Title | Composer | Attribution | Remarks |
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Ecstasy (1866) | Luigi Arditi | Columbia Orchestra (perf.) Euphrosyne Parepa-Rosa (perf.) |
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Why Was I Looking Out? (1866) | Jacques Blumenthal | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
My Heart Is O'er the Sea (1865) | Claribel(w&m) | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
Five O'Clock in the Morning (1869) | Claribel | Euphrosyne Parepa-Rosa (perf.) | ||
Coming, Coming Bye-And-Bye (1866) | Virginia Gabriel | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
Nightingale's Trill (1866), The | Wilhelm Ganz | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
Sing, Birdie Sing (1866) | Wilhelm Ganz | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
When We Went a Gleaning (1866) | Wilhelm Ganz | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
Why Dost Thou Linger Yet (1866) | Daniel Godfrey | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
Happy Thoughts (1866) | John Liptrot Hatton | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
⇑Nothing Else to Do (1867) | John Liptrot Hatton(w&m) | Euphrosyne Parepa-Rosa (perf.) | ||
Parted From Thee (1866) | Georg Matzka | Euphrosyne Parepa-Rosa (perf.) | Pub. | |
Oh Say Not Woman's Heart Is Bought (1866) | John Whitaker(w&m) | Euphrosyne Parepa-Rosa (perf.) | Pub. |