Title | Attribution | Instruments | Source | Remarks |
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Where Are the Scenes of Yesterday? (1909) | T.S. Allen (w&m) Helene Vincent (perf.) |
Piano, Voice | Indiana | ||
You've Got Your Mother's Big Blue Eyes (1913) | I. Berlin (w&m) Helene Vincent (perf.) |
Piano | Indiana | ||
Where Can I Meet You To-Night? (1914) | A. Lange (music) Edgar Farran (words) Edward Miller (perf.) Helene Vincent (perf.) |
Piano, Voice | Indiana |
Title | Composer | Attribution | Items |
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Where Are the Scenes of Yesterday? (1909) | Thomas S. Allen(w&m) | Helene Vincent (perf.) |
||
You've Got Your Mother's Big Blue Eyes (1913) | Irving Berlin(w&m) | Helene Vincent (perf.) |
||
Some Girls Do and Some Girls Don't (1916) | Howard E. Johnson | Alex Gerber (co-author) Harry Jentes (co-author) Helene Vincent (perf.) |
||
Where Can I Meet You To-Night? (1914) | Arthur Lange | Edgar Farran (words)
Edward Miller (perf.) Helene Vincent (perf.) |
||
Honolulu Blues (1916), The | James V. Monaco | Grant Clarke (words)
Helene Vincent (perf.) |
||
Those Good Old Days Back Home (1916) | James V. Monaco | Joe McCarthy (words)
Helene Vincent (perf.) |
||
I've Only One Idea About the Girls and That's to Love 'em (1914) | Al Piantadosi | Earl Carroll (words) Joseph McCarthy (words) Helene Vincent (perf.) |
||
They Don't Hesitate Any More (1914) | Harry Puck | Helene Vincent (perf.) |