.) as W. Keppler-Lais |
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| Nueva España | 1931 | Pedro Luis de Gálvez (words) Federico Maenza (words) Los Ciegos (perf.) as W. Keppler-Lais |
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