Title | Attribution | Remarks |
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After the Ball - Song | Charles K. Harris (words & music) J. Aldrich Libbey (perf.) |
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Title | Attribution | Instruments | Source | Remarks |
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After the Ball - Song (1892) | C.K. Harris (words & music) J. Aldrich Libbey (perf.) |
Piano, Voice | IMSLP | ![]() |
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Love's Serenade (1895) | R. Stahl (music) Norman Jeffries (words) J. Aldrich Libbey (perf.) |
Piano, Voice | IMSLP | ![]() |
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Avenge the Good Ship Maine (1898) | R.M. Stults (music) J. Aldrich Libbey (perf.) |
Piano | IMSLP | ![]() |
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After the Ball - Song | C.K. Harris (words & music) J. Aldrich Libbey (perf.) |
Piano, Voice | Monologues |
Title | Composer | Attribution | Remarks |
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After the Ball - Song (1892) | Charles K. Harris(w&m) | Edna Murphy (perf.) J. Aldrich Libbey (perf.) |
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Ain't You Coming Back to Old New Hampshire, Molly? (1906) | J. Fred Helf | Robert F. Roden (words) Sadie Helf (perf.) J. Aldrich Libbey (perf.) |
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When the Whip-Poor-Will Sings Marguerite (1906) | J. Fred Helf | C. M. Denison (words) Willard Dyer (perf.) Edward A. Warden (perf.) P.D. Landes (perf.) J. Aldrich Libbey (perf.) |
Pub. |
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When It's Moonlight Mary Darling 'neath the Old Grape Arbor Shade (1907) | J. Fred Helf | Bertley Costello (words) J. Aldrich Libbey (perf.) |
Pub. |
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Love's Serenade (1895) | Richard Stahl | Norman Jeffries (words) J. Aldrich Libbey (perf.) |
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Avenge the Good Ship Maine (1898) | Robert Morrison Stults | J. Aldrich Libbey (perf.) | ![]() |